Vocal Group I Required Lists 2020-21
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Food of Love Folio Manhattan
Join us for Cerddorion’s 20th Anniversary Season! Our twentieth season launches Friday, November 14 at St. Paul’s Episcopal Church in Carroll ERDDORION Gardens, Brooklyn. Our Manhattan concert date will be finalized soon. In March 2015, we will mark our 20th anniversary with a special concert, including the winners VOCAL ENSEMBLE of our third Emerging Composers Competition. The season will conclude with our third concert C late in the spring. Be sure to check www.Cerddorion.org for up-to-date information, and keep an eye out for James John word of our special anniversary gala in the spring! Artistic Director !!! P RESENTS Support Cerddorion Ticket sales cover only a small portion of our ongoing musical and administrative expenses. If you would like to make a tax-deductible contribution, please send a check (payable to Cerddorion NYC, Inc.) to: The Food of Love Cerddorion NYC, Inc. Post Office Box 946, Village Station HAKESPEARE IN SONG New York, NY 10014-0946 S I N C OLLABORATION WITH !!! HE HAKESPEARE OCIETY For further information about Cerddorion Vocal Ensemble, please visit our web site: T S S Michael Sexton, Artistic Director WWW.CERDDORION.ORG Join our mailing list! !!! or Follow us on Twitter: @cerddorionnyc Sunday, June 1 at 3pm Sunday, June 8 at 3pm or St. Paul’s Episcopal Church St. Ignatius of Antioch Like us on Facebook 199 Carroll Street, Brooklyn 87th Street & West End Avenue, Manhattan THE PROGRAM DONORS Our concerts would not be possible without a great deal of financial assistance. Cerddorion would like to Readings presented by Anne Bates and Chukwudi Iwuji, courtesy of The Shakespeare Society thank the following, who have generously provided financial support for our activities over the past year. -
EXCEL LATZKO MUZIK CATALOG for PDF.Xlsx
Walter Latzko Arrangements (Computer/Non-Computer) A B C D E F 1 Song Title Barbershop Performer(s) Link or E-mail Address Composer Lyricist(s) Ensemble Type 2 20TH CENTURY RAG, THE https://www.sheetmusicplus.com/title/the-20th-century-rag-digital-sheet-music/21705300 Male 3 "A"-YOU'RE ADORABLE www.sheetmusicplus.com/title/a-you-re-adorable-digital-sheet-music/21690032Sid Lippman Buddy Kaye & Fred Wise Male or Female 4 A SPECIAL NIGHT The Ritz;Thoroughbred Chorus [email protected] Don Besig Don Besig Male or Female 5 ABA DABA HONEYMOON Chordettes www.sheetmusicplus.com/title/aba-daba-honeymoon-digital-sheet-music/21693052Arthur Fields & Walter Donovan Arthur Fields & Walter Donovan Female 6 ABIDE WITH ME Buffalo Bills; Chordettes www.sheetmusicplus.com/title/abide-with-me-digital-sheet-music/21674728Henry Francis Lyte Henry Francis Lyte Male or Female 7 ABOUT A QUARTER TO NINE Marquis https://www.sheetmusicplus.com/title/about-a-quarter-to-nine-digital-sheet-music/21812729?narrow_by=About+a+Quarter+to+NineHarry Warren Al Dubin Male 8 ACADEMY AWARDS MEDLEY (50 songs) Montclair Chorus [email protected] Various Various Male 9 AC-CENT-TCHU-ATE THE POSITIVE (5-parts) https://www.sheetmusicplus.com/title/ac-cent-tchu-ate-the-positive-digital-sheet-music/21712278Harold Arlen Johnny Mercer Male 10 ACE IN THE HOLE, THE [email protected] Cole Porter Cole Porter Male 11 ADESTES FIDELES [email protected] John Francis Wade unknown Male 12 AFTER ALL [email protected] Ervin Drake & Jimmy Shirl Ervin Drake & Jimmy Shirl Male 13 AFTER THE BALL/BOWERY MEDLEY Song Title [email protected] Charles K. -
THIS DOCUMENT IS COMPILED by ROBERT JOHANNESSON, Fader
