THE PHOTOGRAPH COLLECTOR INFORMATION, OPINION, AND ADVICE FOR COLLECTORS, CURATORS, AND DEALERS N E W S L T R

Volume XXXVII, No. 9 September 2016

A SLOW BEGINNING TO A BUSY FALL by Stephen Perloff

Josiah Johnson Hawes: Bowdoin Street, Boston, c. 1860 ($1,000–$1,500) at Skinner, Inc., Boston AUCTION PREVIEW

Auction Preview views, to interiors of the Isabella Stewart Gardner Skinner, Inc. will present a strong selection Museum, to snow-covered mountains in Alaska. of fine photographs for beginning and experienced At the end of the 19th century, Alvin Langdon collectors in its September 23, 2016, Fine Prints Coburn (Lot 109, $500–$700) and the Pictorial- and Photographs auction, which opens for bidding ist movement attempted to elevate photography to at 12 p.m. The sale of 61 lots features works by the status of art, emphasizing artistic expression over subject matter. Two masters of the first half modern and contemporary masters including An- th sel Adams, Manuel Álvarez Bravo, Walker Ev- of the 20 century are Walker Evans (Lots 110 and ans, and Annie Leibovitz in addition to a special 111, both $1,000–$1,500), who created poignant themed section celebrating photography in Boston photographic records of the American vernacu- and New England. lar, and Harry Callahan (Lots 116 and 117, both The New England region, and Boston in par- $1,000–$1,500), who explored nature, people, and ticular, has played an important role in the his- architecture with an experimental eye. tory of photography. Invented in 1839 in France, the daguerreotype process was the first practical means of obtaining permanent images with a cam- era, and was quickly adopted in America. One of the first demonstrations of this exciting new in- vention took place at the Massachusetts Historical Society in the spring of 1840. By 1850 the city was home to dozens of daguerreotype studios in- cluding that of Southworth and Hawes, who have been hailed as the first great American masters of photography. Two albumen silver prints by Josiah Johnson Hawes from c. 1860 will get the bidding started (Lot 103, $1,000–$1,500, and Lot 104, $1,200–$1,800). Walker Evans: Belle Grove Plantation, White Castle, As photographic technology evolved, pho- Louisiana, 1935, printed later ($1,000–$1,500) at Skin- tographers like Francis Hacker (Lot 105, $1,000– ner $1,500), Thomas Marr (Lot 106, $300–$500), and later Bradford Washburn (Lots 113 and 114, both The second half of the 20th century was a $1,000–$1,500), produced a range of commercial particularly fertile period for photography in Bos- and documentary photography, from urban street ton with teaching programs established at major educational institutions. Nick Nixon (Lot 120, $1,000–$1,500), Jim Dow (Lot 131, $600–$800), Barbara Bosworth (Lot 123, $700–$900), and IN THIS ISSUE Henry Horenstein (Lot 127, $700–$900) are well known in the area for their photographs, as well Auction Preview...... 1 as for their influential teaching. The growth of the Gallery Row...... 4 photography market in the 1970s was reflected in the opening of galleries, as well as increased ac- Museum and Nonprofit Row...... 5 quisitions and exhibitions at museums, and con- Auction House Row...... 9 temporary photography has continued to flourish. Fairs and Festivals...... 10 This auction offers just a sampling of the work of Classes and Workshops...... 12 artists who have contributed to, and continue to In Passing...... 13 enrich, the history and practice of photography in Auction Schedule...... 15 the region since the exciting demonstration of Da- Courses, Lectures, and Seminars...... 19 guerre’s invention in Boston in 1840. Trade Shows, Fairs, and Festivals...... 20 Highlights from the entire sale include, but are Exhibitions of Note...... 23 not limited to:

2 AUCTION PREVIEW continued

• Wilson Alwyn Bentley, Four Photographs— ing the story of Leica cameras from circa 1923 to Three of Snowflakes and One of Frost (Lot 2006 (£350,000–£450,000). The family tree was 133, $1,500–$2,500) formerly part of the Leica Sölms factory museum. • Alexander Rodchenko, The Cigarette Seller, Pushkin Square, Moscow (Lot 135, $600– $800) • Ansel Adams, South House and Church Gate, Taos Pueblo (Lot 136, $2,000–$3,000) • Peter Fink, Refractions, Park Avenue, New York (Lot 150, $1,500–$2,500) • Annie Leibovitz, Rolling Stones, New York (Lot 160, $4,000–$6,000)

Leica Camera Family Tree (£350,000–£450,000) at Christie’s South Kensington

Annie Leibovitz: Rolling Stones, New York ($4,000– $6,000) at Skinner Previews for the auction will be held on Wednesday, September 21, from 12–5 p.m.; Thursday, September 22, from 12–8 p.m.; and Friday, September 23, from 9–12 p.m. The auc- tion can also be viewed online. To order a printed catalogue, email [email protected], or call (508) 970-3240. For more information regarding the auction, contact Michelle Lamunière, Fine Photographs Specialist, at (508) 970-3264 or photographs@ skinnerinc.com.

On September 14 Christie’s South Kens- ington will host Out of the Ordinary – The 250th Anniversary Edition. The annual auction is a celebration of all things out of the ordinary: the unusual and the unique, the extraordinary and ex- ceptional. This year’s edition comprises over 90 La Dolce Vita. Anita Ekberg in Federico Fellini's film, lots selected for the intriguing stories they tell. A 1960 (€300– €400) at Yann Le Mouël highlight of the auction is the Leica Camera Fam- Maître Yann Le Mouël's auction in Paris on ily Tree, a display consisting of 107 models tell- September 20 of Cinema Photography, with Vivi-

3 AUCTION PREVIEW continued ane Esders, Expert, features several hundred lots of often interesting but lower-priced images.

Sotheby’s “Made in Britain” auction on Sep- tember 28 in London is a celebration of the di- versity and creativity of British art from 1900 to the present day, across Fine Art, Prints, Sculpture, Photography, Studio Ceramics, and Design. The sale encompasses over 200 artworks by sought- after artists including Grayson Perry, David Hock- ney, Bridget Riley, Tracey Emin, and Damien Hirst to name a few. The eclectic exhibition goes on view to the public on September 23 starring modern muses in Pop Art, photographs from the Swinging Sixties, colorful Post-War canvases, and R.J. Waters & Co.: Two albums with 97 photographs Contemporary prints perfect for a new buyer’s first aftermath of the 1906 San Francisco earthquake and fire foray into collecting. ($15,000–$25,000) Lord Patrick Litchfield’s photograph captures PBA Galleries’ September 8th sale of Rare the Queen off-duty on board the HMY Britan- Books & Manuscripts, with the Stephen F. Rohde nia (£800–£1,200). Lichfield was a cousin of the Collection of Early Americana, includes two al- Queen, and thus privy to far more private shots of bums with 97 photographs of the aftermath of the her. In 1971, he was invited to join the royal party 1906 San Francisco earthquake and fire ($15,000– for a section of the Queen’s Far Eastern tour, in $25,000). order to produce photographs to mark her Silver Wedding anniversary in November 1972. u u u Brian Duffy’s photograph of David Bowie Gallery Row (£8,000–£12,000) was the result of a magical Lou Proud is an independent London-based photographic shoot for the cover of Aladdin Sane, dealer, advisor, and consultant specializing in 20th- Bowie’s 1973 album – an iconic image of a man and 21st-century photographs. During her career in whose visual style influenced a generation. photography spanning two decades so far she has worked directly with a long roster of internation- ally acclaimed artists and galleries, most recent- ly leading the photography auction department at Phillips in London for six years. In her newest venture, Lou Proud Photo- graphs/LPP, Lou advises on collections, print sales, and valuations of photographs, collaborates with galleries and has recently agreed to curate the first European Photographs sale for Paddle 8, which will take place in December. Currently she is working on the exhibition “From Dada to Vogue,” which will take place at Osborne/Samuel in October — where her role is curate the Pho- Eve Arnold: Press Meeting at The Ritz for the Prince tographs part of the exhibition, which will be the and the Showgirl, 1957 most comprehensive survey of Erwin Blumen- The sale also presents a plethora of images of feld’s work for more than 20 years. Marilyn Monroe, from an oil and collage work by Since her departure from Phillips at the end Pop Artist Sir Peter Blake to photographs by Sir of last year she has held a salon style event in Cecil Beaton and Eve Arnold. In Arnold’s photo- partnership with the British book dealer, Oliver graph (£8,000–£12,000) Monroe is shown at a press Wood, turning one of the best suite’s in the Beau- meeting at the Ritz during the filming ofThe Prince mont Hotel into a welcoming and stylish drop-in and the Showgirl with Sir Laurence Olivier. for anyone wanting to get up close and personal

4 GALLERY ROW continued to great pieces of photography whilst browsing Goldsmiths, University of London; as well as Co- some of the finest and most interesting first edi- rey Keller, SFMOMA curator of photography. tions from Wood’s inventory — coffees and glass- Among many topics, discussions will examine es of red wine were on hand for any fatigued Photo the frontier between still and moving images in the London devotees. Following this event there was work of Gerrard and Kydd and photographic prac- a total change of gear geographically and venue tices as modes of investigation, from archeologi- wise — Lou collaborated with the vintage Ferrari cal (Al-Ani) to technological (Paglen) to forensic dealer Joe Macari in putting on a small and con- (Weizman). cise show of Jim Lee’s work, mostly from his best The Photographic Event includes the US de- know period of the 1960s and ’70s. but of Joana Hadjithomas and Khalil Joreige’s Really her interests lie in trying to put the performance of the book Latent Images: Diary genre of photography on new and innovative plat- of a Photographer, the third part of their Wonder forms. At the same time she has become one of the Beirut project. In addition to its text, this book go-to people in London for advice and assistance includes 38 photographic plates selected from when it comes to acquiring or valuing works. Visit among hundreds of reels of exposed, but undevel- her website at www.louproudphotographs.com. oped film by the Lebanese photographer Abdallah Farah between 1997 and 2006. The performance Gagosian Gallery has announced that Jeff of Latent Images was previously presented at last Wall has joined the gallery. year’s Venice Biennale. The symposium is timed to coincide with the u u u closing weekend of About Time: Photography in a Moment of Change, the inaugural presentation Museum and Nonprofit Row of SFMOMA’s photography collection in the new, When we think of photography as an event, 15,000-square-foot Pritzker Center for Photog- it is most likely the moment of capture, that frac- raphy — the largest gallery, research, and inter- tion of a second in which an image is formed, that pretive space permanently dedicated to photogra- comes to mind. Yet photographs and photography phy in any United States art museum. The exhibi- are shaped by time in a myriad of complex ways: tion considers the way photography’s complex and we not only take photographs, we share them; we ever-changing relationship with time has reflected keep and even discard them. The time of circula- and inflected our ideas about permanence and tion and the time of deterioration are also photo- obsolescence, history and memory. It showcases graphic events. Photographs point both backward work by Dawoud Bey, Henri Cartier-Bresson, and forward in time, depicting things that may no Julia Margaret Cameron, Phil Chang, Owen longer exist for a future audience. Their subjects Kydd, and Zoe Leonard, among many others, as are thus simultaneously present and absent. Ro- well as Recordings #3 (At Sea), a newly commis- land Barthes famously described this condition sioned installation by Jason Lazarus. as a “temporal hallucination,” deeming the photo- “The Photographic Event” is the third in a se- graph “a mad image, chafed by reality.” ries of major public programs about photography “The Photographic Event” at SFMOMA is a at SFMOMA, following and building on “Is Pho- two-day symposium on September 23–24 that will tography Over?” (2010) and “Bearing Witness” explore photography’s multifaceted relationship to (2014). This trilogy of events is generously sup- time, history, and memory through a series of panel ported by the Fraenkel Gallery Fund for New discussions, presentations, screenings, and perfor- Studies in Photography. mances. Participants include artists from around “The Photographic Event” is organized at SF- the world, such as Jananne Al-Ani, John Ger- MOMA by Corey Keller, curator of photography; rard, Joana Hadjithomas and Khalil Joreige, Deena Chalabi, Barbara and Stephan Vermut As- Owen Kydd, and Trevor Paglen; and scholars sociate Curator of Public Dialogue; and Dominic including George Baker, professor of art history Willsdon, Leanne and George Roberts Curator of at UCLA; Jimena Canales, Thomas M. Siebel Education and Public Practice. Chair in the History of Science at University of Il- For more information and to register, visit sf- linois at Urbana-Champaign; and Eyal Weizman, moma.org/photographic-event. director of the Centre for Research Architecture at

