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Winterwinter June10june10 OL.Inddol.Indd 1 33/6/10/6/10 111:46:191:46:19 AMAM | Contents |
BBarNewsarNews WinterWinter JJune10une10 OL.inddOL.indd 1 33/6/10/6/10 111:46:191:46:19 AMAM | Contents | 2 Editor’s note 4 President’s column 6 Letters to the editor 8 Bar Practice Course 01/10 9 Opinion A review of the Senior Counsel Protocol Ego and ethics Increase the retirement age for federal judges 102 Addresses 132 Obituaries 22 Recent developments The 2010 Sir Maurice Byers Address Glenn Whitehead 42 Features Internationalisation of domestic law Bernard Sharpe Judicial biography: one plant but Frank McAlary QC several varieties 115 Muse The Hon Jeff Shaw QC Rake Sir George Rich Stephen Stewart Chris Egan A really rotten judge: Justice James 117 Personalia Clark McReynolds Roger Quinn Chief Justice Patrick Keane The Hon Bill Fisher AO QC 74 Legal history Commodore Slattery 147 Bullfry A creature of momentary panic 120 Bench & Bar Dinner 2010 150 Book reviews 85 Practice 122 Appointments Preparing and arguing an appeal The Hon Justice Pembroke 158 Crossword by Rapunzel The Hon Justice Ball The Federal Magistrates Court 159 Bar sports turns 10 The Hon Justice Nicholas The Lady Bradman Cup The Hon Justice Yates Life on the bench in Papua New The Great Bar Boat Race Guinea The Hon Justice Katzmann The Hon Justice Craig barTHE JOURNAL OF THE NSWnews BAR ASSOCIATION | WINTER 2010 Bar News Editorial Committee ISSN 0817-0002 Andrew Bell SC (editor) Views expressed by contributors to (c) 2010 New South Wales Bar Association Keith Chapple SC This work is copyright. Apart from any use as permitted Bar News are not necessarily those of under the Copyright Act 1968, and subsequent Mark Speakman SC the New South Wales Bar Association. -
Sacred Nature and Profane Objects in Seachange
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Osbaldiston, Nick (2008) Sacred nature and profane objects in seachange. In Warr, D, Chang, J S, Lewis, J, Nolan, D, Pyett, P, Wyn J, J, et al. (Eds.) Reimagining Sociology. The Australian Sociological Association (TASA), Melbourne, Australia, pp. 1-15. This file was downloaded from: https://eprints.qut.edu.au/18341/ c Copyright 2009 The Author This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.tasa.org.au/ home/ index.php QUT Digital Repository: http://eprints.qut.edu.au/18341 Osbaldiston, Nick (2009) Sacred nature and profane objects in seachange. -
JAS Style Guide and Submission Requirements 2020
JAS Style Guide and Submission Requirements The Journal of Australian Studies (JAS) is a fully refereed, multidisciplinary international journal. JAS publishes scholarly articles and reviews about Australian culture, society, politics, history and literature. Contributors should be familiar with the aim and scope of the journal. Articles should be between 6,000 and 8,000 words, including footnotes. An abstract, title and at least five keywords will be requested during the online submission process. Titles and abstracts should be concise, accurate and informative to enable readers to find your article through search engines and databases. JAS’s style and referencing system is based closely on Chicago footnoting, with some occasional deviations (e.g. Australian date format). Please refer to the complete Chicago Manual of Style (17th edition, or online at https://www.chicagomanualofstyle.org/home.html) for issues that are not covered by the following instructions. Format Use a standard font—such as Times New Roman, Arial or Calibri—in 12-point size. Use double line spacing and indent the first line of each paragraph (but not at the beginning of the article, or a new section, or following an image, table or indented quote). Insert a single line break between sections, but not between paragraphs or footnotes, and not following headings or block quotations. Avoid extra space or blank lines between paragraphs. If you do want a break to appear in the printed version, indicate this explicitly with three asterisks set on a separate line. Sub-headings can improve the flow and cohesion of your article. Use a maximum of two levels: first- level headings should appear in bold type, and second-level headings should appear in italics. -
ICTV Rush Night Spring 2012
