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MÚSICA EM CONTEXTO Ano IX - Volume 1 - Julho De 2015 MÚSICA EM CONTEXTO Ano IX - volume 1 - julho de 2015 Revista do Programa de Pós-Graduação Música em Contexto da Universidade de Brasília UNIVERSIDADE DE BRASÍLIA Periódico do Programa de Pós-Graduação Música em Contexto Revista Música em Contexto Reitor, Ivan Marques de Toledo Camargo Comissão de Pós-Graduação (2014-2015) Vice-reitora, Sônia Nair Báo Beatriz Magalhães Castro, Presidente Decano de Pós-Graduação, Jaime Martins Santana Ricardo Dourado Freire Delmary Vasconcelos de Abreu Coordenador de Pós-Graduação Hugo Leonardo Ribeiro Beatriz Magalhães Castro Myrlla Muniz Rebouças (representante discente) . .. Editora-chefe, Beatriz Castro Magalhães Capa Osman Hamdi Bey (1903-1962) Comissão Editorial Two Musician Girls (1880) Beatriz Magalhães Castro, Presidente Óleo sobre tela, 58 cm (alt) x 39 cm (larg) Hugo Leonardo Ribeiro https://commons.wikimedia.org/wiki/File:Osman_Hamdi_Bey_- Delmary de Abreu Vasconcelos _Two_Musician_Girls.jpg Conselho Editorial internacional Editoração eletrônica Barbara Dobbs MacKenzie (RILM/CUNY, New York, EUA) Diagramação: Hugo Leonardo Ribeiro Denis Laborde (EHESS/LAIOS, Paris, França) Revisão: Beatriz Castro Magalhães e Hugo Leonardo Ribeiro James G. Melo (RILM/CUNY, New York, EUA) Liora Bresler (University of Illinois, Urbana-Champaign, EUA) Contato Nicholas Cook (Royal Holloway, Eghan, Inglaterra) Campus Universitário Darcy Ribeiro Ana Guiomar Rêgo Souza (UFG, Goiás) Prédio SG-4 –Sala AT-44/8 André Guerra Cotta (PURO-UFF, Rio de Janeiro) CEP 70.910-000, Brasília, DF Fausto Borém (UFMG, Belo Horizonte) e-mail: [email protected] Heloísa Duarte Valente (MusiMidi, São Paulo) Telefone: (61) 3107-1113 Luciana Del Ben (UFRGS, Porto Alegre) Magda Clímaco (UFG, Goiás) Márcia Taborda (UFRJ, Rio de Janeiro) Mônica Vermes (UFES, Espírito Santo) . .. Todos os direitos reservados. Nenhuma parte desta publicação poderá ser armazenada ou reproduzida por qualquer meio sem a autorização por escrito da Editora. Ficha catalográ�ca elaborada pela Biblioteca Central da Universidade de Brasília para efeito de citação. MÚSICA EM CONTEXTO – Ano IX, volume 1, outubro de 2015 Brasília: Programa de Pós-Graduação Música em Contexto, Mestrado UnB, 2015. Anual ISSN 1980-5802 1. Música: periódicos; 2. Universidade de Brasília. Instituto de Artes. Programa de Pós-Graduação em Música. CDU 78(05) Sumário EDITORIAL Beatriz Magalhães Castro 5 ARTIGOS CIENTÍFICOS Reframing and reshaping Greek music history Alexandros Charkiolakis 9 Sound, reproduction, mysticism: Thomas Edison and the mithology of the phonograph Reuben de Lautour 23 . The spiritualiste connection: stylistic affinity and structural homology between Bergson and Debussy Jane Ellen Harrison 55 Mono- versus poly-genesis of music cosmologies in Amazonia and New Guinea Robert F. Reigle 89 Stravinsky as Scholar: Early Music and the American Works Paul Whitehead 117 Exploring an unknown musical world: the case of the Greek Songs Collection at the Digital Greek Music Archive (DIGMA) Valia Vraka Alexandros Charkiolakis 157 A música: sua representação e recuperação sob o foco da ciência da informação Juliana Rocha de Faria Silva Fernando William Cruz Lillian Maria Araújo de Rezende Alvares 175 Limites e desa�os na representação da informação musical no âmbito do Répertoire International des Sources Musicales (RISM) Pablo Sotuyo Blanco 221 Histórico e tratamento de acervos musicais na Biblioteca Nacional Luciana Grings 237 SOBRE OS AUTORES 257 . EDITORIAL Beatriz Magalhães Castro Neste número da Revista Música em Contexto convidamos para a leitura dos textos aqui publicados, resultados de colaborações, de uma parte, com o Centro para !studos "vançados em Música #r$ !rol %çer &M'"M( )liado * +niversidade ,-cnica de 'stanbul &',%( e, de outra, com a seção brasileira da "ssociação Brasileira de Bibliotecas, "rquivos e Centros de #ocumentação em Música &'"M./"IBM0Brasil($ " colaboração com o centro de 'stanbul surgiu no contexto do interesse con1unto em 2omentar o interc3mbio entre nossas instituições estendendo a sua abrangência a pa5ses externos aos eixos tradicionais da !uropa e !stados +nidos da "m-rica$ "lexandros Char6iola6is aborda questões historiogr7)cas sobre a música grega a partir do acesso a repositórios digitais recentes e o impacto sobre a compreensão musicológica entre centro/peri2eria, remodelando e recon)gurando perspectivas anteriores sobre a história da música na 9r-cia$ Reuben de .autour aborda as especulações que surgiram sobre o impacto do 2onógra2o inclusive nos escritos de ,homas !dison, revelando uma retórica mitológica e m5tica em gram7ticas mais profundas de uma mitopoeses, um tipo de mitologia 2abricada com intuito de construir uma agenda cultural utópica$ Jane !llen ;arrison oferece um estudo sobre as