DOCSLIB.ORG

Miskatonic University Is Published by Chaosium Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Sample file “Lines on Graduation from the R. I. Hospital’s School of Nurses” (To Be Spoken by the Author’s Sister) The prologue's doneSample — the play file of life succeeds; Our graver years respond to graver needs; Yet shall we never in the wider sphere Forget the happy days we linger'd here. 'Tis here that learning shap'd the course of youth, And set our footsteps on the path of truth; With kindly force our high ideals fix'd, And art and practice in due measure mix'd: 'Tis here, from each companion's earnest face, We drank the deepest draughts of friendship's grace: And here our dearest thoughts must ever cling, Whate'er of wealth or fame the years may bring! – H. P. Lovecraft Miskatonic University is published by Chaosium Inc, The great majority of the text of Miskatonic University is copyright by Sam Johnson; all rights reserved. Miskatonic University is published as a supplement to Call of Cthulhu®, Chaosium Inc.’s trademarked roleplaying game of horror and wonder. Miskatonic University ® is a trademark of Chaosium Inc. Except in this publication and related advertising, the illustrations original to Miskatonic University remain the property of the individual artist and are copyright under his or her separate copyright. Similarities between characters in this book and persons living or dead are entirely coincidental. The reproduction of material from within this book for the purpose of personal or corporate profit, by photographic, digital, electronic, or other methods of storage and retrieval, is prohibited. Sample file Address questions and comments concerning this book by mail to Chaosium Inc., 895 B Street #423, Hayward, CA 94541-5107, U.S.A., or by email to [email protected] Visit our web site at www.chaosium.com ISBN 1-56882-140-9 Chaosium Publication 2389. Published in October 2005 10 9 8 7 6 5 4 3 2 1 Printed in Canada. H.P.Lovecraft 1890-1937 A Handbook to the Pride of Arkham by Sam Johnson With Sandy Antunes, Richard Watts, Keith Herber, Alan Matthews, Chris Tutt, Doyle Tavener,Sample Lynn Willis, file and dyvers hands cover painting: Philip R. Rogers interior illustrations: David Grilla, Alex Thomas, Paul Carrick, Tom Kalichack interior maps: David Conyers project and editorial: Lynn Willis design and layout: Deborah Jones, William Jones, Charlie Krank cover design: Charlie Krank Chaosium is: Lynn Willis, Charlie Krank, Dustin Wright, Fergie & various odd critters MISKATONICUNIVERSITY General Contents INTRODUCTION . 7 Required Reading; Essential Reading; Other Inspirations; Campaigning at Miskatonic; M.U.as Base, Resource, Presence; Lovecraft’s Shadow; Frameworks of “Authenticity”. 1. MISKATONIC UNIVERSITY . 15 A Brief History; map of New England; Selected Facts; Campus Legends; Campus Traditions; map of Arkham; Miskatonic Campus Guide; map and key for M.U.; the Campus; West Campus; South Campus; Off-Campus; Distant M.U. Facilities. THE ORNE LIBRARY: 4 Plans ff. Denizens of the Orne Library; a Brief Chronology; Legends of the Library; Contents of the Restricted Collection (list); Shadowed Stacks (many volumes described); optional Hermetic Spells; Mythos Materials. THE EXHIBIT MUSEUM; Holdings; The Vault; Museum Oddities; Museum Staff; Legends of the Museum; plan of the Museum. 2. PEOPLE ON CAMPUS . 77 Students; Housing; Curfew; Dining; Expense and Income; Grad Students; Professors; Tenure; Salaries; Recent Expeditions Map and Chronology; Guests; Insanity in Academia; M.U. Personalities (night watchman, physician, groundskeeper, oldest student). FACULTY AND STAFF DIRECTORY: Departments and Schools; the Administration (president, vice-president, registrar, bursar); B&G; College of LL&A (Depts. and Instructors); College of Sciences (Depts. and Instructors; College of Medicine Depts. and Instructors); College of Law and Business (Depts. and Instructors). SOCIAL LIFE: Student Organizations; Selected Personalities (ongoing); Athletics; Frats and Sororities; Honor Societies; Fine Arts Clubs; Academic Clubs; Faculty Organizations; Professional Organizations; Political / Activist Organizations; Secret Societies. 3. GETTING AN EDUCATION . 131 Entrance Requirements; Tuition and Expenses; Graduate Fees; Class Levels; Academic Achievement; Academic Crime; Alternative Grade Roll System; Alternative Courses of Study; Uprof; Facetious First Week Schedule; Generating Student Investigators; Family Status Defined; Skill Limits; Making the Grade; Schools and Requirements; Degree Plans Worksheets. THE SEMESTER CHECK: Definition; University Classes; Half` Checks; Modifiers to the Grade Roll; Applications;Sample Slacking Off; Four file Example Semesters. New or Restated Skills. 4. MISKATONIC SECRETS . 