DOCSLIB.ORG

Set Latihan Untuk 100000 Ganachakra/Tsok

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Set Latihan Untuk 100000 Ganachakra/Tsok Latihan Merealisasi Batin Guru, Pengusir Semua Halangan: Set Latihan untuk 100,000 Ganachakra/Tsok (Persembahan Berkumpul) 1 Daftar Isi Doa Silsilah Doa Tujuh Baris................................................................................3 Doa kepada Para Guru Besar Silsilah Nyingma...............................4 Devosi Lapis Tiga Terang Sinar Matahari .......................................5 Doa kepada Guru Akar.....................................................................8 Sadhana Utama Latihan Harian Esensial༔..................................................................9 Ganachakra/Tsok (Persembahan Berkumpul)..............................15 Gumpalan Awan Dua Akumulasi....................................................15 Akumulasi.......................................................................................18 Dedikasi dan Aspirasi Dedikasi untuk Latihan Harian Esensial:......................................20 Aspirasi Mandala Vajradhātu (chokchu düzhi).............................22 Aspirasi Perkembangan Aktivitas Chokgyur Lingpa.....................32 Penghargaan........................................................................................33 2 DOA SILSILAH ༈ 歲ག་བ䝴ན་ག魼ལ་འ䝺བས་佲། Doa Tujuh Baris ཧཱུྃ༔ ꍼ་རྒྱན་蝴ལ་གྱི་佴བ་宱ང་མཚམས༔ hung༔ orgyen yül gyi nupjang tsam Hūṃ༔ Di barat laut Uḍḍiyāna,༔ པ䞨་୺་སར་སྡོང་卼་ལ༔ pema gesar dongpo la di tengah bunga teratai,༔ ཡ་མཚན་མ᭼ག་୲་ད፼ས་གྲུབ་བརྙེས༔ yamtsen chokgi ngödrup nyé engkau datang, dikenal sebagai Yang Lahir dari Teratai,༔ པ䞨་འབྱུང་གནས་筺ས་魴་லགས༔ pema jungné zhesu drak siddhi tertinggiMu menakjubkan,༔ འݼར་䝴་མཁའ་འགྲོ་མང་卼ས་བསྐོར༔ khordu khandro mangpö kor disertai rombongan dakini (penari langit) mu.༔ ཁྱེད་ཀྱི་རྗེས་魴་བདག་བསྒྲུབ་ཀྱི༔ khyé kyi jésu dak drup kyi Sehingga saya dapat mengikutimu ke pencapaian,༔ བྱིན་གྱིས་བ讳བ་ཕྱིར་ག鍺གས་魴་ག魼ལ༔ jin gyi lap chir shek su söl Harap datang dan anugerahkanlah berkahmu!༔ 3 ୴་譴་པ䞨་魲དྡྷི་ཧཱུྃ༔ guru pema siddhi hung guru padma siddhi hūṃ ༈ རྙིང་མ་བརྒྱུད་པ荲་害་མ荲་ག魼ལ་འ䝺བས། ། Doa kepada Para Guru Besar Silsilah Nyingma ʹན་བཟང་རྡོར་魺མས་དགའ་རབ་ཤྲཱི་魲ང༌། ། künzang dorsem garap shiri sing Samantabhadra, Vajrasattva, Garap Dorjé, dan Śrī Siṃha, པ䞨་孲་མ་རྗེ་འབངས་❲་鍴་辔། ། pema bima jebang nyishu nga Padmākara, Vimalamitra, Raja dan dua puluh lima murid, 魼་罴ར་ག佴བས་ཉང་ག㽺ར་སྟོན་བརྒྱ་让་魼གས། ། so zur nup nyang tertön gya tsa sok So, Zur, Nup, Nyang, seratus tertön dan yang lainnya— བཀའ་ག㽺ར་害་མ་讣མས་ལ་ག魼ལ་བ་འ䝺བས། ། kater lama nam la solwa dep semua guru Kama dan Terma, saya berdoa kepadamu. 