5 MUSEUM AND NONPROFIT ROW continued

Director and Chief Curator, Dia Art Foundation) is October 12 at 6 p.m. preceded by exhibition view- ing and a public reception at 5 p.m. Gallery talks related to the exhibition are October 21, October 27 and November 4 at noon. Second Saturdays for Families explores photographic themes on No- vember 12 from 10 a.m. - 1 p.m. Mark Osterman (Photographic Process Historian at the George Eastman Museum) gives a talk titled, “The Photo- graphic Object,” November 16 at 6 p.m. preceded by exhibition viewing and a public reception at 5 p.m. For more information visit https://thewad- sworth.org. A 193-page, full-color illustrated catalogue Man Ray: [Butterflies], 1935, Carbro print (The J. Paul featuring essays by Paul Martineau and art histo- Getty Museum, Los Angeles, 84.XP.446.18 © Man Ray rian Eugenia Parry accompanies the exhibition. Trust / Artists Rights Society (ARS), NY / ADAGP, The book is available for $59.95 in the Museum Paris 2016), at the Wadsworth Atheneum Museum of Shop and online at www.wadsworthshop.org. Art Founded in 1842, the Wadsworth Atheneum In the first major photography survey dis- Museum of Art is the oldest continuously operat- played at the museum in 27 years, the Wadsworth ing public art museum in the United States. The Atheneum Museum of Art will present, “The museum’s nearly 50,000 works of art span 5,000 Thrill of the Chase: The Wagstaff Collection of years, from Greek and Roman antiquities to the Photographs at the J. Paul Getty Museum,” Sep- first museum collection of American contempo- tember 10 through December 11. The exhibition rary art. The Wadsworth Atheneum’s five con- offers a selection of nearly 100 photographs from nected buildings are located at 600 Main Street in the personal collection of Samuel J. Wagstaff Jr. Hartford, CT. Hours are Wednesday–Friday: 11 (1921–1987), and spans the history of photogra- a.m. – 5 p.m.; Saturday and Sunday: 10 a.m. – 5 phy over 150 years, tracing the artistic and techni- p.m. Admission is $5–$15; discounts for members, cal development of this art form through the eye of students and seniors. Free “happy hour” admission an influential collector. “The Wagstaff Collection for all visitors 4–5 p.m. Public phone: (860) 278- of Photographs” is especially relevant to the Wad- 2670; website: thewadsworth.org. sworth Atheneum in that Wagstaff served as the museum’s curator of paintings, prints and draw- The Ryerson Image Centre has appointed ings from 1961–68, becoming a senior curator in Denise Birkhofer to the role of Collections Cura- 1967. “Sam Wagstaff as Curator,” a companion tor and Research Centre Manager, beginning au- display of more than 30 works from the Wad- tumn 2016. In this position, Birkhofer will oversee sworth Atheneum’s permanent collection, will ac- the collections and archives; curate, publish, and company the exhibition. add to the holdings; serve the Ryerson community After the exhibition closes in Hartford, it will and visiting scholars; and lead a team of staff dedi- travel to the Portland Museum of Art in Maine, cated to collections management. where it will be on view February 1 through April Birkhofer is a specialist in modern and con- 30, 2017. temporary art and photography. She comes to the Docent-guided tours of “The Wagstaff Collec- Ryerson Image Centre from the Allen Memo- tion of Photographs” are October 1 – December rial Art Museum at Oberlin College in Ober- 11 on Saturdays and Sundays at 2:30 p.m. A panel lin, Ohio, where she oversaw the collections of discussion with Paul Martineau (exhibition cura- post-1900 artworks. She has curated numerous tor and Associate Curator of Photographs, J. Paul exhibitions, including: Latin American and La- Getty Museum), Denise Bethel (former Chairman tino Art at the Allen (2014–15); Judit Reigl: Body of Photograph’s, Sotheby’s) and Gerald Incan- of Music (2016), the first North American retro- dela (artist) moderated by James Meyer (Deputy spective of the French-Hungarian painter’s work; monographic exhibitions of photographers Hugo

6 MUSEUM AND NONPROFIT ROW continued

Brehme and Milt Hinton (2014); and her most The new spaces will include the Roof Ter- recent curatorial project, an intervention with the race — an outdoor sculpture terrace overlooking Allen’s collection by American artist Fred Wilson Pennsylvania Avenue — as well as two flanking, (2016–17). sky-lit, interior tower galleries. The Roof Terrace “It is my pleasure to welcome Denise Birk- will feature several outdoor sculptures, including hofer to the role of Collections Curator at the Ry- the monumental, electric blue Hahn/Cock (2013) erson Image Centre,” said Paul Roth, Director by Katharina Fritsch, on view from July 2016 as of the RIC. “Denise is a dynamic, rising museum a long-term loan from Glenstone Museum in Po- curator, with a wide-ranging knowledge of photo tomac, MD. The northwest Tower Gallery will history and a specialization in Latin American showcase a lively installation of works by Alexan- photography. She is the ideal person to grow our der Calder (1898–1976), and the northeast Tower collection and to make it accessible to a broader Gallery will present abstract expressionist works, audience.” including a changing selection of paintings by Birkhofer received a PhD in art history from Mark Rothko (1903–1970), most of them given the Institute of Fine Arts, New York Universi- to the Gallery by the Mark Rothko Foundation ty, and has previously held museum positions at in 1986 (a gift that made the Gallery the largest the Grey Art Gallery, New York University; the public repository of his art). Trees, plantings, and Museum of the City of New York; and the Des built-in seating will make the Roof Terrace an in- Moines Art Center. She has published and pre- viting place to relax, look out over the city, and sented widely on topics in art and photography in- see the architecture of the East Building from an cluding Mexican photojournalism and street pho- entirely new perspective. tography; female artists Eva Hesse, Mira Schen- “This gift to the nation by these generous do- del, and Doris Salcedo; and Latin American art. nors will enable us to exhibit more art from our The role of Collections Curator was previ- ever-growing modern collection in spaces that will ously filled by Peter Higdon, who retired in au- be at once spacious, airy, and contemplative,” said tumn 2014, after 35 years at Ryerson University. Earl A. Powell III, director, National Gallery of The naming of the Peter Higdon Research Cen- Art. “We are continually grateful for the federal tre serves to honor his immeasurable contribu- funding that enables us to protect and present the tion to the Ryerson community and in shaping the nation’s art collection, as well as offer exhibitions RIC’s photography collection into a world-class of art spanning the world and the history of art, resource. free of charge, seven days a week, for current and future generations.” On September 30, 2016, the East Building gal- leries of the National Gallery of Art, which house PROOF: Media for Social Justice, a non- the modern collection and several temporary exhi- profit advocacy organization dedicated to foster- bition spaces, will reopen after three years of ren- ing policy change through visual storytelling and ovation of existing galleries and construction of education, will honor acclaimed photographer Co- new galleries and a roof terrace. A completely new lin Finlay, during a 10th anniversary celebration configuration of the permanent collection of mod- in New York City on Monday, October 17, 2016. ern art will be unveiled to the public on this date. PROOF’S inaugural Upstander Award will go to Several new public programs will inaugurate the renowned gallery owner Howard Greenberg. reopened galleries, including evening programs PROOF Turns Ten celebration will be held and a community weekend. at Affirmation Arts, 523 West 37th Street in New Constructed with private donations within the York City, beginning at 6:30 p.m., featuring a live existing I. M. Pei-designed East Building (opened and silent auction with Sotheby’s auctioneer Kev- in 1978) on the National Mall, more than 12,250 in Doyle; live music; special presentations; food square feet of new spaces for art will enable the and specialty cocktails. To order tickets, and for Gallery to present more art and accommodate an more information about sponsorships, visit proof. increasing number of visitors. New stairs connect- org or contact Debra Driscoll, [email protected]. ing all levels of the building and a new large eleva- “Ten years ago, a fervent desire to focus tor will improve access and encourage visitors to the camera on victims of genocides, rescuers in explore the galleries and works of art on all levels. conflict zones, and the innocents caught in war

