Connecticut College Alumni Magazine, Summer 1990

Total Page:16

File Type:pdf, Size:1020Kb

Connecticut College Alumni Magazine, Summer 1990 Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Summer 1990 Connecticut College Alumni Magazine, Summer 1990 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Summer 1990" (1990). Alumni News. 253. https://digitalcommons.conncoll.edu/alumnews/253 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. CONNECTICUT COLLEGE ALUMNI ASSOCIATION Join us on our forthcoming Alumni Cruise of the Nile specially arranged by SWAN HELLENIC Educational Tours since 1955 March 2 - 19, 1991 Only the Nile can claim to have shaped life to such an overwhelming degree. or to have provided such a focus for the birth of a civilization which proved to be one of the greatest the world has ever seen. This cruise will be far more than an exceptionally pleasant and relaxing holiday: it is a way of reaching to the heart of ancient Egypt. Aboard the SWAN HELLENIC 'Nile Star' you will cruise in comfort to the awe-inspiring sites along the banks of the Nile, learning about each from our scholar/escort and local guide. There is so much to see, absorb, learn - and simply enjoy - and the itineraries are carefully planned to provide a welcome balance between cruising, sight- seeing and free time. Following each escorted visit, at most sites there will be time to linger or explore on your own. At other stops there may be a half day or so with nothing planned, leaving you free to relax on board, go shopping, or wander around the local town. To help everyone gain a greater appreciation of this remarkable area, informative but informal talks are given on board by one of the scholar/escorts. They are specially chosen experts with a most important talent, that of being able to blow away the dust of ages and recreate in vivid detail the life and times of those whose tombs, cities, monuments and treasures you will have joined us to see. TOTAL COST $4,955.00 1----------------1 To assure your participation, please mail your deposit I of $500.00 per person to I Director I Alumni Programs I Connecticut College I New London, CT 06320 I NAME _ I I ADDRESS _ I I I I TELEPHONE I L ~ Editorial Staff The Editor: Caroline Crosson '82 Assistant Editor: Elizabeth Coombs Connecticut Class Notes Editor: Mary H. Farrar Designer: William Van Saun Colleae Editorial Board Alumni Helen Haase Johnson '66 Mag::xzine Benjamin O. Sperry '79 Julia van Roden '82 Kristi Vaughan '75 VOLUME 67, No.4, Summer 1990 Caroline Crosson '82, ex officio Alumni in Hollywood page 2 Kristin Stahlschmidt Lambert '69, ex officio Helen Reynolds '68, ex officio From New London to Hollywood The Connecticut College Alumni Magazine (USPS by Katharine Canfield '84 2 129-140). Official publication of the Connecticut College Alumni Association. All publication rights reserved. Contents reprinted only by permission of the editor. Published by the Connecticut College Reunion 1990 7 Alumni Association at Sykes Alumni Center, Con- necticut College, New London, CT, four times a year in winter, spring, summer, fall. Second class postage paid at New London, CT 06320. A Day in the Life of Postmaster: Send address changes to Connecticut a Summer Intern 10 College Alunmi Association, 270 Mohegan A venue, by Graham Burnett Connecticut College, New London, CT 06320, Reunion 1990 page 7 CASE member. Alumni Association Executive Board HelenReynolds '68, President; Laurie Norton Moffatt Round and About/ '78,VicePresident; SoniaCausGleason '85, Secretary; Campus News and Events 12 Leslie Margolin '77, Treasurer; HeleneZimmer-Loew '57, Warren T. Erickson '74, and Elizabeth McLane McKinney '52, Alumni Trustees. David H. Gleason '83, Jane Silverstein Root '60, and Prudence Regan National Newsmakers 14 Hallannan'78,Directors. Committee Chairmen: Louise Stevenson Andersen '41 (Nominating), Virginia Bergquist Landry '70 (Classes and Reunions), Susan CohnDoran '67 (Alumni Giving), Leslie Margolin '77 Class Notes 15 (Finance), Gregg M. Breen '85 (Clubs), David H. Gleason '83(Programs), KevonCopeland '76 (Minor- ity Affairs), Samuel E. Bonum '89 (Under-Graduate/ Young Alumni) and DanieUe Dana Srrickman '66 Summer Internship page 10 In Memoriam 15 (Accessibility). Ex Officio: Caroline Crosson '82, Alumni Publications Editor; Kristin Stahlschmidt Lambert '69; Executive Director; Bridget M. Bernard, Director/Alumni Administration. President's Page 37 Alumni Office Staff Bridget M. Bernard, Director/Alumni Administra- tion; AnneA. Chappell, Administrative Assistant to Director/Alumni Administration; Carol Geluso, Administrative Assistant to Director/Alumni Pro- grams and Headline Writer; Lori Ann Craska, Ad- ministrative Assistant to Executive Director. One ofthe aims of the