筺ས་ཀློང་᭺ན་པ荲་ག魴ང་፼༌། །སྤྲུལ་སྐུ་ꍼ་རྒྱན་譲ན་卼་᭺་蝲ས་ཀ་ར་ལ་孲་མ་ག魴ངས་魼། ། Ini adalah kata-kata dari Longchenpa. Tulku Urgyen Rinpoché mengganti “Padmākara” dengan “Padma Vima.” 4 ༈ མ᭼ག་ག㽺ར་让་བརྒྱུད་害་མ་讣མས་ཀྱི་མཚན་བསྡོམས་ག魼ལ་འ䝺བས་དད་ག魴མ་❲ན་ བྱེད་རབ་鮣ང་筺ས་宱་བ། Devosi Lapis Tiga Terang Sinar Matahari Daftar Nama Doa kepada Guru Akar dan para Guru Silsilah Chokling Tersar དམ་འ潲ན་讣མ་འཕྲུལ་མ᭼ག་གྱུར་བ䝺་᭺ན་གླིང༌། ། damdzin namtrül chokgyur dechen ling Manifestasi dari Damdzin, Chokgyur Dechen Lingpa; 孲་མ་ད፼ས་བྱོན་འཇམ་ད宱ངས་མཁྱེན་བརྩེ荲་དབང༌། ། vima ngö jön jamyang khyentsé wang Vimalamitra dalam wujud manusia, Jamyang Khyentsé Wangpo; 孻་譼་ད፼ས་鮣ང་བློ་གྲོས་མཐའ་ཡས་སྡེ། ། bairo ngö nang lodrö tayé dé Vairocana yang benar-benar mewujud, Lodrö Tayé; སྤྱན་རས་ག署གས་དབང་མཁའ་ޱབ་རྡོ་རྗེ་让ལ། ། chenrezik wang khakhyap dorjé tsal Avalokiteśvara yang agung, Khakhyap Dorjé Tsal; རྒྱལ་卼་ཛཿ蝲་སྒྱུ་འཕྲུལ་歺་དབང་லགས། ། gyelpo dza yi gyutrül tsewang drak display magis Raja Jah, Tsewang Drakpa; ག蝴་སྒྲ荲་སྤྲུལ་པ་歺་དབང་佼ར་孴荲་སྡེ། ། yudré trülpa tsewang norbü dé inkarnasi Yudra Nyingpo, Tsewang Norbu; 筲་འཚོའི་ཡང་སྤྲུལ་མཁན་᭺ན་ར㾣་རྗེ། ། zhitsö yangtrül khenchen ratna jé reinkarnasi Śantaraksita, yang agung Mahāpandita Ratna; ནམ་སྙིང་譼ལ་གར་䞷讨་ར㾣荲་ཞབས། ། namnying röl gar dharma ratné zhap display Namkhé Nyingpo, yang mulia Dharma Ratna; 5 མ歼་རྒྱལ་让ལ་鮣ང་魴་ཁ་䞷རྨཱ་དང༌། ། tsogyel tsalnang sukha dharma dang display Yeshé Tsogyal, Sukha Dharmā; འཕགས་མས་བྱིན་བ讳བས་ར㾣་ཤྲཱི་དང༌། ། pakmé jinlap ratna shiri dang yang diberkahi Arya Tārā, Ratna Śrī; 孲་མ་ད፼ས་鮣ང་བསམ་གཏན་རྒྱ་མཚོའི་ཞབས། ། vima ngö nang samten gyatsö zhap Vimalamitra yang muncul dalam wujud manusia, yang mulia Samten Gyatso; 鮣ང་བ筲་མཐར་ཕྱིན་འ᭲་捺ད་རྡོ་རྗེ་让ལ། ། nang zhi tarchin chimé dorjé tsal pencapai sempurna empat visi, Chimé Dorjé Tsal; 罴ང་འὴག་གྲུབ་པ་གསང་鮔གས་譲ན་卼་᭺། ། zungjuk drupa sang ngak rinpoché siddha kemanunggalan, Sang-Ngak Rinpoché; དབང་མ᭼ག་རྡོ་རྗེ荲་讣མ་འཕྲུལ་歺་དབང་མཚན། ། wang chok dorjé namtrül tsewang tsen display magis Wangchuk Dorjé, dengan nama Tsewang; འཇམ་མ୼ན་害་མས་རྗེས་བ罴ང་མཁྱེན་བརྩེ荲་荼ད། ། jamgön lamé jezung khyentsé ö yang diterima oleh Jamgön Lama, Khyentsé Özer1; གནས་轴གས་མ፼ན་གྱུར་ꍼ་རྒྱན་歺་དབང་གྲུབ། ། neluk ngön gyur orgyen tsewang drup pencapai keadaan hakiki, Urgyen Tséwang Chokdrup2– 让་བརྒྱུད་害་མ་ག魺ར་譲荲་ཕྲེང་བ་ལ། ། tsa gyü lama ser ri trengwa la dengan devosi yang tak terbagi, saya berdoa dengan perhatian 1 Kyapjé Dilgo Khyentsé Rinpoché 2 Kyapjé Tulku Urgyen Rinpoché 6 yang terpusat pada 捲་ཕྱེད་୴ས་པས་རྩེ་གᝲག་ག魼ལ་འ䝺བས་ན། ། miché güpé tsechik soldep na untaian gunung emas ini, guru akar dan para guru silsilah. 