Old Irish Bé 'Woman'
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Perfect Tenses 8.Pdf
Name Date Lesson 7 Perfect Tenses Teaching The present perfect tense shows an action or condition that began in the past and continues into the present. Present Perfect Dan has called every day this week. The past perfect tense shows an action or condition in the past that came before another action or condition in the past. Past Perfect Dan had called before Ellen arrived. The future perfect tense shows an action or condition in the future that will occur before another action or condition in the future. Future Perfect Dan will have called before Ellen arrives. To form the present perfect, past perfect, and future perfect tenses, add has, have, had, or will have to the past participle. Tense Singular Plural Present Perfect I have called we have called has or have + past participle you have called you have called he, she, it has called they have called Past Perfect I had called we had called had + past participle you had called you had called he, she, it had called they had called CHAPTER 4 Future Perfect I will have called we will have called will + have + past participle you will have called you will have called he, she, it will have called they will have called Recognizing the Perfect Tenses Underline the verb in each sentence. On the blank, write the tense of the verb. 1. The film house has not developed the pictures yet. _______________________ 2. Fred will have left before Erin’s arrival. _______________________ 3. Florence has been a vary gracious hostess. _______________________ 4. Andi had lost her transfer by the end of the bus ride. -
The Formation, Translation and Use of Participles in Latin, and the Nature of Relative Time
Chapter 23: Participles Chapter 23 covers the following: the formation, translation and use of participles in Latin, and the nature of relative time. At the end of the lesson we’ll review the vocabulary which you should memorize in this chapter. There are four important rules to remember in Chapter 23: (1) Latin has four participles: the present active, the future active; the perfect passive and the future passive. It lacks, however, a present passive participle (“being [verb]-ed”) and a perfect active participle (“having [verb]-ed”). (2) The perfect passive, future active and future passive participles belong to first/second declension. The present active participle belongs to third declension. (3) The verb esse has only a future active participle (futurus). It lacks both the present active and all passive participles. (4) Participles show relative time. What are participles? At heart, participles are verbs which have been turned into adjectives. Thus, technically participles are “verbal adjectives.” The first part of the word (parti-) means “part;” the second part (-cip-) means “take,” indicating that participles “partake, share” in the characteristics of both verbs and adjectives. In other words, the base of a participle is verbal, giving it some of the qualities of a verb, for instance, tense: it can indicate when the action is happening (now or then or later; i.e. present, past or future); conjugation: what thematic vowel will be used (e.g. -a- in first conjugation, -e- in second, and so on); voice: whether the word it’s attached to is acting or being acted upon (i.e. -
<HAVE + PERFECT PARTICIPLE> in ROMANCE and ENGLISH
<HAVE + PERFECT PARTICIPLE> IN ROMANCE AND ENGLISH: SYNCHRONY AND DIACHRONY A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Diego A. de Acosta May 2006 © 2006 Diego A. de Acosta <HAVE + PERFECT PARTICIPLE> IN ROMANCE AND ENGLISH: SYNCHRONY AND DIACHRONY Diego A. de Acosta, Ph.D. Cornell University 2006 Synopsis: At first glance, the development of the Romance and Germanic have- perfects would seem to be well understood. The surface form of the source syntagma is uncontroversial and there is an abundant, inveterate literature that analyzes the emergence of have as an auxiliary. The “endpoints” of the development may be superficially described as follows (for English): (1) OE Ic hine ofslægenne hæbbe > Eng I have slain him The traditional view is that the source syntagma, <have + noun.ACC + perfect participle>, is structured [have [noun participle]], and that this syntagma undergoes change as have loses its possessive meaning. In this dissertation, I demonstrate that the traditional view is untenable and readdress two fundamental questions about the development of have-perfects: (i) how is the early ability of have to predicate possession connected with its later role in the perfect?; (ii) what are the syntactic structures and meanings of <have + noun.ACC + perfect participle> before the emergence of the have-perfect? With corpus evidence, I show that that the surface string <have + noun.ACC + perfect participle> corresponds to three different structures in Old English and Latin; all of these survive into modern English and the Romance languages. -
The$Irish$Language$And$Everyday$Life$ In#Derry!
