Holly Resume July 2016

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h o l l y w a t s o n : g r a p h i c d e s i g n e r c o n t a c t : 304 boerum st., #35 brooklyn, ny 11206 cell : 718.415.4060 email : [email protected] website: http://www.hollywatson.com The Deuce (hbo) : production designer: Beth Mickle, art director: Scott Dougan Collateral Beauty (new line) : production designer: Beth Mickle, art director: Scott Dougan The Get Down (sony/netflix) : production designer : Karen Murphy, art director : Kevin Rupnik The Knick (cinemax season 2) : production designer : Howard Cummings, art director : Laura Ballinger Gardner Vinyl (hbo-pilot) : production designer : Bob Shaw, art director : Laura Ballinger Gardner The Knick (cinemax season 1) : production designer : Howard Cummings, art director : Henry Dunn Teenage Mutant Ninja Turtles : (paramount) production designer : Neil Spisak, art director : Miguel Lopez-Castillo The Wolf of Wall Street : (TWOWS) production designer : Bob Shaw, art director : Chris Shriver Side Effects : (room 772) production designer : Howard Cummings, art director : Miguel Lopez-Castillo Smash (nbc-season 1) : production designer : Cabot McMullen, art director : Doug Huszti The Dictator : (paramount overseas) production designer : Victor Kempster, art director : Greg Berry Not Fade Away : (paramount) production designer: Ford Wheeler, art director: Henry Dunn Too Big to Fail : (hbo) production designer: Bob Shaw, art director: Miguel Lopez Castillo Boardwalk Empire (hbo-season 1 - episodes 10-12) production designer : Bob Shaw, art director: Adam Scher Wall Street II : (20th century fox–additional graphic artist) production designer: Kristi Zea, art director: Paul Kelly You Don’t Know Jack : (hbo) production designer : Mark Ricker, art director : Todd Seidman The Bounty Hunter : (sony pictures–additional graphic artist) production designer : Jane Musky, art director : Patricia Woodbridge The Switch : (bona fide productions) production designer : Adam Stockhausen, art director : Larry Gruber Fringe (fox-season 1) : production designers : Anne Stuhler, Steven J. Jordan, props : Peter Gelfman The Sopranos : (hbo-seasons 4, 5 + 6) production designer : Bob Shaw, art directors : Scott Murphy, Henry Dunn Lord of War : (niccol films/ny portion) production designer : Steve Carter, art director : Deb Jensen Far From Heaven : (sara jane pictures) production designer : Mark Friedberg, art director : Peter Rogness Men in Black II : (sony pictures/ny portion) production designer : Bo Welch, art director : Michael Wylie Kate & Leopold : (miramax) production designer : Mark Friedberg, art director : Jess Gonchor Zoolander : (paramount pictures) production designer : Robin Standefer, art director : Stephen Alesch.

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L U K E F R E E B O
L u k e F r e e b o r n PRODUCTION DESIGNER Phone [310] 941-4246 E-mail [email protected] Web lukefreeborn.com E X P E R I E N C E 2-17 - Now Sup. Art Director, 20th Century Fox, “Avatar 3” •Dir. James Cameron •Prod. Des. Dylan Cole and Ben Procter 2-17 - Now Sup. Art Director, 20th Century Fox, “Avatar 2” •Dir. James Cameron •Prod. Des. Dylan Cole and Ben Procter 11-16 - 2-17 Sup. Art Director, Marvel/Columbia, “Spiderman” (additional photography) •Dir. Jon Watts •Prod. Des. Oliver Scholl Prod. Des. Ramsey Avery (add’l phot.) 6-16 - 11-16 Art Director, Warner Brothers, “Pacific Rim:Maelstrom” •Dir. Steven DeKnight •Prod. Des. Stefan Dechant 2-16 - 6-16 Art Director, Fox, “Logan” •Dir. James Mangold •Prod. Des. François Audouy 3-15 - 11-15 Art Director, Sony, “Passengers” •Dir. Morten Tilden •Prod. Des. Guy Dyas ★ADG award ★OSCAR nom 11-14 - 3-15 Sup. Art Director, Universal, “Steve Jobs” •Dir. Danny Boyle •Prod. Des. Guy Dyas 9-14 - 10-14 Art Director, Roadside Attractions, “Love and Mercy” •Dir. Bill Pohlad •Prod. Des. Kieth Cunningham 11-13 - 2-14 Art Director, Sony Pictures, “Pixels” •Dir. Chris Columbus •Prod. Des. Peter Wenham 8-13 - 11-13 Production Designer, Paramount Studios, “Spongebob Squarepants 2” •Dir. Mike Mitchell 3-13 - 8-13 Art Director, Legendary Pictures, “Blackhat” •Dir. Michael Mann •Prod. Des. Guy Dyas 8-12 - 1-13 Art Director, Disney, “Tomorrowland” •Dir. Brad Bird •Prod. Des. Scott Chambliss 6-12 - 7-12 Supervising Art Director, Fox Searchlight, “Enough Said” •Dir.
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DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
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