Jayne Russell
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Winterwinter June10june10 OL.Inddol.Indd 1 33/6/10/6/10 111:46:191:46:19 AMAM | Contents |
BBarNewsarNews WinterWinter JJune10une10 OL.inddOL.indd 1 33/6/10/6/10 111:46:191:46:19 AMAM | Contents | 2 Editor’s note 4 President’s column 6 Letters to the editor 8 Bar Practice Course 01/10 9 Opinion A review of the Senior Counsel Protocol Ego and ethics Increase the retirement age for federal judges 102 Addresses 132 Obituaries 22 Recent developments The 2010 Sir Maurice Byers Address Glenn Whitehead 42 Features Internationalisation of domestic law Bernard Sharpe Judicial biography: one plant but Frank McAlary QC several varieties 115 Muse The Hon Jeff Shaw QC Rake Sir George Rich Stephen Stewart Chris Egan A really rotten judge: Justice James 117 Personalia Clark McReynolds Roger Quinn Chief Justice Patrick Keane The Hon Bill Fisher AO QC 74 Legal history Commodore Slattery 147 Bullfry A creature of momentary panic 120 Bench & Bar Dinner 2010 150 Book reviews 85 Practice 122 Appointments Preparing and arguing an appeal The Hon Justice Pembroke 158 Crossword by Rapunzel The Hon Justice Ball The Federal Magistrates Court 159 Bar sports turns 10 The Hon Justice Nicholas The Lady Bradman Cup The Hon Justice Yates Life on the bench in Papua New The Great Bar Boat Race Guinea The Hon Justice Katzmann The Hon Justice Craig barTHE JOURNAL OF THE NSWnews BAR ASSOCIATION | WINTER 2010 Bar News Editorial Committee ISSN 0817-0002 Andrew Bell SC (editor) Views expressed by contributors to (c) 2010 New South Wales Bar Association Keith Chapple SC This work is copyright. Apart from any use as permitted Bar News are not necessarily those of under the Copyright Act 1968, and subsequent Mark Speakman SC the New South Wales Bar Association. -
Sacred Nature and Profane Objects in Seachange
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Osbaldiston, Nick (2008) Sacred nature and profane objects in seachange. In Warr, D, Chang, J S, Lewis, J, Nolan, D, Pyett, P, Wyn J, J, et al. (Eds.) Reimagining Sociology. The Australian Sociological Association (TASA), Melbourne, Australia, pp. 1-15. This file was downloaded from: https://eprints.qut.edu.au/18341/ c Copyright 2009 The Author This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.tasa.org.au/ home/ index.php QUT Digital Repository: http://eprints.qut.edu.au/18341 Osbaldiston, Nick (2009) Sacred nature and profane objects in seachange. -
JAS Style Guide and Submission Requirements 2020
JAS Style Guide and Submission Requirements The Journal of Australian Studies (JAS) is a fully refereed, multidisciplinary international journal. JAS publishes scholarly articles and reviews about Australian culture, society, politics, history and literature. Contributors should be familiar with the aim and scope of the journal. Articles should be between 6,000 and 8,000 words, including footnotes. An abstract, title and at least five keywords will be requested during the online submission process. Titles and abstracts should be concise, accurate and informative to enable readers to find your article through search engines and databases. JAS’s style and referencing system is based closely on Chicago footnoting, with some occasional deviations (e.g. Australian date format). Please refer to the complete Chicago Manual of Style (17th edition, or online at https://www.chicagomanualofstyle.org/home.html) for issues that are not covered by the following instructions. Format Use a standard font—such as Times New Roman, Arial or Calibri—in 12-point size. Use double line spacing and indent the first line of each paragraph (but not at the beginning of the article, or a new section, or following an image, table or indented quote). Insert a single line break between sections, but not between paragraphs or footnotes, and not following headings or block quotations. Avoid extra space or blank lines between paragraphs. If you do want a break to appear in the printed version, indicate this explicitly with three asterisks set on a separate line. Sub-headings can improve the flow and cohesion of your article. Use a maximum of two levels: first- level headings should appear in bold type, and second-level headings should appear in italics. -
Australian Television, Music and Place
Screen Sound n1, 2010 SOUNDING EAST OF EVERYTHING Australian Television, Music and Place Liz Giuffre Abstract East of Everything is a contemporary Australian television drama series shot on the New South Wales North Coast in and around the popular tourist destination of Byron Bay. In addition to utilising the region’s visual beauty – a cinematographic technique commonly employed in Australian drama – East of Everything has harnessed the musical culture that has developed in the area over time. The series relies on its soundtrack to create a sense of place and illuminate the program’s dramatic progression. This article will explore the use of music to ‘place’ East of Everything, examining the incorporation of pre-existing and specially commissioned material. I will show that the sonic representation of place through music has been key to the program’s success, and that place in the Australian drama is revealed sonically to be as diverse, emotive and striking as the region’s visual landscape. Keywords Television, Soundtrack, Australian music, Byron Bay, Surfing Culture Introduction Billingham (2000) argues that television drama often relies on the creation of ‘geo- ideological’ relationships to attract audiences. As part of his evaluation of various contemporary British and American television drama series, he suggests that many successful programs created a “dialectic of literal notions of place and location, transposed with their ideological marking, signing and delineation” (2000: 1). For Billingham the depiction of place was central to the success of these television texts, with the program’s target audience engaged as visuals and sound worked in “symbiotic tandem” to create an “imagined city” (2000: 119). -