The$Irish$language$and$everyday$life$ in#Derry! ! ! ! Rosa!Siobhan!O’Neill! ! A!thesis!submitted!in!partial!fulfilment!of!the!requirements!for!the!degree!of! Doctor!of!Philosophy! The!University!of!Sheffield! Faculty!of!Social!Science! Department!of!Sociological!Studies! May!2019! ! ! i" " Abstract! This!thesis!explores!the!use!of!the!Irish!language!in!everyday!life!in!Derry!city.!I!argue!that! representations!of!the!Irish!language!in!media,!politics!and!academic!research!have! tended!to!overKidentify!it!with!social!division!and!antagonistic!cultures!or!identities,!and! have!drawn!too!heavily!on!political!rhetoric!and!a!priori!assumptions!about!language,! culture!and!groups!in!Northern!Ireland.!I!suggest!that!if!we!instead!look!at!the!mundane! and!the!everyday!moments!of!individual!lives,!and!listen!to!the!voices!of!those!who!are! rarely!heard!in!political!or!media!debate,!a!different!story!of!the!Irish!language!emerges.! Drawing!on!eighteen!months!of!ethnographic!research,!together!with!document!analysis! and!investigation!of!historical!statistics!and!other!secondary!data!sources,!I!argue!that! learning,!speaking,!using,!experiencing!and!relating!to!the!Irish!language!is!both!emotional! and!habitual.!It!is!intertwined!with!understandings!of!family,!memory,!history!and! community!that!cannot!be!reduced!to!simple!narratives!of!political!difference!and! constitutional!aspirations,!or!of!identity!as!emerging!from!conflict.!The!Irish!language!is! bound!up!in!everyday!experiences!of!fun,!interest,!achievement,!and!the!quotidian!ebbs! and!flows!of!daily!life,!of!getting!the!kids!to!school,!going!to!work,!having!a!social!life!and! -
Language Reference
Language reference Unit 1 | Tenses Past perfect Present simple Use the past perfect to put events in the past in sequence. The past perfect indicates that the action it refers to happened before a Use the present simple reference to the past simple. 1 to talk about general facts, states, and situations I had heard from the locals that there were several interesting sites. The purpose of business is to make a profit. 2 to talk about regular or repeated actions, or permanent situations Past perfect continuous Jack works for Nissan. Use the past perfect continuous to refer to an action in progress before something else happened. 3 to talk about timetabled future events He was the one who had been working on the project, but his boss The meeting starts at 10.00. was the one who got all the credit. Present continuous Should Use the present continuous 1 Use should + infinitive to recommend something strongly. 1 to talk about an action in progress at the time of speaking / You should try that vegetarian restaurant on the river. writing 2 Use should + perfect infinitive to talk about a lost opportunity. I’m trying to get through to Jon Berks. You should have gone this morning – it was quite an interesting 2 to talk about a very current activity, taking place around the time meeting. of speaking 3 Use could / should + infinitive to predict. They are pushing the area for development. It could / should turn out to be quite an interesting conference. 3 to talk about fixed plans or arrangements in the future I am meeting the management committee on Friday. -
Grammar 4 – the Perfect Tenses the Present Perfect – an Introduction
Grammar 4 – The Perfect Tenses Welcome to a minefield! No, it’s not all that bad really, although gaining mastery of the Perfect Tense system is something which many students find difficult. Some students master the present and past, and appear to embrace the future forms with relative ease, yet fail to comprehend how and when to use the Perfect Tenses. We have seen many a good intermediate student fail to make additional progress because they have been unable to get to grips with this tense. So what is it all about? In this section we will look at 3 perfect forms; Past, Present and Future. The Present Perfect – an introduction The Present Perfect is a way of linking the past to the present. Whether it exists in other languages or not, it is a traditionally difficult concept for students to grasp and a notorious bugbear for teachers. A good sign of fluency in the English language is the ability to use it correctly. Do not attempt to teach the Present Perfect without the aid of a good grammar book (at least until you are familiar with it - we recommend ‘The Good Grammar Book’ by Swan). It is worth ensuring you become familiar with this tense as common interview questions for jobs include the following: ‘Describe the 3 uses of the Present Perfect’ ‘How would you approach a lesson on the Present Perfect?’ ‘How would you explain the difference between the Past Simple and the Present Perfect Tenses to a class?’ By the end of this module you should be able to answer these questions. -