Connecticut College Alumni Magazine is to publish thought-provoking articles, even though they may be controversial. Ideas ex- Earth Day page 12 pressed in the magazine are those of the authors and r-------------------, do not necessarily reflect the official position of the Alumni Association or the college. Your thoughts and comments are welcomed, as are your unset icired manuscripts, although we cannot guarantee publi- cation and reserve the right to edit all copy. Commu- nications to any of the above may be addressed in care ofthe Alumni Office, Connecticut College, 270 Mohegan Avenue, New London, CT 06320. (203) Minority Celebration page 9 447-7525. Production by Laser Graphics, New Haven, CT. '1 Priming by Wm. J. Mack Printing Company, North L --J Front cover illustration Haven, CT. New Alumni Center page 13 by Camille Van Saun Summer 1990 FROM NEW LONDON TO... By KATHARINE CANFIELD '84 There are really only two places in the country where people who are serious about getting ahead in :~-:. the entertainment field can expect to find much work: ..~. New York and Los Angeles. While the Big Apple is the hot spotfor theater people, Los Angeles is where most television,feature films, and music are being produced. Since Connecticut College students, par- ticularly in the past, have come primarily from the East, you don't expect to run into many California Cappy Cagan '66 alumni. The ones who have ventured west, however, are certainly making an impact. While these mod- a degree in philosophy (while raising two ern-day frontierspeople have gone west for all sorts young children) at New York's Hunter College. She moved to Los Angeles in of reasons, perhaps the most prevalent thing that the mid-70s and in 1978 graduated from UCLA with a law degree. She then brings former Camels to LA is the want for work in worked in various aspects of law (real the entertainment industry. The following are short estate, entertainment, private practice), before joining 20th Century Fox in 1987. profiles of some of the alumni who have found fame, Her work there, she says, "is lots offun." fortune, and usually a whole lot more, in Hollywood. * SARAH RY AN BLACK '65 As Senior Vice President for Act HI Productions (Norman Lear's production * CAROL (CAPPY) Although Cagan only spent a year at company), Sarah Ryan Black '65 takes PLATT CAGAN '66 Connecticut College - she left at the end of stories in their early stages and works her freshman year to get married and move with writers to develop workable screen- Cappy Platt Cagan '66 sees a side of Holly- to New York - she says she wished she plays. Black has a vital role in the writ- wood most people don't associate with the could have spent all four years at Conn. ing process - one that has both rewards area's glitz, glamour, and creativity. A law- During her time there, she was particularly and difficulties. "I'm paid to read, paid yer and vice president of business affairs at struck by her (then, all-female) classmates' to think, paid to talk to people 1 really 20th Century Fox Studios, Cagan negotiates motivation, intelligence, and independence. like," she says. "But it's also frustrating. agreements between Fox and its employees: "When I read about what these women The collaborative process of film is both actors, writers, directors, and the like. are doing, I feel so proud to be connected its plus and its minus." Briefly put, "I spend the company's with the place." Black's career in Hollywood began a money," she says. After leaving Connecticut, Cagan got little over a decade ago, when she moved .- .' :.;. 2 Connecticut College Alumni Magazine .;.. D'Onofrio, the story of a love triangle in over 40," Stephens said. Because of that, Little Havana, Miami; and The Butcher's she said she sometimes tells people she Wife, a light romantic comedy with Meg graduated from Conn in '69 or '71. ''I'm Ryan. everybody's classmate," she laughs. Yet After graduating as a history major from even though she sees the limits of Holly- Connecticut, Nicita spent four years teach- wood, Stephens "absolutely" wants to keep ing creative writing to junior high school on acting. students in the Bedford-Stuyvesant section of New York. ("The streets were on fire * SHELLEY SMITH '69 then," she says.) Her work at Bed-Sruy was very moving and touching, she says, be- "It seems as though every decade I cause in put her in touch with real suffering change careers," says Shelley Smith '69. and pain. After graduation as an art history major, When Nicita left teaching in 1971, she Smith launched a successful modeling ca- joined the company of New York casting reer - so successful, in fact, that anyone director Marion Dougherty with whom she who came of age in or before the '70s Sarah Ryan Black '65 worked for six years.
