Annual Report 2009–10 3 Contents
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Contents ART - FROM AROUND THE WORLD......................................................................................................................................................................... 2 AUSTRALIAN HISTORY .............................................................................................................................................................................................. 5 CINEMA .......................................................................................................................................................................................................................... 13 INDIGENOUS .................................................................................................................................................................................................................. 16 MILITARY ....................................................................................................................................................................................................................... 17 OTHER STATES - NSW, TAS, QLD, SA, WA, & NT ............................................................................................................................................... 21 AUSTRALIAN RAILWAYS ............................................................................................................................................................................................... 25 SKETCH BOOKS ............................................................................................................................................................................................................ -
3-4 Booklist by Title - Full
3-4 Booklist by Title - Full When using this booklist, please be aware of the need for guidance to ensure students select texts considered appropriate for their age, interest and maturity levels. PRC Title/Author Publisher Year ISBN Annotations 9404 100 Australian poems for children Random House 2002 9781740517751 From emus to magic puddings, this feast of Australian poems for Griffith, Kathryn & Scott-Mitchell, Claire (eds)Australia Pty Ltd children is fresh and familiar. Written by grown-ups and kids, with & Rogers, Gregory (ill) beautiful illustrations, it reveals what is special about growing up in Australia. 660416 100 ways to fly University of 2019 9780702262500 In 100 Ways to Fly you'll find a poem for every mood - poems to make Taylor, Michelle Queensland Press you laugh, feel silly or to twist your tongue, to make you courageous enough for a new adventure or to help you soar. 537 27th annual African hippopotamus race Puffin Australia 1985 9780140309911 Go behind the scenes as eight year old Edward, the hippopotamus, Lurie, Morris trains for the greatest swimming marathon of all. 18410 4F for freaks Allen & Unwin Pty Ltd 2006 9781741140910 4F pride themselves on frightening teachers out of the classroom. It Hobbs, Leigh seems that they have met their match with Miss Corker who has a few tricks of her own up her sleeves. 9581 500 hats of Bartholomew Cubbins, The Random House 1989 9780394844848 Bartholomew is selling cranberries when the king passes by. A big cry is Seuss, Dr Australia Pty Ltd heard, 'Hats off to the King', which Bartholomew does but he still has a hat on his head. -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Cascades Female Factory South Hobart Conservation Management Plan
Cascades Female Factory South Hobart Conservation Management Plan Cascades Female Factory South Hobart Conservation Management Plan Prepared for Tasmanian Department of Environment, Parks, Heritage and the Arts April 2008 Table of contents Table of contents i List of figures iii List of Tables v Project Team vi Acknowledgements vii Executive Summary ix 1.0 Introduction 1 1.1 Background to project 2 1.2 History & Limitations on Approach 2 1.3 Description 3 1.4 Key Reports & References 4 1.5 Heritage listings & controls 12 1.6 Site Management 13 1.7 Managing Heritage Significance 14 1.8 Future Management 15 2.0 Female Factory History 27 2.1 Introduction 27 2.2 South Hobart 28 2.3 Women & Convict Transportation: An Overview 29 2.4 Convict Women, Colonial