7 MUSEUM AND NONPROFIT ROW continued sparked the creation of PROOF,” said the orga- In that endeavor, the organization will fill a nization’s founder and executive director Leora vital need, creating a forum and clearinghouse Kahn. “Through exhibits and educational pro- of information for the work, its creators, and its grams, workshops and publications, PROOF has current and future custodians. “PCPP will bring altered the dialogue on human rights around the together all parties,” said Karen Gaines, PCPP’s globe, and has helped to raise the collective con- executive director. “This will include the photog- sciousness of students, families, educators, gov- raphers, their heirs, curators and institutions look- ernment officials, and others. On this occasion, it’s ing to expand their collections, experts in fine-art wholly appropriate that we recognize and thank photography and photojournalism, top archivists, Colin Finlay for helping to launch PROOF, and collectors, experts in collection management, the we honor Howard Greenberg for his extraordinary greater artistic community, and anyone else inter- commitment to photography and to social justice, ested in preserving our photographic heritage for and for his generous support of PROOF for the posterity.” past five years. Board Chair Penelope Dixon, a world-re- Tickets can be purchased at proof.org. nowned authority in the field of modern photogra- phy, is the president of Penelope Dixon & Associ- Penelope Dixon and Karen Gaines have an- ates, Inc. of Miami and New York, and has been nounced the launch of a nonprofit organization, the a leading photography appraiser for more than 35 Photography Collections Preservation Project years. She has served on the boards of the Ap- (PCPP), dedicated to the preservation of important praisers Association of America (NY), Photo- mid- and late-twentieth-century photography for group (Miami), and the Center for Photography future generations. The organization has an urgent (Woodstock, NY). She writes and lectures widely task: to make sure that important but increasingly on photography and the appraisal of photographic vulnerable photographic archives are placed with collections. the best, most appropriate U.S. institutions and Executive Director Karen Gaines is a longtime made easily available to scholars, students, the photo editor who served in that capacity at several general public, and future generations. of Time Inc. magazines, including People and “Photographers’ archives — their work and Time, where she worked closely with the preemi- the contextual material relating to it — are price- nent photojournalists of the mid- to late twentieth less repositories of historical memory, critical for century. She also ran photographic coverage for the scholars, students, and the general public,” said official record of President Barack Obama’s 2009 Ms. Dixon. “From the earliest days of photogra- Inauguration and worked with the Smithsonian phy, pictures have been invaluable primary sourc- Institution on its exhibition of those pictures. A es for an understanding of everyday life and great graduate of Tufts with a BFA in Photography, she historical events, often the only primary sources is currently finishing her postgraduate work in in- that survive.” formation science to better serve PCPP’s mission. The number of important twentieth-century You can contact Karen Gaines, Founder and collections that are still unorganized, whether still Executive Director, PCPP, at (202) 320-2922 or in their creators’ hands or their heirs’, is rapidly [email protected]; and Penelope Dixon, increasing. Fortunately, so is awareness of the ir- Founder and Board Chair, PCPP, at (305) 205- replaceable nature of these cultural, historical, and 6046 or [email protected]. educational assets. PCPP is dedicated to identify- ing the most significant work that could become This year’s Annual 19th-Century Photog- subject to degradation or loss, then finding an raphy Conference and related events presented institutional home whose mission and resources by the Daguerreian Society takes place October meet the nature of the work. It will assist in prepar- 19–23. Most of the various events will be held at ing archives for accession when necessary, as well the newly refurbished Wyndham New Yorker Ho- as providing likely institutions with assessments tel on 8th Avenue in New York City near Penn Sta- of accession conditions and contingencies for each tion. archive — a neutral party that serves only the in- A one-day symposium on “How the 19th Cen- terest of the photographs’ wellbeing and ready, tury Is the Basis for All Subsequent Photographic long-term access to them. Art” will be held on October 20th in the Grand

8 MUSEUM AND NONPROFIT ROW continued

Ballroom of the Wyndham. This special program new fee schedule follows below. Any timed on- will feature a panel session with top contemporary line-only sale that opens for bidding prior to Sep- artists discussing how 19th-century photography tember 19, 2016, will continue to use the current and its processes have influenced their work, and Buyer’s Premium schedule. presentations by curators and collectors on why The fee schedule in our main places of interest they include 19th-century photography along with follows: modern photography in their collections. Prices for London the one-day program, which includes the Grand 25% – Up to £100,000 Reception afterwards with heavy hors-d’oeuvres, 20% – £100,001–£2,000,000 are: $99 for the early bird rate for members and 12% – £2,000,001 and above $109 for nonmembers, and $125 and $135 respec- tively after 9/30/2016. New York and Online Prices for the Annual Conference program, 25% – Up to $150,000 which doesn’t include the pre-conference Sympo- 20% – $150,001–$3,000,000 sium, but includes the Thursday night Grand Re- 12% – $3,000,001 and above ception, Optional Tours, the Conference Program, Paris and the Saturday Dinner and Cocktail Party, are: 25% – Up to €50,000 $250 for the early bird rate for members and $300 20% – €50,001–€1,600,000 non-members, and $275 and $325 respectively af- 12% – €1,600,001 and above ter 9/15/2016. The main Annual Conference on 19th-cen- Sotheby’s has announced the launch of an on- tury Photography itself will begin with tours on line destination to discover video content created Wednesday, October 19th (tours are also planned by and about the world’s leading museums. The for Sunday, October 23) and a Grand Reception on digital hub will be called Sotheby’s Museum Net- Thursday night, October 20th. The full-day speak- work and it will be featured prominently on Sothe- ers’ program on 19th-century photography will bys.com as well as Sotheby’s Apple TV channel. take place on Friday, October 21st. The museums in this network will include inter- For further information, visit www.daguerre. nationally renowned public institutions, such as org. the Metropolitan Museum of Art, Tate, and the National Palace Museum in Taiwan as well as u u u well as newer institutions founded by private col- lectors, including the Garage Museum of Con- AUCTION HOUSE ROW temporary Art in Moscow. Christie’s International has announced an updated Buyer’s Premium schedule that will result This autumn, in collaboration with Art Part- in a modest increase in the fee paid by the success- ner, Phillips presents the selling exhibition Mert ful buyer of an item at auction. Christie’s last up- & Marcus: Works 2001–2014 – the first major solo dated its Buyer’s Premium fees in October 2013. show of celebrated photographers Mert Alaş and For all collecting categories other than Wine, Marcus Piggott (Turkish, b. 1971 and Welsh, b. the update to the fee schedule amends the price 1971), known as Mert & Marcus. This year marks thresholds at which fees are applied but presents the 20th anniversary of their collaboration and to no change to the fee percentages themselves. The celebrate Mert & Marcus have selected 18 works new premium rate will be an amount equal to — 9 black-and-white and 9 color — to be made 25% of the hammer price of each lot up to and available for sale for the first time. The exhibition including £100,000/$150,000; plus 20% of the will go on display at Phillips’ London headquar- hammer price from £100,001/$150,001 up to and ters in Mayfair from October 24 to November 3, including £2,000,000/$3,000,000 and 12% above before travelling to Phillips’ Gallery in Saint Ger- £2,000,001/$3,000,001. This change effectively main, Paris, from November 9–16, alongside the widens the thresholds where the percentage fees international art fair Paris Photo. In addition, four apply but does not change the percentage rates. unique-sized one-off works will be offered in the These changes will take effect for all auctions Photographs auction at Phillips London on No- occurring on and after September 19, 2016. The vember 3.

9 AUCTION HOUSE ROW continued

“Photography, the Undocument explores pho- tography as an artistic mode of representation and, coincidentally, a tool of rhetoric and persuasion,” said Kevin Moore. “By its very nature, photogra- phy raises political as well as philosophical ques- tions: what do we assume to be real, what is true, and how are different realities represented in pho- tographs used for various purposes — for market- ing, political influence, and social activism? With more photos taken in 2015 than in the entire his- tory of film photography, the agency and power Mert & Marcus: Smoke, 2011 of the photographer as a producer and distributor of unique and authentic visual material has once Each of the 18 works in the selling exhibition again shifted. The 2016 Biennial Program explores is available in a sheet size of 30 x 40 inches or the this phenomenon, examining how photography’s reverse and in an edition of 5 with a starting price different realities are employed as tools for social, of £16,000 framed. political, and racial awareness.” u u u The programming is led by three headline events, along with panels that delve into exhibited and influential photography relating to the theme. Fairs and Festivals The program will be opened by keynote lecturer FotoFocus has announced the opening week Roxana Marcoci, Senior Curator of Photogra- programming for the third edition of its month- phy at the Museum of Modern Art, New York, long Biennial from October 1–31, 2016, in Cincin- who will discuss “The Re-Presentation of Lou- nati, Ohio. The opening week programming will ise Lawler’s Work” on Thursday, October 6. Roe run October 6–9 and will feature keynote lectures, Ethridge’s first solo museum exhibition Nearest talks, and panel discussions with artists, cura- Neighbor anchors the Biennial programming and tors, and collaborators, along with screenings and is the subject of a panel on Friday, October 7, mod- performances all focused around the Biennial’s erated by Kevin Moore, featuring the artist and a theme: Photography, the Undocument. roster of collaborators — gallerists, designers, and Through four days of talks and events, the models who have played an integral role in Eth- opening program will seek to break apart assump- ridge’s career to date. Presenter and exhibiting art- tions about photography’s documentary charac- ist Zanele Muholi will be accompanied by a group ter, underpinned by an exploration of social, po- of performers for an interdisciplinary performance litical, and racial issues in which photography is and discussion on Saturday, October 8, that ex- employed as a tool of both evidence and artistic pands upon her solo exhibition, Personae, on view expression. Biennial guests will address these top- at the National Underground Railroad Freedom ics in tandem with the featured exhibitions curated Center. by FotoFocus Artistic Director and Curator Kevin Saturday’s daytime programming establishes Moore, including the first US solo museum show the curated exhibitions within a social and his- of Roe Ethridge’s work at the Contemporary torical context. New Slideshow artist William E. Arts Center and solo presentations by Zanele Jones will explore buried history and the edito- Muholi, Jackie Nickerson, and Robin Rhode at rial process that public archives undergo in his talk the National Underground Railroad Freedom “Rejected Images of the Farm Security Adminis- Center. The group shows After Industry and New tration.” Julian Cox, Chief Curator and Founding Slideshow feature a roster of defining figures of Curator of Photography, Fine Arts Museums of contemporary photography including Lewis Baltz, San Francisco, will be in conversation with artist John Divola, Mark Ruwedel, Nan Goldin and Wil- Sheila Pree Bright, discussing “American Civil liam E. Jones among others. A Passport ticket is Rights Then and Now” as a historical preface to required to attend all events and can be purchased Zanele Muholi’s keynote presentation. on the FotoFocus website www.fotofocusbiennial. The FotoFocus ArtHub: Satellite Project org or at the door. Space, located outside of the National Under-

