Biodiversity in Your Backyard ~~~~~~~~~~~~~~~~~~~ Program
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Bellarine Peninsula – Distinctive Areas and Landscapes Phase Two Community Engagement Key Findings Report
Bellarine Peninsula – Distinctive Areas and Landscapes Phase Two Community Engagement Key Findings Report FINAL, 15 July 2020 REPORT © Capire Consulting Group Pty Ltd. This document belongs to and will remain the property of Capire Consulting Group Pty Ltd. All content is subject to copyright and may not be reproduced in any form without express written consent of Capire Consulting Group Pty Ltd. Authorisation can be obtained via email to [email protected] or in writing to: 96 Pelham Street Carlton VIC Australia 3053. Privacy Capire Consulting Group and any person(s) acting on our behalf is committed to protecting privacy and personally identifiable information by meeting our responsibilities under the Victorian Privacy Act 1988 and the Australian Privacy Principles 2014 as well as relevant industry codes of ethics and conduct. For the purpose of program delivery, and on behalf of our clients, we collect personal information from individuals, such as e-mail addresses, contact details, demographic data and program feedback to enable us to facilitate participation in consultation activities. We follow a strict procedure for the collection, use, disclosure, storage and destruction of personal information. Any information we collect is stored securely on our server for the duration of the program and only disclosed to our client or the program team. Written notes from consultation activities are manually transferred to our server and disposed of securely. Comments recorded during any consultation activities are faithfully transcribed however not attributed to individuals. Diligence is taken to ensure that any comments or sensitive information does not become personally identifiable in our reporting, or at any stage of the program. -
COONAWARRA \ Little Black Book Cover Image: Ben Macmahon @Macmahonimages COONAWARRA \
COONAWARRA \ Little Black Book Cover image: Ben Macmahon @macmahonimages COONAWARRA \ A small strip of land in the heart of the Limestone Coast in South Australia. Together our landscape, our people and our passion, work in harmony to create a signature wine region that delivers on a myriad of levels - producing wines that unmistakably speak of their place and reflect the character of their makers. It’s a place that gets under your skin, leaving an indelible mark, for those who choose it as home and for those who keep coming back. We invite you to Take the Time... Visit. Savour. Indulge. You’ll smell it, taste it and experience it for yourself. COONAWARRA \ Our Story Think Coonawarra, and thoughts of There are the ruddy cheeks of those who tend the vines; sumptuous reds spring to mind – from the the crimson sunsets that sweep across a vast horizon; and of course, there’s the fiery passion in the veins of our rich rust-coloured Terra Rossa soil for which vignerons and winemakers. Almost a million years ago, it’s internationally recognised, to the prized an ocean teeming with sea-life lapped at the feet of the red wines that have made it famous. ancient Kanawinka Escarpment. Then came an ice age, and the great melt that followed led to the creation of the chalky white bedrock which is the foundation of this unique region. But nature had not finished, for with her winds, rain and sand she blanketed the plain with a soil rich in iron, silica and nutrients, to become one of the most renowned terroir soils in the world. -
The Melbirdian
