Arnold Wesker
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Arnold Wesker'ın Chicken Soup with Barley
Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 2011 15 (2): 133-145 The Legacy of Communist Idealism Contested in Chicken Soup with Barley by Arnold Wesker: Political Imperative upon the Personal and Subverted Binary Opposites Erdinç PARLAK (*) Abstract: A dramatic dismantling will surely show that Arnold Wesker’s early plays represent the most amiable contestation of the New Left and the new conditions with the surprising yet desired success of the Labour. In early post-war years, Britons anachronistically hold the myth of the long Edwardian summer and thus reconnect with peace after the Great Wars. Unfortunately, though, the repressed memories of Wars haunt the writings and the aura of the age. That’s why in Wesker’s accounts, especially in his early corpus, Wars work double shift reminding us the hopes of the new generation and their disillusionment after the failure of the Labour. With this background in mind, our study tries to enlarge the theme of communist idealism and disappointment contested in Wesker’s Chicken Soup with Barley. In this play, an angry young man through and through and a representative playwright of the first wave in post-war British drama, Arnold Wesker poignantly shows how politics works as an imperative upon the private and the personal and it is also the sexual politics that Wesker contests and subverts. These two issues further serve for his handling of ethnicity (Anglo-Jewry), class (proletariat) and gender (binary opposition). Key Words: Arnold Wesker, communist idealism, subverted binary opposites, sexual politics, Anglo-Jewry, proletariat Arnold Wesker’ın Chicken Soup With Barley (Arpalı Tavuk Çorbası) Oyununda Komünist İdealizm Mirası: Birey Üzerindeki Siyasi Zorunluluk ve Bozulan İkili Karşıtlıklar Özet: Dramatik bir çalışma Arnold Wesker’ın ilk oyunlarının, İşçi Partisi‘nin beklenen fakat şaşırtıcı başarısıyla gelen yeni dünya düzeni ve Yeni Sol hareketinin en hafif ve yumuşak tanıklığını gösterecektir. -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Dominic Cooke Director
Dominic Cooke Director Film 2021 THE COURIER Feature film starring Benedict Cumberbatch 42/SunnyMarch World Premiere – Sundance Film Festival 2020 2017 ON CHESIL BEACH Feature film based on the novel by Ian McEwan BBC Films & Number 9 Films North American Premiere – Toronto International Film Festival 2017 Television 2016 THE HOLLOW CROWN 3 Episodes: Henry VI Part I, Henry VI Part II, Richard III BBC/ NBC Universal Television / Neal Street Productions / WNET Thirteen Theatre 2017 FOLLIES Written by Stephen Sondheim Royal National Theatre 10 Olivier Nominations including Best Director 2016 PIGS AND DOGS Written by Caryl Churchill Royal Court Theatre 2016 MA RAINEY’S BLACK BOTTOM Written by August Wilson Royal National Theatre 1 Olivier Win 2015 HERE WE GO Written by Caryl Churchill Royal National Theatre 2015 TEDDY FERRERA Written by Christopher Shinn Donmar Warehouse 2013 THE LOW ROAD Written by Bruce Norris Royal Court Theatre 2013 IN THE REPUBLIC OF HAPPINESS Written by Martin Crimp Royal Court Theatre 2012 DING DONG THE WICKED Written by Caryl Churchill Royal Court Theatre 2012 CHOIR BOY Written by Tarell Alvin McCraney Royal Court Theatre 2012 IN BASILDON Written by David Eldridge Royal Court Theatre 2011 CHICKEN SOUP WITH BARLEY Written by Arnold Wesker Royal Court Theatre 2011 THE COMEDY OF ERRORS Written by William Shakespeare Royal National Theatre 2010 CLYBOURNE PARK Written by Bruce Norris Royal Court Theatre 1 Olivier Win 2009 AUNT DAN AND LEMON Written by Wallace Shawn Royal Court Theatre 2009 THE FEVER Written by Wallace Shawn Royal Court Theatre 2009 SEVEN JEWISH CHILDREN Written by Caryl Churchill Royal Court Theatre 2008 WIG OUT! Written by Tarell Alvin McCraney Royal Court Theatre 2008 NOUGHTS AND CROSSES Director & Writer. -
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION a Project Of