ICTV Rush Night Spring 2012 A note from your Station Manager New Productions for Spring 2012 Hello Rush Nighters, Backstage Comedy Ithaca Eats College Gourmet Poutine on the Fritz Welcome to the Spring 2012 ICTV Rush Night! ICTV is turning 54 years old this year as we gear up to start another semester of Dual Redundancy Stop Me If You’ve Heard This One the longest-running college television station in the nation. ICTV is the largest student organization on campus. From producers, directors, actors, anchors, editors, graphic designers, set designers, sound engineers, and much more - ICTV has something to interest everyone. Executive Staff I encourage you to stop by each of the tables here, using this Monitor as your guide. The producers need your help to make their production visions a reality. They’re more than happy to talk to you Station Manager: about what they’ll be putting a lot of dedication into this coming semester. Find out what best suits you. Most of all, get involved! J.P. Mosca, [email protected] With over 20 unique productions, I am confident that you’ll be able Director of Programming: to find something you’ll enjoy. We have news, sports, dramas, reviews shows, game shows, sketch comedies, and many more. James Heasley, [email protected] Director of Technical Operations: ICTV’s Rush Night often gets a large turnout and these producers have many applications to sift through. If for some reason you do Ayla Kaluski, [email protected] not hear back from anyone, please email me and I will personally Director of On-Air Promotions: do my best to find a show that needs your help. -
Download Entire Book
Scientific knowledge in controversy: the social dynamics of the fluoridation debate Brian Martin with a commentary by Edward Groth III Published in 1991 by State University of New York Press, Albany The version here differs from the published version in a number of details of expression, a different format, different page numbering (151 instead of 274 pages) and omission of the index. Contents 1. Introduction 1 2. Arguments 9 3. Coherent viewpoints 27 4. The struggle over credibility 40 5. Professional attack 66 6. A corporate connection? 84 7. Making a decision 94 8. Studying the controversy 106 The fluoridation controversy: which side is science on? by Edward Groth III 122 Appendix: Fluoridation around the world 137 Acknowledgments Albert Burgstahler, Edith Waldbott, and many others (too numerous to mention) plied me with valuable information through correspondence. Gay Antonopoulos obtained copies of many publications for me through interlibrary loans. I thank the individuals listed in chapter 3 for their generosity in being interviewed. Discussions with Mark Diesendorf and Evelleen Richards provided me with insights. I received a large number of valuable corrections and comments on the earlier drafts from Albert Burgstahler, Brian Burt, John Colquhoun, Mark Diesendorf, Edward Groth III, Michael A. Lennon, Pam Scott, John Small, Donald Taves, and several anonymous reviewers. I especially thank Edward Groth III for his mammoth correspondence and for writing the commentary. 1 Introduction The 1 August 1988 issue of Chemical & fluoridation are given little space and little Engineering News contained an article that credence. caused a sensation in the long-running The Chemical & Engineering News article controversy over fluoridation. -
Australian Television, Music and Place
Screen Sound n1, 2010 SOUNDING EAST OF EVERYTHING Australian Television, Music and Place Liz Giuffre Abstract East of Everything is a contemporary Australian television drama series shot on the New South Wales North Coast in and around the popular tourist destination of Byron Bay. In addition to utilising the region’s visual beauty – a cinematographic technique commonly employed in Australian drama – East of Everything has harnessed the musical culture that has developed in the area over time. The series relies on its soundtrack to create a sense of place and illuminate the program’s dramatic progression. This article will explore the use of music to ‘place’ East of Everything, examining the incorporation of pre-existing and specially commissioned material. I will show that the sonic representation of place through music has been key to the program’s success, and that place in the Australian drama is revealed sonically to be as diverse, emotive and striking as the region’s visual landscape. Keywords Television, Soundtrack, Australian music, Byron Bay, Surfing Culture Introduction Billingham (2000) argues that television drama often relies on the creation of ‘geo- ideological’ relationships to attract audiences. As part of his evaluation of various contemporary British and American television drama series, he suggests that many successful programs created a “dialectic of literal notions of place and location, transposed with their ideological marking, signing and delineation” (2000: 1). For Billingham the depiction of place was central to the success of these television texts, with the program’s target audience engaged as visuals and sound worked in “symbiotic tandem” to create an “imagined city” (2000: 119). -
In This Issue
