Boston Symphony Orchestra Concert Programs, Summer, 2003

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Summer, 2003 BOSTON SYMPHONY ORCHESTRA summer 2003 Vs >">* K ^>>' Q I** **1 ' r^S*?1 ORIGINS GflUCRV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 .. THE MOUNT ns Come spend the day; tour our beautiful designer-decorated rooms, stroll through the magnificent gardens, and lunch at our Terrace Cafe. Before heading home, visit the Bookstore full of treasures for the home and garden. Route 7 at Plunkett Street, Lenox 9am to 5pm daily wwwKCC>Lc^^^^l£^h^^Z.oi^ BOSTON SYMPHONY ORCHESTRA One Hundred and Twenty-Second Season, 2002-03 TANGLEWOOD 2003 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Julian Cohen, Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Vincent M. O'Reilly, Treasurer Ed Linde, Vice-Chairman Harlan E. Anderson Diddy Cullinane, Edna S. Kalman Edward I. Rudman Gabriella Beranek ex-officio George Krupp Hannah H. Schneider Jan Brett William R. Elfers R. Willis Leith, Jr. Roger T. Servison Paul Buttenwieser Nancy J. Fitzpatrick Richard P. Morse Thomas G. Sternberg James F. Cleary Charles K. Gifford Mrs. Robert B. Newman Stephen R. Weber John F Cogan, Jr. Avram J. Goldberg Peter C. Read Stephen R. Weiner Eric D. Collins Thelma E. Goldberg Donna Riccardi, Dr. Nicholas T Zervas Julian T. Houston ex-officio Life Trustees Vernon R. Alden Helene R. Cahners Mrs. John H. William J. Poorvu David B.Arnold, Jr. Abram T. Collier Fitzpatrick Irving W. Rabb J.P Barger Mrs. Edith L. Dabney Dean W. Freed Richard A. Smith Leo L. Beranek George H. Kidder Nelson J. Darling, Jr. Ray Stata Deborah Davis Berman Archie C. Epps Harvey Chet Krentzman John Hoyt Stookey Jane C. Bradley Mrs. August R. Meyer John L. Thorndike Other Officers of the Corporation Mark Volpe, Managing Director Thomas D. May, ChiefFinancial Officer Suzanne Page, Clerk ofthe Board Board of Overseers of the Boston Symphony Orchestra, Inc. Diddy Cullinane, Chair Helaine B. Allen JoAnne Walton Steven E. Karol Patrick J. Purcell Joel B. Alvord Dickinson Stephen Kay Carol Reich Marjorie Arons-Barron Francis A. Doyle Douglas A. Kingsley Alan Rottenberg Diane M. Austin Alan Dynner Robert Kleinberg Michael Ruettgers Caroline Dwight Bain Jane C. Edmonds Dr. Arthur R. Kravitz Kenan Sahin Maureen Scannell George M. Elvin Mrs. William D. Arthur I. Segel Bateman John P. Eustis II Larkin, Jr. Ross E. Sherbrooke George D. Behrakis Pamela D. Everhart Robert J. Lepofsky L. Scott Singleton Milton Benjamin Judith Moss Feingold Alexander M. Levine Gilda Slifka George W. Berry J. Richard Fennell Christopher J. Lindop Mrs. Micho Spring Mark G. Borden Lawrence K. Fish Shari Loessberg Charles A. Stakeley Alan Bressler Myrna H. Freedman Edwin N. London Jacquelynne M. Robin A. Brown Dr. Arthur Gelb Diane H. Lupean Stepanian Samuel B. Bruskin Jack Gill John A. MacLeod II Wilmer Thomas William Burgin Robert P. Gittens Carmine Martignetti Samuel Thorne Dr. Edmund B. Cabot Paula Groves Joseph B. Martin, M.D. Bill Van Faasen Rena F. Clarke Michael Halperson Robert J. Mayer, M.D. Loet A. Velmans Mrs. James C. Collias Ellen T. Harris Barbara E. Maze Paul M. Verrochi Margot Connell Deborah M. Hauser Thomas McCann Larry Weber Ranny Cooper Carol Henderson Joseph C. McNay Robert S. Weil Martha H.W. Richard Higginbotham Dr. Martin C. Mihmjr. David C Weinstein Crowninshield Phyllis S. Hubbard Molly Beals Millman James Westra Joan P. Curhan Roger Hunt Robert Mnookin Mrs. Joan D. Wheeler Robert W. Daly Ernest Jacquet Robert T. O'Connell Reginald H. White Tamara P. Davis Mrs. Robert M. Jaffe Norio Ohga Robin Wilson Mrs. Miguel de Charles H. Jenkins, Jr. Louis F. Orsatti Robert Winters Bragan9a Michael Joyce May H. Pierce Kathryn A. Wong Disque Deane Martin S. Kaplan Dr. Tina Young Poussaint Richard Wurtman, M.D. Betsy P. Demirjian