10 FAIRS AND FESTIVALS continued ground Railroad Freedom Center on the banks of is the thought process that goes into assembling the Ohio River, is an interactive space for the com- their collections? munity of Cincinnati to immerse themselves in the Participants in this discussion include: Biennial themes. It will house Wave Pool’s exten- • Moderator: WM Hunt, a photography col- sion of their exhibition The Peeled Eye. Investigat- lector, curator, and consultant who lives ing the mechanisms and outcomes of contempo- and works in New York, and author of The rary surveillance, the FotoFocus ArtHub presents Unseen Eye: Photographs from the Uncon- an installation, video work, and performance that scious and Hunt’s Three-Ring Circus: Amer- distort and reimagine materials drawn from pub- ican Groups before 1950. lic archives, including surveillance footage, self- • Jane Hammond, a well-known artist who generating animation, and commercial video vi- often uses vernacular photographs in her gnettes. work. “FotoFocus is proud to nurture and support • Daile Kaplan, a pop photographica col- Cincinnati’s art scene across institutions, galleries, lector and VP, Director of Photographs and and public arenas,” said FotoFocus Executive Di- Photobooks, and Auctioneer at Swann Gal- rector Mary Ellen Goeke. “Through a timely and leries. pertinent discussion around veracity in the photo- • Billy Parrot, a Managing Librarian at Mid- graphic medium, particularly in this election year, Manhattan Library, where he oversees the the 2016 Biennial brings together curators, artists, Art and Picture Collections. He has collect- art professionals, and supporters from across the ed found photographs for 20 years. country and around the world to further the global • Brian Wallis, the Curator at the Walther dialogue about the agency and impact of contem- Collection in New York, former Deputy Di- porary photography.” rector and Chief Curator at the International Further information about FotoFocus can be Center of Photography, and coauthor of the found at www.fotofocuscincinnati.org, and infor- book African American Vernacular Photog- mation about the upcoming 2016 FotoFocus Bien- raphy. nial will soon be available at www.fotofocusbien- The BABF features nearly 100 top-tier deal- nial.org. ers from all over the world who will present a full spectrum of collectible and antique books On September 11 at noon, the Brooklyn Anti- and quality ephemera. Ephemera are items made quarian Book Fair (BABF) will feature a special from paper that were not made to stand the test panel discussion on vintage photography — “Lost of time, and have since become collectible. Popu- Souls, Found Photos: Obsessive New Yorkers Talk lar ephemera categories include correspondence, About the Insanity of Collecting Snapshots” — or- advertising, historical documents, posters, tickets, ganized by Stacy Waldman from House of Mirth brochures, photographs, cards, and more. Photos. Stacy Waldman/House of Mirth Photos has been dealing in vintage photos and ephemera for nearly 20 years. She specializes in 20th century snapshots. You can find her atwww.houseofmirth - photos.com, “house of mirth photos” and “snap- shot mafia” on Facebook, and “House of Mirth” photos on Instagram. She also sets up at various photo and paper shows throughout the year. In addition to this panel, Stacy is also displaying a series of book-themed vintage snapshots from 20 different collectors of photography. This thought- provoking exhibit is entitled “Book Shots” and will be on display at BABF. The third annual Brooklyn Antiquarian Book What was it in these collector’s lives that Fair will be held at the Brooklyn Expo Center, on prompted them to start collecting vintage vernacu- Friday, September 9th from 6–9 p.m.; Saturday, lar photos of people they have never met and what September 10th from 11–7; and Sunday, Septem-

11 FAIRS AND FESTIVALS continued ber 11th from 11–5. A variety of ticketing options Fee: $75 / per person are available ranging from $7 for a Sunday-only Location: AXA Arts, 3 West 35th Street 11th floor ticket to $25 for the preview opening event ben- Prior RSVP mandatory. efiting 826NYC, a local organization dedicated to supporting students ages 6–18 with their creative Collecting Photography Bootcamp: How to and expository writing skills, and to helping teach- Buy at Auction ers inspire their students to write. Preview guests (2 half-days at Phillips Auction) (September 29, will be granted exclusive access to the fair’s 25,000 October 1) items on offer, live entertainment and poetry, as This two-session workshop provides best well as locally sourced refreshments. For more in- practices to collecting photography with a focus formation and to purchase tickets, click here. The on buying at auction. Topics include due diligence Brooklyn Antiquarian Book Fair is sponsored by before spending a penny, where to shop (nonprofit AbeBooks and brought to you by Book and Paper vs. for profit), pricing issues, condition reports, Fairs. stamps, signatures, editions, making the most of an auction preview, auction estimates, reserves, u u u commissions, and more! Class #2 is held on the auction floor to preview the sale and meet the spe- CLASSES AND WORKSHOPS cialists. To round out the experience, students are This fall, Alice Zimet’s Art + Business Part- asked to hypothetically buy two photos, research ners has a full slate of programs. the condition, and present at class #2. Abundant handouts. Under the Radar: An Insider Peek (September Fee: $375 / per person 19, October 17, December 5) Location: Phillips Auction (57 Street & Park Av- An exclusive new series introducing some of enue) New York’s most intriguing, emerging and under- the-radar photographers in an intimate exclusive Behind-the-Scene Gallery Visits: Lower East setting. Meet them now — before they find gal- Side (September 30) lery representation and their prices go up! Some Behind-the-scenes visit to New York’s most of their achievements already include major press prominent photo galleries. Look at images up attention, inclusion in museum exhibitions, and close, discuss the marketplace with owners and winning important residencies, prizes, and juried sales associates and end over a Dutch Treat lunch competitions. Each salon includes three artists, se- and lively discussion. lected by Allen Frame, a photographer, educator, Fee: $75 per person (excluding lunch) and writer, who is represented by Gitterman Gal- lery and teaches at SVA, ICP, and Pratt. Artists will Collecting Photography 101 (8 sessions) (begins be present to discuss their work, and their images October 6) will be available for purchase. Come participate in Get a bird’s-eye view of the fine art market- this unique opportunity for affordable collecting. place with eight monthly sessions beginning in the (Limited to12). classroom then moving out into the field. Where Fee: $75 / per person / per salon to shop, questions to ask, gallery versus auction Location: Upper East Side. Address provided with house, pricing images as well as the for-profit registration. (galleries, auctions, art fairs) and non-profit com- munities. Then hit the road with monthly behind- Taking Care of Your Collection: Appraisals + the-scene visits to galleries, auction previews, Insurance (September 20) non-profit print programs, and the annual AIPAD Now that you’ve started a collection, you need Photography Show. The final class includes a visit to take care of your photographs. Join Vivian Eb- (over dinner) to see the leader’s private collection. ersman, Director Art Expertise, AXA Art Ameri- Abundant handouts. cas, for an intimate discussion about how to insure Fee: $570 and appraise your collection along with how to Location: International Center of Photography keep proper records. Reception follows. (Limited School (43rd St/ 6th Avenue) to 12).

12 CLASSES AND WORKSHOPS continued

A Peek Behind the Curtain: Inside the Photo each other’s business cards and give a five-minute Galleries (begins October 19) “elevator speech” presenting work, followed by This five-session workshop goes behind-the- class critique. scenes to commercial photography galleries to Fee: $405 better understand the fine art marketplace and to Location: International Center of Photography offer tips on how to break in and find a gallery. School (43rd Street & 6th Avenue) Included are frank discussions with owners and To register for any session, email alice@art- sales associates about how galleries find new art- sandbusinesspartners.com or call (212) 427-6700. ists, how price is determined, tips on what not to do when approaching a gallery and other real-life u u u reality checks. The final class takes place over a Dutch Treat dinner at the leader’s home. Abundant IN PASSING handouts. The end of August saw the deaths of two gi- Fee: $460 ants of photography, Marc Riboud, 93, one of the Location: International Center of Photography earliest founders of Magnum, and Nathan Lyons, School (43rd Street & 6th Avenue) 86, a founder of the Visual Studies Workshop and the Society for Photographic Education. The New Collector’s Breakfast (at Heritage Auctions) (Oc- York Times ran obituaries of both Riboud and Ly- tober 21) ons. Fourth Collector’s Breakfast at Heritage Auc- tions, an informal discussion and preview of their Fall Photography sale. Focusing on a handful of lots, discussion of what to consider when viewing photographs far beyond the initial appeal of the image including condition, provenance, and the photographer’s history and trademarks. Fee: Free Location: Heritage Auctions (57th Street & Park Avenue) Prior RSVP mandatory

2016 PARIS PHOTO: Private Walk-Through W. Keith McManus: Nathan Lyons, July 30, 2016, at (November 10–13) the last Saturday coffee group that he attended at Java The 20th anniversary of Paris Photo will be Cafe, Rochester, NY held at the Grand Palais beginning Thursday, No- Among the immediate tributes to Lyons: vember 10. Private walk-through provides unique The field has lost one of its greatest leaders access to gallery owners and in-depth discussion. and we each have lost a truly dear friend. Look at images up-close to help build your collec- —Bruce Silverstein tion. For information on the fair: http://www.parispho- What Nathan created and fostered is of ex- to.com/paris. traordinary importance and lasting influence. —Stephen Perloff Making Work…Now What? Getting Out Into the Art World (December 10 – 11) His love for us and the work we do was fierce A weekend workshop geared towards photog- and tender and wise. His passion for his own work raphers with a growing body of work looking to was irresistible. He did the right thing again and get work out into the marketplace. Begin with an again. He fought: pomposity, jargon, smugness, in-depth presentation on the fine-art marketplace and abuse of power. I loved him with all my heart. today, how collectors buy and build collections as —Alison Nordstrom well as non-profit resources, the for-profit world and more. Because strong communication tools u u u (print and verbal) are essential, students analyze

13 Featuring Susan Abrams • Ansel Adams • Mario Algaze • Mariette Pathy Allen • Renate Aller • Barbara Alper • Theo Anderson • Robert Asman • Andrea M. Baldeck • John A. Benigno • Charles Bierstadt (att) • Gay Block • Karl Blossfeldt • William-Adolphe Bouguereau • Diane Burko • Linda Butler • John J. Carlano • Jack Carnell • Paul Carter • Martha Casanave • Paul Cava • Paula Chamlee • Carl Chiarenza • Mark Cohen • Carl Corey • Robert Cornelius • Edward S. Curtis • Jeff Curto • Gerald Cyrus • Sandra C. Davis • Frank Hallam Day • John Dugdale • Chris Earnshaw • Edmund Eckstein • Harold Edgerton • Dominic Episcopo • Ron Evans • Walker Evans • Jan Faul • James Fee • Susan Fenton • Larry Fink • Harvey Finkle • Steve Fitch • Fran Forman • David Freese • Richard Frinta • John Ganis • Judy Gelles • Joy Goldkind • Emmet Gowin • David Graham • Marvin Greenbaum • Lois Greenfield • John Jonas Gruen • Laure Albin Guillot • David W. Haas • George Harvan • Jefferson Hayman • Robert Hirsch • Richard Kagan • Joel Katz • Max Kellenberger • Kay Kenny Aline Smithson: Lexie Turned, from Revisiting Beauty, 2014 • Richard Kent • George Krause • Laryew (Stanislaus J. Walery) • Brian Lav • David Lebe • Barbara E. Leven • Ken Light • Eli Lotar • Jenny Lynn • Martha Madigan • Ben Marcin • The Photo Review Benefit Auction Dan Marcolina • Helen Marcus • Leo Matiz • Cynthia Matthews • Dan McCormack • Scott McMahon • Joe Mills • Peter Miraglia • Barbara 19th-, 20th-, and 21st-Century Photographs Morgan • Dave Moser • Lydia Panas • Stephen Perloff • Amie Potsic • John Reef • Brad Richman • Herb Ritts • Auguste Rodin • Laurence October 8, 2016 Salzmann • Michelle Sank • Lynn Saville • Howard Schatz • Jennifer Dorrance-Hamilton Hall Schlesinger • Andy Schmitt • Pascal Sebah • Raphael Shammaa • Keith The University of the Arts Sharp • Thomas Shillea • John Singletary • Michael A. Smith • Aline Broad & Pine Streets Smithson • Rosalind Solomon • Elsa Philadelphia, PA Y. Spaulding • Len Speier • Catherine Steinmann • Robert Stivers • Jim Stone • Jock Sturges • George Tice • Philip Trager • Arthur Tress • Richard Tuschman • Jerry N. Uelsmann • John For more information, contact 215/891-0214, [email protected], Vachon • Sarah Van Keuren • Hiroshi Watanabe • Sandra Chen Weinstein or browse www.photoreview.org. • Christine Welch • David H. Wells • Wendel A. White • Stephen Guion 14 Williams • Richard Wright AUCTION SCHEDULE

