New England's Petroglyphs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
[Read] Lovecraft Country | PDF Books
Critically acclaimed cult novelist Matt Ruff makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy.Chicago, 1954. When his father, Montrose, goes missing, twenty-two-year-old army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his uncle George--publisher of The Safe Negro Travel Guide--and his childhood friend, Letitia. On their journey to the manor of Mr. Braithwhite--heir to the estate that owned one of Atticus' ancestors--they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn--led by Samuel Braithwhite and his son Caleb--which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his clan's destruction.A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism--the terrifying specter that continues to haunt us today. Lovecraft Country by Matt Ruff, Read PDF Lovecraft Country Online, Read PDF Lovecraft Country, Full PDF Lovecraft Country, All Ebook Lovecraft Country, PDF and EPUB Lovecraft Country, PDF ePub Mobi Lovecraft Country, Reading -
Inverting Lovecraft Transcript
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. When I first read that HBO was going to adapt the 2016 novel Lovecraft Country into a show, I was really excited. The story imagines what if the demonic entities from H.P. Lovecraft’s fiction were a manifestation of racism in the 1950s. CLIP: TRAILER The novel that the show is based on was written by a white author, Matt Ruff, but the creative team behind the show is mostly Black, including the executive producers Jordan Peele and Misha Green. And Lovecraft Country isn’t the only work that re-imagines Lovecraft’s world from the point of view of people of color. AMC is developing a show based on the novella, The Ballad of Black Tom, where Victor LaValle reimagines a 1927 Lovecraft story with a Black protagonist. NK Jemison’s most recent novel The City We Became uses Lovecraftian horror as a metaphor for white gentrification. There’s even a role-playing game called Harlem Unbound by Darker Hue Studios, which takes the popular role-playing game, Call of Cthulhu, and re-imagines it with Black protagonists. What’s so interesting about this trend is that Lovecraft himself was exceptionally racist. So, why does his work feel so relevant now to the type of people that he feared and despised? Before we get into that, let’s back up in case, you don’t know much about Howard P. Lovecraft. He was born in 1890. -
Cthulhu Monsters a Field Observer's Handbook of Preternatural Entities
--- S. PETERSEN'S FIELD GUIDE TO Cthulhu Monsters A Field Observer's Handbook Of Preternatural Entities Paintings and Descriptions From the Cthulhu Mythos As Created by H.P. Lovecraft, With Augmentations for Today Sandy Petersen Tom Sullivan Lynn Willis with Peter Dannseys E.C. Fallworth L.N. Isinwyll Ivan Mustoll Chaosium Inc. Publication 5105 The 27 Most Frequently Encountered Monsters Howard Phillips Lovecraft 1890 - 1937 t PETERSEN'S Field Guide To Cthulhu :Monsters A Field Observer's Handbook Of Preternatural Entities Sandy Petersen conception and text TOIn Sullivan 27 original paintings, most other drawings Lynn ~illis project, additional text, editorial, layout, production Chaosiurn Inc. 1988 The FIELD GUIDe is p «blished by Chaosium IIIC . • PETERSEN'S FIELD GUIDE TO CfHUU/U MONSTERS is copyrighl e1988 try Chaosium IIIC.; all rights reserved. _ Similarities between characters in lhe FIELD GUIDE and persons living or dead are strictly coincidental . • Brian Lumley first created the ChJhoniwu . • H.P. Lovecraft's works are copyright e 1963, 1964, 1965 by August Derleth and are quoted for purposes of ilIustraJion_ • IflCide ntal monster silhouelles are by Lisa A. Free or Tom SU/livQII, and are copyright try them. Ron Leming drew the illustraJion of H.P. Lovecraft QIId tlu! sketclu!s on p. 25. _ Except in this p«blicaJion and relaJed advertising, artwork. origillalto the FIELD GUIDE remains the property of the artist; all rights reserved . • Tire reproductwn of material within this book. for the purposes of personal. or corporaJe profit, try photographic, electronic, or other methods of retrieval, is prohibited . • Address questions WId commel11s cOlICerning this book. -
HP Lovecraft: His Racism in Context