151 The Campus Tunnels: History, Map, Conditions, Sewers. Denizens of the Tunnels; the Little People; Ghouls; Other Inhabitants. Ten Tunnel Features; 36 Tunnel Entrances and Exits. The Bronze Head. Miskatonic Mummy: Mummy’s Curse; Black Rites of L-K; Tesherkhenhekai. THE MYTHOS AT MISKATONIC: The Armitage Cabal (Armitage, Rice, Morgan, Wilmarth Allies, the Peaslees); Standing Alone; Hermetic Order of the Silver Twilight; the Antarctica Expedition; the Missing; Chronology. OCCULTISTS & CULTISTS: the Eye of Amara; Collegium Arcana; the Rosicrucians; Malcolm Veidt; Asenath Waite; Basil Ives; Esoteric Order of Dagon; the the Crowninshield Hybrids; Lucas Tetlow; the Witch Cult; Knights Templar; Swanson Ames. MISKATONIC MYS- TERIES: Signs and Seals; Orne Library; Bernard Herber; Jeremiah Orne; George Locksley; the Tetlows; the Secret Master; the Witch Cult; the Unseen Master; Sinister Seeds. 5. A LITTLE KNOWLEDGE . 214 Investigator Information; the Coroner; Vittoria Nangelo; Charlton’s Room; Biff Williams; Asenath Waite; Claude Owen; School of Medicine Library; Chapman Farmhouse; the Root Cellar; Claude Owen in Person; the Parts. APPENDICES . 226 Flawed Spells; Many New Mythos Spells; Mythos Tomes in Play (individual research times, feverish study, skim- ming, Mythos tomes as references, learning spells, progressive Sanity loss; Useful Portable Items On-Campus; Learning Prehuman Languages; Existing Scenarios Adaptable to M.U. Play; Three Reproducible Diplomas; Blank Degree Plan Worksheets for the University’s Colleges. INDEX . 254-256 4 MISKATONICUNIVERSITY Clear Credit That material was revised, embellished, and expanded Standing on the Shoulders upon by Sandy Antunes in his Miskatonic University of Giants Guidebook. The present work is another iteration, an attempt to expand and embellish even further while at work of this scope would have been impossi- the same time incorporating more information from ble if the groundwork had not already been the canon of Mythos fiction and twenty-five years worth masterfully laid, and I consider myself lucky of Call of Cthulhu scenarios. Most of the people, places, and honored to follow a path mapped out so well by and things you’ll find in these pages have their origin in Athose who have come before. My approach in writing those works. this book was (not surprisingly) an academic one: I have embellished, interpreted, and compiled far more than General Contributions I’ve created in these pages. Miskatonic University was so Alan Matthews, Doyle Wayne Ramos-Tavener, and long in the writing and took so many unsuspected turns Chris Tutt all helped build the characterizations of the that the sheer number of references has become impos- Armitage Cabal as described in the Mythos at sible to track: my fingerprints and spin are all over the Miskatonic, and contributed to charting the history of book, but its bones and foundations were wrought long the University and the Orne Library. Their collabora- before I came to it. I’m sure that I’m leaving out a few tion as sounding boards and brainstormers was seminal names here and there, or missing the full extent of some to this book: it cannot be measured tangibly, yet is people’s contributions. If I have slighted anyone’s work inescapable. here, I humbly ask for forgiveness, and hope you see the finished project as a labor of love and see each reference Chris Tutt also drafted the first versions of the as homage. Academic Standing skill and, with Doyle Wayne Ramos- Tavener, created the semester check and grade roll sys- tems. Chris Tutt also helped expend upon the Eye of Primary Sources Amara and the Rosicrucian cell. Miskatonic University would not exist without theSample sto- Doyle file Wayne Ramos-Tavener created the character ries of H. P. Lovecraft. August Derleth’s work (particu- of Daniel Reardon. larly “The Thing at the Threshold” and “The Trail of Alan Matthews served as a cataloger of data, interim Cthulhu”) served as the inspiration for any material typist, and helped contribute to the tone of the “People pertaining to Seneca Lapham, Billington’s Woods, and of Miskatonic” section. He created the Burrowers Laban Shrewsbury. The Mythos fiction of Lin Carter (as Beneath, the shearing ceremony, Isaiah Potter, and reprinted in the Xothic Legend Cycle from Chaosium) Weatherton Artsbalm. has also had a profound influence, particularly on the Sandy Antunes created and first described the description of the Orne Library (Bryant Hoskins, Miskatonic Tunnels. Sam Johnson gave the tunnels a Wilbur Akeley, and the bust of Cotton Mather all origi- history, invented the locations within them, mapped nated in his stories). Additionally, the second edition of their egress points, and filled them with Little People. the Encyclopedia Cthulhiana served as a vital resource, as Antunes’ history of Miskatonic served as the primary did Joan C. Stanley’s Ex Libris Miskatonici
Recommended publications
  • Cthulhu Monsters a Field Observer's Handbook of Preternatural Entities