William M. Karlyn Millard H. Pryor, Jr. Paul F. Deninger Overseers Emeriti Sandra Bakalar Jordan Golding David I. Kosowsky Robert E. Remis William M. Bulger Mark R. Goldweitz Robert K. Kraft Mrs. Peter van S. Rice Mrs. Levin H. Mrs. Haskell R. Benjamin H. Lacy John Ex Rodgers Campbell Gordon Hart D. Leavitt Mrs. Jerome Rosenfeld Earle M. Chiles Susan D. Hall Frederick H. Roger A. Saunders Phyllis Curtin John Hamill Lovejoy, Jr. Lynda Anne Schubert Phyllis Dohanian Mrs. Richard D. Hill Mrs. Charles P. Lyman Francis P. Sears, Jr. Goetz B. Eaton Glen H. Hiner Mrs. Harry L. Marks Mrs. Carl Shapiro Harriett Eckstein Marilyn Brachman C. Charles Marran Mrs. Arthur I. Strang Edward Eskandarian Hoffman Nathan R. Miller Robert A. Wells Peter H.B. Lola Jaffe Hanae Mori Mrs. Thomas H. P. Frelinghuysen H. Eugene Jones Mrs. Hiroshi H. Whitney Mrs. Thomas Leonard Kaplan Nishino Margaret Williams- Galligan, Jr. Mrs. S. Charles Kasdon John A. Perkins DeCelles Mrs. James Garivaltis Richard L. Kaye David R. Pokross Mrs. Donald B. Wilson Mrs. Kenneth J. Mrs. Gordon F. Daphne Brooks Prout Mrs. John J. Wilson Germeshausen Kingsley Business Leadership Association Board of Directors Charles K. Gifford, Chairman Leo L. Beranek, James F. Cleary, and Michael J. Joyce, President Harvey Chet Krentzman, Chairmen Emeriti Robin A. Brown John P. Hamill Thomas J. May Roger T. Servison Michael J. Costello Ernest K. Jacquet J. Kent McHose Malcolm L. Sherman Robert W. Daly Steven E. Karol Joseph C. McNay Ray Stata Francis A. Doyle Edmund F. Kelly Louis F. Orsatti William C. Van Faasen William R. Elfers Christopher J. Lindop Patrick J. Purcell Paul M. Verrochi Lawrence K. Fish Carmine A. Martignetti Lynda A. Schubert Lawrence Weber Ex-Officio Peter A. Brooke • Diddy Cullinane • Nicholas T. Zervas Officers of the Boston Symphony Association of Volunteers Donna Riccardi, President Melvin R. Blieberg, Executive Vice-President/ Audley Fuller, Executive Vice-President/ Tang/ewood Administration Pat Kavanagh, Secretary Ann Philbin, Executive Vice-President/ William A. Along, Treasurer Fundraising Una Fleischmann, Nominating Committee Chairman Olga Eldek Turcotte, Melinda Brown, Resource Patty Blais, Education and Outreach Membership Development Lisa A. Mafrici, Special Projects Ellen W. Mayo, Public Joyce Anagnos, Symphony Shop Ursula Ehret-Dichter, Tanglewood Relations Staffing Judy Barr, Hall Services Administration Mark Vblpe, Managing Director Eunice andJulian Cohen Managing Directorship, fullyfunded in perpetuity Tony Beadle, Manager, Boston Pops Kim Noltemy, Director ofSales and Anthony Fogg, Artistic Administrator Marketing Marion Gardner-Saxe, Director ofHuman Resources Caroline Taylor, Senior Advisor to the Ellen Highstein, Director ofTanglewood Music Center Managing Director Financial Thomas D. May, Chief Officer Ray F. Wellbaum, Orchestra Manager ADMINISTRATIVE STAFF/ARTISTIC Karen Leopardi, Artist Assistant/Secretary to the Music Director • Vincenzo Natale, Chauffeur/Valet • Suzanne Page, Assistant to the Managing Director/Manager ofBoardAdministration • Alexander Steinbeis, Artistic Administration Coordinator ADMINISTRATIVE STAFF/ PRODUCTION Christopher W. Ruigomez, Operations Manager Felicia A. Burrey, Chorus Manager • H.R. Costa, Technical Supervisor • Keith Elder, Production Coordinator • Stephanie Kluter, Assistant to the Orchestra Manager • Jake Moerschel, Stage Technician • Julie G. Moerschel, Assistant Chorus Manager • Mark C. Rawson, Stage Technician • Timothy Tsukamoto, Orchestra Personnel Coordinator BOSTON POPS Dennis Alves, Director ofArtistic Programming Jana Gimenez, Operations Manager • Sheri Goldstein, Personal Assistant to the Conductor • Julie Knippa, Administration Coordinator • Margo Saulnier, Artistic Coordinator BUSINESS OFFICE Sarah J. Harrington, Director ofPlanning and Budgeting