Recommended publications
  • 01:00:01 GFX Center Nickelodeon the Naked Brothers Band . 01:00
    SHOW: (Job Name) Version: (Tape ID) PRODUCER: (Client Name) TIMECODE VISUALS AUDIO 01:00:01 GFX Center . Nickelodeon The Naked Brothers Band 01:00:03 Alex dancing around room and Alex <singing>: Milk is fun. It’s sippy and peppy. singing. Yip, yip, yippy. Drink milk and be a wild, happy guy like me. Whee hee! Hi. This is the song the milk Alex sitting on couch talking to people want me to sing so I can advertise my new I camera. Love Milk clothing line. I sing this song so people will remember to drink milk and while they’re drinking milk, they’ll remember to wear my clothes. Mm. But I don’t think the song captures 01:00:30 Alex takes drink of milk from the loveliness of the milk. Milk isn’t peppy or yippy; carton. milk is cozy as golden light. And they grow it from the fresh red and white cartons. But the clothes are awesome though, red, white and blue, do-rag, my colors. And check it out, a cow on the logo. Moo. And each has a bubble. Milk is a warm puppy, milk is my best friend, milk makes my 01:01:00 Alex points to various clothing tummy feel warm and cozy, milk is the bomb. And items. look, Alex Wolff socks tied just the way I like ‘em. Oh yeah, baby. Nat enters room, sits on couch and Nat: Alex where have you been? We need to talks to Alex. rehearse. Alex: Can’t you see I’m in the middle of important business? Nat: You’re eight.
    [Show full text]
  • 2010-2011 Newsletter
    Newsletter WILLIAMS G RADUATE PROGRAM IN THE HISTORY OF A RT OFFERED IN COLLABORATION WITH THE CLARK ACADEMIC YEAR 2010–11 Newsletter ••••• 1 1 CLASS OF 1955 MEMORIAL PROFESSOR OF ART MARC GOTLIEB Letter from the Director Greetings from Williamstown! Our New features of the program this past year include an alumni now number well over 400 internship for a Williams graduate student at the High Mu- going back nearly 40 years, and we seum of Art. Many thanks to Michael Shapiro, Philip Verre, hope this newsletter both brings and all the High staff for partnering with us in what promises back memories and informs you to serve as a key plank in our effort to expand opportuni- of our recent efforts to keep the ties for our graduate students in the years to come. We had a thrilling study-trip to Greece last January with the kind program academically healthy and participation of Elizabeth McGowan; coming up we will be indeed second to none. To our substantial community of alumni heading to Paris, Rome, and Naples. An ambitious trajectory we must add the astonishingly rich constellation of art histori- to be sure, and in Rome and Naples in particular we will be ans, conservators, and professionals in related fields that, for a exploring 16th- and 17th-century art—and perhaps some brief period, a summer, or on a permanent basis, make William- sense of Rome from a 19th-century point of view, if I am al- stown and its vicinity their home. The atmosphere we cultivate is lowed to have my way.