In This Issue
Spring 2014 Edition IN THIS ISSUE The Gold Coast’s Residents shine biggest backyard at the Annual What’s Hot: Seachange is now at Check out our Art & Craft Seachange! new website! Exhibition DIRECTORS WELCOME David Pradella Managing Director I recently attended the Seachange Art and Craft Exhibition and was privileged to witness our community at work – what a wonderful experience it was. At its core Seachange was built Five years on and this platform that was no more evident than to be an active adult community, at Seachange has made it one of seeing how the social committee inspired by villages in Florida - Australia’s premier active adult and their support team of over the retirement capital of the USA. communities for over 50’s. The one hundred volunteers regularly Our goal was to create a platform people who live in this community host events such as the Art and where people can interact deliver our ‘vision’ that makes it Craft Exhibition that makes meaningfully at a number of successful. an active adult community the levels encompassing the mind, It’s people that make antithesis of a retirement village. body and soul. organisations great and for me Life really begins at 50! 5-Star Country Club Floodlit Tennis Courts Quite a turnout at the Arts & Craft Expo Residents shine at the annual Seachange Art & Craft Exhibition New residents tell how the decision to move to Seachange was an easy one Resident recommendations generate strong family response Latest News Seachange residents love their home’s view over SPRING 2014 the community’s enormous 69ha ‘backyard’ Choosing where you live can Over 50. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
Fat Tony__Co Final D
A SCREENTIME production for the NINE NETWORK Production Notes Des Monaghan, Greg Haddrick Jo Rooney & Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler, Adam Todd, Jeff Truman & Michaeley O’Brien SERIES WRITERS Peter Andrikidis, Andrew Prowse & Karl Zwicky SERIES DIRECTORS MEDIA ENQUIRIES Michelle Stamper: NINE NETWORK T: 61 3 9420 3455 M: 61 (0)413 117 711 E: [email protected] IMPORTANT LEGAL NOTIFICATION TO MEDIA Screentime would like to remind anyone reporting on/reviewing the mini-series entitled FAT TONY & CO. that, given its subject matter, the series is complicated from a legal perspective. Potential legal issues include defamation, contempt of court and witness protection/name suppression. Accordingly there are some matters/questions that you may raise which we shall not be in a position to answer. In any event, please note that it is your responsibility to take into consideration all such legal issues in determining what is appropriate for you/the company who employs you (the “Company”) to publish or broadcast. Table of Contents Synopsis…………………………………………..………..……………………....Page 3 Key Players………….…………..…………………….…….…..……….....Pages 4 to 6 Production Facts…………………..…………………..………................Pages 7 to 8 About Screentime……………..…………………..…….………………………Page 9 Select Production & Cast Interviews……………………….…….…Pages 10 to 42 Key Crew Biographies……………………………………………...….Pages 43 to 51 Principal & Select Supporting Cast List..………………………………...….Page 52 Select Cast Biographies…………………………………………….....Pages 53 to 69 Episode Synopses………………………….………………….………..Pages 70 to 72 © 2013 Screentime Pty Ltd and Nine Films & Television Pty Ltd 2 SYNOPSIS FAT TONY & CO., the brand-new production from Screentime, tells the story of Australia’s most successful drug baron, from the day he quit cooking pizza in favour of cooking drugs, to the heyday of his $140 million dollar drug empire, all the way through to his arrest in an Athens café and his whopping 22-year sentence in Victoria’s maximum security prison. -
ABC2 Program Schedule
1 | P a g e ABC2 Program Guide: National: Week 26 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 25 June 2017 ........................................................................................................................................... 3 Monday, 26 June 2017 .......................................................................................................................................... 8 Tuesday, 27 June 2017 ........................................................................................................................................ 13 Wednesday, 28 June 2017 .................................................................................................................................. 18 Thursday, 29 June 2017 ...................................................................................................................................... 23 Friday, 30 June 2017 ........................................................................................................................................... 29 Saturday, 1 July 2017 .......................................................................................................................................... 35 Marketing Contacts ..................................................................................................................................................... 41 2 | P a g e ABC2 Program -
