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[Read] Lovecraft Country | PDF Books
Critically acclaimed cult novelist Matt Ruff makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy.Chicago, 1954. When his father, Montrose, goes missing, twenty-two-year-old army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his uncle George--publisher of The Safe Negro Travel Guide--and his childhood friend, Letitia. On their journey to the manor of Mr. Braithwhite--heir to the estate that owned one of Atticus' ancestors--they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn--led by Samuel Braithwhite and his son Caleb--which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his clan's destruction.A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism--the terrifying specter that continues to haunt us today. Lovecraft Country by Matt Ruff, Read PDF Lovecraft Country Online, Read PDF Lovecraft Country, Full PDF Lovecraft Country, All Ebook Lovecraft Country, PDF and EPUB Lovecraft Country, PDF ePub Mobi Lovecraft Country, Reading -
Inverting Lovecraft Transcript
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. When I first read that HBO was going to adapt the 2016 novel Lovecraft Country into a show, I was really excited. The story imagines what if the demonic entities from H.P. Lovecraft’s fiction were a manifestation of racism in the 1950s. CLIP: TRAILER The novel that the show is based on was written by a white author, Matt Ruff, but the creative team behind the show is mostly Black, including the executive producers Jordan Peele and Misha Green. And Lovecraft Country isn’t the only work that re-imagines Lovecraft’s world from the point of view of people of color. AMC is developing a show based on the novella, The Ballad of Black Tom, where Victor LaValle reimagines a 1927 Lovecraft story with a Black protagonist. NK Jemison’s most recent novel The City We Became uses Lovecraftian horror as a metaphor for white gentrification. There’s even a role-playing game called Harlem Unbound by Darker Hue Studios, which takes the popular role-playing game, Call of Cthulhu, and re-imagines it with Black protagonists. What’s so interesting about this trend is that Lovecraft himself was exceptionally racist. So, why does his work feel so relevant now to the type of people that he feared and despised? Before we get into that, let’s back up in case, you don’t know much about Howard P. Lovecraft. He was born in 1890. -
HP Lovecraft: His Racism in Context
HP Lovecraft: His Racism in Context HP Lovecraft There is no question that HP Lovecraft, influential writer of horror fiction and son of Providence, held views that were clearly racist, outdated outliers even by the standards of his time. My goal here is not to excuse his racism, but to place it in a context of Lovecraft as a human being with very real flaws. I do not believe it is possible to separate the man from his work: Lovecraft the man was afraid of nearly everything unfamiliar, and that discomfort – dread, really – of the “other” is what permeates and distinguishes the world view expressed in his fiction. As does every horror writer, he exaggerated his own irrational fears in his stories: his phobia of seafood manifests, one might conclude, in his siting the lair of Cthulhu in the lost city of R’lyeh sunken under the Pacific Ocean. To what extent Lovecraft’s social and political views influenced his created universe is the subject of the title essay in Lovecraft and a World in Transition, a collection by Lovecraft scholar and biographer ST Joshi. Are Lovecraft’s space aliens and other-worldly creatures proxies or stand-ins for humans of color? Lovecraft Country by Matt Ruff is a 2016 novel that satirically explores that question, following an African-American protagonist who is a fan of Lovecraft in the era of Jim Crow. Nearly every writer critical of Lovecraft on this ground cites as the prime example of his racism a particular poem supposedly written by him in 1912, but I regard that attribution of authorship as doubtful. -
Lovecraft Country
LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 1 11/18/15 12:06 PM ALSO BY MATT RUFF The Mirage Bad Monkeys Set This House in Order: A Romance of Souls Sewer, Gas & Electric: The Public Works Trilogy Fool on the Hill LovecraftCountry_i-viii,1-376_3p_MB1118.indd 2 11/18/15 12:06 PM LOVECRAFT COUNTRY • A NOVEL • MATT RUFF HARPER An Imprint of HarperCollinsPublishers LovecraftCountry_i-viii,1-376_3p_MB1118.indd 3 11/18/15 12:06 PM Copyright lovecraft country. Copyright © 2016 by Matt Ruff. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Harper Collins Publishers, 195 Broadway, New York, NY 10007. Harper Collins books may be purchased for educational, business, or sales promotional use. For information, please e- mail the Special Markets Department at [email protected]. first edition Designed by Jaime Putorti Copyright for images: cajoer/Shutterstock, Inc. Library of Congress Cataloging- in- Publication Data has been applied for. ISBN: 978- 0-06- 229206- 3 16 17 18 19 20 ov/rrd 10 9 8 7 6 5 4 3 2 1 LovecraftCountry_i-viii,1-376_3p_MB1118.indd 4 11/18/15 12:06 PM Dedication FOR HAROLD AND RITA •• LovecraftCountry_i-viii,1-376_3p_MB1118.indd 5 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 6 11/18/15 12:06 PM LOVECRAFT COUNTRY LovecraftCountry_i-viii,1-376_3p_MB1118.indd 7 11/18/15 12:06 PM LovecraftCountry_i-viii,1-376_3p_MB1118.indd 8 11/18/15 12:06 PM LOVECRAFT COUNTRY •• JIM CROW MILE— A unit of measurement, peculiar to colored motor- ists, comprising both physical distance and random helpings of fear, paranoia, frustration, and outrage. -
The Fear of the Unknown in H. P. Lovecraft's Works
The Fear of the Unknown in H. P. Lovecraft's Works Lončar, Dino Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:190599 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-30 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i njemačkog jezika i književnosti Dino Lončar Strah od nepoznatog u djelima H.P. Lovecrafta Završni rad Mentor: doc. dr. sc. Ljubica Matek Osijek, 2018. 1 Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i njemačkog jezika i književnosti Dino Lončar Strah od nepoznatog u djelima H.P. Lovecrafta Završni rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc. dr. sc. Ljubica Matek Osijek, 2018. 2 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major BA Programme in English language and Literature and German Language and Literature Dino Lončar Fear of the Unknown in the Works of H.P. Lovecraft Bachelor’s Thesis Supervisor: Ljubica Matek, Ph.D., Assist. Prof. Osijek, 2018. 3 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Department of English Study Programme: Double Major BA Programme in English Language and Literature and German Language and Literature Dino Lončar Fear of the Unknown in the Works of H.P. -
Racial Terror and the Struggle for Freedom in the HBO Series Lovecraft Country
Elena Apostolaki PhD candidate a.r.t.e.s. Graduate School for the Humanities Cologne University of Cologne Racial Terror and the Struggle for Freedom in the HBO Series Lovecraft Country HBO's Lovecraft Country (2020-) is based on Matt Ruff's 2016 novel and explores the weird and horrifying world of H.P. Lovecraft and the very real Jim Crow-era racism that plagued the U.S. during that time. The series, developed by Misha Green and produced by Jordan Peele, places Black protagonists at the center of a Lovecraftian horror story. The Black characters have to face shoggoths, grand wizards, magic but they also have to deal with and escape very realistic horror, in the form of the racist police violence and white supremacy. They almost always respond to the terror brought upon them by whiteness, whether it is real or supernatural. By bringing the Black characters—who were often the metaphorical villains of Lovecraft's stories— into the center of representation, the series allows for a new layer of meaning to Lovecraft's fear of the other. Lovecraft's horror "was borne from white Americans' malignant, baseless fear of the other—of Black people, of Latinx people, of immigrants, of Jews" (Foussianes, 2020). Lovecraft Country's horror, however, is borne from a fear of the very real violence that results from racism and prejudice. Lovecraft's racist beliefs are well documented, and both Ruff's book and Peel's take on the show seek to invert his xenophobic preoccupations, using monsters inspired by him to highlight the darkness of the Jim Crow South. -
H.P. Lovecraft and the Modernist Grotesque
