The Queen Caroline Affair: Politics as Art in the Reign of George IV Author(s): Thomas W. Laqueur Source: The Journal of Modern History, Vol. 54, No. 3 (Sep., 1982), pp. 417-466 Published by: The University of Chicago Press Stable URL: https://www.jstor.org/stable/1906228 Accessed: 06-03-2020 19:28 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Modern History This content downloaded from 130.132.173.181 on Fri, 06 Mar 2020 19:28:02 UTC All use subject to https://about.jstor.org/terms The Queen Caroline Affair: Politics as Art in the Reign of George IV* Thomas W. Laqueur University of California, Berkeley Seldom has there been so much commotion over what appears to be so little as in the Queen Caroline affair, the agitation on behalf of a not- very-virtuous queen whose still less virtuous husband, George IV, want- ed desperately to divorce her. During much of 1820 the "queen's busi- ness" captivated the nation. "It was the only question I have ever known," wrote the radical critic William Hazlitt, "that excited a thor- ough popular feeling.