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A project of edited by Rochelle G. Saidel and Karen Shulman Remember the Women Institute, a 501(c)(3) not-for-profit corporation founded in 1997 and based in New York City, conducts and encourages research and cultural activities that contribute to including women in history. Dr. Rochelle G. Saidel is the founder and executive director. Special emphasis is on women in the context of the Holocaust and its aftermath. Through research and related activities, including this project, the stories of women—from the point of view of women—are made available to be integrated into history and collective memory. This handbook is intended to provide readers with resources for using theatre to memorialize the experiences of women during the Holocaust. Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A Project of Remember the Women Institute By Rochelle G. Saidel and Karen Shulman This resource handbook is dedicated to the women whose Holocaust-related stories are known and unknown, told and untold—to those who perished and those who survived. This edition is dedicated to the memory of Nava Semel. ©2019 Remember the Women Institute First digital edition: April 2015 Second digital edition: May 2016 Third digital edition: April 2017 Fourth digital edition: May 2019 Remember the Women Institute 11 Riverside Drive Suite 3RE New York,NY 10023 rememberwomen.org Cover design: Bonnie Greenfield Table of Contents Introduction to the Fourth Edition ............................................................................... 4 By Dr. Rochelle G. Saidel, Founder and Director, Remember the Women Institute 1. Annotated Bibliographies ....................................................................................... 15 1.1. -
University of Pardubice Faculty of Arts and Philosophy Angry Young Men
University of Pardubice Faculty of Arts and Philosophy Angry Young Men in British Drama: Analysis and Comparison of The Entertainer and The Kitchen Bachelor Thesis 2020 Karolína Jeníčková Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru na vědomí, že v souladu s § 47b zákona č. 111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách), ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 7/2019, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice. V Pardubicích dne 14. 4. 2020 Karolína Jeníčková ACKNOWLEDGEMENTS I would like to express my gratitude to my supervisor, Mgr. Petra Kalavská, Ph.D., for her kindness and valuable advice during writing of this thesis. I would also like to thank my family for their support throughout my studies. ANNOTATION This bachelor thesis focuses on The Entertainer (1957) by John Osborne and on The Kitchen (1959) by Arnold Wesker, the plays written by playwrights referred to as the Angry Young Men. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
1 Plays, Books
PLAYS, BOOKS - WRITTEN, PUBLISHED and PERFORMED; PRIZES. 1950s (Circa) And After Today – play written for amateur drama group ‘The Query Players’ to which A.W belonged. Never performed. Precursor to Chicken Soup with Barley. 1951 The Reed That Bent. A novel. Unpublished but used as the basis for ‘Chips With Everything’. Begun 30 April finished 17 August. The novel itself was drawn from assembled letters written to friends and family during 8 weeks of ‘square bashing’ as an RAF National Service conscript. 1955 Pools. A short story. Begun 16th October, finished following month. 1956 The Kitchen. No date on written MS. Probably begun in this year. Entered for The Observer Play competition in original form of two acts with no Interlude. No prizes. 1957 Life Is Where You Live. Musical written for Primrose Jewish Youth Club of which A.W. was the ‘drama director.’ Fiona Castiglione, the granddaughter of the composer, Rutland Boughton, wrote four or five songs then gave up! June 1957. Chicken Soup With Barley. First notes, circa early October 1957. The play (first entitled ‘When the Wind Blows’) begun 8 October 1957. 1958 Chicken Soup With Barley. First presented at The Belgrade Theatre, Coventry, 7 July for one week, directed by John Dexter. Subsequently at The Royal Court, London on14th July for one week as part of a four week ‘Guest Repertory Season’. Roots. Begun 20th June. 2nd typed draft completed 29 October. I’m Talking About Jerusalem. Begun 9 December. (1st typed draft dated 1st December 1959. 3rd typed draft dated 11th May 1960. Pools. Printed in The Jewish Quarterly, Winter 58/59. -