    Cthulhu Monsters a Field Observer's Handbook of Preternatural Entities

    --- S. PETERSEN'S FIELD GUIDE TO Cthulhu Monsters A Field Observer's Handbook Of Preternatural Entities Paintings and Descriptions From the Cthulhu Mythos As Created by H.P. Lovecraft, With Augmentations for Today Sandy Petersen Tom Sullivan Lynn Willis with Peter Dannseys E.C. Fallworth L.N. Isinwyll Ivan Mustoll Chaosium Inc. Publication 5105 The 27 Most Frequently Encountered Monsters Howard Phillips Lovecraft 1890 - 1937 t PETERSEN'S Field Guide To Cthulhu :Monsters A Field Observer's Handbook Of Preternatural Entities Sandy Petersen conception and text TOIn Sullivan 27 original paintings, most other drawings Lynn ~illis project, additional text, editorial, layout, production Chaosiurn Inc. 1988 The FIELD GUIDe is p «blished by Chaosium IIIC . • PETERSEN'S FIELD GUIDE TO CfHUU/U MONSTERS is copyrighl e1988 try Chaosium IIIC.; all rights reserved. _ Similarities between characters in lhe FIELD GUIDE and persons living or dead are strictly coincidental . • Brian Lumley first created the ChJhoniwu . • H.P. Lovecraft's works are copyright e 1963, 1964, 1965 by August Derleth and are quoted for purposes of ilIustraJion_ • IflCide ntal monster silhouelles are by Lisa A. Free or Tom SU/livQII, and are copyright try them. Ron Leming drew the illustraJion of H.P. Lovecraft QIId tlu! sketclu!s on p. 25. _ Except in this p«blicaJion and relaJed advertising, artwork. origillalto the FIELD GUIDE remains the property of the artist; all rights reserved . • Tire reproductwn of material within this book. for the purposes of personal. or corporaJe profit, try photographic, electronic, or other methods of retrieval, is prohibited . • Address questions WId commel11s cOlICerning this book.
  • The Nyarlathotep Papers

    The Nyarlathotep Papers

    by Larry DiTillio and Lynn Willis with Geoff Gillan, Kevin A. Ross, Thomas W. Phinney, Michael MacDonald, Sandy Petersen, Penelope Love Art by Lee Gibbons, Nick Smith, Tom Sullivan, Jason Eckhardt Design by Mark Schumann, Mike Blum, Thomas W. Phinney, Yurek Chodak, Shannon Appel Project and Editorial by Lynn Willis Interior Layout by Shannon Appel and Meghan McLean Cover Layout by Charlie Krank Copyreading by Janice Sellers, Alan Glover, Rob Heinsoo Chaosium is Lynn Willis, Charlie Krank, Dustin Wright, Fergie, William Jones, Meghan McLean, Nick Nacario, and Andy Dawson Chaosium Inc. 2010 The Clear Credit Box Larry DiTillio wrote the first draft of Chapters One through Six, except as noted below. The conception, plot, and essential Masks of Nyarlathotep Fourth Edition execution are entirely his, and remain a is published by Chaosium Inc. roleplaying classic. Lynn Willis rewrote the succeeding drafts, originating the his- torical background, introducing race as a Masks of Nyarlathotep Fourth Edition theme, inserting or adjusting certain char- is copyright © 1984, 1989, 1996, 2001, 2006, 2010 acters, writing the introductory chapter, by Chaosium Inc. and most of the advice, asides, incidental jokes, etc., and as an afterthought added All rights reserved. the appendix concerning what might be done with shipboard time. In the introduc- Call of Cthulhu® is the registered trademark of Chaosium Inc. tory chapter, Michael MacDonald wrote the original version of the sidebar concern- ing shipboard travel times and costs. Similarities between characters in Masks of Nyarlathotep Thomas W. Phinney set forth the back- Fourth Edition and persons living or dead are ground chronology of the campaign, and strictly coincidental.
  • At the Mountains of Madness Lovecraft, Howard Phillips