conexões entre Claude #ebuss< e o )lósofo ;enri Bergson no contexto do movimento espiritualista$ =ua an7lise utiliza a teoria do campo de Bourdieu e nos revela o alto capital simbólico de ambos expondo as a)nidades estil5sticas e estruturais observadas nas suas obras$ 6 Beatriz Magalhães Castro, !ditorial, Música em Contexto, Bras5lia N>$ ? &@A?B(C B0D Robert E$ Reigle rediscute similaridades entre a cultura amazônica &!nauene0Naue( e da Nova 9uin- &Nekeni( nas trans2ormações da voz humana na voz de espíritos por meio de instrumentos musicais, pr7tica relativamente rara segundo o autor$ #iscute assim o conceito de mono ou poli gênesis e os campos do relativismo cultural, dos universais e dos estudos evolucionistas para evidenciar a import3ncia de estudos comparados em etnomusicologia$ Gaul Hhitehead aborda aspecto pouco explorado do compositor Igor =travins6<, qual se1a, as 2ontes que subsidiaram o seu interesse como estudioso da música antiga que o terão inIuenciado na sua adoção do neoclassicismo mesmo antes de emigrar para .os "ngeles &!+"( em ?JKJ$ Gublicamos ainda resultados da colaboração com a seção brasileira da "ssociação Brasileira de Bibliotecas, "rquivos e Centros de #ocumentação em Música &'"M./"IBM0Brasil( e com grupos de repertórios internacionais como o Repertório Internacional de Eontes Musicais &R'=M(, estabelecendo di7logo direto e prof5cuo com a 7rea da Ci4ncia da In2ormação aplicada * música na preservação, estudo e di2usão de 2ontes musicais$ Lalia Lra6a e "lexandros Char6iola6is exploram os avanços da digitalização nos arquivos Biblioteca de Música da 9r-cia .ilian Loudouri, especialmente uma coleção de canções gregas de autoria de compositores ditos peri2-ricos como Mok6inos, Mantzaros, Maisaris, Marantzas, =pinellis, ,sitsanis, =ou<oul e ,heodora6is$ Os autores discutem a import3ncia e o signi)cado desta coleção para a vida musical e a história da música grega$ Juliana Rocha de Earia =ilva, Eernando Hilliam Cruz e .illian Maria "raú1o de Rezende "lvares discorrem sobre a representação e recuperação da in2ormação musical sob a perspectiva de "lexander Revista do Grograma de G8s09raduação em Música da +niversidade de Bras5lia "no 'O, volume ? &outubro de @A?B( Beatriz Magalhães Castro, !ditorial, Música em Contexto, Bras5lia N>$ ? &@A?B(C B0D 7 Mclane &?JJP( e :$ =tephen #oQnie &@AAK($ N trabalho recebeu premiação como melhor trabalho apresentado no Io Congresso Brasileiro de Gesquisa e =istemas de In2ormação em Música &'"M./"'BM0Brasil(, realizado em @A?K na +niversidade de Bras5lia$ Gablo =otu<o Blanco discute a notação musical no campo da representação da in2ormação musical com 2oco sobre o seu tratamento na base R'=M, discutindo como novas notações, especialmente aquelas geradas a partir do s-culo OO, podem ser abordadas e inclu5das a partir da renovação de códigos in2ormacionais$ Gor )m, .uciana 9rings nos relata sobre o histórico e a situação da #ivisão de Música e "rquivo =onoro &#IM"=( da Eundação Biblioteca Nacional, considerado como o maior centro de documentação musical da "m-rica .atina, reportando sobre os seus desa)os atuais$ !ste número nos oferece assim um amplo espectro das abordagens e campos da musicologia contempor3nea expandindo 2ronteiras mas convergindo em problem7ticas comuns$ !sta convergência surge nas 2ormas de construção de objetos de estudo e propostas de narrativas historiogr7)cas signi)cativas a pa5ses tradicionalmente não alinhados aos principais eixos de produção de conhecimento musicológico$ #ese1amos a todos uma ótima leitura$ Revista do Grograma de G8s09raduação em Música da +niversidade de Bras5lia "no 'O, volume ? &outubro de @A?B( REFRAMING AND RESHAPING GREEK MUSIC HISTORY Alexandros Charkiolakis Dr. Erol Ücer Center for Advanced Studies in Music (MIAM) Istanbul Technical niversit! (ITÜ) a.charkiolakis"#$ail.com Abstract% Di#iti&ation 'rojects across cultural sectors have revealed and #ave the o''ortunit! for researchers to sha'e and refocus their )ork around ne) 'ers'ectives. This $eant that $an! ne) resources have been $ade available* sources that )ere not even )ithin the sco'e of researchers. This has been also valid for $usicolo#ists. Throu#h these ne) resources that )ere $ade available not onl! locall! but #loball!* $usicolo#ists #ained access into ne) archival re'ositories that )ere based far a)a! or the! )ere unkno)n. +ut these 'ractices had another i$$ediate e,ect and that )as the i$'act that the! could have to the understanding of $usic histor! in full. This is even $ore visible )hen so$eone is )orking )ith subjects that are set on the 'eri'her! and so$eho) a)a! fro$ the center of the established scholarshi'. Therefore* in this article I )ill be focusing on ho) the understanding of -reek $usic histor! has been a,ected and resha'ed due to the ongoing revelation and
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