Spring 2014 Edition IN THIS ISSUE The Gold Coast’s Residents shine biggest backyard at the Annual What’s Hot: Seachange is now at Check out our Art & Craft Seachange! new website! Exhibition DIRECTORS WELCOME David Pradella Managing Director I recently attended the Seachange Art and Craft Exhibition and was privileged to witness our community at work – what a wonderful experience it was. At its core Seachange was built Five years on and this platform that was no more evident than to be an active adult community, at Seachange has made it one of seeing how the social committee inspired by villages in Florida - Australia’s premier active adult and their support team of over the retirement capital of the USA. communities for over 50’s. The one hundred volunteers regularly Our goal was to create a platform people who live in this community host events such as the Art and where people can interact deliver our ‘vision’ that makes it Craft Exhibition that makes meaningfully at a number of successful. an active adult community the levels encompassing the mind, It’s people that make antithesis of a retirement village. body and soul. organisations great and for me Life really begins at 50! 5-Star Country Club Floodlit Tennis Courts Quite a turnout at the Arts & Craft Expo Residents shine at the annual Seachange Art & Craft Exhibition New residents tell how the decision to move to Seachange was an easy one Resident recommendations generate strong family response Latest News Seachange residents love their home’s view over SPRING 2014 the community’s enormous 69ha ‘backyard’ Choosing where you live can Over 50. -
DNA Nation Press
PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world. -
A Documentary Film Romeoisbleedingfilm.Com Is Bleeding SYNOPSIS
AUDIENCE AWARD BEST DOCUMENTARY FEATURE SAN FRANCISCO INTʼL FILM FESROMEOT A Documentary Film RomeoIsBleedingFilm.com IS BLEEDING SYNOPSIS From Executive Producer Russell Simmons and Director Jason Zeldes, comes an award-winning documentary following Donté Clark, a young poet transcending the violence in his hometown by writing about his experiences. Growing DAMN up in Richmond, CA, a city haunted by a fatal WHERE I’M FROM BULLETS FLY FROM turf war, Donté and the like-minded youth BLACK HANDS TO BE LODGED IN THE HEAD of the city mount an OF A BLACK MAN. WE urban adaptation of Shakespeare’s Romeo and Juliet, with the hope of starting a dialogue about violence in the city. Will Richmond crush Donté’s idealism? Or will Donté end Richmond’s cycle of trauma? LOSING romeo is bleeding • a documentary film bacKground Donté Clark’s poetry captures the violence and heartbreak that haunt certain neighborhoods of richmond, ca. the turf war between North and Central Richmond has raged for decades, with each generation having their own folkloric stories of how the war began. Donté was born in the heart of North Richmond, but found self-empowerment by writing about his experiences there. Now as a young man, Donté offers that same opportunity to Richmond’s youth, through an arts organization called RAW talent. “Romeo is Bleeding” is structured around one year in the raW talent classroom, as donté leads a cast of high school students in an effort to mount an urban adaptation of “Romeo and Juliet”. As Montague vs. Capulet transforms into North vs. -
Media Release – Strictly Embargoed Until 4Pm Monday 28 January 2013
Media Release – Strictly embargoed until 4pm Monday 28 January 2013 AUSTRALIAN ACADEMY ANNOUNCES FIRST GROUP OF WINNERS - 2ND AACTA AWARDS The 2nd AACTA Awards Luncheon, presented by Deluxe was held today at Sydney’s The Star Event Centre, where the Australian Academy of Cinema and Television Arts (AACTA) announced the first group of winners for the 2nd AACTA Awards. 2nd AACTA Awards Presenters Presenters at the event included television favourites Diana Glenn, Jane Harber and Jimi Bani as well as acclaimed actors Damon Herriman, Daniel Henshall and Felicity Price. Also taking to the stage were The Sapphires stars Miranda Tapsell and Shari Sebbens. The event was hosted by the always-entertaining and irreverent Oscar® and AFI Awarded Adam Elliot. Special Presentation of the AACTA Raymond Longford Award – Al Clark A special highlight of the 2nd AACTA Awards Luncheon presented by Deluxe was the presentation of the prestigious AACTA Raymond Longford Award, the nation’s highest screen accolade, to one of Australia’s most revered producers, Al Clark. The presentation was accompanied by moving and insightful tributes from Ana Kokkinos, David Stratton and Alan Finney. With a filmmaking career spanning three decades, Al Clark has produced or executive produced 19 feature films including some of Australia’s most iconic, celebrated and internationally significant cinema, with credits including The Adventures of Priscilla, Queen of the Desert, Chopper, Razzle Dazzle, Blessed, Red Hill and the upcoming musical Goddess. In addition to his achievements as an extraordinary and tenacious producer, Clark is also noted by a cross section of the industry as a mentor and educator whom many credit with helping to launch their careers. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road.