    [Show full text]
  • THE WILLIAMS ALUMNI REVIEW Published by Williams College, Williamstown, Mass., Five Times a Year: October, December, February, M Ay and July
    THE WILLIAMS ALUMNI REVIEW Published by Williams College, Williamstown, Mass., five times a year: October, December, February, M ay and July. Entered at the Post Office in Williamstown, Mass., as second- class matter under the Act of Congress, August 2 i, 1912. WILLIAMS ALUM WILLIAMSTOWN, MASSACHUSETTS VOLUME XXIX JULY, 1937 _______ NUMBER 5 T he 143rd C ommencement he also includes a vividly written panorama of world events by Fred E. Linder, class HE 143rd Commencement marked president. There is a foreword by Presi­ the passing of an epoch in Wil­ dent-emeritus Harry A. Garfield, and a Tliams history. Nineteen thirty-seven, last study of changing trends on the campus of the classes to enter college with four by Dr. E. Herbert Botsford ’82, former years of preparation in Latin, the only alumni secretary, as well as individual group to attend under both the Garfield biographies and portraits. and Dennett administrations, and the last In Williamstown, 1912 sponsored an to go out before the introduction of com­ elaborate program which included a prehensive examinations, the degree with buffet luncheon for the administration and honors, and other curricular innovations, faculty at the .Williams Inn. At their received its diplomas from President Den­ headquarters on Hoxsey Street, they re­ nett in his office in Hopkins Hall, at the ceived numerous guests from other reun- close of the exercises on Monday, June 21. ing classes. For the occasion some 800 alumni, un­ mindful of grim skies and occasional The college awarded 145 Bachelor of showers, returned to Williamstown to par­ Arts and eight honorary degrees, announc­ ticipate in the gaiety.
    [Show full text]
  • October, 1937
    tiffin Hall OCTOBER, 1937 1937 Fall Athletic Schedule 1937 V arsity Football V arsity Soccer Sept. 25 Middlebury Home Oct. 9 Dartmouth Home Oct. 2 Columbia Away 13 Yale Away 9 Univ. of Vermont Away 23 Brown Away 16 Bowdoin Home 27 Army Away 23 Tufts Away 30 Union Home 30 Hamilton Home Nov. 6 Wesleyan Away Nov. 6 Wesleyan Away 13 Amherst Home 13 Amherst Home Freshman Football V arsity Cross Country Oct. 16 Middlebury Home Oct. 16 Union Home 23 Milford School Home 23 Middlebury Away 30 Union Home 30 Colgate Home Nov. 6 Wesleyan Away Nov. 6 Univ. of Vermdht Away 13 Amherst Home 13 Little Three Home Freshman Soccer Freshman Cross Country Oct. 16 Deerfield Away 23 Williston Home Oct. 30 Union Home Nov. 6 Wesleyan Away Nov. 6 R. P. I. Home 13 Amherst Home 13 Little Three Home Published by Williams College, Williamstown, Mass., five times a year: October, December, February, M ay, aud July. Entered at the Post Office in Williamstown, Mass., as second class matter under the Act of Congress, August 2b, 1912, o J ames Phinney Baxter, 3rd Class of 1914 President of Williams College WILLIAMS ALUMNI WILLIAMSTO WN, MASSACHUSETTS VOLUME X X X OCTOBER, 1937 NUMBER 1 P r e s i d e n t B a x t e r president as one who sympathetically, Greeting from the Society of Alumni understandingly, takes pride in those alumni accomplishments that add lustre “ The shortest and surest way to live to Williams and justify her teaching and with honor in the world is to be in care.