䍴གས་རྗེས་བྱིན་རློབས་གྲུབ་ག❲ས་མ፼ན་གྱུར་鍼ག ། tukjé jin lop drup nyi ngön gyur shok Berkahilah saya dengan welas asihmu, semoga kedua siddhi dapat diaktualisasikan! 筺ས་པ荲་ག魼ལ་འ䝺བས་轺荴་ཚན་ག❲ས་འ䝲འང་᭼ས་譲གས་བརྒྱུད་འ潲ན་དམ་པ་ག᝺ན་卼་བསམ་རྒྱ་ནམ་མཁའ་དྲི་ 捺ད་མ᭼ག་୲ས་བཀའ་གནང་辟ར། ག㽺ར་鮲ས་མ᭼ག་སྤྲུལ་譲ན་卼་᭺ས་མཛད་པ་ལ་鮳ར་ཡང་སྐྱབས་རྗེ་䝲ལ་མ୼་ མཁྱེན་བརྩེ་譲ན་卼་᭺ས་ཁ་སྐོང་མཛད་魼ང་བས་让་བརྒྱུད་害་མ荲་བྱིན་讳བས་རྒྱུད་ལ་འὴག་པ荲་རྒྱུར་གྱུར་ᝲག ། Doa ini disusun oleh putra tertön, Choktrül Rinpoché, di bawah perintah kakak laki-lakinya, pemangku silsilah Dharma dan keluarga, Samten Gyatso Namkha Drimé yang patut dihormati. Semoga ini menjadi sebab bagi berkah guru akar dan para guru silsilah untuk masuk ke arus keberadaan kita! 7 ༈ 让་བ荲་害་མ荲་ག魼ལ་འ䝺བས། ། Doa kepada Guru Akar 荼ག་捲ན་᭼ས་ཀྱི་དབྱིངས་ཀྱི་坼་宲ང་ནས། ། okmin chö kyi ying kyi phodrang né Dari istana dharmadhātu Akanistha, 䝴ས་ག魴མ་སངས་རྒྱས་ʹན་୲་፼་孼་❲ད། ། dü sum sangyé kün gyi ngowo nyi hakikat para buddha tiga masa རང་魺མས་᭼ས་སྐུ་མ፼ན་魴མ་སྟོན་མཛད་པ། ། rangsem chöku ngönsum tön dzepa yang secara langsung menunjukkan batin saya sebagai dharmakāya– 让་བ荲་害་མ荲་ཞབས་ལ་ག魼ལ་བ་འ䝺བས།། །། tsawé lamé zhap la sölwa dep Di bawah kaki guru akar, saya berdoa! 8 SADHANA UTAMA ༁ྃ༔ 害་མ荲་䍴གས་སྒྲུབ་བར་ཆད་ʹན་魺ལ་ལས༔ རྒྱུན་གྱི་讣ལ་འབྱོར་བͼལ་宱ང་ བ筴གས་魼༔ Latihan Harian Esensial༔ dari Latihan Merealisasi Batin Guru, Pengusir Semua Halangan༔ SEBUAH TERMA YANG DIUNGKAPKAN OLEH CHOKGYUR DECHEN LINGPA སྤྲོས་捺ད་䝼ན་གྱི་讣ལ་འབྱོར་པས༔ Para praktisi hakiki yang sejati༔ རྒྱུན་གྱི་讣ལ་འབྱོར་སྙིང་卼་佲༔ untuk mengaplikasikan yoga harian mendasar ini,༔ ད孺ན་པར་བསམ་གཏན་སྣོད་譴ང་བ荲༔ di tempat terpencil kumpulkanlah semua faktor༔ ཡན་ལག་ཐམས་ཅད་歼གས་པར་宱༔ yang membuat mereka sebagai penerima yang sesuai untuk meditasi.༔ 䝺་ནས་རྩེ་གᝲག་㽲ང་འ潲ན་གྱིས༔ Kemudian, dengan samadhi yang terpusat,༔ 辷་鮔གས་蝺་鍺ས་䝼ན་ལ་འὴག༔ mereka mengaplikasikan makna sejati dari deity, mantra, dan kebijaksanaan.༔ 9 ན་捼༔ བདག་དང་མཁའ་མཉམ་魺མས་ཅན་མ་轴ས་ʹན༔ namo༔ dak dang khanyam semchen malü kün༔ Namo༔ Saya dan semua makhluk tak terbatas laksana angkasa༔ སྐྱབས་ཀྱི་མ᭼ག་གྱུར་讣མས་ལ་སྐྱབས་魴་མ᭲༔ kyap kyi chokgyur nam la kyap su chi༔ mengambil perlindungan pada sumber perlindungan tertinggi.