THIS DOCUMENT IS COMPILED BY ROBERT JOHANNESSON, Fader Gunnars väg 11, S-291 65 Kristianstad, Sweden and published on my website www.78opera.com It is a very hard work for me to compile it (as a hobby), so if you take information from it, mention my website, please! The discographies will be updated about four times a year. Additions and completitions are always welcome! Contact me: [email protected] SAABYE, Christian F. 1875, 13/8 – 1954, 18/5. Baritone. Pathé, 1905/1906 17264 Nærmere Gud til dig (Mason) 17264 17265 Vi vil os et land (Sinding) (?) 17265 17266 Sønner af Norge (?) 17266 17267 Jeg vil værge mit land (Tischendorf) 17267 17268 Husmandssang 17268 17269 Eg elskar dei voggande toner (Lepsøe) 17269 17270 Millom bakkar og berg utmed havet (Lindeman) 17270 17271 Jerusalem (Adams) 17271 17272 Lover den Herre 17272 17273 Kirken den er et gammelt hus 17273 Pathé, 1909? (many remakes) 17264 Nærmere Gud til dig (Mason) 17264 17265 Vi vil os et land (Sinding) 17265 17266 Sønner af Norge 17266 17267 Jeg vil værge mit land (Tischendorf) 17267 17268 Ja vi elsker (Nordraak) 17268 17269 Eg elskar dei voggande toner (Lepsøe) 17269 17270 Millom bakkar og berg utmed havet (Lindeman) 17270 17272 Lover den Herre 17272 17273 Kirken den er et gammelt hus 17273 17274 Glade jul (Gruber) 17274 17275 Jeg synger julekvad (In dulci jubilo) 17275 17276 Vor Gud har er saa fast en borg (Luther) 17276 17277 Mens Nordhavet bruser 17277 17278 Hvor herligt er mit fødeland 17278 17298 Gluntarne (Wennerberg): Här är gudagodt att vara (w. -
01-Sargeant-PM
CERI OWEN Vaughan Williams’s Early Songs On Singing and Listening in Vaughan Williams’s Early Songs CERI OWEN I begin with a question not posed amid the singer narrates with ardent urgency their sound- recent and unusually liberal scholarly atten- ing and, apparently, their hearing. But precisely tion devoted to a song cycle by Ralph Vaughan who is engaged in these acts at this, the musi- Williams, the Robert Louis Stevenson settings, cal and emotional heart of the cycle? Songs of Travel, composed between 1901 and The recollected songs are first heard on the 1904.1 My question relates to “Youth and Love,” lips of the speaker in “The Vagabond,” an os- the fourth song of the cycle, in which an unex- tensibly archetypal Romantic wayfarer who in- pectedly impassioned climax erupts with pecu- troduces himself at the cycle’s opening in the liar force amid music of otherwise unparalleled lyric first-person, grimly issuing a characteris- serenity. Here, as strains of songs heard earlier tic demand for the solitary life on the open intrude into the piano’s accompaniment, the road. This lyric voice, its eye fixed squarely on the future, is retained in two subsequent songs, “Let Beauty Awake” and “The Roadside Fire” I thank Byron Adams, Daniel M. Grimley, and Julian (in which life with a beloved is contemplated).2 Johnson for their comments on this research, and espe- cially Benedict Taylor, for his invaluable editorial sugges- With “Youth and Love,” however, Vaughan tions. Thanks also to Clive Wilmer for his discussion of Williams rearranges the order of Stevenson’s Rossetti with me. -
VAUGHAN WILLIAMS His Broadcasting Career Covers Both Radio and Television
557643bk VW US 16/8/05 5:02 pm Page 5 8.557643 Iain Burnside Songs of Travel (Words by Robert Louis Stevenson) 24:03 1 The Vagabond 3:24 The English Song Series • 14 DDD Iain Burnside enjoys a unique reputation as pianist and broadcaster, forged through his commitment to the song 2 Let Beauty awake 1:57 repertoire and his collaborations with leading international singers, including Dame Margaret Price, Susan Chilcott, 3 The Roadside Fire 2:17 Galina Gorchakova, Adrianne Pieczonka, Amanda Roocroft, Yvonne Kenny and Susan Bickley; David Daniels, 4 John Mark Ainsley, Mark Padmore and Bryn Terfel. He has also worked with some outstanding younger singers, Youth and Love 3:34 including Lisa Milne, Sally Matthews, Sarah Connolly; William Dazeley, Roderick Williams and Jonathan Lemalu. 