    [Show full text]
  • Fanboys-Production-Notes.Pdf
    International Production Notes SYNOPSIS Set in 1998, the film, starring Jay Baruchel (KNOCKED UP, MILLION DOLLAR BABY), Tony Award Winner Dan Fogler (KUNG FU PANDA, “The 25th Annual Putnam County Spelling Bee”), Sam Huntington (SUPERMAN RETURNS, NOT ANOTHER TEEN MOVIE), Chris Marquette (THE GIRL NEXT DOOR, ANOTHER WORLD), and Kristen Bell (FORGETTING SARAH MARSHALL, PULSE) is a heart-warming comedy that follows a group of young, passionate STAR WARS fans on a cross-country quest to break into George Lucas’ Skywalker Ranch and watch STAR WARS: EPISODE 1- THE PHANTOM MENACE, before it’s released. FANBOYS is a production of Trigger Street Productions and Picture Machine. The film is directed by Kyle Newman and produced by Kevin Spacey, Dana Brunetti, Evan Astrowsky and Matthew Perniciaro. The screenplay is written by Adam F. Goldberg and Ernest Cline from a story by Ernest Cline and Dan Pulick. Kevin Mann served as executive producer. 2 CAST Eric SAM HUNTINGTON Linus CHRISTOPHER MARQUETTE Hutch DAN FOGLER Windows JAY BARUCHEL Zoe KRISTEN BELL FILMMAKERS Directed by KYLE NEWMAN Screenplay ERNEST CLINE and ADAM F. GOLDBERG Story by ERNEST CLINE and DAN PULICK Produced by DANA BRUNETTI KEVIN SPACEY MATTHEW PERNICIARO EVAN ASTROWSKY Executive Producer KEVIN MANN 3 FANBOYS About the Cast SAM HUNTINGTON / Eric Sam Huntington has appeared on screen, television and stage. His film credits include, SUPERMAN RETURNS, NOT ANOTHER TEEN MOVIE, DETROIT ROCK CITY and can be seen in the upcoming TUG. On television, he has appeared in featured roles on LAW & ORDER, CSI: Miami, CSI: NY, and VERONICA MARS. Huntington appears on stage with The Peterborough Players in “The Nerd,” “Waiting for Godot” and “To Kill A Mockingbird.” While with the Black Box Theatre Company he appeared in “The New Kid,” “Gifts,” “The Guest Speaker” and “Not The King.” CHRIS MARQUETTE / Linus Possessing the rare ability to thoroughly embody each character he portrays, Chris Marquette’s intensity on screen, good looks and charm warrants him as one of the most gifted actors of his generation.
    [Show full text]
  • Picturing Land and Water Staff and Audience.” His Team Has a Wide Variety of Reporting Over a 30-Year Period, Linda Adele and Storytelling Technologies Available, Too
    ALUMNI GAZETTE which focused on terrorist political theo- ry, became pertinent to what everyone was covering,” he says. “Everyone” included Evans, who cov- ered the aftermath of the attacks, and would go on to cover other major stories, such as the “7/7” bombings in Central Lon- don and Hurricane Katrina, both in 2005. He was developing as a journalist, some- thing he credits to good mentorship. Among his mentors was CNN anchor Anderson Cooper, whom Evans respect- fully dubs one of the “drill sergeants in my journalist’s boot camp.” In 2006, Evans moved to Baghdad to cov- er the war in Iraq as a field producer. He spent the next five years living in the city—as opposed to the Green Zone, the center of the city’s international presence—and working with correspondent Michael Ware and doz- ens of Iraqis. He was regularly embedded with coalition forces. “You have to be will- ing to take professional risks and leave your comfort zone,” he says. “I think my career has benefited greatly from this mentality.” Today Evans is vice president and the London bureau chief at CNN Internation- al, which broadcasts news abroad while also supplying international content for CNN’s domestic outlets. He oversees the award-winning news operations across Eu- rope, the Middle East, and Africa. WATER & lAND: As a Fulbright Scholar in India, Goodine will use photography and other media “My newsroom is like a little United Na- to explore the tension between modern land and water use and ancient traditions. tions. There are people from everywhere THE ARTS and they speak something like 40 languag- es,” he says.