    At the Mountains of Madness Lovecraft, Howard Phillips

    At the Mountains of Madness Lovecraft, Howard Phillips Published: 1931 Categorie(s): Fiction, Horror Source: Wikisource 1 About Lovecraft: Howard Phillips Lovecraft was an American author of fantasy, horror and science fiction. He is notable for blending elements of science fiction and horror; and for popularizing "cosmic horror": the notion that some concepts, entities or experiences are barely comprehensible to human minds, and those who delve into such risk their sanity. Lovecraft has be- come a cult figure in the horror genre and is noted as creator of the "Cthulhu Mythos," a series of loosely interconnected fictions featuring a "pantheon" of nonhuman creatures, as well as the famed Necronomicon, a grimoire of magical rites and forbidden lore. His works typically had a tone of "cosmic pessimism," regarding mankind as insignificant and powerless in the universe. Lovecraft's readership was limited during his life, and his works, particularly early in his career, have been criticized as occasionally ponderous, and for their uneven quality. Nevertheless, Lovecraft’s reputation has grown tremendously over the decades, and he is now commonly regarded as one of the most important horror writers of the 20th Century, exerting an influence that is widespread, though of- ten indirect. Source: Wikipedia 2 Chapter 1 I am forced into speech because men of science have refused to follow my advice without knowing why. It is altogether against my will that I tell my reasons for opposing this contemplated invasion of the antarctic - with its vast fossil hunt and its wholesale boring and melting of the an- cient ice caps. And I am the more reluctant because my warning may be in vain.
  • Eldritch Horrors: the Modernist Liminality of H.P

    Eldritch Horrors: the Modernist Liminality of H.P

    ELDRITCH HORRORS: THE MODERNIST LIMINALITY OF H.P. LOVECRAFT’S WEIRD FICTION DALE ALLEN CROWLEY Bachelor of Arts in English Baldwin-Wallace University December 2014 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN ENGLISH at CLEVELAND STATE UNIVERSITY May 2017 THIS THESIS IS HEREBY APPROVED FOR Dale Allen Crowley candidate for the Master of Arts in English degree for the Department of English & CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by ____________________________________________________ ~ ~ ~ Dr. James Marino _______________________________________ ~ department & date ____________________________________________________ ~ ~ ~ Dr. Adam Sonstegard _______________________________________ ~ department & date ____________________________________________________ ~ ~ ~ Dr. Julie Burrell _______________________________________ ~ department & date 9 May 2017 Acknowledgements I would like to sincerely thank the members of my thesis committee – Dr. James Marino, Dr. Adam Sonstegard, and Dr. Julie Burrell – for their help in bringing this project to fruition. I’d also like to acknowledge their patience and understanding with regards to my fascination with a very small subsect of genre fiction. Through them, I gained a deeper understanding of early twentieth century literature and I am thoroughly grateful for it. I would especially like to thank Dr. James Marino for his always insightful critical thought, his frequent challenging of my arguments, and his erudite and often witty observations of H.P. Lovecraft and New England. I would also like to express my deep love, gratitude, and appreciation for my wife, Michelle, and my children – Connor, and Meghann – who tolerated many long nights and weekends without me as I attended class, studied, and obsessed over H.P. Lovecraft in pursuit of my graduate degree. I could not have done this without you.
  • A Structuralist Approach to Understanding the Fiction of HP Lovecraft