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2008 H.P. Lovecraft nda the Modernist Grotesque Sean Elliot Martin Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Martin, S. (2008). H.P. Lovecraft nda the Modernist Grotesque (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/881 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. H.P. LOVECRAFT AND THE MODERNIST GROTESQUE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Sean Elliot Martin December 2008 Copyright by Sean Elliot Martin 2008 H.P. LOVECRAFT AND THE MODERNIST GROTESQUE By Sean Elliot Martin Approved November 21, 2008 ________________________________ ________________________________ Anne Brannen Laura Callanan Associate Professor of English Assistant Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Linda Kinnahan Professor of English (Committee Member) ________________________________ ________________________________ Albert Labriola Magali Michael Dean, McAnulty College and Graduate Chair, English Department School -
Lovecraft in Popular Culture
Tor Watten Melvær Imagining the Unimaginable - Lovecraft in Popular Culture Master’s thesis in MLSPRÅK Supervisor: Eli Løfaldli Trondheim, June 2018 Norwegian University of Science and Technology Faculty of Humanities Department of Language and Literature Acknowledgments First and foremost, I would like to thank my supervisor Eli Løfaldli for her insight and support since the day I knocked on her door and asked if it was possible to write this thesis. I would also like to thank my two closest classmates Anders Bjelland Buer and Eirik Ofstad for all the help and support, over the course of writing this thesis, and the years of studying leading up to it. Lastly, I want to express my gratitude to Aaron Delaney for all the time he has contributed by reading and rereading my sections for quality assurance. i Table of contents Introduction 2 Opening up the terrifying vistas of Lovecraft 6 Defining Lovecraftian Horror 6 The Cthulhu Mythos - A legacy of appropriation 12 Lovecraft in visual texts 16 Animated television shows 16 Rick and Morty 16 South Park and the Self-Inflicted Apocalypse 22 Post-analysis discussion of South Park and Rick and Morty 28 Video games 31 Darkest Dungeon 31 Comic books and graphic novels 37 Batman: The Doom That Came to Gotham 37 Providence 41 Conclusion 49 Works cited 53 Figures 57 Abstract 59 Appendix: Thesis relevance for teaching 61 1 Introduction Howard Phillips Lovecraft was an author who mainly published short stories during the 1930s and 1940s for various pulp magazines. Lovecraft did not enjoy any commercial success during his lifetime and died impoverished and relatively unknown. -
The Unnatural in HP Lovecraft's "At the Mountains of Madness"
Occam's Razor Volume 9 (2019) Article 3 2019 Weird Decentering: The Unnatural in H.P. Lovecraft's "At the Mountains of Madness" Braden Timss Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the American Literature Commons Recommended Citation Timss, Braden (2019) "Weird Decentering: The Unnatural in H.P. Lovecraft's "At the Mountains of Madness"," Occam's Razor: Vol. 9 , Article 3. Available at: https://cedar.wwu.edu/orwwu/vol9/iss1/3 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. Timss: Weird Decentering: The Unnatural in H.P. Lovecraft's "At the Moun THE UNNATURAL IN H.P. LOVECRAFT'S AT THE MOUNTAINS OF MADNESS By Braden Timss THE MYTHOLOGY MAINTAINED ACROSS he 'weird fiction' of H.P. Lovecraft has frustrat LOVECRAFT'S NUMEROUS SHORT T ed any attempt to place the author safely in the STORIES DEPICTS A WORLD THAT IS canons of genre fiction. Writing in the brief period of DETERMINED TO UNDERMINE THE IDEALS 1917 - 1937 with a keen mind towards the era's scien AND ARROGANT ASSUMPTIONS OF tific discoveries, Lovecraft's stories about cosmic horror, TWENTIETH-CENTURY RATIONALITY, A insanity, and inhumanity cultivated the author no fame NIGHTMARISH UNDOING OF EVERYTHING during his lifetime. The weirdness of his 'weird fiction' THAT COULD HAVE BEEN CALLED HUMAN derives from a unique combination of science, super OR HUMANITY. -
Lovecraft Country Scenario Index