AUCTION SCHEDULE

September 6 ROUILLAC | Photographies Matthieu Ricard 2 p.m. – Grand Manège Rochambeau, Quartier Rochambeau, 41100 Vendôme Odile Andrieu: 02 54 72 02 47 —— Preview: W–M 2:30–6:30 —— View catalogue

September 6–15 CHRISTIE’S | Modern Visions: Photographs: Fashion and Glamour Online Only

September 14 CHRISTIE’S SOUTH KENSINGTON | Out of the Ordinary 6:30 p.m. – 85 Old Brompton Road, Kensington, London SW7 3LD Sophie McKinney: +44 (0)20 7752 3276 or [email protected] —— Preview: 9/5 9–7:30, 9/6 9–5, 9/10 11–5, 9/12 9–7:30, 9/13 9–5 —— View catalogue Auction highlight: The Leica Camera Family Tree—107 cameras spanning over 80 years charting the Leica story

Through STEREOGRAPHICA | Antique Photographica Sale September 17 (518) 392-5805 or [email protected] Online Only; closes September 17 at 3 p.m. EDT —— View catalogue

September 20 DOROTHEUM | Posters, Advertising Art, Comics, Film and Photohistory 1 p.m. – Palais Dorotheum, Dorotheergasse 17, A-1010 Vienna +43 1 515 60 0 or [email protected] —— View catalogue

September 20 YANN LE MOUËL | Cinéma - Photographies 2 p.m. – Drouot-Richelieu Salle 2, 9, rue Drouot, 75009 Viviane Esders, Expert: 33 (0)1 43 31 10 10 or [email protected] Yann Le Mouël: 33 (0) 1 47 70 86 36 or [email protected] —— Preview: 9/17­–9/19 11–6, 9/20 11–12 —— View catalogue

September 20–29 CHRISTIE’S | First Open: Photographs Online Only

September 23 SKINNER | Fine Photographs 12 p.m. – 63 Park Plaza, Boston, MA (508) 970-3264 or [email protected] —— Preview: 9/21 12–5, 9/22 12–8, 9/23 9–10 a.m. —— View catalogue

15 Fine Photographs at auction

September 23 | 12PM | 63 Park Plaza, Boston

Wilson Alwyn Bentley (American 1865-1931), c. 1885-1931, gelatin silver prints

Michelle Lamunière 508.970.3264 | [email protected]

Boston | Marlborough | Miami | New York | www.skinnerinc.com MA LIC. 3204

16 AUCTION SCHEDULE continued

September 28 SOTHEBY’S LONDON | Made in Britain 10 a.m. BST – 34-35 New Bond Street London W1S 2RT UK Brandei Estes: +44 207 293 5586 or [email protected] Amy Bubb: +44 207 293 5896 or [email protected]

October 4–5 CHRISTIE’S | Photographs October 4, 7 p.m.; October 5, 10 a.m. & 2 p.m. – 20 Rockefeller Plaza, New York 10020 Shlomi Rabi: (212) 636-2447 or [email protected] —— Preview: 10/1 & 10/3–10/4 10–5, 10/2 1–5

October 4–13 CHRISTIE’S | Henri Cartier-Bresson: The Decisive Moment Online only

October 5–6 PHILLIPS | Photographs October 5, 6 p.m. EDT; October 6, 10 a.m. & 2 p.m. EDT – 450 Park Avenue, New York 10022 Vanessa Hallett, Senior Director & Worldwide Head: (212) 940-1243 or vhallett@ phillips.com —— Preview: 9/26–10/5 M–Sat 10–6, Sun 12–6 —— Catalogue: [email protected] or (212) 940-1240

October 5–6 PHILLIPS LONDON | 20th Century & Contemporary Art October 5, 7 p.m. BST; October 6, 2 p.m. BST – 30 Berkeley Square, London Peter Sumner, Head of Contemporary Art, London: +44 207 318 4063 or psumner@ phillips.com —— Preview: 9/28–10/5 M–Sat 10–6, Sun 12–6 —— Catalogue: [email protected] or +44 20 7318 4010

October 7 SOTHEBY’S | Photographs 10 a.m. & 2 p.m. EDT – 1334 York Avenue, New York 10021 Emily Bierman, Assistant Vice President, Senior Specialist, Director of Sale Photographs: (212) 894-1149 or [email protected] —— Preview: 10/1 & 10/3–10/5 10–5, 10/2 1–5, 10/6 10–1

October 8 THE PHOTO REVIEW | 40th Anniversary Benefit Auction 7 p.m. - at Dorrance Hamilton Hall, University of the Arts, Broad and Pine Streets, Philadelphia, PA (215) 891-0214, or [email protected] —— Preview 10/7 11–5 and 10/8 11–6 —— Catalogue available from The Photo Review, 340 East Maple Avenue, Suite 200, Langhorne, PA 19047

October 9 DIGARD AUCTION | Photographie XIXe et XXe siècle 5 p.m. – Online only Viviane Esders, Expert: +33 (0)1 43 31 10 10 or [email protected] Gwenola Le Cloirec: +33 (0)1 48 00 99 89 or [email protected]

17 AUCTION SCHEDULE continued

October 13 THE CENTER FOR PHOTOGRAPHY AT WOODSTOCK | CPW Awards & Benefit Auction 7 p.m. – Affirmation Arts, 523 West 37th Street, New York 10018 (845) 679-9957 or [email protected] Purchase tickets here

October 17 PROOF | Program and Benefit Auction Affirmation Arts, 523 West 37th Street, New York 10018 Cocktails: 6:30 p.m., Program & Auction: 7:30 p.m. [email protected] Purchase tickets here

October 19–20 CHRISTIE’S | The Golden Age of Baseball: Selections from the National Pastime Museum October 19, 10 a.m. (memorabilia); October 20, 10 a.m. (photographs) – 20 Rockefeller Plaza, New York 10020 (212) 636-2000 or [email protected] —— Preview: 10/13–10/15 10–5, 10/16 1–5, 10/17–10/18 11–4 —— View catalogue

October 20 PBA GALLERIES | Americana and the National Parks 11 a.m. PDT – 1233 Sutter Street, San Francisco, CA (415) 989-2665 or [email protected] —— Preview 10/18–10/19 9–5 or by appointment

October 22 THE DAGUERREIAN SOCIETY | 19th-Century Photography Grand and Crystal Ballrooms, Wyndham New Yorker Hotel, 481 8th Avenue, New York 10001 Diane Filippi: (412) 221-0306 or [email protected]

October 24 APERTURE | Benefit Auction 8 p.m. – The Edison Ballroom, 240 West 47th Street, New York (212) 946-7108/7126 or [email protected] —— Preview: 10/24 6 p.m. (for ticket-buyers at the Dinner Ticket level or above)

October 24 HERITAGE | Photographs Design District Annex, 1518 Slocum Street, Dallas Nigel Russell: (877) 437-4824, ext. 1231 —— Preview: 10/20–10/24 —— View catalogue

October 25 BONHAMS | Photographs 580 Madison Avenue, New York 10022 Customer services & bids: (212) 644-9001 or [email protected] Photographs: (415) 503-3259 or [email protected]

18 AUCTION SCHEDULE continued

October 25 MILLON & ASSOCIÉS | Photographies: Collections & Propositions 2:30 p.m. – Salle V.V. 3, rue Rossini, quartier Drouot - Paris IX 01 47 27 95 34 or [email protected] —— Preview: 10/22 & 10/24 11–7, 10/25 11–12

October 25 SWANN | Art & Storytelling: Photographs & Photobooks 1:30 p.m. – 104 East 25th Street New York 10010 Daile Kaplan, Director: (212) 254–4710 or [email protected] —— Preview: 10/20–10/22 12–5, 10/24 12–5, 10/25 10–12

October 27 BAXTER ST CAMERA CLUB OF NEW YORK | Benefit Auction 6 p.m. – Affirmation Arts, 523 West 37th Street, New York 10018 (212) 260-9927 or [email protected]

October 27 HERITAGE | Photographs Waldorf Astoria, 301 Park Avenue, Herbert Hoover Suite - 4th Floor, New York 10022 Bidding begins approximately September 30 (877) 437-4824, (212) 486-3500, or [email protected] —— Preview: 10/24–10/26 at Heritage Auctions, 445 Park Avenue, 15th Floor, New York 10022 —— View catalogue

October 29 SF CAMERAWORK | Benefit Auction 5:30 p.m. – SF Camerawork, 1011 Market Street, 2nd Floor, San Francisco 94103 Registration 5:30 p.m., Silent bidding 6 p.m., Live bidding 7 p.m. (415) 487-1011 or [email protected] —— Preview reception: 10/27 6–9 —— Preview exhibition: 10/24–28 12–6 and by appointment Purchase tickets here

u u u

COURSES, LECTURES, AND SEMINARS

September 10, LECTURE | Arnold Newman Lecture Series on Photography: Lorna Simpson 12 p.m. National Gallery of Art, East Building Auditorium, 4th and Pennsylvania Avenue NW, Washington 20565 (202) 737-4215 or www.nga.gov

September 22, LECTURE | Stephen Perloff: Seeing is Believing? The Convoluted History of 7 p.m. Documentary Photography James A. Michener Art Museum, 138 S. Pine Street, Doylestown 18901 (215) 340-9800, [email protected], or www.michenerartmuseum.org

September 23–24 SYMPOSIUM | The Photographic Event San Francisco Museum of Modern Art (SFMOMA), 151 Third Street, San Francisco 94103 (415) 357-4000, [email protected], or www.sfmoma.org

19 COURSES, LECTURES, AND SEMINARS continued

September 29, 7 LECTURE | Kelsey Halliday Johnson: Contemporary Art Photography’s p.m. Social and Documentary Turn James A. Michener Art Museum, 138 S. Pine Street, Doylestown 18901 (215) 340-9800, [email protected], or www.michenerartmuseum.org

October 6, 7 p.m. LECTURE | John Caperton: By All Means: The Extended Practice of Contemporary Photography James A. Michener Art Museum, 138 S. Pine Street, Doylestown 18901 (215) 340-9800, [email protected], or www.michenerartmuseum.org

October 16, 2 p.m. LECTURE | Thomas Struth in conversation with Sarah Greenough National Gallery of Art, East Building Auditorium, 4th and Pennsylvania Avenue NW, Washington 20565 (202) 737-4215 or www.nga.gov

October 19–23, CONFERENCE | The Daguerreian Society Annual Conference 9 a.m. Grand and Crystal Ballrooms, Wyndham New Yorker Hotel, 481 8th Avenue, New York 10001 Diane Filippi: (412) 221-0306 or [email protected] Online registration available through October 19.

October 20, 9:30 SYMPOSIUM | How the 19th-century is the Basis for All Subsequent a.m. Photographic Art Grand Ballroom, Wyndham New Yorker Hotel, 481 8th Avenue, New York 10001 Diane Filippi: (412) 221-0306 or [email protected] Online registration available through October 19.