HP Lovecraft: His Racism in Context HP Lovecraft There is no question that HP Lovecraft, influential writer of horror fiction and son of Providence, held views that were clearly racist, outdated outliers even by the standards of his time. My goal here is not to excuse his racism, but to place it in a context of Lovecraft as a human being with very real flaws. I do not believe it is possible to separate the man from his work: Lovecraft the man was afraid of nearly everything unfamiliar, and that discomfort – dread, really – of the “other” is what permeates and distinguishes the world view expressed in his fiction. As does every horror writer, he exaggerated his own irrational fears in his stories: his phobia of seafood manifests, one might conclude, in his siting the lair of Cthulhu in the lost city of R’lyeh sunken under the Pacific Ocean. To what extent Lovecraft’s social and political views influenced his created universe is the subject of the title essay in Lovecraft and a World in Transition, a collection by Lovecraft scholar and biographer ST Joshi. Are Lovecraft’s space aliens and other-worldly creatures proxies or stand-ins for humans of color? Lovecraft Country by Matt Ruff is a 2016 novel that satirically explores that question, following an African-American protagonist who is a fan of Lovecraft in the era of Jim Crow. Nearly every writer critical of Lovecraft on this ground cites as the prime example of his racism a particular poem supposedly written by him in 1912, but I regard that attribution of authorship as doubtful. -
The Nyarlathotep Papers
by Larry DiTillio and Lynn Willis with Geoff Gillan, Kevin A. Ross, Thomas W. Phinney, Michael MacDonald, Sandy Petersen, Penelope Love Art by Lee Gibbons, Nick Smith, Tom Sullivan, Jason Eckhardt Design by Mark Schumann, Mike Blum, Thomas W. Phinney, Yurek Chodak, Shannon Appel Project and Editorial by Lynn Willis Interior Layout by Shannon Appel and Meghan McLean Cover Layout by Charlie Krank Copyreading by Janice Sellers, Alan Glover, Rob Heinsoo Chaosium is Lynn Willis, Charlie Krank, Dustin Wright, Fergie, William Jones, Meghan McLean, Nick Nacario, and Andy Dawson Chaosium Inc. 2010 The Clear Credit Box Larry DiTillio wrote the first draft of Chapters One through Six, except as noted below. The conception, plot, and essential Masks of Nyarlathotep Fourth Edition execution are entirely his, and remain a is published by Chaosium Inc. roleplaying classic. Lynn Willis rewrote the succeeding drafts, originating the his- torical background, introducing race as a Masks of Nyarlathotep Fourth Edition theme, inserting or adjusting certain char- is copyright © 1984, 1989, 1996, 2001, 2006, 2010 acters, writing the introductory chapter, by Chaosium Inc. and most of the advice, asides, incidental jokes, etc., and as an afterthought added All rights reserved. the appendix concerning what might be done with shipboard time. In the introduc- Call of Cthulhu® is the registered trademark of Chaosium Inc. tory chapter, Michael MacDonald wrote the original version of the sidebar concern- ing shipboard travel times and costs. Similarities between characters in Masks of Nyarlathotep Thomas W. Phinney set forth the back- Fourth Edition and persons living or dead are ground chronology of the campaign, and strictly coincidental. -
Lovecraft Country
LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 1 11/18/15 12:06 PM ALSO BY MATT RUFF The Mirage Bad Monkeys Set This House in Order: A Romance of Souls Sewer, Gas & Electric: The Public Works Trilogy Fool on the Hill LovecraftCountry_i-viii,1-376_3p_MB1118.indd 2 11/18/15 12:06 PM LOVECRAFT COUNTRY • A NOVEL • MATT RUFF HARPER An Imprint of HarperCollinsPublishers LovecraftCountry_i-viii,1-376_3p_MB1118.indd 3 11/18/15 12:06 PM Copyright lovecraft country. Copyright © 2016 by Matt Ruff. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Harper Collins Publishers, 195 Broadway, New York, NY 10007. Harper Collins books may be purchased for educational, business, or sales promotional use. For information, please e- mail the Special Markets Department at [email protected]. first edition Designed by Jaime Putorti Copyright for images: cajoer/Shutterstock, Inc. Library of Congress Cataloging- in- Publication Data has been applied for. ISBN: 978- 0-06- 229206- 3 16 17 18 19 20 ov/rrd 10 9 8 7 6 5 4 3 2 1 LovecraftCountry_i-viii,1-376_3p_MB1118.indd 4 11/18/15 12:06 PM Dedication FOR HAROLD AND RITA •• LovecraftCountry_i-viii,1-376_3p_MB1118.indd 5 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 6 11/18/15 12:06 PM LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 7 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 8 11/18/15 12:06 PM LOVECRAFT COUNTRY •• JIM CROW MILE— A unit of measurement, peculiar to colored motor- ists, comprising both physical distance and random helpings of fear, paranoia, frustration, and outrage. -