    [Show full text]
  • Jazz Musician Michael Wolff Interviewer: the Impact of TS Differs from Person to Person
    TSA FAMILY PORTRAIT Jazz Musician Michael Wolff Interviewer: The impact of TS differs from person to person. Tell us how it affected your life. M.W.: It’s created this whole movie (The Tic Code) that my wife wrote because I have Tourette, and that’s been pretty interesting for me. As a kid, I didn’t even know I had TS. I just thought it was my “habits.” There wasn’t a big diagnosis thirty years ago. (In that way) It was difficult for me. I’m lucky I have it very mildly, I just have some motor and vocal tics. It never really interfered with school work or concentration, anything functional. I was able to do well (in school) and I always had a lot of friends. It did make me self-conscious. Even though I’m very outgoing, I always had an inner feeling of self-consciousness. I spent a lot of energy, unconsciously as well as consciously, trying to hide it and pretend it was something else. I could never be cool and invulnerable but I told Jeffrey Kramer’s kids that Tourette guys get the chicks because they think you’re really vulnerable. You always do really well (with women). I didn’t get a real diagnosis, until a few years ago. I kind of figured out what I had in the mid-eighties. I was about thirty, a friend of mine who had two boys with Tourette Michael Wolff, Jazz Musician Teti Bloom said, “You have Tourette.” And I said, “No I don’t.” She gave me a book to read and I recognized myself.
    [Show full text]
  • Trinity College Bulletin, February 1954
    Trinity College Trinity College Digital Repository Trinity College Bulletins and Catalogues (1824 - Trinity Publications (Newspapers, Yearbooks, present) Catalogs, etc.) 2-1-1954 Trinity College Bulletin, February 1954 Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/bulletin Recommended Citation Trinity College, "Trinity College Bulletin, February 1954" (1954). Trinity College Bulletins and Catalogues (1824 - present). 214. https://digitalrepository.trincoll.edu/bulletin/214 This Book is brought to you for free and open access by the Trinity Publications (Newspapers, Yearbooks, Catalogs, etc.) at Trinity College Digital Repository. It has been accepted for inclusion in Trinity College Bulletins and Catalogues (1824 - present) by an authorized administrator of Trinity College Digital Repository. U. S. POSTAGE lcPAID Hartford, Conn. TRINITY Permit No. 1378 COLLEGE Published monthly by Trinity College, except January and June. Entered January 12, 1904, at Hartford, Conn. as second class matter, under the Act of Congress of July 16, 1894. Accepted for mailing at special rate of postage provided for in section 1103, Act of October S, 1917, authorized ·March 3, 1919. ALUMNI NEWS ISSUE-Hartford, Conn. Vol. LI New Series No. 1 - February, 1954 BULLETIN ~----------~----------------------------------~' A FEBRUARY MESSAGE Jacobs Says From the Alumni President Free Speech W es, Jeffs Among Six Toppled Did you ever pause to reflect on what life might have been like if you had chanced to have been a contemporary of Abraham Lincoln? Picture yourself as Issue Vital By Surprising Basketball Squad one of a long succession of brothers and sisters reared and schooled in the hard manner by parents who struggled to eke out a frugal existence for all the family Behind headlined charges and sensa­ tional distortions of the issue, leading A hard-fighting basketball team soundly from a few acres of farm land.