October 23, 2 p.m. LECTURE AND BOOK SIGNING | Introduction to the Exhibition — In the Tower: Barbara Kruger National Gallery of Art, East Building Auditorium, 4th and Pennsylvania Avenue NW, Washington 20565 (202) 737-4215 or www.nga.gov

u u u

TRADE SHOWS, FAIRS, AND FESTIVALS

September 9–11 PHOTOFAIRS SHANGHAI | International art fairs dedicated to photography Shanghai Exhibition Centre, 1000 Yan’an Road, near Tongren Road 9/10–9/11 11–6 Peipei Han, Fair Manager: +86 18610034711 or [email protected] Previews: Collectors’ Preview (invitation only) 9/8 3–6, Vernissage (invitation only) 9/8 6–9, VIP Preview 9/9 11–6

September 10 THE PHOTO REVIEW | Garden Party 2–7 p.m. – at the home and studio of photographers Michael A. Smith and Paula Chamlee in Ottsville, PA (215) 891-0214 or [email protected] Purchase tickets here.

20 TRADE SHOWS, FAIRS, AND FESTIVALS continued

September 15–18 BERLINER LISTE | Fair for contemporary art, 112 exhibitors from 25 countries Kraftwerk Berlin, Köpenicker Straße 70, 10179 Berlin +49 (0)30 77008993 or [email protected] Opening: September 14th, 2016

September 15 – BREDA PHOTO | International festival of contemporary photography October 30 Spinveld 23, 4815 HR Breda, Netherlands +31 (0)76-522 32 23 or [email protected]

September 16–18 NY ART BOOK FAIR | Artists’ books, catalogs, monographs, periodicals, and zines MoMA PS1, 22–25 Jackson Avenue on 46th Avenue, Long Island City, Queens, NY 9/16 1–7, 9/17 11–9, 9/18 11–7 [email protected] Preview: September 15, 6–9 p.m. – purchase preview tickets online here or at the door Free and open to the public

September 20–25 PHOTOSZENE–FESTIVAL | Photo festival featuring “The State I am In” by Katja Stuke & Oliver Sieber Internationale Photoszene Köln, Körnerstr. 6–8, 50823 Cologne [email protected]

September 21–25 PHOTOVILLE | Largest annual photographic event in New York City Brooklyn Bridge Plaza, on the corners of Water Street and New Dock Street 9/21 4–10, 9/22–9/24 12–10, 9/25 12–9 [email protected] Free and open to the public

September 22–25 EXPO CHICAGO | International exposition of contemporary and modern art Navy Pier, 600 E. Grand Avenue, Chicago 60611 F–Sat 11–7, Sun 11–6 (312) 867-9220 Vernissage: 9/22 6–9, purchase tickets here VIP Preview: 9/22 12–6 by invitation only

Through ARLES | Les Rencontres de la Photographie September 25 34 Rue du Docteur Fanton, 13200 Arles, France Daily 10–7:30 +33 (0)4 90 96 76 06 or [email protected]

October 1–31 FOTOFOCUS BIENNIAL | Photography, the Undocument Multiple locations in Cincinnati, OH (513) 400-4027 or [email protected] Biennial featured programming October 6–9

21 TRADE SHOWS, FAIRS, AND FESTIVALS continued

Through FOTOSEPTIEMBRE USA | International photography festival October 6 Multiple locations in San Antonio, Texas www.fotoseptiembre.com, www.fotoseptiembreusa.com, or www.safotofestival.com [email protected] or [email protected]

October 6–9 FRIEZE LONDON | 160 of the world’s leading galleries Regent’s Park, London, entrance off Park Square West, postcode NW1 4NR October 6–8 12–7, October 9 12–6 +44 (0)20 3372 6111 or [email protected] Preview: October 5 (invitation only)

October 6–9 FRIEZE MASTERS | More than 130 of the world’s leading historical and modern galleries Regent’s Park, London, northeast corner near the London Zoo, postcode NW1 4HA October 6–8 11–7, October 9 11–6 +44 (0)20 3372 6111 or [email protected] Preview: October 5 (invitation only)

October 20–23 FIAC | 175 galleries from 26 countries Grand Palais & Petit Palais, Avenue Winston Churchill, 75008, Paris Grand Palais open 10/20–10/23 12–8, 10/21 12–9 Petit Palais open 10/19–10/23 10–6, 10/19 & 10/21 10–9 [email protected] Vernissage: 10/19

October 20–23 MEDIUM FESTIVAL OF PHOTOGRAPHY | Portfolio reviews and artist lectures The Lafayette Hotel, 2223 El Cajon Boulevard, San Diego, CA [email protected] or [email protected] Registration open through October 14, or purchase tickets at the door beginning October 21 Keynote Lecture with Penelope Umbrico, October 21, 7–8 p.m.

October 22 19th-CENTURY PHOTOGRAPHY SHOW | For-sale exhibition of 19th- century Photography with 15 exhibit booths with over 70 exhibitors 10:15–4:15 – Mezzanine, Foyer and Grand Ballroom, Wyndham New Yorker Hotel, 481 8th Avenue, New York 10001 Diane Filippi: (412) 221-0306 or [email protected] Online registration through October 22.

November 10 – 13 PARIS PHOTO | International art fair dedicated to the photographic medium Grand Palais, Avenue Winston Churchill, 75008 Paris THz–Sat 12–8, Sun 12–7 +33 (1) 47 56 64 69 or [email protected]

November 11 – 13 FOTOFEVER PARIS | Art fair dedicated to collectors Carrousel du Louvre, 99 rue de Rivoli, 75001 Paris +33 1 43 59 46 06 or [email protected] Preview: November 10, 6–9:30 p.m.

22 EXHIBITIONS OF NOTE

EXHIBITIONS OF NOTE Arizona Flowers, Fruit, Books, Bones and The INFOCUS Juried Exhibition of Self-Published PhotoBooks - at the Center for Creative Photography, University of Arizona, Fine Arts Complex, 1030 North Olive Road, Tucson 85721 - (520) 621-7968, [email protected], or www.creativephotography.org - T–F 9–4, Sat 1–4 - through November 26. Here and Abroad: Photographs by David Taylor - at the Phoenix Art Museum, 1625 N. Central Avenue, Phoenix 85004 - (602) 257-1880 or www.phxart.org - W 10–9, Th–Sat 10–5 (First Fridays 10–10), Sun 12–5 - through October 16. California Collected - at Pier 24 Photography, The Embarcadero, San Francisco, 94105 - (415) 512-7424, info@ pier24.org, or www.pier24.org - by appointment M–F 10–5:15 - through January 31. Dandy Lion: (Re)Articulating Black Masculine Identity - at the Museum of the African Diaspora, 685 Mission Street (at 3rd), San Francisco 94105 - (415) 358-7200 or www.moadsf.org - W–Sat 11–6, Sun 12–5 - through September 18. Defying Darkness: Photography at Night (through October 2), Beauty and the Beast: The Animal in Photography (through October 9), America’s Cathedrals: Photography and the National Parks (through December 31), and Boundless: A California Invitational (October 15 – January 29, 2017) - at the Museum of Photographic Arts, 1649 El Prado, San Diego 92101 - (619) 238-7559, [email protected], or www.mopa.org - T–Sun 10–5, Th 10–8. Anthony Hernandez (September 24 – January 1 - catalogue available), Japanese Photography from Postwar to Now (October 15 – March 12), Bruce Conner: It’s All True (October 29 – January 22, 2017) - at San Francisco Museum of Modern Art (SFMOMA), 151 Third Street, San Francisco 94103 - (415) 357- 4000, [email protected], or www.sfmoma.org - F–T 10–5, Th 10–9. IDENTITY: Timothy Greenfield-Sanders The List Portraits - at the Annenberg Space for Photography, 2000 Avenue of the Stars, Los Angeles 90067 - (213) 403-3000, annenbergphotospace.org - W–Sun 11–6, September 24 – February 26. Islamic Art Now, Part 2: Contemporary Art of the Middle East (ongoing), Catherine Opie: O (through September 5), and Japanese Prints and Photographs: Paths through Modernity (through September 25), and TV on Film (October 8 – March 12, 2017) - at the Los Angeles County Museum of Art (LACMA), 5905 Wilshire Boulevard, Los Angeles - (323) 857-6000, [email protected], or www.lacma.org - M–T & Th 11–5, F 11–8, Sat–Sun 10–7. Life and Labor: The Photographs of Milton Rogovin - at the San Jose Museum of Modern Art, 110 South Market Street, San Jose 95113 - (408) 271-6840 or sjmusart.org - T–Sun 11–5 - through March 19, 2017. Multiplicity: Portraiture in the Cantor’s Photography Collection (through September 25), Soulmaker: The Times of Lewis Hine (through October 31), and California: The Art of Water (through November 28) - at the Cantor Arts Center, 328 Lomita Drive at Museum Way, Stanford 94305 - (650) 723-4177 or museum.stanford.edu - W–M 11–5, Th to 8. Ourselves through the Lens: Photography from the Ramer Collection - at the Crocker Art Museum, 216 O Street, Sacramento 95814 - (916) 808-7000 or crockerartmuseum.org - T–Sun 10–5, Th 10–9 - through October 23. Cindy Sherman: Imitation of Life - at The Broad, 221 S. Grand Avenue, Los Angeles, 90012 - (213) 232- 6200, [email protected], or www.thebroad.org - T–W­ 11–5, Th–F 11–8, Sat 10–8, Sun 10–6 - through October 2.