Pam Wells, Controller Lamees Al-Noman, Cash Accountant • Shira Beckerman, Budget Assistant • Yaneris Briggs, Accounts Payable Supervisor • Michelle Green, Executive Assistant to the Director ofFinance and Business Affairs • Y. Georges Minyayluk, Senior Investment Accountant • John O'Callaghan, Payroll Supervisor • Mary Park, Budget Analyst • Harriet Prout, Accounting Manager • Taunia Soderquist, Assistant Payroll Accountant/Accounting Clerk • Teresa Wang, StaffAccountant DEVELOPMENT Judi Taylor Cantor, Director ofIndividual and Planned Giving Sally Dale, Director ofStewardship and Development Administration Deborah Hersey, Director ofDevelopment Services and Technology Jo Frances Kaplan, Director ofInstitutional Giving Rachel Arthur, Individual and Planned Giving Coordinator • Diane Cataudella, Associate Director ofStewardship • Rebecca R. Crawford, Director ofDevelopment Communications • Joanna N. Drake, Coordinator, TanglewoodAnnual Funds • Sarah Fitzgerald, Manager of Gift Processing and Donor Records • Alexandra Fuchs, Manager, TanglewoodAnnual Funds • Barbara Hanson, Assistant Manager, TanglewoodAnnual Funds • Julie Hausmann, Manager, BSO and Pops Annual Funds • Blaine Hudson, Program Coordinator, Corporate Membership and Events • Justin Kelly, Assistant Manager of Gift Pro- cessing and Donor Records • Katherine M. Krupanski, Coordinator, BSO and Pops Annual Funds • Mary MacFarlane, Assistant Manager, BSO and Pops Annual Funds • Robert Meya, Senior Major Gifts Officer • Susan Olson, Stewardship Coordinator • Thompson R. Patton, Foundation &f Government Grants Coordinator • Mark Perreault, Gift Processing and Donor Records Coordinator • Gerrit Petersen, Director ofFoundation Support • Macey Pew, Gift Processing and Donor Records Coordinator • Phoebe Slanetz, Director ofDevelopment Research • Elizabeth Stevens, Assistant Manager ofPlanned Giving •
Recommended publications
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Front Line Assembly Vanished Mp3, Flac, Wma
    Front Line Assembly Vanished mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Vanished Country: US Released: 2004 Style: EBM, Industrial MP3 version RAR size: 1870 mb FLAC version RAR size: 1451 mb WMA version RAR size: 1205 mb Rating: 4.6 Votes: 183 Other Formats: AA VOX WMA MP4 RA MOD MMF Tracklist Hide Credits Vanished (Illusions Of Grandeur Mix) 1 7:35 Vocals [Female] – Leah Randi 2 Stürm 6:08 3 Disseminate 7:03 Uncivilized 4 6:45 Vocals [Male], Sampler [Additional Samples] – Jamie Muhoberac Vanished (Re-entry Mix) 5 7:08 Vocals [Female] – Leah Randi Companies, etc. Copyright (c) – Metropolis Records Phonographic Copyright (p) – Metropolis Records Mastered At – Bernie Grundman Mastering Pressed By – Cinram, Olyphant, PA – Z26643 Credits Design [Graphic] – Carylann Loeppky Mastered By – Brian Gardner Mixed By – Greg Reely Photography By – US Department Of Energy Photograph Producer – Bill Leeb, Rhys Fulber Producer [Additional] – Greg Reely Programmed By – Rhys Fulber Notes ©&℗ 2004 Metropolis Records Made in the USA Barcode and Other Identifiers Barcode (Text): 7 82388 03232 2 Matrix / Runout: Z26643 4 MET80323-2 01 M0S1 Mastering SID Code: IFPI L909 Mould SID Code: IFPI 2U4C Other versions Category Artist Title (Format) Label Category Country Year SPV 055-63753 Front Line Vanished (CD, Synthetic SPV 055-63753 Germany 2004 CDS Assembly Maxi) Symphony CDS Front Line Vanished (5xFile, none Metropolis none US 2004 Assembly AAC, EP, 128) Related Music albums to Vanished by Front Line Assembly Various - Percolator Fear Factory - Remanufacture / Cars L'Âme Immortelle - Gezeiten Fear Factory - Remanufacture (Cloning Technology) Front Line Assembly - Prophecy Front Line Assembly - Shifting Through The Lens Front Line Assembly - Millennium Front Line Assembly - Provision Front Line Assembly vs.