Catherine Bailey Photo: Brandon Bishop
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Catherine Bailey Photo: Brandon Bishop Appearing on BBC iplayer as Miss Gale in "Malory Towers". Recently filmed "Grace" (ITV) and "Whitstable Pearl" (Acorn/Buccaneer). Greater London, England, United Other: Equity Location: Kingdom Eye Colour: Brown Height: 5'8" (172cm) Hair Colour: Light/Mid Brown Playing Age: 31 - 40 years Hair Length: Mid Length Television 2020, Television, Francine, Grace, ITV, John Alexander 2020, Television, Fi Marston, Whitstable, Acorn TV / Buccaneer, David Caffrey 2019, Television, Miss Gale, Malory Towers, King Bert Productions, Rebecca Ryecroft 2018, Television, Lady Elizabeth Cavendish, The Crown (season 2), Left Bank Pictures, Stephen Daldry and Benjamin Caron 2017, Television, Louisa Hooper, Hetty Feather, BBC, Sallie Aprahamian 2017, Television, Jess, Strike: The Silkworm Part 1, BBC & HBO, Kieron Hawkes 2016, Television, Nina, Mr Selfridge 4, ITV, Joss Agnew 2015, Television, Olivia Hamilton, And Then There Were None, Mammoth Screen for BBC 1, Craig Viveiros 2013, Television, Sammy Jo Rinsler, Doctors, BBC, Emma Sullivan 2013, Television, Stephanie Weston, Midsomer Murders: Wild Harvest, Bentley Productions, Renny Rye 2012, Television, Esther Robinson (Series Reg), House of Anubis, Nickelodeon/Lime, Tim Hopewell/Tom Poole 2011, Television, Miss Wyckham, The Sarah Jane Adventures, DW Productions Ltd, Joss Agnew 2010, Television, DS Karen Roberts (2 Eps), Holby City, BBC, Chris King 2009, Television, -
Sylvie Guillem – Life in Progress Ek / Forsythe / Khan / Maliphant Marketing Pack
Sylvie Guillem – Life in Progress Ek / Forsythe / Khan / Maliphant Marketing Pack Sylvie Guillem Contents 1. Billing and crediting 2. Images 3. Brochure copy 4. A note from Sylvie Guillem 5. Press release 6. Press Quotes 7. Tour dates 8. Biographies Lucy White, Marketing Manager Caroline Ansdell, Press Manager +44 (0) 20 7863 8104 +44 (0) 20 7863 8125 [email protected] [email protected] 1. Billing and crediting Full show title: Sylvie Guillem – Life in Progress A Sadler’s Wells London Production, co-produced with Les Nuits de Fourvière, Shanghai International Arts Festival and Sylvie Guillem This billing must be used in all brochures and programmes and on all print including leaflets and posters. technê Choreographer Akram Khan Composer Alies Sluiter published by Mushroom Music Publishing/BMG Chrysalis Lighting Designers Adam Carrée & Lucy Carter Costume Designer Kimie Nakano Rehearsal Director Jose Agudo Dancer Sylvie Guillem Musicians Prathap Ramachandra, Grace Savage, Alies Sluiter DUO2015 Choreographer William Forsythe Composer Thom Willems Stage, Lights & Costumes William Forsythe World premiere 20 January 1996, Ballett Frankfurt, Opernhaus Frankfurt, Germany Performers Brigel Gjoka, Riley Watts* Here & After Director & Choreographer Russell Maliphant Lighting Designer Michael Hulls Composer Andy Cowton Costume Designer Stevie Stewart Dancers Sylvie Guillem, Emanuela Montanari Bye Choreographer Mats Ek Composer Ludwig van Beethoven (Piano Sonata Op. 111, Arietta; Recording played by Ivo Pogorelich) Set & Costume Designer Katrin Brännström Lighting Designer Erik Berglund Filmographer Elias Benxon Dancer Sylvie Guillem Co-produced by Dansens Hus Stockholm * Casting may change in some venues. Please check with Sadler’s Wells. 2. Images Please note that there is one lead image for this production. -
Theatre, Communism, and Love