At the Mountains of Madness Lovecraft, Howard Phillips
At the Mountains of Madness Lovecraft, Howard Phillips Published: 1931 Categorie(s): Fiction, Horror Source: Wikisource 1 About Lovecraft: Howard Phillips Lovecraft was an American author of fantasy, horror and science fiction. He is notable for blending elements of science fiction and horror; and for popularizing "cosmic horror": the notion that some concepts, entities or experiences are barely comprehensible to human minds, and those who delve into such risk their sanity. Lovecraft has be- come a cult figure in the horror genre and is noted as creator of the "Cthulhu Mythos," a series of loosely interconnected fictions featuring a "pantheon" of nonhuman creatures, as well as the famed Necronomicon, a grimoire of magical rites and forbidden lore. His works typically had a tone of "cosmic pessimism," regarding mankind as insignificant and powerless in the universe. Lovecraft's readership was limited during his life, and his works, particularly early in his career, have been criticized as occasionally ponderous, and for their uneven quality. Nevertheless, Lovecraft’s reputation has grown tremendously over the decades, and he is now commonly regarded as one of the most important horror writers of the 20th Century, exerting an influence that is widespread, though of- ten indirect. Source: Wikipedia 2 Chapter 1 I am forced into speech because men of science have refused to follow my advice without knowing why. It is altogether against my will that I tell my reasons for opposing this contemplated invasion of the antarctic - with its vast fossil hunt and its wholesale boring and melting of the an- cient ice caps. And I am the more reluctant because my warning may be in vain. -
The Fear of the Unknown in H. P. Lovecraft's Works
The Fear of the Unknown in H. P. Lovecraft's Works Lončar, Dino Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:190599 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-30 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i njemačkog jezika i književnosti Dino Lončar Strah od nepoznatog u djelima H.P. Lovecrafta Završni rad Mentor: doc. dr. sc. Ljubica Matek Osijek, 2018. 1 Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i njemačkog jezika i književnosti Dino Lončar Strah od nepoznatog u djelima H.P. Lovecrafta Završni rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc. dr. sc. Ljubica Matek Osijek, 2018. 2 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major BA Programme in English language and Literature and German Language and Literature Dino Lončar Fear of the Unknown in the Works of H.P. Lovecraft Bachelor’s Thesis Supervisor: Ljubica Matek, Ph.D., Assist. Prof. Osijek, 2018. 3 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Department of English Study Programme: Double Major BA Programme in English Language and Literature and German Language and Literature Dino Lončar Fear of the Unknown in the Works of H.P. -
Eldritch Horrors: the Modernist Liminality of H.P
ELDRITCH HORRORS: THE MODERNIST LIMINALITY OF H.P. LOVECRAFT’S WEIRD FICTION DALE ALLEN CROWLEY Bachelor of Arts in English Baldwin-Wallace University December 2014 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN ENGLISH at CLEVELAND STATE UNIVERSITY May 2017 THIS THESIS IS HEREBY APPROVED FOR Dale Allen Crowley candidate for the Master of Arts in English degree for the Department of English & CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by ____________________________________________________ ~ ~ ~ Dr. James Marino _______________________________________ ~ department & date ____________________________________________________ ~ ~ ~ Dr. Adam Sonstegard _______________________________________ ~ department & date ____________________________________________________ ~ ~ ~ Dr. Julie Burrell _______________________________________ ~ department & date 9 May 2017 Acknowledgements I would like to sincerely thank the members of my thesis committee – Dr. James Marino, Dr. Adam Sonstegard, and Dr. Julie Burrell – for their help in bringing this project to fruition. I’d also like to acknowledge their patience and understanding with regards to my fascination with a very small subsect of genre fiction. Through them, I gained a deeper understanding of early twentieth century literature and I am thoroughly grateful for it. I would especially like to thank Dr. James Marino for his always insightful critical thought, his frequent challenging of my arguments, and his erudite and often witty observations of H.P. Lovecraft and New England. I would also like to express my deep love, gratitude, and appreciation for my wife, Michelle, and my children – Connor, and Meghann – who tolerated many long nights and weekends without me as I attended class, studied, and obsessed over H.P. Lovecraft in pursuit of my graduate degree. I could not have done this without you. -