    [Show full text]
  • KAREN RADZIKOWSKI 1St Assistant Director
    KAREN RADZIKOWSKI st 1 Assistant Director Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. BILLIONS (seasons 5-6) Various Showtime EP: Brian Koppelman, David Levien, Andrew Ross Sorkin COLIN IN BLACK & WHITE (season 1) Ava DuVernay Netflix NY Unit EP: Ava DuVernay, Colin Kaepernick / Prod: Lyn Pinezich FBI: MOST WANTED (season 1) Various CBS / Universal Television EP: Dick Wolf, Arthur Forney, Peter Jankowski / Prod: Tom Sellitti ALTERNATINO (season 1) Various Comedy Central / Avalon Television EP: Jay Martel, Arturo Castro / Prod: Ayesha Rokadia AT HOME WITH AMY SEDARIS (seasons 1-2) Various truTV / A24 2018 + 2019 Emmy Nomination: Outstanding Variety/Sketch Series EP: Paul Dinello, Vernon Chatman, John Lee / Prod: Inman Young GOATFACE (variety/sketch) Asif Ali Comedy Central Cast: Hasan Minhaj EP: Asif Ali, Fahim Anwar / Prod: Steve Ast MARVEL’S IRON FIST (season 2) Various Netflix / Marvel Studios ep. 213 | tandem unit: ep. 204, 206 | 2nd unit: ep. 207 EP: Jim Chory, Dan Buckley / Prod: Lyn Pinezich RAMY (pilot presentation) Harry Bradbeer Hulu / A24 World Premiere: SXSW Film Festival EP: Jerrod Carmichael, John Hodges, Ravi Nandan Prod: Jamin O’Brien THE BREAKS (season 1) Various VH1 / Atlantic Pictures EP: Susan Levison, Bill Flanagan / Prod: Gary Giudice BALLERS (seasons 1-2) Simon Cellan Jones HBO EP: Dennis Biggs / Prod: Karyn McCarthy BURN NOTICE (2nd unit) Artie Malesci USA / Fox Television Studios EP: Terry Miller MAGIC CITY (season 1) Various Starz / Media Talent Group EP: Mitch Glazer, Ed Bianchi UNITED STATES OF TARA (season 3) Various Showtime / Dreamworks Television EP: Craig Zisk, Brett Baer, Dave Finkel / Prod: Dan Kaplow MAD MEN (2nd unit, season 4) Various AMC / Lionsgate Television EP: Matthew Weiner, Scott Hornbacher WARREN THE APE (season 1) Various MTV / MTV Productions EP: Kevin Chinoy GREG THE BUNNY (season 1) Various Fox / 20th Century Fox Television EP: Kevin Chinoy Features PROJECT DIRECTOR STUDIO / PRODUCTION CO.
    [Show full text]
  • Fixers and Foreign Correspondents: News Production and Autonomy
    Fixers and foreign correspondents: news production and autonomy Murrell, Colleen. 2009. Fixers and foreign correspondents: news production and autonomy, Australian Journalism Review, vol. 31, no. 1, pp. 5-17. ©2009, Journalism Education Association Reproduced with permission. Downloaded from DRO: http://hdl.handle.net/10536/DRO/DU:30016714 DRO Deakin Research Online, Deakin University’s Research Repository Deakin University CRICOS Provider Code: 00113B Fixers and foreign correspondents: news production and autonolt1.y Colleen Murrell Abstract The television foreign correspondent s licence to roam and generate news is increasingly under threat. This paper concentrates on the micro production processes of today s correspondent as he or she goes about thejob ofnews gathering "on the road", and considers the changing na­ ture ofthe correspondent s autonomy. It inserts the missing character in foreign newsgathering - the locally hired fixer - and explores how this person affects the correspondents autonomy. An analysis of interviews with 20 foreign correspondents and five fixers leads to the conclusion that the foreign correspondent is rarely the sole editorial figure on the road but is instead the main actor representing the creative interplay of a succession offixers or "local producers". This deconstruction of the ways in which a correspondent builds an ad-hoc newsgathering team each time he or she lands in a new place allows for a deeper under­ standing ofthe modus operandi ofreporters. Introduction When it comes to sharing the credit, I think that it is one of the high crimes in journalism, for western and non-western producers and fixers and translators to not share the credit. Because obviously with foreign correspondency and also with television, it is team work, it is not a single individual.