༔ སྨོན་དང་འὴག་པ荲་宱ང་᭴བ་魺མས་བསྐྱེད་ནས༔ mön dang jukpé jangchup semkyé né༔ Membangkitkan bodhicitta dalam aspirasi dan aplikasi,༔ སྐུ་ག魴མ་害་མ荲་୼་འཕང་བསྒྲུབ་པར་བགྱི༔ ku sum lamé gopang drupar gyi༔ Saya akan mencapai guru tiga kāya.༔ ཧཱུྃ༔ སྟོང་❲ད་དབྱིངས་ལས་蝺་鍺ས་ʹན་㽴་鮣ང་༔ hum༔ tongnyi ying lé yeshé küntu nang༔ Hūṃ༔ Dari dasar ruang kekosongan, kebijaksanaan yang ada sejak awalnya menyinari semuanya, dan,༔ རྒྱུ་蝲་㽲ང་འ潲ན་ཧྲཱིཿལས་荼ད་འཕྲོས་པས༔ gyu yi tingdzin hrih lé ö tröpé༔ seiring sinar memancar keluar dari benih samadhi ‘hrīḥ’,༔ 鮣ང་སྲིད་ཐམས་ཅད་པ䞨་དྲྭ་བ荲་筲ང་༔ nangsi tamché pema drawé zhing༔ keseluruhan dunia fenomena menjadi Alam Jaringan Teratai.༔ 10 ፼་མཚར་བͼད་པ་བསམ་ཡས་དཀྱིལ་འݼར་ད孴ས༔ ngotsar köpa samyé kyilkhor ü༔ Di tengah dari mandala yang dirangkai dengan begitu indah, dan tidak terbayangkan,༔ 譲ན་᭺ན་魺ང་ཁྲི་པ䞨་❲་羳荲་སྟེང་༔ rinchen seng tri pema nyi dé teng༔ Di atasnya terdapat sebuah singgasana singa, bunga teratai, matahari dan bulan,༔ ཧྲཱིཿ蝲ག་蝼ངས་གྱུར་བདག་❲ད་鮐ད་ᝲག་୲ས༔ hrih yik yong gyur daknyi kechik gi༔ bija kata hrīḥ [ཧྲཱིཿ] bertransformasi dan dengan instan༔ མ་齱་୴་譴་ꍼ་རྒྱན་䍼ད་ཕྲེང་让ལ༔ maha guru orgyen tötreng tsel༔ Saya adalah Mahā Guru Orgyen Tötreng Tsel, penakluk dunia fenomena:༔ 鮣ང་སྲིད་署ལ་ག佼ན་དཀར་དམར་筲་޲ོའི་ཉམས༔ nangsi zilnön kar mar zhitrö nyam༔ memiliki kulit putih wajah kemerahan, memiliki ekspresi damai dan garang;༔ 垱ག་གཡས་རྡོ་རྗེ་རྩེ་辔་མཁའ་ལ་འ垱ར༔ chak yé dorjé tsé nga kha la char༔ Sebuah vajra berbilah lima di tangan kanannya, diacungkan tinggi ke angkasa; ༔ 11 ག蝼ན་པས་མཉམ་གཞག་བ䝺་སྐྱོང་歺་孴མ་བ鮣མས༔ yönpé nyam zhak dekyong tsebum nam༔ tangan kiri dalam sikap seimbang, memegang sebuah mangkok tengkorak dan vas panjang usia, ༔ གསང་蝴མ་鮦ས་歴ལ་ཁ་⮭ཱྃ་ག蝼ན་ནས་འཁྲིལ༔ sang yum bé tsül khatam yön né tril༔ memeluk pasangan rahasia yang tersembunyi sebagai sebuah trisula di lekukan lengan;༔ པད་箭་གསང་坼ད་᭼ས་୼ས་ཟ་孺ར་ག魼ལ༔ pé zha sangpö chögö zaber söl༔ mengenakan mahkota bunga teratai, gaun rahasia, baju bagian dalam, jubah Dharma, dan mantel sutra;༔ ཞབས་ག❲ས་譼ལ་鮟བས་འཇའ་罺ར་ཀློང་ན་འགྱིང་༔ zhap nyi röl tap jazer long na gying༔ Dengan dua kaki berada dalam posisi membuka, duduk dalam luasnya cahaya pelangi.༔ སྤྱི་孼ར་轼ངས་སྐུ་སྤྱན་རས་ག署གས་དབང་དང་༔ chiwor longku chenrezik wang dang༔ Di atas kepala saya adalah sambhogakāya Avalokiteśvara༔ 譲གས་ཀྱི་བདག་卼་歺་དཔག་捺ད་མ୼ན་བ筴གས༔ rik kyi dakpo tsepakmé gön zhuk༔ dan penguasa keluarga,
Load more

Recommended publications
  • The Practice of the Guru Who Holds the Power of Life ! ! ! ! ! ! ! ! ! ! !