Development & the Labour Market 30 2.5 The Development of the Cascades Female Factory 35 2.6 Transfer to the Sheriff’s Department (1856) 46 2.7 Burial & Disinterment of Truganini 51 2.8 Demolition and subsequent history 51 2.9 Conclusion 52 3.0 Physical survey, description and analysis 55 3.1 Introduction 55 3.2 Setting & context 56 3.3 Extant Female Factory Yards & Structures 57 3.4 Associated Elements 65 3.5 Archaeological Resource 67 3.6 Analysis of Potential Archaeological Resource 88 3.7 Artefacts & Movable Cultural Heritage 96 4.0 Assessment of significance 98 4.1 Introduction 98 4.2 Brief comparative analysis 98 4.3 Assessment of significance 103 5.0 Conservation Policy 111 5.1 Introduction 111 5.2 Policy objectives 111 LOVELL CHEN i 5.3 Significant site elements 112 5.4 Conservation -
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
Annual Report Contents About Museums Australia Inc
Museums Australia (Victoria) Melbourne Museum Carlton Gardens, Carlton PO Box 385 Carlton South, Victoria 3053 (03) 8341 7344 Regional Freecall 1800 680 082 www.mavic.asn.au 08 annual report Contents About Museums Australia Inc. (Victoria) About Museums Australia Inc. (Victoria) .................................................................................................. 2 Mission Enabling museums and their Training and Professional Development President’s Report .................................................................................................................................... 3 services, including phone and print-based people to develop their capacity to inspire advice, referrals, workshops and seminars. Treasurer’s Report .................................................................................................................................... 4 Membership and Networking Executive Director’s Report ...................................................................................................................... 5 and engage their communities. to proactively and reactively identify initiatives for the benefit of existing and Management ............................................................................................................................................. 7 potential members and links with the wider museum sector. The weekly Training & Professional Development and Member Events ................................................................... 9 Statement of Purpose MA (Vic) represents -
EARLY COOBER PEDY SHOW HOME/DUGOUT - for SALE Coober Pedy Is a Town Steeped in the Rich History of Early Opal Mining and Its Related Industry Tourism
ISSN 1833-1831 Tel: 08 8672 5920 http://cooberpedyregionaltimes.wordpress.com Thursday 19 May 2016 EARLY COOBER PEDY SHOW HOME/DUGOUT - FOR SALE Coober Pedy is a town steeped in the rich history of early opal mining and its related industry tourism. The buying and selling of dugouts is a way of life in the Opal Capital of the World where the majority of family homes are subterranean. A strong real-estate presence has always been evident in Coober Pedy, but opal mining family John and Jerlyn Nathan with their two daughters are self-selling their historic dugout in order to buy an acreage just out of town that will suit their growing family’s needs better. The Nathan family currently live on the edge of town, a few minutes from the school and not far from the shops. Despite they brag one of most historic homes around with a position and a view from the east side of North West Ridge to be envied, John tells us that his growing family needs more space outside. “Prospector’s Dugout has plenty of space inside, with 4 bedrooms plus,” said John. “But the girls have grown in 5 years and we have an opportunity, once this property is sold, to buy an acreage outside of town, and where my daughters can have a trail bike and other outdoor activities where it won’t bother anyone.” “I will regret relinquishing our location and view but I think kids need the freedom of the outdoors when they are growing up,’ he said. John and Jeryln bought the 1920’s dugout at 720 Russell John and Jerlyn Nathan with daughters De’ Arna and Darna on the patio at Prospector’s Dugout. -
Safety in Opal Mining Guide