    [Show full text]
  • Only the Dead
    SCREEN AUSTRALIA PRESENTS IN ASSOCIATION WITH SCREEN QUEENSLAND AND FOXTEL A PENANCE FILMS / WOLFHOUND PICTURES PRODUCTION ONLY THE DEAD PRODUCTION NOTES Running time: 77:11 ONLY THE DEAD Directed by BILL GUTTENTAG and MICHAEL WARE Written by MICHAEL WARE Produced by PATRICK MCDONALD Produced by MICHAEL WARE Executive Producer JUSTINE A. ROSENTHAL Editor JANE MORAN Music by MICHAEL YEZERSKI Associate Producer ANDREW MACDONALD • SCREEN AUSTRALIA /PRESENTS A PENANCE FILMS / WOLFHOUND PICTURES PRODUCTION IN ASSOCIATION WITH SCREEN QUEENSLAND AND FOXTEL ONLY THE DEAD One Line Synopsis What happens when one of the most feared, most hated terrorists on the planet chooses you—personally—to reveal his arrival on the global stage? All in the midst of the American war in Iraq? Short Synopsis Theatrical feature documentary Only the Dead is the story of what happens when one ordinary man, an Australian journalist transplanted into the Middle East by the reverberations of 9/11, butts into history. It is a journey that courses through the deepest recesses of the Iraq war, revealing a darkness lurking in his own heart. A darkness that he never knew was there. The invasion of Iraq has ended, and the Americans are celebrating victory. The year is 2003. The international press corps revel in the Baghdad “Summer of Love”, there is barely a spare hotel room in the entire city. Reporters of all nationalities scramble for stories; of the abuses of Saddam’s fallen regime; of WMD’s, of reconstruction, of liberation. There are pool parties, and restaurant outings, and dinner-party circuits. Occasionally, Coalition forces are attacked, but always elsewhere, somewhere in the background.
    [Show full text]
  • Events Events at the Penn CLUB
    hapPENNingsFebruary 2010 THE PENN CLUB OF NEW YORK Pre-Valentine’s Day Dinner | Friday, February 12th. Bring ❖ Roasted Rack of Colorado Lamb; Celeri that special someone to the Mousseline, Swiss Chard and Lamb Jus Penn Club where Valentine’s ❖ Seared Natural Filet Day is a night to remember. Mignon and Braised You’ll enjoy romantic music Short Rib; Black Truffle from our Piano Man, first rate service from our able Whipped Potatoes In This staff, top quality cuisine from Chef Smoor, beautiful Caramelized Cippolini décor, and champagne. Menu as follows: Onions 2 General Manager’s Corner Issue APPETIZERS: ❖ Roasted Vegetable Tarte 3 Social Media 103 ❖ Tartar of Yellow Fin Tuna with Miso; Daikon and with wilted Organic Mizuna Salad Arugula 3 Rock Step Dance Instruction ❖ Wild Mushroom Stew with Homemade Gnocci DESSERT: 6 Pink Slip Tuesday ❖ Lobster and Crab Cocktail; European Cocktail Sauce ❖ Valentines Chocolate Heart 6 Intra Clubs ❖ Oxtail Consomme with Foie Gras Flan ❖ Chocolate Dipped Strawberries and Petit Fours 7 Wine Dinner ENTREES: Reserve your preferred seating time: 6:00, 7:00, or 8:00 ❖ Pan Roasted Halibut Fillet; Roasted Winter p.m. $70.00 per person, plus tax and service charge 7 Class Happy Hours Vegetables and Port Wine Sauce includes glass of champagne. 7 Penn Basketball HapPENNings Calendar All Ivy Progressive provided in RSVP for name tags and seating purposes. $65 plus tax and service charge per member and Networking Dinner | $70 plus tax and service charge per non-member by ARTICLE Wednesday, February 3rd, 6:30 p.m. In February 1st at noon (No late reservations) includes See at a glance what each three course buffet and facilitated networking.
    [Show full text]