5 In Dreams 2:18 VAUGHAN WILLIAMS His broadcasting career covers both radio and television. He continues to present BBC Radio 3’s Voices programme, 6 The Infinite Shining Heavens 2:15 and has recently been honoured with a Sony Radio Award. His innovative programming led to highly acclaimed 7 Whither must I wander? 4:14 recordings comprising songs by Schoenberg with Sarah Connolly and Roderick Williams, Debussy with Lisa Milne 8 Songs of Travel and Susan Bickley, and Copland with Susan Chilcott. His television involvement includes the Cardiff Singer of the Bright is the ring of words 2:10 World, Leeds International Piano Competition and BBC Young Musician of the Year. He has devised concert series 9 I have trod the upward and the downward slope 1:54 The House of Life • Four poems by Fredegond Shove for a number of organizations, among them the acclaimed Century Songs for the Bath Festival and The Crucible, Sheffield, the International Song Recital Series at London’s South Bank Centre, and the Finzi Friends’ triennial The House of Life (Words by Dante Gabriel Rossetti) 26:27 festival of English Song in Ludlow. -
Adapting the Language of Charlie Parker to the Cello Through Solo
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2007 Yardbird cello: adapting the language of Charlie Parker to the cello through solo transcription and analysis Kristin Isaacson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Isaacson, Kristin, "Yardbird cello: adapting the language of Charlie Parker to the cello through solo transcription and analysis" (2007). LSU Doctoral Dissertations. 3038. https://digitalcommons.lsu.edu/gradschool_dissertations/3038 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. YARDBIRD CELLO: ADAPTING THE LANGUAGE OF CHARLIE PARKER TO THE CELLO THROUGH SOLO TRANSCRIPTION AND ANALYSIS A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In Partial fulfillment of the Requirements for the Degree of Doctor of Musical Arts In The School of Music By Kristin Isaacson B.M. Indiana University, 1998 M.M. Louisiana State University, 2000 December 2007 ACKNOWLEDGMENTS This document is dedicated to the memory of my grandmother, Virginia Rylands, a remarkable woman and jazz pianist who came of age in the Kansas City of Charlie Parker’s youth. She inspired my interest in this music. I would like to extend special thanks to my parents, Mary Lou and Phillip, and to my brother and musical colleague, Peter Isaacson for his encouragement along the way. -
2018 FWD President Craig Hughes INSIDE: Conventions • Moh • Lou Laurel • Camp Fund 2 X Match • 2018 Officer Reports Ray S
Westunes Vol. 68 No. 1 Spring 2018 2018 FWD President Craig Hughes INSIDE: Conventions • MoH • Lou Laurel • Camp Fund 2 x Match • 2018 Officer Reports Ray S. Rhymer, Editor • Now in his 17th year EDITORIAL STAFF Editor in Chief Northeast Division Editor Ray S. Rhymer [email protected] Roger Perkins [email protected] Marketing & Advertising Northwest Division Editor David Melville [email protected] Don Shively [email protected] Westags Newsletter Southeast Division Editor Jerry McElfresh [email protected] Greg Price [email protected] Arizona Division Editor Southwest Division Editor Bob Shaffer [email protected] Justin McQueen [email protected] Westunes Vol. 68 No. 1 Features Spring 2018 2018 Spring Convention Remembering Lou Laurel International Quartet Preliminary Contest, Southeast A Past International President and Director of & Southwest Division Quartet and Chorus Contests, two different International Champion chapters is 3 and the FWD High School Quartet Contest. 8 remembered by Don Richardson. 