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE PASSIONATE AMATEURS Passionate Amateurs THEATRE, COMMUNISM, AND LOVE Nicholas Ridout THE UNIVERSITY OF MICHIGAN PRESS Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written per- mission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in- Publication Data Ridout, Nicholas Peter. Passionate amateurs : theatre, communism, and love / Nicholas Ridout. pages cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 978-0- 472- 11907- 3 (cloth : alk. paper) — ISBN 978-0- 472- 02959- 4 (e- book) 1. Theater and society. 2. Communism and culture. I. Title. PN2051.R53 2013 792—dc23 2013015596 For Isabel and Peter, my parents Acknowledgments Throughout the writing of this book I was fortunate to work in the De- partment of Drama at Queen Mary University of London. Colleagues and students alike made the department a truly stimulating and supportive place to be, to work, and to think. I am grateful to them all. I owe particu- lar thanks, for conversations that contributed in tangible ways to the de- velopment of this work, to Bridget Escolme, Jen Harvie, Michael McKin- nie, Lois Weaver, and Martin Welton. -
BUT IT STILL GOES on by Robert Graves
Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June - August Season 2018 Part of the Finborough Theatre's ! series' The world premiere BUT IT STILL GOES ON by Robert Graves. Edited with additional dialogue by Fidelis Morgan. Directed by Fidelis Morgan. Set Design by Doug Mackie. Costume Design by Carrie-Ann Stein. Lighting Design by Richard Williamson. Sound Design by Benjamin Winter. Presented by Andrew Maunder in association with Arsalan Sattari Productions and Neil McPherson for the Finborough Theatre. Cast: Alan Cox. Victor Gardener. Jack Klaff. Hayward B Morse. Rachel Pickup. Claire Redcliffe. Joshua Ward. Sophie Ward. Charlotte Weston. “This generation’s no good, no good at all. They don’t possess any deep emotions. They don’t know what passion is.” In a production commissioned by the Finborough Theatre, a world premiere from the author of Goodbye To All That and I Claudius, Robert Graves’ “post-catastrophic comedy”, But It Still Goes On, directed by Fidelis Morgan, opens at the Finborough Theatre for a four-week limited season on Tuesday, 10 July 2018 (Press Nights: Thursday, 12 July 2018 and Friday, 13 July 2018 at 7.30pm) as part of the Finborough Theatre’s THEGREATWAR100 series commemorating the centenary of the First World War. London 1932. Cecil Tompion, a popular writer, has bullied his children for most of their lives. Now, his son, an ex-army officer who survived the trenches of the Western Front, and his daughter, a doctor, are trying to break free. Their lives touched by another ex-soldier, David, and close friend Charlotte, who both desperately struggle to repress their homosexuality. -
Plus Tate: Connecting Art to People and Places Plus Tate: Connectingtable of Contents Art to People and Places Contents
PLUS TATE: CONNECTING ART TO PEOPLE AND PLACES PLUS TATE: CONNECTINGTABLE OF CONTENTS ART TO PEOPLE AND PLACES CONTENTS TABLE5 INTRODUCTION OF CONTENTS 10 PLUS TATE ACROSS THE UK 12 ARNOLFINI 16 BALTIC CENTRE FOR CONTEMPORARY ART 20 CORNERHOUSE / HOME Front cover: Kenneth Martin Chance and Order VI (detail) screenprint on paper 1976 Tate 24 FIRSTSITE © The estate of Kenneth Martin 28 GLYNN VIVIAN ART GALLERY First published in 2015 by order of the Tate Trustees by 32 GRIZEDALE ARTS Tate Publishing, a division of Tate Enterprises Ltd, Millbank, SW1P 4RG www.tate.org.uk/publishing 36 THE HEPWORTH WAKEFIELD © Tate 2015 40 IKON 44 KETTLE’S YARD All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, 48 MIMA including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers or a licence from the Copyright Licensing 52 MOSTYN Agency Ltd, www.cla.co.uk 56 NEWLYN ART GALLERY & THE EXCHANGE Designed by Tate Design Studio 2015 60 NOTTINGHAM CONTEMPORARY Partner profiles written by Becky Schutt Coordinated by Amanda King 64 THE PIER ARTS CENTRE Printed by Westerham Press Ltd, UK 68 TATE Printed on paper certified by the Forest Stewardship Council 74 TOWNER ACKNOWLEDGEMENTS 78 TURNER CONTEMPORARY In making this publication, Tate is grateful to the many contributors from 82 WHITWORTH ART GALLERY the Plus Tate network for their readiness to participate and share