The Melbirdian MELBOCA Newsletter Number 66 April 2009 Low Water Levels Reveal New Habitats After the high water levels seen during the Melbourne By the way, the Feral Geese at River Gum Creek and Water Wetland Surveys in December 2008, levels South of Golf Links Road sites are still there. Seems diminished dramatically towards the end of February to the that they were let off for Christmas! extent that only small ponds remained at two of the six Graeme Hosken wetlands. Large mud flats were also exposed, especially at River Gum Creek Wetland, creating a habitat not previously seen. The lack of water has definitely influenced the birds seen at the six wetlands being monitored by MELBOCA during the recent survey period. Black-winged Stilt favoured the low water levels, with 29 individuals recorded at River Gum Creek in February. In addition, 37 Australian Pelican enjoyed fishing in the shallow water at the same site. The small Waterford Wetlands site provided two highlights for the recent survey Yellow-billed period: an Australian Shelduck and a Blue-billed Duck, the Spoonbill latter actually having some deep water to dive in. The photographed Hallam Valley Road site is still providing the ‘team’ with at the Western new species. During January and February, six new Treatment Plant species were recorded at this site, including Spotted by Damian Pardalote, which is a new species for all six MELBOCA Kelly sites. At River Gum Creek, a Brown Songlark in February has taken the tally for the six sites to 122. Of the 122 species recorded at River Gum Creek over the past 21 months, 28 have been seen at all six sites. -
City of Geelong
Contents: Local Section We All Live In A Catchment 3 Drains To the River 5 Lake Connewarre 8 Balyang Sanctuary - Local Laws 9 Feathers & Detergents Don’t Mix 11 Feathers & Oil Don’t Mix 14 Balyang Sub-Catchment 15 Begola Wetlands 16 Design a Litter trap 18 Frogs At Yollinko 20 Pobblebonk! 21 Car Wash! 22 Phosphorus In Your Catchment 23 Emily Street Lake 24 What’s the Water Like? 25 What Makes Algae Grow? 27 Lara Mapping 28 Where Does It Go? 29 We Can All Do Something! 31 Mangroves! 32 Limeburners Bay & Estuary 36 Frogs At Jerringot Wetland 38 Litter Round-Up 40 Frog Tank 41 Catchment Litter 43 Stormwater Pollution & Seagrass 44 Effects of Pollutants 46 Bird In a Trap! 47 Seahorse Tank 48 Organic Breakdown 49 Every Living Thing Needs Oxygen 51 Mapping & Decisions (Drain Stencilling) 52 Tell the World! 53 Take action! 54 Find-a-Word 56 Your School Drains To 57 Contacts/Reference 60 local section - i of greater geelong 1 How to use this material This material has been designed for students/teachers of Yr 3 - 8. It provides information and activities on water quality issues at specific locations around the City of Greater Geelong, associated with stormwater. It is designed to be used in conjunction with the Waterwatch Education Kit, but can also be used as an independent study. Each unit of work is designed around a specific area Jane Ryan, Project Officer, Waterwatch Victoria; of Geelong. These areas have been chosen as Tarnya Kruger Catchment Education Officer, each has it’s own issues relating to stormwater. -
Deakin University Art Gallery
DEAKIN UNIVERSITY ART GALLERY 1 We are excited to share a glimpse of our 2020 exhibitions. For further information and to keep up to date with programs, key information and events please visit our website and social media. deakin.edu.au/art-collection/ Facebook.com/ArtDeakin Twitter.com/ArtDeakin Instagram.com/deakinartgallery DEAKIN UNIVERSITY izi.travel - Deakin Art Collection ART GALLERY 2020 and sculpture walk guides Enquiries T +61 3 9244 5344 E [email protected] For venue addresses and opening hours please refer to page 21. Our venues are open during exhibition periods only. Cover and back: Marta OKTABA Swooping Magpie 2019 Untitled 2019 ink on paper © and courtesy of the artist 2 3 DRAWING ON THE WALL This exhibition features newly commissioned and rarely seen wall-based and site responsive artworks from artists Julia Gorman, David Harley, Kerrie Poliness and Kenny Pittock to be displayed at the Deakin University Art Gallery at the Melbourne Burwood Campus and the Deakin Downtown Gallery in Melbourne’s Docklands. Extending the usual academic reach of the gallery these artworks have been conceived with direct student participation and collaboration in mind. Curated by James Lynch, Deakin University EXHIBITION DATES 18 February – 27 March EXHIBITION VENUES AND EXHIBITING ARTISTS Deakin University Art Gallery Deakin University Downtown Gallery Julia Gorman David Harley Kerrie Poliness Kenny Pittock Kerrie POLINESS Wall drawings BBKO (left) and OMG (right) installation view Anna Schwartz Gallery, Carriageworks, Sydney 2014 © and courtesy of the artist and Anna Schwartz Gallery 4 5 HOLDING IN THE HAND Explores the hand and the haptic as sites for digital interface and creative possibilities. -