2018 Arizona Division Convention 2018 Harmony Camp Celebrating the 75th year of Barbershop in Mesa, AZ Hamony Camp will be held again in Sly Park, CA with with Harmony Platoon, AZ Division Quartet and Chorus Artistic License and Capitol Ring assisting. Tell the 4 & Harmony Inc. Chorus Contests & AFTERGLOW. 9 young men in your area about it. 2018 NE & NW Division Convention Lloyd Steinkamp Endowment Fund Northeast and Northwest Division Quartet and Cho- A major donor stepped up to “double” match 5 rus Contests in Brentwood, CA, a new location. 10 contributions in 2018. 2017 Int’l Champion Masters of Harmony Marketing Wisely on a Shoe-String Budget A Masters of Harmony update after winning their first David Melville brings a different view of marketing - gold medal in San Francisco in 1990 and their ninth in you may rethink your procedures after reading this 6 Las Vegas in 2017 .. -
The Inextricable Link Between Literature and Music in 19Th
COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57 -
Cbcopland on The
THE UNITED STATES ARMY FIELD BAND The Legacy of AARON COPLAND Washington, D.C. “The Musical Ambassadors of the Army” rom Boston to Bombay, Tokyo to Toronto, the United States Army Field Band has been thrilling audiences of all ages for more than fifty years. As the pre- mier touring musical representative for the United States Army, this in- Fternationally-acclaimed organization travels thousands of miles each year presenting a variety of music to enthusiastic audiences throughout the nation and abroad. Through these concerts, the Field Band keeps the will of the American people behind the members of the armed forces and supports diplomatic efforts around the world. The Concert Band is the oldest and largest of the Field Band’s four performing components. This elite 65-member instrumental ensemble, founded in 1946, has performed in all 50 states and 25 foreign countries for audiences totaling more than 100 million. Tours have taken the band throughout the United States, Canada, Mexico, South America, Europe, the Far East, and India. The group appears in a wide variety of settings, from world-famous concert halls, such as the Berlin Philharmonie and Carnegie Hall, to state fairgrounds and high school gymnasiums. The Concert Band regularly travels and performs with the Sol- diers’ Chorus, together presenting a powerful and diverse program of marches, over- tures, popular music, patriotic selections, and instrumental and vocal solos. The orga- nization has also performed joint concerts with many of the nation’s leading orchestras, including the Boston Pops, Cincinnati Pops, and Detroit Symphony Orchestra. The United States Army Field Band is considered by music critics to be one of the most versatile and inspiring musical organizations in the world. -
The Enduring Art of Ella Fitzgerald's Most Ambitious Album
MASTERPIECE The Enduring Art of Ella Fitzgerald’s Most Ambitious Album ‘Ella Fitzgerald Sings the George and Ira Gershwin Song Books,’ which was inducted into the Grammy Hall of Fame at the end of January, remains a matchless treasure. By John Edward Hasse Published originally in The Wall Street Journal, Feb. 5, 2019 Nothing did more to crystallize the idea of the Great American Songbook than a series of recordings Fitzgerald made between 1956 and 1964. By showcasing eight different songwriters and songwriting teams, these albums esteemed each writer’s output as a body of work, canonized many of the songs, and raised respect for the repertory. The most celebrated of these albums, Ella Fitzgerald Sings the George and Ira Gershwin Song Books, unprecedented in scope, offers 59 tracks, more than three hours, broadly exploring one of America’s foremost song catalogs. It was recorded between January and August 1959 and issued originally in a lavish six-disc set. And with the Grammy’s this week, it’s worth reconsidering one of the