    [Show full text]
  • Central Opera Service Bulletin
    CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
    [Show full text]
  • WARNER MUSIC GROUP FILES REGISTRATION STATEMENT for an INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner
    WARNER MUSIC GROUP FILES REGISTRATION STATEMENT FOR AN INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner Music Group Corp. (“Warner Music Group”) today announced that it has filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission (“SEC”) for a proposed initial public offering (“IPO”) of its common stock. The shares of common stock to be sold in this offering are proposed to be sold by certain of Warner Music Group’s stockholders. The number of shares of common stock to be offered and the price range for the proposed offering have not yet been determined. Morgan Stanley, Credit Suisse and Goldman Sachs & Co. LLC are acting as joint bookrunning managers for the offering. When available, copies of the preliminary prospectus relating to the offering may be obtained from: Morgan Stanley & Co. LLC, Attention: Prospectus Department, 180 Varick Street, 2nd Floor, New York, NY 10014; Credit Suisse Securities (USA) LLC, Attention: Prospectus Department, Eleven Madison Avenue, 3rd floor, New York, NY 10010, by telephone at (800) 221-1037, or by email at [email protected]; or Goldman Sachs & Co. LLC, Attention: Prospectus Department, 200 West Street, New York, NY 10282, by telephone at (866) 471-2526, or by email at [email protected]. A registration statement relating to these securities has been filed with the SEC but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This press release does not constitute an offer to sell or the solicitation of an offer to buy securities, and shall not constitute an offer, solicitation or sale in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of that jurisdiction.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • The Dallas Symphony Orchestra Presents: the Nature of Music May, 2021 Dear Fellow Educators
    The Dallas Symphony Orchestra Presents: The Nature of Music May, 2021 Dear Fellow Educators, As spring arrives each year, I am reminded of the powerful relationship between nature and music. Both start as a single seed (or note!) and go on to blossom into something beautiful. Each plant, like each piece of music, is both a continuation of what came before and the start of something new. With Earth Day just a few weeks before our May concert, we wanted to use this Youth Concert as a way to explore and honor our planet through the lens of classical music. During our program, The Nature of Music, you and your students will hear music inspired by rivers, wildflowers, birds, and a busy bumblebee! Musicians have often used the earth’s natural beauty as inspiration for their music, and they try to use musical sounds to paint a picture for our ears, much like an artist would use different colors to paint a picture for our eyes. Each lesson will help your students explore and experience this connection. This concert will be offered virtually (available May 16 – June 4) but we are also accepting reservations for in-person viewing! Our two back-to-back concerts will be on Wednesday, May 5 at 10am and 11:30am. Please contact me or email my colleague in sales, Sabrina Siggers (contact information below), to reserve your classes reservation. You can see up-to-date Meyerson safety protocol below. We humans have a responsibility to respect and care for animals, plants, and the earth’s natural resources.
