Conceptual Model Maker I.A.T.S.E
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
L U K E F R E E B O
L u k e F r e e b o r n PRODUCTION DESIGNER Phone [310] 941-4246 E-mail [email protected] Web lukefreeborn.com E X P E R I E N C E 2-17 - Now Sup. Art Director, 20th Century Fox, “Avatar 3” •Dir. James Cameron •Prod. Des. Dylan Cole and Ben Procter 2-17 - Now Sup. Art Director, 20th Century Fox, “Avatar 2” •Dir. James Cameron •Prod. Des. Dylan Cole and Ben Procter 11-16 - 2-17 Sup. Art Director, Marvel/Columbia, “Spiderman” (additional photography) •Dir. Jon Watts •Prod. Des. Oliver Scholl Prod. Des. Ramsey Avery (add’l phot.) 6-16 - 11-16 Art Director, Warner Brothers, “Pacific Rim:Maelstrom” •Dir. Steven DeKnight •Prod. Des. Stefan Dechant 2-16 - 6-16 Art Director, Fox, “Logan” •Dir. James Mangold •Prod. Des. François Audouy 3-15 - 11-15 Art Director, Sony, “Passengers” •Dir. Morten Tilden •Prod. Des. Guy Dyas ★ADG award ★OSCAR nom 11-14 - 3-15 Sup. Art Director, Universal, “Steve Jobs” •Dir. Danny Boyle •Prod. Des. Guy Dyas 9-14 - 10-14 Art Director, Roadside Attractions, “Love and Mercy” •Dir. Bill Pohlad •Prod. Des. Kieth Cunningham 11-13 - 2-14 Art Director, Sony Pictures, “Pixels” •Dir. Chris Columbus •Prod. Des. Peter Wenham 8-13 - 11-13 Production Designer, Paramount Studios, “Spongebob Squarepants 2” •Dir. Mike Mitchell 3-13 - 8-13 Art Director, Legendary Pictures, “Blackhat” •Dir. Michael Mann •Prod. Des. Guy Dyas 8-12 - 1-13 Art Director, Disney, “Tomorrowland” •Dir. Brad Bird •Prod. Des. Scott Chambliss 6-12 - 7-12 Supervising Art Director, Fox Searchlight, “Enough Said” •Dir. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWA RD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWA RD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES EXODUS: GODS AND KINGS Peter Chernin / Mark Huffam / Michael Schaefer, prods. 20 th Century Fox Ridley Scott, dir. BLACKHAT Jon Jashni / Michael Mann / Thomas Tull, prods. Universal Pictures Michael Mann, dir. THE EQUALIZER Todd Black / Jason Blumenthal / Tony Eldridge / Sony Pictures Mace Neufeld / Alex Siskin / Michael Sloan / Steve Tisch / Denzel Washington / Richard Wenk, prods. Antoine Fuqua, dir. THE EAST Ben Howe / Brit Marling / Jocelyn Hayes-Simpson / Fox Michael Costigan, prods. *theme Zal Matmanglij, dir. TOTAL RECALL Toby Jaffe / Neal H. -
Prop Master Production Designer Art Director
STRENGTHS Strong VFX understanding and experience CONTACT Exceptional leadership and organisational skills Cell: +64 27 537 2531 Webpage: https://www.melissaspicerartdept.com/ Detail, budget and deadline orientated Email: [email protected] IMDB: https://www.imdb.com/name/nm2373975/ Collaborative and creative problem solving Location Base: Wellington New Zealand/Aotearoa LinkedIn: https://www.linkedin.com/in/melissa-spicer-86950514/ PRODUCTION DESIGNER PROP MASTER ART DIRECTOR AVATAR SEQUELS PICK UPS' (FF) THE BFG' (FF) SPARTACUS - BLOOD AND SAND' (TV) Prop Master Digital Set Decorator Prop Master July 2021- October 2014 - Sept 2015 January 2009 - May 2009 Production Designer: Ben Procter Production Designer: Rick Carter Production Designer: Iain Aitken 880 Productions NZ Partnership Ltd/Lightstorm Entertainment Big Valley Productions/Amblin Entertainment Pacific Renaissance Spartacus Ltd WELLINGTON