    ! ! ! ! ! ! ! !,!!,]-3- 5K- .2%- :6B/- 0:A- =?- L%- 28$?- ?R,, The Practice of the Guru Who Holds the Power of Life ! ! ! ! ! ! ! ! ! ! ! BUDDHA VISIONS PRESS Portland, Oregon www.buddhavisions.com [email protected] Copyright © 2015 by Eric Fry-Miller. All rights reserved. !,!!,5K:A- .2%- 0R- :6B/- 0- ]- 3- $?%- 2:A- 12- ,2?- GA- =?- L%- /A,!!$/?- .2J/- 0<- 0E- S$- 0R:C- VA?- {:A- 3./- .- $+R<- 3- 0.- :.2- 28A- 0:A- !J%- .,!<A=- 2- $?3- IA- !J%- .- <A=- 2- /R<- 2:A- .LA2?- &/- 28$- &A%- ,!!0E:A- 3,<- <A=- 2?- 2{R<- 2- .!<- .3<- IA?- 2o/- 0- .%- , (/- <!- 3(R.- $+R<- 2>3?,!!<R=- 3R:C- LJ- V$- :.- L?,!!12- 0R- #- zR- /2- +- KR$?- 0?,! As for the Secret Sadhana Practice of the Guru who holds the Power of Life, in a solitary place before a painting of the Wrathful Lotus Guru, Pema Dragpo, set out a torma with four petals. On the petals set three spheres. Above that set one sphere that has the shape of a jewel. Circle the perimeter of the lotuses with spheres and adorn with white and red. Set out the offerings of amrita, rakta, and torma. Bring together the various instruments. Facing the southwest, the practitioner goes for refuge. *2?- ?- :PR- 2- /A, Refuge >,!!<%- <A$- $.R.- /?- ]- 3:A- {,!!<A$- 3.%?- :$$- 3J.- =R%?- ,R.- mR$?,!!,<A$- l=- 3=- 0:A- {:A- <%- 28A/,!!,{- $?3- $4S- =- *2?- ?- 3(A,!!,=/- $?3,! HUNG RANG RIG DÖ NE LA MAI KU RIG DANG GAG ME LONG CHÖ DZOG RIG TSAL TRUL PAI KÜ RANG ZHIN KU SUM TSO LA KYAB SU CHI Hung Primordial self-awareness is the kaya of the Guru.
    [Show full text]
  • §¨ ¨ Úf' Ú 7 ºú9º Ú
    Restricted text. Please do not distribute. §¨¨ÚFÚ7ºÚ9ºÚ º¬ Rangjung Peme Nyingtik His Holiness Dilgo Khyentse Rinpoche Restricted text. Please do not distribute. Introduction Ask anyone who ever met His Holiness Dilgo Khyentse Rinpoche about his qualities and you will probably get a similar description. He had a most unusual physical presence. His body was grand and stable like a mountain, yet a soft, yielding, and vibrant energy seemed to flow through him unobstructedly, like a river. Most striking was the unceasing quality of his teaching. There was no break in his speech: as he inhaled he taught and as he exhaled he taught. An unending stream of people came to see him each day, yet his compas- sionate activities and his longing to serve others never diminished. How does someone with so many people under his care generate such deep reservoirs of energy? For us to truly understand the wonder and mystery of his activity we will have to study and practice the Dharma. His Holiness, without a doubt, embodied all the great tradi- tions of the rime, or non-sectarian, movement and demonstrated this as a living experience, manifesting an example of enlightened activity for all to see. He has, with great kindness, passed many of these teachings on to us either directly or through our own teachers. Now is the time to put them to use. The prayers in this book have been compiled for the cenntenial celebrations of His Holiness’ birth in the United States. This year Rinpoche graciously returns to us as a promising young man of 17 years.
    [Show full text]
  • Dasavatara in Puranas
    Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. V. Venkata Ramana Reddy Director, O.R.I., S. V.University, Tirupati. Prof. V. Venkata Ramana Reddy Director, O.R.I., S. V.University, Tirupati. Prof. V. Kannan University of Hyderabad, Hyderabad. Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Vedic, Epic and Puranic culture of India Module Name/Title Dasavatara in Puranas Module Id I C / VEPC / 33 Pre requisites Knowledge in Puranas and importance of Dashavataras of Vishnu To know about the general survey of Puranas, Objectives Meaning of Dashavatara, Types of Incarnation Dashavatara, Scientific analogy of Avataras and Darwinian Theory of Evolution Keywords Puranas / Dashavatara / incarnation / Vishnu E-text (Quadrant-I): 1. Introduction to Avatara(Incornation) The word 'avatara' means 'one who descends' (from Sanskrit avatarati). The descents of Vishnu from Vaikuntha to earth are his avatars or incarnations. The form in each time he descents will be different because the needs of the world each time are different. The different avatars thus balances and reinforce the dharma that rules and regulations that maintain order. They are harmed when the demands of evil clash with the good for order. As man's understanding of the world changes, desires change and so do concepts of order.. Social stability and peace on the earth must not be compromised, yet new ideas that are good for mankind must be respected. Vishnu's descents are not just about The word specifically refers to one who descends from the spiritual sky. The word 'incarnation' is can also mean as 'one who assumed flesh body’ 2.