Preservation of Original Orthography in the Construction of an Old Irish Corpus
Preservation of Original Orthography in the Construction of an Old Irish Corpus. Adrian Doyle, John P. McCrae, Clodagh Downey National University of Ireland Galway [email protected], [email protected], [email protected] Abstract Irish was one of the earliest vernacular European languages to have been written using the Latin alphabet. Furthermore, there exists a relatively large corpus of Irish language text dating to this Old Irish period (c. 700 – c 950). Beginning around the turn of the twentieth century, a large amount of study into Old Irish revealed a highly standardised language with a rich morphology, and often creative orthography. While Modern Irish enjoys recognition from the Irish state as the first official language, and from the EU as a full official and working language, Old Irish is almost incomprehensible to most modern speakers, and remains extremely under-resourced. This paper will examine considerations which must be given to aspects of orthography and palaeography before the text of a historical manuscript can be represented in digital format. Based on these considerations the argument will be presented that digitising the text of the Würzburg glosses as it appears in Thesaurus Palaeohibernicus will enable the use of computational analysis to aid in current areas of linguistic research by preserving original orthographical information. The process of compiling the digital corpus, including considerations given to preservation of orthographic information during this process, will then be detailed. Keywords: manuscripts, palaeography, orthography, digitisation, optical character recognition, Python, Unicode, morphology, Old Irish, historical languages glosses]” (2006, p.10). Before any text can be deemed 1. -
Grammar: Verbs—Perfect Tenses Practice
Name: Date: Grammar: Verbs—Perfect Tenses Practice The tense of a verb shows the time of an action. The perfect tense describes an action that was or will be completed at a certain time. In perfect tenses, the helping verb changes tense. The chart lists the perfect tenses. Verb Tense invite (invited) Present Perfect: action begun in the I have invited my friends to the party. past that continues up to the present have + past participle Past Perfect: action begun in the I had invited my friends to the party, past that ended but some couldn’t make it. had + past participle Future Perfect: action begun in the By tonight, I will have invited past or present, completed in the everyone. future will have + past participle Underline the perfect tense verbs in the sentences, and write what tense forms they are. Example: Suzie had hoped to win last week’s race. past perfect Suzie had hoped to win last week’s race. 1. Have you heard of the lost city of Atlantis? 2. I had not thought about it for years. 3. Soon I will have read almost everything on the subject. 4. They say that Atlantis had been a rival of Athens. 5. There have been many references to this strange place in myths. 6. Perhaps Atlantis had sunk during an earthquake. 7. Since then, many adventurers and scholars have looked for it. 8. By now, they will have searched both seas and oceans. 9. They will have discovered many lost cities in the process. 10. No one has ever found evidence of Atlantis’s existence. -
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Grinnstaidéar ar an nGaol Gabhlánach: Anailís Shochstairiúil ar Nádúr an Dátheangachais Shochaíoch in Éirinn le linn an Fichiú hAois Gráinne Ní Bhreithiún Tá an tráchtas seo á chur faoi bhráid Ollscoil na hÉireann, Má Nuad don chéim dochtúireachta ag Gráinne Ní Bhreithiún, B.A. Scoil an Léinn Cheiltigh, Ollscoil na hÉireann, Má Nuad, Co. Chill Dara, Éire. Stiúrthóir: An Dr Tadhg Ó Dúshláine Roinn na Nua-Ghaeilge Ollamh na Nua-Ghaeilge: An tOll. Ruairí Ó hUiginn Aibreán 2014 Imleabhar 2/2 Clár an Ábhair Liosta na dTáblaí i Liosta na Léaráidí ii !! "#$%$&$'(#()*#+,-.(/0123$-,*($(45$167(869$&*(:#(;*#:<#(========================(>! 7.1! Réamhrá(========================================================================================================================(>! 7.2! Creatlach UNESCO(====================================================================================================(?! 7.3! Tabhairt Isteach na Gaeilge i Réimsí Nua Úsáide(=============================================(>@! 7.4! Tátal(=============================================================================================================================(A?! @! "#$%$&$'(#(,B+,-.(CD*#<#$D-(&0(45$167(#<36(&0(E,*9$:(F3#(================(AG! 8.1! Réamhrá(======================================================================================================================(AG! 8.2! Creatlach UNESCO(==================================================================================================(AG! 8.3! Réimse na hOibre(======================================================================================================(?>! -