Lovecraft Country Scenario Index Primary Other Scenario Title Location Locations Source Abduction in Arkham Arkham Dagon #6 Arkham Alone Against the Dark Alone Against the Dark* And the Dogs Shall Know You Arkham The Arkham Evil Arkham The Arkham Evil The Arkham Evil Arkham General Arkham The Dreaming Prince (Monograph) Behold the Mother Arkham Dunwich Dead Reckonings The Benighted Arkham The Thing at the Threshold The Black Cat Arkham Cathulhu, Worlds of Cthulhu #4 Blackwater Creek Dunwich† CoC Keeper’s Screen (7th Edition) Innsmouth, Arkham Adventures in Arkham Country Bless the Beasts and Children Falcon Point Arkham H. P. Lovecraft's Arkham The Books of Uncle Silas The Bones of Contention Kingsport Arkham Gazette Kickstarter bonus The Bosworth House Arkham The Arkham Gazette #1 Canis Mysterium Coldwater Falls Arkham* Canis Mysterium Dean’s The Chapochaug Tunnel Lights The Arkham Gazette #0 Corners† Christmas in Kingsport Kingsport Christmas in Kingsport (Monograph) The Condemned Arkham H.P. Lovecraft’s Arkham Consumption Arkham The Island of Ignorance Innsmouth Escape from Innsmouth The Crawford Inheritance Crimson Letters Arkham CoC 7th Ed. The Crystal Cavern Foxfield More Adventures in Arkham Country Curse of Anubis Arkham The Taint of Madness Dark Dreams of Innsmouth Innsmouth The Unbound Book #2 Dark Rivals Arkham Dead Reckonings Dunwich Adventures in Arkham Country The Dark Woods Dead Light Arkham† Dead Light Dead of Night Arkham H.P. Lovecraft’s Arkham Dead in the Water Kingsport H.P. Lovecraft’s Kingsport Dead Leaves Fall Arkham Foxfield Dead Leaves Fall (Monograph) Dunwich Death in Dunwich Death in Dunwich Deep Trouble Arkham Challenge #54 The Devil's Children {1690s and M} Arkham The Devil's Children The Devourer Arkham The Lurking Fear Aylesbury Diggin' Up the World (PDF) Diggin' Up the World Arkham, Drawn from the Water Kingsport Falcon Point, The Arkham Gazette #2 Innsmouth* Kingsport H.P. -
Lovecraftcountry EP101 BLUE DRAFT 052218 Copy
EPISODE #101 "SUNDOWN" WRITTEN BY MISHA GREEN BASED ON THE NOVEL BY MATT RUFF STUDIO/NETWORK 05/22/18 The epic TITLE MUSIC from "THE JACKIE ROBINSON STORY" (1950) carries us into... 1 EXT. COUNTRYSIDE - KOREA - NIGHT ...CHAOS. The D-Day version of the KOREAN WAR mashed up with every PULP NOVEL MONSTER in existence -- AMERICAN TROOPS fight KOREAN GUERRILLAS, "PRINCESS OF MARS"-like ALIENS, and LOVECRAFTIAN MONSTERS. The VOICE OVER from "The Jackie Robinson Story" breaks through -- "This is a story about a boy and his dream..." ATTICUS BLACK (MID 20'S) is on a RAMPAGE. Killing monsters. Dodging Guerillas. Badass. And SCARED OUT OF HIS MIND. "But more than that, it is a story of an American boy and a dream that is truly American..." Atticus stops. Covered in BLOOD and monster VISCOUS. Marvels at the carnage around him. Americans and Koreans doggedly fight each other despite the Monsters slaughtering them all. "The year is 1928. The time spring. If you were a young man, your thoughts were undoubtedly turning to love..." A HALF-NAKED KOREAN-ALIEN HYBRID (MOON JI-AH) floats through * the melee towards Atticus. He's TRANSFIXED. Doesn't notice the LOVECRAFTIAN TENTACLED MONSTROSITY rising behind him. * JI-AH wraps her arms around Atticus. Whispers in his ear in * the LANGUAGE OF ADAM. We're not familiar with it yet, but in time we certainly will be -- JI-A Die. "But if you were a young boy, your thoughts were of one thing..." Atticus turns now. Eyes WIDENING as he takes in the Lovecraftian Monstrosity posed to strike -- "...baseball." BAM! The monster is hit by a baseball bat. -
Resonation and Adaptation in the Cthulhu Mythos
LOVECRAFT ACROSS TIME: RESONATION & ADAPTATION IN THE CTHULHU MYTHOS A Thesis by ANDREW R. CANINO Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Department of English LOVECRAFT ACROSS TIME: RESONATION & ADAPTATION IN THE CTHULHU MYTHOS A Thesis by ANDREW R. CANINO May 2018 APPROVED BY: Craig Fischer, Ph.D. Chairperson, Thesis Committee Bret Zawilski, Ph.D. Member, Thesis Committee Tammy Wahpeconiah, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Andrew R. Canino 2018 All Rights Reserved Abstract LOVECRAFT ACROSS TIME: RESONATION & ADAPTATION IN THE CTHULHU MYTHOS Andrew Canino B.A., University of North Carolina at Greensboro M.A., Appalachian State University Chairperson: Dr. Craig Fischer, Ph.D. While the written works of H.P. Lovecraft have been far from universally lauded, the 20th century pulp-fiction writer has grown significantly in popularity since his death in 1937. In addition to his stories being reprinted in many collections of horror and science fiction tales, Lovecraft’s work has seen a remarkable afterlife in the area of adaptations. Using Wai Chee Dimock’s theory of resonance, this master’s thesis addresses this lack of critical attention to adaptations and appropriations of Lovecraft by closely examining four different texts: Bloodborne by game company FromSoftware, Why We’re Here by Fred Van Lente and Steve Ellis, Who Will Be Eaten First? by Howard Hallis, and The White Tree: A Tale of Inspector Legrasse by Sean Branney.