singular recordings of the 20th century, which itself was inducted into the Grammy Hall of Fame at the end of January. The album resulted from a kind of collaboration among four living figures and one deceased, playing five different roles. George Gershwin, who died prematurely in 1937, composed the music, rich with jazzy, bluesy, Jewish and classical influences. His brother Ira matched George’s melodies with witty, memorable words that reveled in American vernacular speech. For the album, Ira wrote some new lyrics. The other three collaborators were each at their creative peak. -
Beauty and the Beast
BEAUTY AND THE BEAST CHARACTER DESCRIPTIONS: BELLE (Stage Age: 18-30) Belle is the original fairy tale heroine–kind, gentle, and beautiful–but with an important 21st Century twist. She is a strong, intelligent, spirited and independent young woman. Belle is the moral conscience of the story, elevated by her thoughts and deeds. The maturity and depth of her character allow her to see the true beauty and spirit within The Beast, and to love him for it. This role requires a very strong singer who portrays innocence with her singing and speaking voice. MezzoSoprano: Low A-High F THE BEAST (Stage Age: 21-35) The Beast’s tortured soul is evident for all to see. He is paying the ultimate price for a moment of mean-spiritedness, and wishes beyond wishing that he could rectify his mistake. There is anger and menace in The Beast’s appearance and behavior, but increasingly we see his soft and endearing side as he interacts with Belle. It becomes clear that he is a loving, feeling, human being trapped within a hideous creature’s body. This role requires a very strong singer, and the actor must have a strong speaking voice and stage presence. Baritone: A–High F GASTON (Stage Age: 21-35) Gaston is the absolute antithesis of The Beast. Although he is physically handsome, he is shallow, completely self-centered, not very bright, and thrives on attention. However, when his ego is bruised he becomes a very dangerous foe for The Beast, Belle and Maurice. This role requires a strong singer and character actor who moves well. -
GLP Rep List 2011
Gary Lewis Press GLP Professional Learning Tracks Custom Vocal Arrangements MIDI Sequencing Finale Transcription Repertoire List Revised 06/08/2011 Accentuate the Positive - arr. Adam Reimnitz Accentuate the Positive - arr. Clay Hine All I Do Is Dream Of You - arr. David Wallace America - arr. Jim Clancy (Neil Diamond tune w/Karaoke Track) And So it Goes - arr. Kirby Shaw sheet music available from any choral sheet music retailer. I use J.W. Pepper. Angels On Your Pillow - arr. Cary Burns Angels We Have Heard On High - from Yuletide Favorites Anytime - arr. Greg Volk (Excalibur/Wheelhouse) At Last - arr. Clay Hine Auld Lang Syne - arr. Steve Jamison (NOT the PLATINUM version) Autumn Leaves - arr. Adam Reimnitz B & O Line - arr. Bob Disney Baby, It’s You - arr. Adam Reimnitz The Band Played On (Yesteryear) Beautiful Dreamer - arr. David Wright (Nightlife) Bridge Over Troubled Water - arr. Greg Volk ed. Gary Lewis (Acoustix) California, Here I Come - arr. Dave Stevens/Dealer’s Choice Society Stock 202089 Children’s Medley (Jolly Old St. Nicholas/Up on the Housetop) - arr. BHS The Christmas Song - arr. Pete Rupay (Vocal Majority) A Christmas To Remember - arr. Jim Clancy Come Rain Or Come Shine - arr. Adam Reimnitz Cross That Mason Dixon Line - arr. David Wright Daydream Medley - arr. Joe Johnson Dear Old Donegal - arr. Steve Jamison Down In The Valley - arr. George Mead (TTBB w/piano accomp) Down Our Way - arr. Floyd Connett (Polecat) Dream a Little Dream of Me - arr. Clay Hine (OC Times) Easy Goin’ - arr. David Wallace Elmer Fudd Medley - arr. Scott Turnbull (The Ritz) The Dream Is Carried On - arr.