Ancient Greek Tragedy and Irish Epic in Modern Irish
MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Katherine Anne Hennessey, B.A., M.A. ____________________________ Dr. Susan Cannon Harris, Director Graduate Program in English Notre Dame, Indiana March 2008 MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE Abstract by Katherine Anne Hennessey Over the course of the 20th century, Irish playwrights penned scores of adaptations of Greek tragedy and Irish epic, and this theatrical phenomenon continues to flourish in the 21st century. My dissertation examines the performance history of such adaptations at Dublin’s two flagship theatres: the Abbey, founded in 1904 by W.B. Yeats and Lady Gregory, and the Gate, established in 1928 by Micheál Mac Liammóir and Hilton Edwards. I argue that the potent rivalry between these two theatres is most acutely manifest in their production of these plays, and that in fact these adaptations of ancient literature constitute a “disputed territory” upon which each theatre stakes a claim of artistic and aesthetic preeminence. Partially because of its long-standing claim to the title of Ireland’s “National Theatre,” the Abbey has been the subject of the preponderance of scholarly criticism about the history of Irish theatre, while the Gate has received comparatively scarce academic attention. I contend, however, that the history of the Abbey--and of modern Irish theatre as a whole--cannot be properly understood except in relation to the strikingly different aesthetics practiced at the Gate. -
In Auraicept Na N-Éces, a Fifth Group of Letters Called Forfeda Is Also Listed
Show difference between vertical verse horizontal. a, b, c, d, e, f, g, h, i, l, m, n, ng, o, q, r, s, t, u, z, ea, oi, ui, ia, ae Ogham (Irish slash writing) http://www.ancientscripts.com/ogham.html The Ogham script recorded the earliest Old Irish texts dating between the 3rd and the 6th century CE (Common Era). Ogham inscriptions are found exclusively in Ireland, Scotland, and Wales. The Ogham letters are divided into four groups, each containing five letters. This yields a total of 20 Ogham letters. When inscribed on stones, Ogham is written vertically from bottom to top. In some cases, mostly in manuscripts, Ogham is written horizontally from right to left. The following chart lists all Ogham letters in their horizontal forms. b l f s n h d t c q m g ng z r a o u e i Sometimes the vowels use dots rather than lines intersecting the vertical axis. http://housebarra.com/EP/ep02/05ogham.html When vertical, Ogham is read from the bottom right to the top and then down on the left. The gray line that the dots, dashes and slashes touch or cross represents the edge of a stone or piece of wood. a o u e i In Auraicept na n-Éces, a fifth group of letters called forfeda is also listed. These extra letters did not appear in stone inscriptions before the 6th century CE, and most likely were added to represent new sounds introduced by natural changes in the Irish language after the 6th century CE. -
Computational Approaches to Mapping Historical Irish Cognate Verb Forms
Past, present and future: Computational approaches to mapping historical Irish cognate verb forms Theodorus Leman Franciscus Fransen Thesis submitted for the Degree of Doctor of Philosophy Centre for Language & Communication Studies School of Linguistic, Speech and Communication Sciences Trinity College Dublin The University of Dublin 2019 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Summary This thesis investigates how computational methods can be used to enhance our understanding of the significant historical developments in the verbal system between Old Irish (c. 8th–9th centuries A.D.) and Modern Irish (13th century onwards). Out of all grammatical subsystems, the verbal system is subject to the most severe morphological changes between Old and Modern Irish, i.e., during the Middle Irish period (c. 10th–12th centuries). The main contribution of this thesis is the creation of a morphological Finite-State Transducer (FST) for Old Irish, focusing on verbs, successfully implemented in the finite-state tool foma (Hulden 2009). The FST is an important advancement in Natural Language Processing for Old Irish and will assist research in various linguistic subdisciplines as well as in medieval Irish philology. Chapter 1 demonstrates that a hiatus exists in digital linguistic support for historical Irish language periods. This hiatus in coverage and continuity is particularly true for Early Modern Irish (c.