23 EXHIBITIONS OF NOTE continued

Mickalene Thomas: Do I Look Like a Lady? - at MOCA Grand Avenue, 250 South Grand Avenue, Los Angeles 90012 - (213) 626-6222 or [email protected] - M, W, F 11–6, Th 11–8, Sat–Sun 11–5 - October 16–February 6. Brett Weston: Significant Details - at the Pasadena Museum of California Art, 490 East Union Street, Pasadena 91101 - (626) 568-3665, [email protected], or pmcaonline.org - W–Sun 12–5, 3rd Thursday of each month 12–8 - through September 11. Connecticut The Thrill of the Chase: The Wagstaff Collection of Photographs at the J. Paul Getty Museum - at Wadsworth Atheneum, 600 Main Street, Hartford 06103 - (860) 278-2670 or thewadsworth.org- W–F 11–5, Sat–Sun 10–5 - September 10 – December 11 - catalogue available. District of Columbia Hollywood and Time: Celebrity Covers (through September 11), The Outwin 2016: American Portrai- ture Today (through January 8), In the Groove: Jazz Portraits by Herman Leonard (through February 20), and Double Take: Daguerreian Portrait Pairs (through June 4, 2017) - at the National Portrait Gal- lery, 8th and F Streets NW, Washington 20001 - (202) 633-8300 or npg.si.edu - daily 11:30–7. Intersections: Photographs and Videos from the National Gallery of Art and the Corcoran Gallery of Art (through January 2) and In the Tower: Barbara Kruger (September 30 – January 22) - at the Na- tional Gallery of Art, 4th and Constitution Avenue NW, Washington 20565 - (202) 737-4215 or www.nga. gov - M–Sat 10–5, Sun 11–6. Bettina Pousttchi: World Time Clock - at the Hirshhorn Museum, on the National Mall at the corner of 7th Street and Independence Avenue SW - (202) 633-8835 or hirshhorn.si.edu - Daily 10–5:30 - through January 2017. Primordial Landscapes: Iceland Revealed (through April 2017) and 100 Years of America’s National Parks Service: Preserve, Enjoy, Inspire (through August 2017) - at the Smithsonian National Museum of Natural History, 10th Street and Constitution Avenue, NW, Washington 20560 - (202) 633-1000 or www. mnh.si.edu - daily 10–5:30. Reporting Vietnam - at the Newseum, 555 Pennsylvania Avenue, NW, Washington 20001 - (202) 292- 6100, [email protected], or www.newseum.org - daily 9–5 - through September 12. Symbolic Cities: The Work of Ahmed Mater (through September 18) and Key Artifacts and 19th-Cen- tury Photographs from ISIS-Endangered Palmyra, Syria (through December 31) - at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian’s Museums of Asian Art, 1050 Independence Avenue SW, Washington 20560 - (202) 633-4880, [email protected], or asia.si.edu - daily 10–5:30. Florida Chuck Close Photographs - at NSU Art Museum Fort Lauderdale, One East Las Olas Boulevard, Fort Lauderdale 33301 - (954) 525-5500 or nsuartmuseum.org - T–Sat 11–5, Sun 12–5, first Thursdays open until 8 - through October 2. Shai Kremer: Concrete Abstract (through September 18), Lynn Saville: Dark Cities (October 20 – No- vember 20), and Jerry Uelsmann: Undiscovered Self (through December) - at the Florida Museum of Photographic Arts, The Cube at Rivergate Plaza, 400 North Ashley Drive, Cube 200, Tampa 33602 - (813) 221-2222, [email protected], or www.fmopa.org - M–Th 11–6, F 11–7, Sat–Sun 12–5. Phantom Bodies: The Human Aura in Art - at The John and Mable Ringling Museum of Art, State Art Museum of Florida, Florida State University, 5401 Bay Shore Road, Sarasota 34243 - (941) 359-5700 or www.ringling.org - daily 10–5, Th 10–8 - through September 11.

24 EXHIBITIONS OF NOTE continued

Georgia Walker Evans: Depth of Field (through September 11) and Thomas Struth: Nature & Politics (October 16 – January 8) - at the High Museum of Art, 1280 Peach Street N.E., Atlanta 30309 - (404) 733-4444 or www. high.org - T–Sat 10–5, F 10–9, Sun 12–5. Illinois Petcoke: Tracing Dirty Energy - at the Museum of Contemporary Photography at Columbia College Chi- cago, 600 South Michigan Avenue, Chicago 60605 - (312) 663-5554 or www.mocp.org - M–W & F–Sat 10–5, Th 10–8, Sun 12–5 - through October 9. Maine This Is a Portrait If I Say So: Identity in American Art, 1912 to Today - at the Bowdoin College Muse- um of Art, 9400 College Station, Brunswick 04011 - (207) 725-3275, [email protected], or www. bowdoin.edu/art-museum - T–Sat 10–5, Th 10–8:30, Sun 1–5 - through October 16. Maryland Front Room: Broomberg & Chanarin (through September 11) and On Paper: Picturing Painting (through October 23) - at The Baltimore Museum of Art, 10 Art Museum Drive, Baltimore 21218 - (443) 573-1700, [email protected], or artbma.org - W–F 10–5, Sat–Sun 11–6. Massachusetts Imogen Cunningham: In Focus - at the Museum of Fine Arts, Boston, Avenue of the Arts, 465 Huntington Avenue, Boston 02115 - (617) 267-9300 or www.mfa.org - M–T & Sat–Sun 10–5, W­­–F 10–10 - through June 18, 2017. Monochrome: Black & White Photography from the Permanent Collection - at D’Amour Museum of Fine Arts, Springfield Museums, 21 Edwards Street, Springfield 01103 - (413) 263-6800 or springfield- museums.org - M–Sat 10–5, Sun 11–5 - through September 25. Irving Penn: Beyond Beauty - at Lesley University at the Roberts and Raizes Galleries, Lunder Arts Center, 1801 Massachusetts Avenue, and at the VanDernoot Gallery, University Hall, 1815 Massachusetts Avenue, Cambridge 02140 - [email protected], [email protected], or lesley.edu/penn - Rob- erts and Raizes Galleries: M–W & F 9–6, Th 9–8, Sat–Sun 12–5; VanDernoot Gallery: T–W & F 12–5, Th 3–8, Sat 12–5 - September 10 – November 19. Michigan The Open Road: Photography and the American Road Trip (through September 11) and Detroit After Dark: Photographs from the DIA Collection (October 21–April 23) - at Detroit Institute of Arts (DIA), 5200 Woodward Avenue, Detroit 48202 - (313) 833-7900 or www.dia.org - T–Th 9–4, F 9–10, Sat–Sun 10–5. Minnesota Ordinary Pictures - at the Walker Art Center, 1750 Hennepin Avenue, Minneapolis 55403 - (612) 375- 7600 or www.walkerart.org - T–Sun 11–5, Th 11–9 - through October 9. Who’s Who: Seeing Back to Front - at the Minneapolis Institute of Art (MIA), 2400 Third Avenue South, Minneapolis 55404 - (612) 870-3000 or new.artsmia.org - T­­–W & Sat–Sun 10–5, Th–F 10–9 - through October 23. Missouri Cuba Bound: Photographs by Jesse A. Fernández - at The Nelson-Atkins Museum of Art, 4525 Oak Street, Kansas City 64111 - (816) 751-1278, [email protected], or www.nelson-atkins.org - W, Sat– Sun 10–5, Th–F 10–9 - September 15 – December 31.

25 EXHIBITIONS OF NOTE continued

New Jersey Ansel Adams to Edward Weston: Celebrating the Legacy of David H. McAlpin - at the Princeton Uni- versity Art Museum, located at the heart of the Princeton campus, Princeton 08544 - (609) 258-3788, art- [email protected], or artmuseum.princeton.edu - T­–W & F–Sat 10–5, Th 10–10, Sun 1–5 - through September 25. New Mexico Assumed Identities: Photographs by Anne Noggle (through September 11) and Con Cariño: Artists In- spired by Lowriders (through October 10) - at the New Mexico Museum of Art, 107 West Palace Avenue, Santa Fe 87501 - (505) 476-5041, www.nmartmuseum.org - May–October daily 10–5, free every Friday night from 5–8; November–April T–Sun 10–5, free on the first Friday of the month 5–8. New York Ansel Adams: Early Works (through September 18, an art2art Circulating Exhibition), Project 562: Por- traits of Native America Now (through September 19), and American Photography from the Fenimore Art Museum (October 1 – December 31) - at the Fenimore Art Museum, 5798 State Highway 80 (Lake Road), Cooperstown 13326 - (607) 547-1400, [email protected], or www.fenimoreartmuseum.org - 4/1–5/9 & 10/11–12/31 T–Sun 10–4, 5/10–10/10 Daily 10–5. diane arbus: in the beginning - at The Met Breuer, 2nd floor, 945 Madison Avenue, New York 10021 - (212) 731-1675 or www.metmuseum.org - T–W & Sat–Sun 10–5:30, Th & F 10–9 - through November 27 - catalogue available. Bruce Conner: It’s All True (through October 2), Nan Goldin: The Ballad of Sexual Dependency (through February 12), From the Collection 1960–1969 (through March 17, 2017), and The Shape of Things: Photographs from Robert B. Menschel (October 29 – May 7, 2017) - at the Museum of Modern Art, 11 West 53rd Street, New York 10019 - (212) 708-9400, [email protected], or www.moma. org - M & Th–Sun 10:30–5:30, F 10:30–8. Disguise: Masks and Global African Art (through September 18), Who Shot Sports: A Photographic History, 1843 to the Present (through January 8), and Beverly Buchanan—Ruins and Rituals (October 21 – March 5, 2017) - at the Brooklyn Museum, 200 Eastern Parkway, Brooklyn 11238 - (718) 638-5000, [email protected], or www.brooklynmuseum.org - W–Sun 11–6, Th 11–10. Dream States: Contemporary Photographs and Video (through October 30) and Faith and Photog- raphy: Auguste Salzmann in the Holy Land (September 12 – February 5) - at The Met Fifth Avenue, 1000 Fifth Avenue at 82nd Street, New York 10028 - (212) 535-7710 or www.metmuseum.org - Sun–Th 10–5:30, F–Sat 10–9. In the South Bronx of America: Photographs by Mel Rosenthal (through October 16) and Gay Gotham (October 7 – February 26, 2017) - at the Museum of the City of New York, 1220 Fifth Avenue, New York 10029 - (212) 534-1672, [email protected], or www.mcny.org - Daily 10–6. Danny Lyon: Message to the Future - at the Whitney Museum of American Art, 99 Gansevoort Street, New York 10014 - (212) 570-3600, [email protected], or whitney.org - M–Th, Sun 10:30–6, F–Sat 10:30– 10 - through September 25. Public, Private, Secret - at the International Center of Photography (ICP) Museum, 250 Bowery, New York 10012 - (212) 857-0000, [email protected], or www.icp.org - T–Sun 10–6, Th 10–9 - through January 8. Qing Dynasty Peking: Thomas Child’s Photographs - at Sidney Mishkin Gallery, Baruch College, 135 East 22nd Street, New York 10010 - (646) 660-6652, [email protected], or www.19thshop.com - M–F 12–5, Th 12–7, Sat 12–6 - September 23 – October 25, opening 9/22 6–8 p.m.