Safety in Opal Mining Opal Miner’s Guide Coober Pedy Mine Rescue emergency phone number is 8672 5999. Andamooka Mine Rescue emergency phone numbers are (Police) 8672 7072, (Clinic) 8672 7087, (Post office) 8672 7007. Mintabie Mine Rescue emergency phone numbers are (clinic) 8670 5032, (SES) 8670 5162, 8670 5037 A.H. South Australia Opal Fields Disclaimer Information provided in this publication is designed to address the most commonly raised issues in the workplace relevant to South Australian legislation such as the Occupational Health Safety and Welfare Act 1986 and the Workers Rehabilitation and Compensation Act 1986. They are not intended as a replacement for the legislation. In particular, WorkCover Corporation, its agents, officers and employees : • make no representations, express or implied, as to the accuracy of the information and data contained in the publication, • accept no liability for any use of the said information or reliance placed on it, and make no representations, either expressed or implied, as to the suitability of the said information for any particular purpose. Awards recognition 1999 S.A Resources Industry Awards. Judges Citation for Safety Culture Development Awarded to Safety in Opal Mining Project. ISBN: 0 9585938 5 X Cover: Opals. Black Opals Majestic Opals Safety in Opal Mining Opal miner’s guide A South Australian Project. Funded by: The Mining and Quarrying Occupational Health and Safety Committee. Project Officer: Sophia Provatidis. With input from the miners of Coober Pedy, Mintabie, Andamooka and Lambina. -
TITLE Fulbright-Hays Seminars Abroad Program: Malaysia 1995
DOCUMENT RESUME ED 405 265 SO 026 916 TITLE Fulbright-Hays Seminars Abroad Program: Malaysia 1995. Participants' Reports. INSTITUTION Center for International Education (ED), Washington, DC.; Malaysian-American Commission on Educational Exchange, Kuala Lumpur. PUB DATE 95 NOTE 321p.; Some images will not reproduce clearly. PUB TYPE Guides Non-Classroom Use (055) Reports Descriptive (141) Collected Works General (020) EDRS PRICE MFO1 /PC13 Plus Postage. DESCRIPTORS Area Studies; *Asian History; *Asian Studies; Cultural Background; Culture; Elementary Secondary Education; Foreign Countries; Foreign Culture; *Global Education; Human Geography; Instructional Materials; *Non Western Civilization; Social Studies; *World Geography; *World History IDENTIFIERS Fulbright Hays Seminars Abroad Program; *Malaysia ABSTRACT These reports and lesson plans were developed by teachers and coordinators who traveled to Malaysia during the summer of 1995 as part of the U.S. Department of Education's Fulbright-Hays Seminars Abroad Program. Sections of the report include:(1) "Gender and Economics: Malaysia" (Mary C. Furlong);(2) "Malaysia: An Integrated, Interdisciplinary Social Studies Unit for Middle School/High School Students" (Nancy K. Hof);(3) "Malaysian Adventure: The Cultural Diversity of Malaysia" (Genevieve M. Homiller);(4) "Celebrating Cultural Diversity: The Traditional Malay Marriage Ritual" (Dorene H. James);(5) "An Introduction of Malaysia: A Mini-unit for Sixth Graders" (John F. Kennedy); (6) "Malaysia: An Interdisciplinary Unit in English Literature and Social Studies" (Carol M. Krause);(7) "Malaysia and the Challenge of Development by the Year 2020" (Neale McGoldrick);(8) "The Iban: From Sea Pirates to Dwellers of the Rain Forest" (Margaret E. Oriol);(9) "Vision 2020" (Louis R. Price);(10) "Sarawak for Sale: A Simulation of Environmental Decision Making in Malaysia" (Kathleen L. -
Curator's Acknowledgements
4 Curator’s acknowledgements The exhibition has been researched with generous help from many people. Yvonne Boyd, David Chalker, Valerie Herbst, Clare Golson, Barbara Blackman, Felicity St John Moore, Derek Wrigley, Colin Ploughman, Sebastian Clark, Heather Rusden, and Jim Davidson provided invaluable information about the artists during the time of their fellowships. Howard Morphy — my co-writer — Pip Deveson, and Ian Dunlop gave advice and support on the subject of Narritjin and his paintings. ANU’s archivists and Deirdre Ward found thick files and photographs relating to the fellowships. Curators Deborah Hart and Elena Taylor contributed insights into Arthur Boyd’s Caged Painter series of paintings, and David Boon did the same about Nolan’s Riverbend.The directors of national institutions, Ron Radford of the National Gallery of Australia, Cradock Morton