MCA Annual Report 2007 Download
A YeAr in review MCA AnnuAl report 2007 1 Contents Introduction 3 Chairman’s Message 5 Director’s Message 6 2007 Highlights 9 Artistic Programs Overview 13 Touring Exhibitions 21 Education, Youth Programs & Access 23 Supporters 30 Sponsorship & Donations 38 Visitor Statistics 40 MCA Collection purchases and gifts 44 Outward Loans from the MCA Collection 46 Financial Statements 49 Cover image: Fiona Lowry lost to nothing (detail) 2006 acrylic on canvas 196 x 167 cm Museum of Contemporary Art, purchased with the assistance of Dr. Edward and Mrs Cynthia Jackson, Richard Paeiment and Malcolm Pike, 2007 Image courtesy of the artist and Gallery Barry Keldoulis, Sydney © the artist Photograph: Richard Glover 2 1 MCA 2007 | A Year in review The Museum of Contemporary Art is Australia’s only contemporary art museum dedicated to collecting and exhibiting contemporary art and engaging in discussion and debate on contemporary visual art and culture. Situated in central Sydney at West Circular Quay, the entrance to Sydney’s historic Rocks precinct, the MCA seeks to make contemporary art accessible for a broad spectrum of public audiences through a diverse range of exhibitions incorporating new and more traditional media, stimulating and hands-on educational programs and special events. MCA Touring exhibitions offer innovative and engaging exhibitions and collection projects to galleries and museums throughout NSW, Australia and the world, contributing to critical debate about contemporary art and ideas to a broad public. The Museum of Contemporary Art is assisted by the NSW Government through ARTS NSW and by the Australian Government through the Australia Council, its arts funding and advisory body, and the Visual Arts and Craft Installation view Centre Pompidou Video Art: 1965–2005 at MCA, summer 2006/07 photo Jenni Carter Strategy, an initiative of the Australian, State and Territory Government. -
Indigenous Wildlife of the Bellarine Peninsula Brochure
Birds Birds Birds Birds Indigenous Wildlife of the Bellarine Peninsula This guide will assist in identifying some of the species you may find on the Bellarine Peninsula, however it is not a complete species list. It should be noted that male, female, juvenile and seasonal bird colourations may vary. Observations and locations are general and species may be found in other areas. Photos are not to scale. WHAT CAN I DO? • Plant local native plant species so that local fauna is supplied with their proper food and shelter. • Multi-row indigenous vegetation is much more effective and is much better Indigenous Wildlife for wildlife than a single row, especially if understorey (shrub) species are included. • Plant some dense plants for shelter and some prickly indigenous shrubs. • Include plants that flower at different times of the year. of the Bellarine Peninsula • Regard low-lying spots as beneficial as frogs and other small wildlife will use them. • Rocks sited at a safe distance away from the house can provide habitat for lizards and snakes. 3rd Edition • Nest boxes can provide homes for many birds and mammals. Black Swan Freckled Duck Australian Wood Duck White-faced Heron Little Egret Straw-necked Ibis Pied Oystercatcher Black-winged Stilt Red-capped Plover Pacific Gull Rainbow Lorikeet Eastern Rosella Uncommon visitor. • If feeding wildlife provide only small, irregular amounts of food. Common breeding resident. Very common breeding resident. Common in shallow Listed as Threatened in Victoria. Common in grassy paddocks Common. Coastal shores Common. Shallow freshwater Common. Shorelines of Large gull. Common along Common resident. Urban, Common and widespread Can be seen in 1000’s at Swan Sometimes large numbers at Often on farm dams or parkland wetlands. -
Rabbit Control Plan 2020–24