26 EXHIBITIONS OF NOTE continued

Sight Reading: Photography and the Legible Word (through September 18), Photography and Amer- ica’s National Parks (through October 2), and A History of Photography (through October 23) - at the George Eastman Museum, 900 East Avenue, Rochester 14607 - (585) 271-3361 or www.eastman.org - T– Sat 10–5, Sun 11–5. The Keeper – at the New Museum, 235 Bowery, New York 10002 – (877) 500-1932 or www.newmu- seum.org - W & F–Sun 11–6, Th 11–9 - through September 25. North Carolina Burk Uzzle: American Chronicle - at the North Carolina Museum of Art, 2110 Blue Ridge Road, Raleigh 27607 - (919) 839-6262 or ncartmuseum.org - T–Sun 10–5, F 10–9 - through September 25. Burk Uzzle: Southern Landscapes (through September 18) and Selections form the Photography Col- lection (through January 22, 2017) - at the Nasher Museum of Art at Duke University, 2001 Campus Drive, Durham 27705 - (919) 684-5135 or nasher.duke.edu - T–Sat 10–5, Th 10–9, Sun 12–5. Ohio BIG: Photographs from the Collection - at The Cleveland Museum of Art, 11150 East Boulevard, Cleve- land 44106 - (216) 421-7350 or www.clevelandart.org - T, Th, & Sat–Sun 10–5, W & F 10–9 - through October 9. The Sun Placed in the Abyss - at Columbus Museum of Art, 480 East Broad Street, Columbus 43215 - (614) 221-6801 or www.columbusmuseum.org - T–Sun 10–5, Th to 9 - October 7 – January 8, catalogue available. Oregon Photography and Contemporary Experience - at the Portland Art Museum, 1219 SW Park Avenue, Portland 97205 - (503) 226-2811, [email protected], or www.portlandartmuseum.org - T–W & Sat–Sun 10–5, Th–F 10–8 - through January 15. Pennsylvania Thomas Eakins: Photographer - at the Philadelphia Academy of the Fine Arts (PAFA), 118–128 North Broad Street, Philadelphia 19102 - (215) 972-7600 or www.pafa.org - T, Th, F 10–5, W 10–9, Sat–Sun 11–5 - October 19 – January 29. Live and Life Will Give You Pictures: Masterworks of French Photography, 1890–1950 - at The Barnes Foundation, 2025 Benjamin Franklin Parkway, Philadelphia 19130 - (215) 278-7000, info@barnesfounda- tion.org, or www.barnesfoundation.org - W–M 10–5, First Fridays open until 9 - October 8–January 9, organized in conjunction with Art2Art Circulating Exhibitions. Our Strength Is Our People: The Humanist Photographs of Lewis Hine - at the Allentown Art Museum of the Lehigh Valley, 31 North Fifth Street, Allentown 18101 - (610) 432-4333, askus@allentownartmu- seum.org, or www.allentownartmuseum.org - Wed, F–Sat 11–4, Th 11–8, Sun 12–4 - through October 2. Tête-à-Tête: Conversations in Photography (through September 11), and Unguarded, Untold, Iconic: Afghanistan through the Lens of Steve McCurry (through October 23) - at the James A. Michener Art Museum, 138 S. Pine Street, Doylestown 18901 - (215) 340-9800, [email protected], or www. michenerartmuseum.org - T–F 10–4:30, Sat 10–5, Sun 12–5. Three Photographers/Six Cities - at the Philadelphia Museum of Art, Perelman Building, Julien Levy Gallery, 2525 Pennsylvania Avenue, Philadelphia, PA 19130 - (215) 684-7695, www.philamuseum.org - T– Sun 10–5, W & F 10–8:45 - through September 25.

27 EXHIBITIONS OF NOTE continued

Eugène Atget: Marne River, La Varenne, c. 1925, gold chloride print on printing-out paper, 7"x8.875", from “Live and Life Will Give You Pictures: Masterworks of French Photography, 1890–1950” at The Barnes Foundation, Phila- delphia (Collection of Michael Mattis and Judy Hochberg)

Texas Border Cantos: Richard Misrach | Guillermo Galindo (September 24 – December 31) and American Photographs, 1845 to Now (through February 12, 2017) - at the Amon Carter Museum of American Art, 3501 Camp Bowie Boulevard, Fort Worth 76107 - (817) 738-1933 or www.cartermuseum.org - T–Sat 10–5, Th to 8, Sun 12–5. Elliott Erwitt: Home Around the World - at The Harry Ransom Center, 300 West 21st Street, Austin 78712 - (512) 471-8944 or www.hrc.utexas.edu - M–W & F 10–5; Th 10–7, Sat–Sun 12–5 - through Janu- ary 1. Helen Levitt: In the Street - at the Museum of Fine Arts, Houston, Audrey Jones Beck Building, 5601 Main Street, Houston 77005 - (713) 639-7300, [email protected], or www.mfah.org - T–W 10–5, Th 10–9, F–Sat 10–7, Sun 12:15–7 - September 13 – January 2. Virginia Kertész (through October 13) and Gordon Parks: Back to Fort Scott (through October 30) - at the Vir- ginia Museum of Fine Arts, 200 N. Boulevard, Richmond 23220 - (804) 340-1405, [email protected], or vmfa.museum - daily 10–5, Th­–F 10–9.

28 EXHIBITIONS OF NOTE continued

Washington Go Tell It: Civil Rights Photography - at the Seattle Art Museum, 1300 First Avenue, Seattle 98101 - (206) 654-3100 or www.seattleartmuseum.org - M, W, F–Sun 10–5, Th 10–9 - through January 8. Vik Muniz: Twisted Realism - at the Henry Art Gallery, University of Washington, 15th Avenue NE & NE 41st Street, Seattle 98195 - (206) 543-2280, [email protected], or henryart.org - W & F–Sun 11–4, Th 11–9 - through October 9. Belgium Weegee by Weegee: Collection Jean Pigozzi, Christine Plenus: Sur les Plateaux des Dardenne, and Bois du Cazier: Marcinelle 1956 - at Musée de la Photographie - Centre d’art contemporain de la Fé- dération Wallonie-Bruxelles, 11, avenue Paul Pastur (GPS: Place des Essarts), 6032 Charleroi (Mont-sur- Marchienne) - [email protected], or http://www.museephoto.be - T–Sun 10–6 - through December 4. Canada Aimia | AGO Photography Prize Exhibition - at the Art Gallery of Ontario, 317 Dundas Street W, To- ronto, Ontario, M5T 1G4 - (877) 225-4246, (416) 979-6648, or www.ago.net - T & Th 10:30–5, W & F 10:30–9, Sat– Sun 10:30–5:30 - September 6 – January 1. The Edge of the Earth: Climate Change in Photography and Video - at the Ryerson Image Centre, 33 Gould Street, Toronto, Ontario M5B 1X8 - (416) 979-5164, [email protected], or www.ryerson.ca/ric - T–F 11–6, W to 8, Sat–Sun 12–5 - September 14 – December 4. Denmark Lasse Bak Mejlvang: Beard - at Brandts Odense, Brandts Torv 1, 5000 Odense C - +45 65 20 70 00, [email protected], or brandts.dk/en - W–Sun 10–5, Th 12–9 - through October 23. France Louis Faurer - at the Fondation Henri Cartier-Bresson, 2 Impasse Lebouis, 75014 Paris - +33 1 56 80 27 00, [email protected], or www.henricartierbresson.org - T–F & Sun 1–6:30, W 1–8:30, Sat 11–6:45 - September 9 – December 18. Louis Stettner - at Centre Pompidou, Place Georges Pompidou, 75004 Paris - +33 (0)1 44 78 12 33, con- [email protected], or www.centrepompidou.fr/en - W–M 11–9 - through September 12. Josef Sudek: Le monde à ma fenêtre (through September 25, catalogue available), Joana Hadjithomas & Khalil Joreige: Se souvenir de la lumière (through September 25), Guan Xiao. Prévisions météo: Satellite 9: une proposition de Heidi Ballet (through September 25), Basim Magdy. No Shooting Stars: Satellite 9: une proposition de Heidi Ballet (October 18 – January 15), and Soulèvements (October 18 – January 15) - at the Jeu de Paume, 1, Place de la Concorde, 75008 Paris - 33 (0) 1 47 03 12 50 or www. jeudepaume.org - T 11–9, W–Sun 11–7. Sabine Weiss - at Château de Tours, 25 avenue André Malraux – 37000 Tours - 02 47 21 61 95 or www. jeudepaume.org - T–Sun 2–6 - through October 30. Germany Peter Keetman: World through a Creative Camera, The Life’s Work of a Photographer - at Museum Folkwang, Museumplatz 1, 45128 Essen - +49 201 88 45 444, [email protected], or www. museum-folkwang.de - T–W & Sat–Sun 10–6, Th–F 10–8 - through July 31. Bernard Larsson: Leaving is Entering - at the Kunstbibliothek at the Museum für Fotografie, Staatliche Museen zu Berlin, Jebensstraße 2, 10623 Berlin - +49 (0)30 3186 4825, [email protected], or www. smb.museum/mf - T–Sun 10–6, Th to 8 - through January 8.

29 EXHIBITIONS OF NOTE continued

Alice Springs: The MEP Show / Helmut Newton: Yellow Press / Mart Engelen: Portraits - at the Mu- seum für Fotografie, Jebensstraße 2, 10623 Berlin - 030 266 42 42 42 or www.smb.museum/en - T–Sun 11–7, Th 11–8 - through November 20. Thomas Struth: Nature & Politics (through September 18) and Berenice Abbott: Photographs (through October 3) - at Martin-Gropius-Bau, Niederkirchnerstr. 7, 10963 Berlin - +49 (0)30-254860 or www.gro- piusbau.de - W–M 10–7. Wonders of the World: Contemporary Landscape Photography - at Fotografie Forum Frankfurt, Brau- bachstraße 30-32, 60311 Frankfurt am Main - +49 69 29 17 26 or www.fffrankfurt.org - T 11–6, W 11–8, Th–Sun 11–6 - through September 11. Spain Cy Twombly: LUX - at the Museu d’Art Contemporani d’Eivissa, Ronda Narcís Puget, s/n, Dalt Vila, 07800 Ibiza - +34 9713022723, [email protected], or http://www.eivissa.es - T–F 10–2 & 5–8, Sat–Sun 10–2 - through October 2. Sweden Watched! Surveillance, Art and Photography - at the Hasselblad Foundation, Ekmansgatan 8, SE-412 56 Gothenburg - +46 31 778 21 50 or www.hasselbladfoundation.org - T & Th 11–6, W 11–8, F–Sun 11–5 - through October 2. United Kingdom William Eggleston: Portraits (through October 23) and Black Chronicles: Photographic Portraits 1862–1948 (through December 11) - National Portrait Gallery, St Martin’s Place, London WC2H 0HE - 0207 306 0055 or npg.org.uk - M–W, Sat–Sun 10–6, Th–F 10–9. Georgia O’Keeffe - at Tate Modern, Bankside, London, SE1 9TG - +44 (0) 20 7887 8888 or www.tate.org. uk - Sun–Th 10–6, F–Sat 10–10 - through October 30. Painting with Light: Art and Photography from the Pre-Raphaelites to the Modern Age - at Tate Britain, Millbank, London SW1P 4RG - +44 (0)20 7887 8888, www.tate.org.uk - daily 10–6 - through September 25. Fox Talbot: Dawn of the Photograph - at the Science Museum, Media Space, Exhibition Road, London SW7 2DD - 0870 870 4868 or sciencemuseum.org.uk - daily 10–6 - through September 11. u u u The Photograph Collector is now delivered to you as a PDF by email. Please be sure to alert us at info@ photoreview.org if your email address changes.

The Photograph Collector is a monthly newsletter established in 1980. It is published and copyright ©2016 by The Photo Review, 340 East Maple Avenue, Suite 200, Langhorne, PA 19047, (215) 891-0214 - Fax (215) 891-9358 - Email [email protected] - Editor: Stephen Perloff - ISSN 0271-0838 - An Annual Subscription is $149.95. American Express, MasterCard, and Visa cards welcomed.

30