    A Structuralist Approach to Understanding the Fiction of HP Lovecraft

    University of Rhode Island DigitalCommons@URI Open Access Dissertations 1992 Out of the Shadows: A Structuralist Approach to Understanding the Fiction of H. P. Lovecraft James A. Anderson University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Anderson, James A., "Out of the Shadows: A Structuralist Approach to Understanding the Fiction of H. P. Lovecraft" (1992). Open Access Dissertations. Paper 696. https://digitalcommons.uri.edu/oa_diss/696 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. OUT OF THE SHADOWS: A STRUCTURALIST APPROACH TO UNDERSTANDING THE FICTION OF H.P. LOVECRAFT BY JAMES A. ANDERSON A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 1992 Abstract Although Howard Phillips Lovecraft (1890-1937) is generally regarded as one of the world's finest writers of horror and science fiction, his work has received little critical attention by mainstream critics. This study takes Lovecraft out of the shadows of literature by shedding light upon his work through a structural analysis of fifteen of his stories. This analysis shows that Lovecraft's fiction, while it may appear fantastic, expresses early twentieth century naturalism in a cosmic context. Part One subjects four of Lovecraft's best known stories to a detailed structural analysis using the theories of Roland Barthes and Gerard Genette to isolate Lovecraft's major themes and narrative techniques.
  • A Tale of Two Secret Books

    A Tale of Two Secret Books

    A Tale of Two Secret Books The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Russell, James R. 2011. "A Tale of Two Secret Books." Paper presented at Knowledge to die for: Transmission of prohibited and esoteric knowledge through space and time, May 2-4, 2011, Berlin, Germany. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11879455 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP 1 A TALE OF TWO SECRET BOOKS OR, HOW AND WHY THE ARMENIAN MAGICAL BOOK OF THE SIX THOUSAND EXISTS BUT SOME PEOPLE THINK IT DOESN’T AND H.P. LOVECRAFT’S NECRONOMICON DOESN’T EXIST BUT SOME PEOPLE THINK IT DOES, AND WHY THEY’RE BOTH WRONG. By James R. Russell, Harvard University. (“Knowledge to die for” conference, The Free University of Berlin and the Max Planck Institute, May 2011) Visători din toate ţările, uniţi-vă!1 1. PREFACE In August 1936, even as Germany was presenting to its guests at the Berlin Olympic Games an image of peace, order, and prosperity, Adolf Hitler wrote a private memo to Hermann Göring setting out the reasons for the four-year war plan the latter was to take charge of that October. The Reichsführer explained that in the period between the French and Russian Revolutions the forces of international Jewry, manipulators of both capitalism and communism, had systematically replaced the traditional ruling classes of Europe.
  • Master's Thesis

    Master's Thesis

    FACULTY OF ARTS AND EDUCATION MASTER’S THESIS Programme of study: Spring semester, 2016 Master in Literacy Studies Open Author: Kurt Øystein Slåtten ………………………………………… (Author’s signature) Supervisor: Eric Dean Rasmussen Thesis title: Humans in a Hostile Cosmos. Science, Cosmicism and Race in H.P. Lovecraft’s Cthulhu Mythos Keywords: No. of pages: 107 + appendices/other: 9 H.P. Lovecraft Weird Fiction Horror literature Stavanger, May 11. 2016 Fantasy literature date/year Speculative realism Abstract This thesis is a study of the “Cthulhu Mythos”, which is a fictional universe created and developed by American Weird Fiction writer H. P. Lovecraft. The study focuses primarily on Lovecraft’s philosophical idea of “cosmicism”, which is the notion that the human species is small, transient and insignificant in relation to the cosmos. Many critics and scholars recognise that cosmicism is an important factor in the Cthulhu Mythos. As this study demonstrates and discusses, the otherwise pessimistic and non-anthropocentric implications of cosmicism can be renegotiated through interpretations of how certain elements and themes in the Mythos stories, such as religion, culture and aesthetics, are presented and framed. Before treating the implications of cosmicism, I discuss representations of modern science and scientific rationales in the stories. Lovecraft attained the idea of cosmicism through scientific studies and his interpretations of contemporary scientific theories. In the Cthulhu Mythos, the representation of cosmicism is bound up with representations of modern science, which is a central element in the fiction. The scientific procedures and investigations in the stories tend to bring about frightening and disillusioning implications of how humans are threatened by malevolent cosmic entities, rather than the empirical and enlightening understanding about cosmos and reality that was sought in the first place.
  • Lovecraft in Popular Culture