THE CITY OF GREATER GEELONG RABBIT CONTROL PLAN 2020–24 DRAFT 2. CONTENTS Mayor’s message 4 What we heard 13 Executive summary 5 What shaped this plan 14 Introduction 6 Guiding principles 14 Our region 7 Rabbit control constraints 16 Biodiversity 7 Managing risk 17 Agriculture 7 Our methodology 18 Population growth 7 Rabbit Priority Area Scoring tool 18 Rabbits in our landscape 7 Data collection, monitoring and reporting 18 Our commitment to control rabbits 8 Community engagement and support 18 Rural and Peri-Urban Advisory Committee 8 Our Rabbit Control Plan 2020–24 19 Restoring Rural Landscapes 8 Vision 19 The bigger picture 10 Goals 19 Who’s responsible for rabbit control? 10 Objectives 19 The engagement process 12 Action Plan 2020–2024 20 Community consultation 12 References 22 Phase one 12 Phase two* 12 Phase three 12 Council acknowledges Wadawurrung Traditional Owners of this land and all Aboriginal and Torres Strait Islander People who are part of the Greater Geelong community today. 3. MAYOR’S MESSAGE From the moment with the help of funding from the City’s Restoring Rural they were introduced Landscapes program, an exciting new initiative with a in the 1850s, rabbits major focus on pest plant and animal control. have been destructive Thank you to the many members of our community who to our region’s natural have offered their insights to help the development of environment and to our this plan, including local Landcare groups and the City’s agricultural industry. Rural and Peri-Urban Advisory Committee. Thanks also In large numbers they to the City staff who have brought the plan to this point. -
Networks, Cells and Silos
MONASH UNIVERSITY MUSEUM OF ART Education Kit networks cells and silos 1 february - 16 april 2011 Natalie Bookchin Andrew McQualter The Exhibition Chris Bond Jan Nelson NETWORKS (cells & silos) explores In a world of vast, interconnected connections between artistic and flows of information, we are joined Dorothy Braund Kerrie Poliness visual representations of networks to each other in a myriad of ways, Heath Bunting Koji Ryui – and the rapidly evolving field of uniquely able to relate different Mutlu Çerkez Sandra Selig network science. bodies of data and knowledge. We increasingly live between the Contemporary art and network John Dunkley-Smith Bryan Spier paradigms of network, cell and silo, science allow us to visualise a more connected to each other than Mikala Dwyer Masato Takasaka myriad of connective models, to we’ve ever been, yet perhaps also Gali Yalkarriwuy Gurruwiwi Michelle Teran explore shared network structures of more isolated. NETWORKS (cells radically different origins – physical, Roger Kemp Justin Trendall & silos) asks whether a deeper perceived and designed – spanning understanding of network patterns Aaron Koblin Kit Wise the diverse realms of biological and dynamics will allow us a greater networks, as well as engineered, Hilarie Mais Tjaduwa Wood capacity to choose and manage information, cognitive, semantic and change. Nick Mangan social networks. Ground Floor, Building F www.monash.edu.au/muma Koji Ryui Extended network towards the happy end of Monash University, Caulfield Campus Telephone +61 3 9905 4217 the -
Regional Fisheries Consultations Meeting Outcomes - 2009
Regional Fisheries Consultations Meeting Outcomes - 2009 Fisheries Management Paper Fisheries Victoria Management Report Series No. 72 November 2009 www.dpi.vic.gov.au CC/XX/XXXX If you would like to receive this information/publication in an accessible format (such as large print or audio) please call the Customer Service Centre on 136 186, TTY 1800 122 969, or email [email protected]. Published by the Department of Primary Industries Fisheries Victoria, November 2009 © The State of Victoria 2009. This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Reproduction and the making available of this material for personal, in- house or non-commercial purposes is authorised on the condition that: the copyright holder is acknowledged as the owner; • no official connection is made; • the material is made available without charge or cost; and • the material is not subject to inaccurate, misleading or derogatory comment. Preferred way to cite this publication: Department of Primary Industries 2009. Regional Fisheries Consultation Meeting Outcomes - 2009 . Fisheries Victoria Management Report Series No. 72 ISSN 1448-1693 ISBN 978-1-74217-840 0 (print) 978-1-74217-841-7 (online) Authorised by the Victorian Government, 1 Spring Street, Melbourne. Copies are available from the website: www.dpi.vic.gov.au/fishing Disclaimer This publication may be of assistance to you but the State of Victoria and its employees do not guarantee that the publication is without flaw of any kind or is wholly appropriate for your particular purposes and therefore disclaims all liability for any error, loss or other consequence which may arise from you relying on any information in this publication. -