    [Show full text]
  • Small Boat, Great Mountain
    small boat, great mountain AMARO BHIKKHU Theravadanµ Reflections on The Natural Great Perfection May whatever goodness that arises from reading these pages be dedicated to the welfare of Patricia Horner, my greatly beloved mother. In kindness and unselfishness unsurpassed, she showed me the beauty of the world in her endlessly caring and generous heart. Small Boat, Great Mountain small boat, great mountain Therava-dan Reflections on the Natural Great Perfection AMARO BHIKKHU ABHAYAGIRI MONASTERY Abhayagiri Buddhist Monastery 16201 Tomki Road Redwood Valley, CA 95470 www.abhayagiri.org 707-485-1630 © 2003 Abhayagiri Monastic Foundation Copyright is reserved only when reprinting for sale. Permission to reprint for free distribution is hereby given as long as no changes are made to the original. Printed in the United States of America First edition 12345/ 07 06 05 04 03 This book has been sponsored for free distribution. Front cover painting by Ajahn Jitindriyaµ Brush drawings by Ajahn Amaro Cover and text design by Margery Cantor isbn 0-9620640-6-8 Namo tassa bhagavato arahato sammasambuddhassaµ Namo tassa bhagavato arahato sammasambuddhassaµ Namo tassa bhagavato arahato sammasambuddhassaµ Contents Foreword by Ven. Tsoknyi Rinpoche ix Preface by Guy Armstrong xi Acknowledgements xvii Abbreviations xix essence of mind one Ultimate and Conventional Reality 3 two The Place of Nonabiding 15 being buddha three The View from the Forest 35 four Cessation of Consciousness 55 five Immanent and Transcendent 73 who are you? six No Buddha Elsewhere 97 seven Off the Wheel 121 eight The Portable Retreat 147 Selected Chants 159 Glossary 171 Index 179 Foreword A jahn amaro is a true follower of the Buddha and holder of the teaching lineage of the Theravaµda tradition.
    [Show full text]
  • History of Tantra
    Balaji Deekshitulu P V, AJHC, 2020; 3:14 Review Article AJHC 2020,3:14 American Journal of History and Culture (ISSN:2637-4919) History of Tantra Balaji Deekshitulu P V Homeopathy Doctor and Psychologist, Sri Balaji Homeo Clinic, Tirupati, A.P, India. ABSTRACT The review article explains that the Tantra is oldest tradition of *Correspondence to Author: mind and body health, Universal is not creating any one, it is cre- Dr Balaji Deekshitulu P V ate by god. Its truth no scientific an evidence of various natural Homeopathy Doctor and Psychol- things in 21st century, Tantra explains systematic life, visualiza- ogist, Sri Balaji Homeo Clinic, Tir- tion of nothings etc… Tantra is best way of good things only. upati, A.P, India. Keywords: History of Tantra How to cite this article: Balaji Deekshitulu P V. History of Tantra. American Journal of History and Culture, 2020,3:14. eSciPub LLC, Houston, TX USA. Website: https://escipub.com/ AJHC: https://escipub.com/american-journal-of-history-and-culture/ 1 Balaji Deekshitulu P V, AJHC, 2020; 3:14 Introduction: form. While the Vedic practice of yajna there are no idols and shrines, in its Tantric traditions, Tantra is not easily to understand for everyone, idols and symbolic icons with puja are the this is a practical way of life, till continue A means of worship. Temples, symbolism, icons number of techniques to help mind and physical that remind the devotee of attributes and values impact. are a necessary part of the Agamic practice, Tantra (/ˈtʌntrə, ˈtæ n-/; Sanskrit: तन्त्र, literally while non-theistic paths are one of the many "loom, weave, system") denotes alternative means in the Vedic practice.
    [Show full text]
  • Bandha, Mudra, & Pranayama Manual
    Bandha, Mudra, & Pranayama Manual © Celia Roberts Images and information have been sourced from Swami Satyanand Saraswati Asana, Pranayama, Mudra, Bandha (1996). This manual and the information contained within it is not to be copied, replicated, or distributed without permission. Bandha We use Bhandas in practice to contain or lock prana in certain regions of the body. Bandha means to lock, close-off or to stop. In the practice of a Bandha, the energy-flow to a particular area of the body is blocked. When the Bandha is released, this causes the energy to flood more strongly through the body with an increased pressure. As the Bandhas momentarily stop the flow of blood; there is an increased flow of fresh blood with the release of the Bandha. In this way all the organs are strengthened, renewed and rejuvenated, and circulation is improved. Bandhas are also beneficial for the brain centres. The Chakras and Nadi energy channels are purified, blockages released and the exchange of energy is improved. Bandhas alleviate stress and mental restlessness and bring about inner harmony and balance. There are four types of Bandhas: Moola Bandha – Perineal Lock Uddiyana Bandha - Lifting of the Diaphragm, Abdominal Lock Jalandhara Bandha - Chin Lock Maha Bandha - Practice of all the above three Bandhas at the same time The breath is held during practice of the Bandhas. Mula Bandha and Jalandhara Bandha can be performed after the inhalation as well as after the exhalation. Uddiyana Bandha and Maha Bandha are only performed after the exhalation. The root lock, Mula Bandha, is a powerful contraction of muscles and stimulation of energies that helps to redirect sexual energy into creativity and healing energy.