    [Show full text]
  • Toscanini VII, 1937-1942
    Toscanini VII, 1937-1942: NBC, London, Netherlands, Lucerne, Buenos Aires, Philadelphia We now return to our regularly scheduled program, and with it will come my first detailed analyses of Toscanini’s style in various music because, for once, we have a number of complete performances by alternate orchestras to compare. This is paramount because it shows quite clear- ly that, although he had a uniform approach to music and insisted on both technical perfection and emotional commitment from his orchestras, he did not, as Stokowski or Furtwängler did, impose a specific sound on his orchestras. Although he insisted on uniform bowing in the case of the Philadelphia Orchestra, for instance, one can still discern the classic Philadelphia Orchestra sound, despite its being “neatened up” to meet his standards. In the case of the BBC Symphony, for instance, the sound he elicited from them was not far removed from the sound that Adrian Boult got out of them, in part because Boult himself preferred a lean, clean sound as did Tosca- nini. We shall also see that, for better or worse, the various guest conductors of the NBC Sym- phony Orchestra did not get vastly improved sound result out of them, not even that wizard of orchestral sound, Leopold Stokowki, because the sound profile of the orchestra was neither warm in timbre nor fluid in phrasing. Toscanini’s agreement to come back to New York to head an orchestra created (pretty much) for him is still shrouded in mystery. All we know for certain is that Samuel Chotzinoff, representing David Sarnoff and RCA, went to see him in Italy and made him the offer, and that he first turned it down.
    [Show full text]
  • DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
    05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
    DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes.
    [Show full text]
  • Festival Artists
    Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.
    [Show full text]
  • Joan Baez Live in Europe 83
    Joan baez live in europe 83 click here to download Live Europe '83 is a recording by Joan Baez, taken from performances during her previous year's tour. It found Baez beginning to update her image by. Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert ​(Cass, Club) Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert ​(LP, Album, Club) Live Europe 83 - Children Of The Eighties ​(CD, Album, RE). Find a Joan Baez - Live Europe 83 - Children Of The Eighties first pressing or reissue. Complete your Joan Baez collection. Shop Vinyl and CDs. An unusual performance from the folk legend as she toured Europe in , as she sings songs of the lands she visits as well as standards of her era like. Official website for Joan Baez-Discography Pages. LIVE EUROPE '83 (CHILDREN OF THE EIGHTIES). Original release date: Produced by: Gerard. Le 15 juillet 83, Joan Baez avait donné un concert sur la place de la Concorde à Paris. Le thème était la non. Concert live de Joan Baez à Paris en - Duration: Jean-Marc Potier , views · · Joan. Find album reviews, stream songs, credits and award information for Live in Concert: European Tour - Joan Baez on AllMusic - - Not the greatest Joan. Listen free to Joan Baez – Live Europe 83 - Children of the Eighties (Farewell, Angelina, Warriors of the Sun and more). 14 tracks (). Discover more music. Find great deals for Live in Europe ' Children of the Eighties by Joan Baez (CD, Aug, Bmg/Ariola). Shop with confidence on eBay! Joan Baez: Live Europe 83,album, review, tracklist, mp3, lyrics.
    [Show full text]
  • Joan Baez Può Cantare Qualunque Cosa, Ma Non È “Qualunque Cosa” Un Soldato Ferito a Morte in Vietnam
    per pura mitosi. Non solo: ascoltando l’interpretazione di Dylan, che Il suo album in spagnolo, Gracias a la vida del 1974, è la chiave della Ma non era colpa della voce. Dopo varie canzoni che non trovarono risucchiava la canzone nella mente inaccessibile del suo creatore, sua seconda identità. Ma anche quando canta in francese e tedesco, posto in quel live né in altri, attaccò Ring Them Bells e il mondo tornò era possibile dimenticare, o non accorgersi nemmeno, che i versi portoghese, napoletano e italiano (si ascolti su youtube la Canzone a ruotare sul suo asse. Non solo perché Ring Them Bells è di Dylan. della canzone potevano anche rappresentare il congedo alla vita di di Marinella) non si ha mai l’impressione che stia facendo del turismo Joan Baez può cantare qualunque cosa, ma non è “qualunque cosa” un soldato ferito a morte in Vietnam. Ma ascoltando l’interpretazione fonetico. Non siamo su una nave da crociera, insomma, con la che vogliamo da lei. Ha bisogno di canzoni che hanno una storia o della Baez era impossibile non pensarci. cantante che annuncia qualcosa in finlandese per gli amici crocieristi alle quali solo lei può dare una storia, come aveva fatto con Farewell Ci sono le voci della politica, ma esiste anche una politica della voce. venuti dalla Lapponia. E non ho scelto l’esempio a caso, perché una Angelina e con There but for Fortune, grazie a lei uno dei maggiori Nel disagio che i duri e puri di ogni tendenza provavano nei confronti delle più toccanti interpretazioni della Joan Baez recente è proprio successi di Phil Ochs.
    [Show full text]