    Lovecraft in Popular Culture

    Tor Watten Melvær Imagining the Unimaginable - Lovecraft in Popular Culture Master’s thesis in MLSPRÅK Supervisor: Eli Løfaldli Trondheim, June 2018 Norwegian University of Science and Technology Faculty of Humanities Department of Language and Literature Acknowledgments First and foremost, I would like to thank my supervisor Eli Løfaldli for her insight and support since the day I knocked on her door and asked if it was possible to write this thesis. I would also like to thank my two closest classmates Anders Bjelland Buer and Eirik Ofstad for all the help and support, over the course of writing this thesis, and the years of studying leading up to it. Lastly, I want to express my gratitude to Aaron Delaney for all the time he has contributed by reading and rereading my sections for quality assurance. i Table of contents Introduction 2 Opening up the terrifying vistas of Lovecraft 6 Defining Lovecraftian Horror 6 The Cthulhu Mythos - A legacy of appropriation 12 Lovecraft in visual texts 16 Animated television shows 16 Rick and Morty 16 South Park and the Self-Inflicted Apocalypse 22 Post-analysis discussion of South Park and Rick and Morty 28 Video games 31 Darkest Dungeon 31 Comic books and graphic novels 37 Batman: The Doom That Came to Gotham 37 Providence 41 Conclusion 49 Works cited 53 Figures 57 Abstract 59 Appendix: Thesis relevance for teaching 61 1 Introduction Howard Phillips Lovecraft was an author who mainly published short stories during the 1930s and 1940s for various pulp magazines. Lovecraft did not enjoy any commercial success during his lifetime and died impoverished and relatively unknown.
  • Lovecraft Country Scenario Index

    Lovecraft Country Scenario Index

    Lovecraft Country Scenario Index Primary Other Scenario Title Location Locations Source Abduction in Arkham Arkham Dagon #6 Arkham Alone Against the Dark Alone Against the Dark* And the Dogs Shall Know You Arkham The Arkham Evil Arkham The Arkham Evil The Arkham Evil Arkham General Arkham The Dreaming Prince (Monograph) Behold the Mother Arkham Dunwich Dead Reckonings The Benighted Arkham The Thing at the Threshold The Black Cat Arkham Cathulhu, Worlds of Cthulhu #4 Blackwater Creek Dunwich† CoC Keeper’s Screen (7th Edition) Innsmouth, Arkham Adventures in Arkham Country Bless the Beasts and Children Falcon Point Arkham H. P. Lovecraft's Arkham The Books of Uncle Silas The Bones of Contention Kingsport Arkham Gazette Kickstarter bonus The Bosworth House Arkham The Arkham Gazette #1 Canis Mysterium Coldwater Falls Arkham* Canis Mysterium Dean’s The Chapochaug Tunnel Lights The Arkham Gazette #0 Corners† Christmas in Kingsport Kingsport Christmas in Kingsport (Monograph) The Condemned Arkham H.P. Lovecraft’s Arkham Consumption Arkham The Island of Ignorance Innsmouth Escape from Innsmouth The Crawford Inheritance Crimson Letters Arkham CoC 7th Ed. The Crystal Cavern Foxfield More Adventures in Arkham Country Curse of Anubis Arkham The Taint of Madness Dark Dreams of Innsmouth Innsmouth The Unbound Book #2 Dark Rivals Arkham Dead Reckonings Dunwich Adventures in Arkham Country The Dark Woods Dead Light Arkham† Dead Light Dead of Night Arkham H.P. Lovecraft’s Arkham Dead in the Water Kingsport H.P. Lovecraft’s Kingsport Dead Leaves Fall Arkham Foxfield Dead Leaves Fall (Monograph) Dunwich Death in Dunwich Death in Dunwich Deep Trouble Arkham Challenge #54 The Devil's Children {1690s and M} Arkham The Devil's Children The Devourer Arkham The Lurking Fear Aylesbury Diggin' Up the World (PDF) Diggin' Up the World Arkham, Drawn from the Water Kingsport Falcon Point, The Arkham Gazette #2 Innsmouth* Kingsport H.P.