    [Show full text]
  • Ganachakra Puja
    SACRED JOURNEY TO BHUTAN ‘Tsok Kyi Khorlo’ Ganachakra Puja Dedicated To Guru Padmasambhava On His Birth Anniversary 13th - 18th Jun 2016 ‘Tsok Kyi Khorlo’ Ganachakra Puja Dedicated To Guru Padmasambhava On His Birth Anniversary (2016) an auspicious year for The Bhutanese, The year of the Golden Monkey is Guru Rinpoche’s birth year. With such auspiciousness, Shora Marvels invites you to join us on a sacred journey to Bhutan. This year our sacred Puja will be hosted by His Eminence Trulku Nawang Choeda Jamtso at TASHIGANG GEOMBA – a sacred retreat center where Je Khenpos (Central Monastery Chief Abbot) and Great Lamas have meditated and enlightened. During the 8th century, Guru Rinpoche (originally known as Padmasambhava) is one of the greatest Buddhist Saint. As a Buddhist tantric master, he brought the Vajrayana teachings to Bhutan and other Himalayan countries His Eminence Trulku Nawang Choeda Jamtso Rinpoche – The reincarnaon of His Holiness, Kuenga Jamtso (The 12th Kyabje Je Khenpo of Bhutan) was recognized & enthroned by the present Je Khenpo, Trulku Jigme Choedrak (The 70th Kyabje Je Khenpo of Bhutan) & The Royal Family of Bhutan. Tour Highlights Feast Offering Tiger Nest Prayer Flag Hoisting Dedicated to Guru One of Bhutan’s A ceremony to Padmasambhava – iconic landmarks eliminate karma hosted by His and religious site. & accumulate Eminence Trulku merits Nawang Choeda Jamtso His Eminence Lopon Kado Rinpoche His Eminence Lopon Kado Rinpoche is highly reputable and very well respected in Bhutan – one of the most experienced and learned Meditaon Master in the Drukpa Kagyu Lineage, a contemporary to His Holiness Jetsun Tenzin Dondrup (the 68th Kyabje Je Khenpo of Bhutan).
    [Show full text]
  • Religion & Politics
    Religion & Politics New Developments Worldwide Edited by Roy C. Amore Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions Religion and Politics Religion and Politics: New Developments Worldwide Special Issue Editor Roy C. Amore MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Roy C. Amore University of Windsor Canada Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Religions (ISSN 2077-1444) from 2018 to 2019 (available at: https://www.mdpi.com/journal/religions/special issues/politics) For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-429-7 (Pbk) ISBN 978-3-03921-430-3 (PDF) Cover image courtesy of Roy C. Amore. c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Preface to ”Religion and Politics: New Developments Worldwide” ................ ix Yashasvini Rajeshwar and Roy C. Amore Coming Home (Ghar Wapsi) and Going Away: Politics and the Mass Conversion Controversy in India Reprinted from: Religions 2019, 10, 313, doi:10.3390/rel10050313 ..................
    [Show full text]
  • New Arrival August 2017
    AMRITA VISHWA VIDYAPEETHAM UNIVERSITY AMRITAPURI CAMPUS CENTRAL LIBRARY NEW ARRIVAL BOOKS AUGUST 2017 Sl. Acc. No Title Author Subject 1 48696 Divya Bhajana Kusumaakaram LALITHAMMA Spiritual 2 48697 Autobiography of a Yogi Yogananda, Paramabansa Spiritual 3 48698 Kristubhagavatam DEVASSIA P.C. Spiritual 4 48699 Kaivalya Darsanam The Holy Science YUKTESWAR GIRI Spiritual 5 48700 Be The self Ganesan V Spiritual 6 48701 The Light of Asia and The Indian Song of SongsARNOLD, Edwin Spiritual 7 48702 Gospel of Swami Sri Santananda SASTRI Ganapati V.S Spiritual 8 48703 Peace of Mind and World Peace Spiritual 9 48704 Is Vedanta The Future Religion ? Vivekananda , Swami Spiritual 10 48705 Religion Today Spiritual 11 48706 Voice of the Himalayas SIVANANDA SWAMI Spiritual 12 48707 Kavalam Kavithakal Narayana Panikkar ,Kavalam Malayalam 13 48708 Religion of Love Vivekananda , Swami Spiritual 14 48709 Gems From Bhagavan Mudaliar, Devaraja A Spiritual 15 48710 The Mother:Words of The Mother Aurbindo Spiritual 16 48711 Meta Physical Meditations Yogananda, Paramabansa Spiritual 17 48712 Indian Philosophy of Nada and its Vocal ApplicationsRaikote ,B.S Spiritual 18 48713 A History of Indian Logic Vidyabhushana,Satish ChandraPhilosophy 19 48714 The Book of Indian Dogs Buskaran,S.Theodore English 20 48715 Chines Monks in India LAHIRI,Lathika Spiritual 21 48716 An Era of Darkness:The British Empire in IndiaTARoor,Sashi History 22 48717 Roles and Rituals for Hindu Women LESLIE, Julia Ed. Spiritual 23 48718 A History of Sanskrit Literature Dasguptha Surendra
    [Show full text]
  • Reading the History of a Tibetan Mahakala Painting: the Nyingma Chod Mandala of Legs Ldan Nagpo Aghora in the Roy Al Ontario Museum