of the National Museum of Australia, Gerard Vaughan of the National Gallery of Victoria and Peter Haynes of the Nolan Gallery, kindly agreed to lend key works from their collections. The ABC’s gifted producer, Arthur Hill, made a short feature film about the Three Creative Fellows. Librarians of The Canberra Times, the National Gallery of Australia, the Art Gallery of New South Wales and the Art Gallery of South Australia provided material from their libraries. Photographers Stuart Hay, Brenton McGeachey, Pip Deveson, George Serras and Dragi Markovic supplied high quality images for the catalogue. Mark Henderson and John Carr at the National Museum were most generous with their time. Bruce Egan, the Registrar at the National Gallery, smoothed some awkward transport problems. Martin Gascoigne took me to Toolamba and into the country around Canberra in search of appropriate photographs of landscapes. -
Printmaking Through the Ages Utah Museum of Fine Arts • Lesson Plans for Educators • March 7, 2012
Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Table of Contents Page Contents 2 Image List 3 Printmaking as Art 6 Glossary of Printing Terms 7 A Brief History of Printmaking Written by Jennifer Jensen 10 Self Portrait in a Velvet Cap , Rembrandt Written by Hailey Leek 11 Lesson Plan for Self Portrait in a Velvet Cap Written by Virginia Catherall 14 Kintai Bridge, Province of Suwo, Hokusai Written by Jennifer Jensen 16 Lesson Plan for Kintai Bridge, Province of Suwo Written by Jennifer Jensen 20 Lambing , Leighton Written by Kathryn Dennett 21 Lesson Plan for Lambing Written by Kathryn Dennett 32 Madame Louison, Rouault Written by Tiya Karaus 35 Lesson Plan for Madame Louison Written by Tiya Karaus 41 Prodigal Son , Benton Written by Joanna Walden 42 Lesson Plan for Prodigal Son Written by Joanna Walden 47 Flotsam, Gottlieb Written by Joanna Walden 48 Lesson Plan for Flotsam Written by Joanna Walden 55 Fourth of July Still Life, Flack Written by Susan Price 57 Lesson Plan for Fourth of July Still Life Written by Susan Price 59 Reverberations, Katz Written by Jennie LaFortune 60 Lesson Plan for Reverberations Written by Jennie LaFortune Evening for Educators is funded in part by the StateWide Art Partnership and the Professional Outreach Programs in the Schools (POPS) through the Utah State Office of Education 1 Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Image List 1. Rembrandt Harmensz van Rijn (1606-1669), Dutch Self Portrait in a Velvet Cap with Plume , 1638 Etching Gift of Merrilee and Howard Douglas Clark 1996.47.1 2. -
Deakin University Art Gallery
DEAKIN UNIVERSITY ART GALLERY 1 We are excited to share a glimpse of our 2020 exhibitions. For further information and to keep up to date with programs, key information and events please visit our website and social media. deakin.edu.au/art-collection/ Facebook.com/ArtDeakin Twitter.com/ArtDeakin Instagram.com/deakinartgallery DEAKIN UNIVERSITY izi.travel - Deakin Art Collection ART GALLERY 2020 and sculpture walk guides Enquiries T +61 3 9244 5344 E [email protected] For venue addresses and opening hours please refer to page 21. Our venues are open during exhibition periods only. Cover and back: Marta OKTABA Swooping Magpie 2019 Untitled 2019 ink on paper © and courtesy of the artist 2 3 DRAWING ON THE WALL This exhibition features newly commissioned and rarely seen wall-based and site responsive artworks from artists Julia Gorman, David Harley, Kerrie Poliness and Kenny Pittock to be displayed at the Deakin University Art Gallery at the Melbourne Burwood Campus and the Deakin Downtown Gallery in Melbourne’s Docklands. Extending the usual academic reach of the gallery these artworks have been conceived with direct student participation and collaboration in mind. Curated by James Lynch, Deakin University EXHIBITION DATES 18 February – 27 March EXHIBITION VENUES AND EXHIBITING ARTISTS Deakin University Art Gallery Deakin University Downtown Gallery Julia Gorman David Harley Kerrie Poliness Kenny Pittock Kerrie POLINESS Wall drawings BBKO (left) and OMG (right) installation view Anna Schwartz Gallery, Carriageworks, Sydney 2014 © and courtesy of the artist and Anna Schwartz Gallery 4 5 HOLDING IN THE HAND Explores the hand and the haptic as sites for digital interface and creative possibilities.