  • English Language and Literature

    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jan Zbořil H. P. Lovecraft and the Cthulhu Mythos Master‘s Diploma Thesis Supervisor: doc. Michael Matthew Kaylor, PhD. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature 2 Acknowledgements I would like to thank my supervisor, Supervisor: doc. Michael Matthew Kaylor, PhD, for his patience and understanding. 3 Table of Contents Introduction 5 1. The Author 7 1.1 Biography 8 1.2 Dreams and Horrors 16 1.3 Philosophy 19 2. Cthulhu Mythos 23 2.1 Fear of the Unknown 33 2.2 Religion 36 2.3 Necronomicon 39 2.4 Beings 47 2.5 Tales 48 2.5.1 ―The Call of Cthulhu‖ 49 2.5.2 ―The Dunwich Horror‖ 54 2.5.3 At the Mountains of Madness 58 2.5.4 The Shadow over Innsmouth 61 Conclusion 65 Works cited 68 4 Introduction In comparison to my BA thesis which dealt with the most critical and crucial differences between Stephen King‘s Shining and Stanley Kubrick‘s famous movie adaptation, I have decided to deal solely with works of a single man, coincidentally Stephen King‘s predecessor and virtually his mentor, Howard Phillips Lovecraft, who is by some considered to be the most essential literary writer of the horror genre, and the leading author of and on the supernatural fiction of the 20th century. One of the aims of the following is to examine Lovecraft‘s personal life, upbringing and interests, as well as the development of his relationships with others, and to strive to postulate what has lead to his renown.

  • Trail of Cthulhu.Pdf

    TRAIL OF CTHULHU Credits Publisher: Simon Rogers Written by: Kenneth Hite GUMSHOE System: Robin D Laws Layout: Jérôme Huguenin Art: Jérôme Huguenin GUMSHOE Guru: Robin D Laws Editing and Additional Material: Simon Rogers Based on: Call of Cthulhu by Sandy Petersen and Lynn Willis Special thanks : Effie and Julia Huguenin, Léo and Pascal Quidault Playtesting: Adrian Price, Steve Dempsey, Wai Kien, Adrian Smith, Graham Walmsley, Alex Fradera, Dave, Polymancer Studios, Simon Rogers, Daniel Bayn, Danni Bayn, Chris Malone, Mark DiPasquale, Matthew Pook, Tim Barker, Louise Hayes, David Lai, Mike Shepard, Carla Jane Miller, Elizabeth Rees, Robert Mills, Donald F. Taylor III, Richard Hardy, Lynne Hardy, Frederic Moll, Fredrik Hansson, Jeff Campbel Jamie Michael, Joshua Ford, Marcus Ogawa, Lisa Marie Ogawa, Gil Trevizo, Henry de Veuve, Ronald Abitz, Steve Bartalamay, Alan Fountain, Peter Kessler, Wojciech “Alter” Kobza, Laurent Mollicone, Olivier Noël, Wayne O’Connor, Ghislain Morel, James Semple, Gabriella Semple, Dan Pusceddu, Olive Pusceddu, Axel Eble, Stefan Ohrmann, Martin Schrammm, Onno Tasler, Ralf Achenbach, William C Bargo Jr, Jacques Maurice Mallah, Donald F. Taylor III, Keith A Callison, Doug © 2007 Pelgrane Press Ltd. All Rights Reserved. Published by arrangement with Chaosium, Inc. Trail of Cthulhu is a trademark of Pelgrane Press Ltd. 3 TRAIL OF CTHULHU Contents CREDITS ...........................................................3 Cop Talk (Interpersonal) ...................32 Piggybacking ...........................................
  • Madnessat Madnessat

    Madnessat Madnessat

    MADNESSMADNESSATAT MISKATONICMISKATONIC INTRODUCTION ACKNOWLEDGEMENTS When I sat down to sketch out my first ideas for this mini campaign I had one primary By brief way of acknowledgement I am indebted motive — to design something that was as to a few web sites for the use of their resources close to Lovecraft’s original source material as notably the inspirational H.P. Lovecraft possible. I wanted the campaign to draw only Historical Society (who encouraged me to lift those themes and elements found in the works my game when it came to handouts and whose Howard Phillips. Where better, than, to set the 1920s articles were judiciously retooled for the entire campaign at Miskatonic University. Many in game copies of the Arkham Advertiser), of Lovecraft’s characters were professors at this the Wikipedia entry on Miskatonic University institution that it seemed fitting while at the (where my list of professors is drawn from) and same time, other than setting some small parts an excellent site of jazz age slang (from which of The Dunwitch Horror in Orne Library, very my short list is taken). little is defined about the operation and layout Thanks too much go to my players, Ben, Berni of the campus. This would both give the players and David. Roleplaying is a collaborative effort some (un)reassuring familiarity while keeping and without their creative input during each things fresh. session this campaign would be vastly inferior. For those seeking a refresh or who have not yet read them, the two mythos tales that this RUNNING THIS CAMPAIGN campaign draws on most heavily are the aforementioned The Dunwich Horror and The I’m not one for writing extensive notes when I Thing on the Doorstep.