    READING THE HISTORY OF A TIBETAN MAHAKALA PAINTING: THE NYINGMA CHOD MANDALA OF LEGS LDAN NAGPO AGHORA IN THE ROY AL ONTARIO MUSEUM A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Sarah Aoife Richardson, B.A. ***** The Ohio State University 2006 Master's Examination Committee: Dr. John C. Huntington edby Dr. Susan Huntington dvisor Graduate Program in History of Art ABSTRACT This thesis presents a detailed study of a large Tibetan painting in the Royal Ontario Museum (ROM) that was collected in 1921 by an Irish fur trader named George Crofts. The painting represents a mandala, a Buddhist meditational diagram, centered on a fierce protector, or dharmapala, known as Mahakala or “Great Black Time” in Sanskrit. The more specific Tibetan form depicted, called Legs Idan Nagpo Aghora, or the “Excellent Black One who is Not Terrible,” is ironically named since the deity is himself very wrathful, as indicated by his bared fangs, bulging red eyes, and flaming hair. His surrounding mandala includes over 100 subsidiary figures, many of whom are indeed as terrifying in appearance as the central figure. There are three primary parts to this study. First, I discuss how the painting came to be in the museum, including the roles played by George Croft s, the collector and Charles Trick Currelly, the museum’s director, and the historical, political, and economic factors that brought about the ROM Himalayan collection. Through this historical focus, it can be seen that the painting is in fact part of a fascinating museological story, revealing details of the formation of the museum’s Asian collections during the tumultuous early Republican era in China.
    [Show full text]
  • Indian Serpent Lore Or the Nagas in Hindu Legend And
    D.G.A. 79 9 INDIAN SERPENT-LOEE OR THE NAGAS IN HINDU LEGEND AND ART INDIAN SERPENT-LORE OR THE NAGAS IN HINDU LEGEND AND ART BY J. PH. A'OGEL, Ph.D., Profetsor of Sanskrit and Indian Archirology in /he Unircrsity of Leyden, Holland, ARTHUR PROBSTHAIN 41 GREAT RUSSELL STREET, LONDON, W.C. 1926 cr," 1<A{. '. ,u -.Aw i f\0 <r/ 1^ . ^ S cf! .D.I2^09S< C- w ^ PRINTED BY STEPHEN AUSTIN & SONS, LTD., FORE STREET, HERTFORD. f V 0 TO MY FRIEND AND TEACHER, C. C. UHLENBECK, THIS VOLUME IS DEDICATED. PEEFACE TT is with grateful acknowledgment that I dedicate this volume to my friend and colleague. Professor C. C. Uhlenbeck, Ph.D., who, as my guru at the University of Amsterdam, was the first to introduce me to a knowledge of the mysterious Naga world as revealed in the archaic prose of the Paushyaparvan. In the summer of the year 1901 a visit to the Kulu valley brought me face to face with people who still pay reverence to those very serpent-demons known from early Indian literature. In the course of my subsequent wanderings through the Western Himalayas, which in their remote valleys have preserved so many ancient beliefs and customs, I had ample opportunity for collecting information regarding the worship of the Nagas, as it survives up to the present day. Other nations have known or still practise this form of animal worship. But it would be difficult to quote another instance in which it takes such a prominent place in literature folk-lore, and art, as it does in India.
    [Show full text]
  • The Glory of God: a Summary of the Srimad Bhagavata Mahapurana
    THE GLORY OF GOD A SUMMARY OF THE SRIMAD BHAGAVATA MAHAPURANA SWAMI KRISHNANANDA The Divine Life Society Sivananda Ashram, Rishikesh, India Website: www.swami-krishnananda.org 2 LIST OF ABBREVIATIONS Bhagavadgita . B.G. Brahmasutra . B.S. Chhandogya Upanishad . C.U. Isavasya Upanishad . Isa Mahabharata . M.B. Panchadasi . Pan. Rigveda . R.V. Srimad Bhagavata . S.B. Svetasvatara Upanishad . S.U. Yoga Sutras Of Patanjali. Y.S. 3 CONTENTS List of Abbreviations ................................................................................ 3 Publishers’ Note ......................................................................................... 4 Discourse 1: King Parikshit's Question to Suka Maharishi ...... 5 Discourse 2: The Process of Creation.......................................... Discourse 3: Kapila’s Instructions to Devahuti ......................... 4323 Discourse 4: The Stories of Siva and Sati, and of Rishabhadeva and Bharata ....................... 61 Discourse 5: Narada Instructs Yudhisthira on Ashrama Dharma .......................................................... 83 Discourse 6: Sri Krishna’s Vrindavana and Dvarka Lilas ....104 Discourse 7: Sri Krishna’s Kurukshetra Lil Discourse 8: The Way to Moksha a......................... ....125 ....................... .........................143 Publishers’ Note The Srimad Bhagavata Mahapurana deals with the creation of the world. It is the most philosophical among the Puranas, and its poetry and general literary form are of the highest order and finest execution. The aim of life
    [Show full text]