Drysdale Bypass, Jetty Road to Whitcombes Road, Drysdale, Victoria: Aboriginal Cultural Heritage Management Plan
Draft Report Drysdale Bypass, Jetty Road to Whitcombes Road, Drysdale, Victoria: Aboriginal Cultural Heritage Management Plan Number 13839 Sponsor VicRoads (South Western Projects) 13 April 2017 Ecology and Heritage Partners Pty Ltd Cultural Heritage Advisor Author Alison O’Connor Alison O’Connor ADELAIDE . BRISBANE . CANBERRA . GEELONG . MELBOURNE . SYDNEY www.ehpartners.com.au | (03) 9377 0100 Drysdale Bypass, Jetty Road to Whitcombes Road, Drysdale, Victoria: Aboriginal Cultural Heritage Management Plan Number: 13839 ACTIVITY SIZE: Large ASSESSMENT: Complex SPONSOR: VicRoads (South Western Projects) CULTURAL HERITAGE ADVISORS: Alison O’Connor AUTHORS: Alison O’Connor DATE: 13 April 2017 Cover Photo: Elevated rise on southern side of Andersons Road, looking east (Photo by Ecology and Heritage Partners Pty Ltd) Drysdale Bypass, Drysdale, Victoria: CHMP 13938, April 2017 ii ACKNOWLEDGEMENTS We thank the following people and organisations for their contribution to the project: Alastair Robinson and Jie Yun Cui (VicRoads) for project and site information. Wathaurung Aboriginal Corporation for assistance in the field, cultural heritage information and evaluation of the report. Office of Aboriginal Affairs Victoria. Drysdale Bypass, Drysdale, Victoria: CHMP 13938, April 2017 iii DOCUMENT CONTROL Activity Drysdale Bypass Address Jetty Road to Whitcombes Road, Drysdale Project number 13938 Project manager Alison O’Connor Report author(s) Alison O’Connor Report reviewer Oona Nicolson Other EHP staff Terence MacManus, Stacey Kennedy and Rick -
Finalists Sue Buchanan and Eli Giannini Pamela Clements
Finalists Sue Buchanan and Eli Giannini Pamela Clements Alexander Knox Tom Nicholson John Nixon Elaine Miles Spiros Panigirakis Louise Paramor Kerrie Poliness Jason Waterhouse The Melbourne Prize for Urban Sculpture 2008 is made possible by the generous support of the following partners and patrons Government Partners Founding Partners Melbourne Prize for Urban Sculpture 2008 Partners Exhibition and Event Partner Media Communications Foundation Corporate Partner Professional Services Fundere Foundry Patrons Print Partners Website Development Diana Gibson AO littleirrepressiblewonton.com Names24.com.au Banners & Digital Printing Exhibition Signage Exhibition Consultant Finalists exhibition 10 to 24 November 2008 at Federation Square Visit www.melbourneprizetrust.org The Melbourne Prize for Urban Sculpture 2008 and public exhibition of finalists, held at Federation Square between 10 – 24 November, is made possible by the generous support of our partners and patrons. The ten finalist’s works, exhibited throughout Federation Square, are showcased in this catalogue, which contains a voting form for the $3,000 Civic Choice Award. The objective of the Melbourne Prize for Urban Sculpture 2008 is to recognise and reward the excellence and talent of Victorian sculptors. The prize enables propositional and finished works to be entered with the opportunity for exhibition at Melbourne’s Federation Square. Thank you to the Awarding Committee and Advisory Group for their dedication and support and the Directors of the Melbourne Prize Trust. The prize raises awareness of our abundant creative resources and highlights the importance of the aesthetic quality and liveability of the urban environment and its relationship with arts and culture. The Melbourne Prize for Urban Sculpture 2008 positions Melbourne and Victoria in the forefront of creating opportunities for sculptors.