A Structuralist Approach to Understanding the Fiction of HP Lovecraft
University of Rhode Island DigitalCommons@URI Open Access Dissertations 1992 Out of the Shadows: A Structuralist Approach to Understanding the Fiction of H. P. Lovecraft James A. Anderson University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Anderson, James A., "Out of the Shadows: A Structuralist Approach to Understanding the Fiction of H. P. Lovecraft" (1992). Open Access Dissertations. Paper 696. https://digitalcommons.uri.edu/oa_diss/696 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. OUT OF THE SHADOWS: A STRUCTURALIST APPROACH TO UNDERSTANDING THE FICTION OF H.P. LOVECRAFT BY JAMES A. ANDERSON A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 1992 Abstract Although Howard Phillips Lovecraft (1890-1937) is generally regarded as one of the world's finest writers of horror and science fiction, his work has received little critical attention by mainstream critics. This study takes Lovecraft out of the shadows of literature by shedding light upon his work through a structural analysis of fifteen of his stories. This analysis shows that Lovecraft's fiction, while it may appear fantastic, expresses early twentieth century naturalism in a cosmic context. Part One subjects four of Lovecraft's best known stories to a detailed structural analysis using the theories of Roland Barthes and Gerard Genette to isolate Lovecraft's major themes and narrative techniques. -
Racial Terror and the Struggle for Freedom in the HBO Series Lovecraft Country
Elena Apostolaki PhD candidate a.r.t.e.s. Graduate School for the Humanities Cologne University of Cologne Racial Terror and the Struggle for Freedom in the HBO Series Lovecraft Country HBO's Lovecraft Country (2020-) is based on Matt Ruff's 2016 novel and explores the weird and horrifying world of H.P. Lovecraft and the very real Jim Crow-era racism that plagued the U.S. during that time. The series, developed by Misha Green and produced by Jordan Peele, places Black protagonists at the center of a Lovecraftian horror story. The Black characters have to face shoggoths, grand wizards, magic but they also have to deal with and escape very realistic horror, in the form of the racist police violence and white supremacy. They almost always respond to the terror brought upon them by whiteness, whether it is real or supernatural. By bringing the Black characters—who were often the metaphorical villains of Lovecraft's stories— into the center of representation, the series allows for a new layer of meaning to Lovecraft's fear of the other. Lovecraft's horror "was borne from white Americans' malignant, baseless fear of the other—of Black people, of Latinx people, of immigrants, of Jews" (Foussianes, 2020). Lovecraft Country's horror, however, is borne from a fear of the very real violence that results from racism and prejudice. Lovecraft's racist beliefs are well documented, and both Ruff's book and Peel's take on the show seek to invert his xenophobic preoccupations, using monsters inspired by him to highlight the darkness of the Jim Crow South. -
H.P. Lovecraft and the Modernist Grotesque
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2008 H.P. Lovecraft nda the Modernist Grotesque Sean Elliot Martin Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Martin, S. (2008). H.P. Lovecraft nda the Modernist Grotesque (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/881 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. H.P. LOVECRAFT AND THE MODERNIST GROTESQUE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Sean Elliot Martin December 2008 Copyright by Sean Elliot Martin 2008 H.P. LOVECRAFT AND THE MODERNIST GROTESQUE By Sean Elliot Martin Approved November 21, 2008 ________________________________ ________________________________ Anne Brannen Laura Callanan Associate Professor of English Assistant Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Linda Kinnahan Professor of English (Committee Member) ________________________________ ________________________________ Albert Labriola Magali Michael Dean, McAnulty College and Graduate Chair, English Department School