Shaun Micallef's Mad As Hell, Series 10
1 Yours in 2019: ABC’S UNRIVALLED COMMITMENT TO DIVERSE AUSTRALIAN STORIES The ABC will celebrate remarkable Australian stories in 2019 with distinctive new dramas, documentaries and comedies that showcase the country’s creative talent. “The ABC tells the story of Australia and in 2019 we have many great stories to tell. We are Australia’s leading broadcaster in backing home-grown creative talent and content. “In the year to come, as in years past, Australian audiences will come home to the ABC to share in the stories, conversations and events that shape our nation.” David Anderson, ABC Acting Managing Director The ABC would like to thank our State and Federal funding partners for their continued support: Screen Australia, our primary funding partner on many of our projects and Create NSW, Screen West, Screen ACT, Screen Tasmania, Film Victoria, Screen Queensland, South Australian Film Corporation (SAFC) and Screen Territory. For further information please contact: Peri Wilson, Marketing Communications Lead, ABC 02 8333 2263/ 0409 888 866 / [email protected] For Images visit ABC.net.au/TVPublicity #ABCyours 2 NEW PROGRAMS 3 4 Aftermath: Beyond Black Saturday In February 2009, the worst bushfires in Australian history killed 173 people, ripping through country Victoria in a series of devastating firestorms so powerful and uncontrollable they would re-write history. This was Black Saturday. In a matter of hours, millions of hectares of bush went up in flames, 7,000 people lost their homes and countless wildlife and stock were lost. A decade on, Aftermath: Beyond Black Saturday revisits the survivors of Black Saturday to discover how they have coped with the trauma and loss and to find out what gave them the strength to go on when everything they loved was destroyed. -
ABC KIDS/Comedy Program Guide: Week 37 Index
1 | P a g e ABC KIDS/Comedy Program Guide: Week 37 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 6 September 2020 ................................................................................................................................... 3 Monday, 7 September 2020 ................................................................................................................................. 9 Tuesday, 8 September 2020 ............................................................................................................................... 15 Wednesday, 9 September 2020 .......................................................................................................................... 21 Thursday, 10 September 2020 ............................................................................................................................ 27 Friday, 11 September 2020 ................................................................................................................................. 33 Saturday, 12 September 2020 ............................................................................................................................ 39 2 | P a g e ABC KIDS/Comedy Program Guide: Week 37 Sunday 6 September 2020 Program Guide Sunday, 6 September 2020 5:05am Pocoyo (CC,Repeat,G) 5:15am Pingu In The City (Repeat,G) 5:25am Rita and Crocodile (CC,Repeat,G) 5:30am -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera. -
Steve Vizard
STEVE VIZARD Steve Vizard is a Gold Logie and multi award winning writer, performer, producer, broadcaster and lawyer. After studying Law and Philosophy at University of Melbourne, where Steve and his mates established the University Law Revue, Steve became a partner in a city law firm. While practicing international law, Steve wrote extensively for theatre and television, including co-writing his first feature film screenplay, The Bit Part, starring Nicole Kidman, for which he was nominated for a Writers Guild Award. In 1989 Steve created, produced, was head writer and starred in the iconic and multi award winning Fast Forward (and subsequently Full Frontal), which for ten years were Australia’s highest-rating and longest-running prime time television comedy shows. In the ensuing years Steve produced, created and wrote for numerous groundbreaking programmes, from the acclaimed Big Girls Blouse to The Micallef Program, helping to bring to life many of our most enduring comedic creations with artists including Eric Bana, Shaun Micallef, Jane Turner, Gina Riley, Magda Szubanski, Marg Downey, Rebel Wilson, Maryanne Fahey, Glenn Robbins, Adam Zwar, Kitty Flanagan, Julia Morris, Daina Reid and Hamish and Andy. With Andrew Knight, Steve founded and was Chairman of Artist Services, one of Australia’s largest independent film and television production houses, producing several series of SeaChange, the ABC’s highest rating drama series. Artist Services produced award-winning and internationally-acclaimed mini-series, such as Kangaroo Palace and Simone de Beauvoir’s Babies, and feature films including Richard Flanagan’s The Sound of One Hand Clapping and The Dead Letter Office as well as creating thecomedychannel with Foxtel.