PARANORMAL SEASON 4' (TV) WETA DIGITAL VFX SEPARATION CITY' (FF) Production Designer Department Manager (Layout, Compositing) Prop Master April 2021 - June 2021 September 2012 - April 2018 August 2008 - November 2008 Producers: Taika Waititi, Jermain Clement, Paul Yates Multiple feature films and TV Series, including Game of Thrones, Hunger Production Designer: Iain Aitken Wellington Documentary Board Games, Mortal Engines, Avengers Infinity Wars, Guardian of the Galaxy Vol 2 Redhead Films GOING GOING' (FF) THE HOBBIT TRILOGY' (FF) AVATAR' (FF) Production Designer Assistant Prop Master Lead Props Jan 2021 - April 2021 September 2010 - -
Itage James Nesbitt Ken Stott
New Line Cinema e Metro-Goldwyn-Mayer Pictures Presentano Una Produzione Wingnuts Film Ian McKellen Martin Freeman Richard Armitage James Nesbitt Ken Stott Con Cate Blanchett Ian Holm Christopher Lee Hugo Weaving Elijah Wood e Andy Serkis nel ruolo di ‘Gollum’ Musiche Howard Shore Co-prodotto da Philippa Boyens Eileen Moran Armi, Creature e Trucco Effetti Speciali Richard Taylor Effetti visivi e animazioni Weta Digital Ltd. Capo Squadra Supervisone Effetti Visivi Joe Lettieri Montaggio Jabez Olssen Scenografie Dan Hennah Direttore della fotografia Andrew Lesine Acs,Asc Produttori esecutivi Alan Horn Toby Emmerich Ken Kamis Carolyn Blackwood Prodotto da Carolynne Cunningham Zane Weiner Fran Walsh Peter Jackson Tratto da una storia di J.R.R. Tolkien Scritto da Fran Walsh Philippa Boyens Peter Jackson Guillermo Del Toro Distribuzione Warner Bros.Pictures Italia Durata: 173 minuti Uscita italiana: 13 Dicembre 2012 I materiali sono a disposizione sul sito “Warner Bros. Media Pass”, al seguente indirizzo: https://mediapass.warnerbros.com Sito: http://www.hobbitilfilm.it Fb: https://www.facebook.com/LoHobbitIlfilm Twitter: https://twitter.com/lohobbitfilm #LoHobbit Canale YouTube: http://www.youtube.com/watch?v=2e241Qvgmww&feature=share&list=PL1D7BC5C386EEC263 Ufficio stampa Warner Bros. Pictures Italia Emanuela Semeraro [email protected] Cinzia Fabiani [email protected] Antonio Viespoli [email protected] Il premio Oscar® Peter Jackson firma la regia de “Lo Hobbit - Un viaggio inaspettato”, il primo di tre episodi tratti dal romanzo cult Lo hobbit di J.R.R. Tolkien. I tre film si svolgono nella Terra di Mezzo, sessanta anni prima delle vicende de “Il Signore degli anelli” che Jackson e il suo team hanno portato sul grande schermo con la popolare trilogia conclusasi con il premio Oscar® “Il signore degli anelli - Il ritorno del re”. -
Two Page Summary Venture Capital Pitch 2020 Brent J
TWO PAGE SUMMARY VENTURE CAPITAL PITCH 2020 BRENT J. ZORICH MA BSID ENTREPRENEUR AND PRINCIPAL TECHNICAL ARTIST PORTFOLIO SUMMARY WWW.BRENTZORICH.COM RESUME ACADEMICS • DESIGN DEPT RANKED TOP 10 NATIONALLY • UNDERGRAD DESIGN STUDENT BODY PRESIDENT • ACCAD GRAD DEPT FOUNDED CGI IN 1960’S • UNDERGRAD DESIGN THESIS: NIKE RETAIL DESIGN • BEST PRACTICES REVIEW COMMITTEE • • COFOUNDER • • MASTERS THESIS: AUTORIGGING DINOSAURS IN PYTHON OUTREACH PROGRAM • EXECUTIVE TRAINEE • • SIGGRAPH & GDC BOOTHS • ADODE PRERELEASE ARCHITECTURE TEAM FOR FIRMS RANKED #1 AND #2 LEAD RIGGING BASKETBALL RIGGING RIGGING RIGGING PHOTOSHOP ON CENTRAL FOOTBALL PROTOTYPING PROTOTYPING THE IPAD PRO 2 GLOBALLY SMART SKINNER RIGGING PIPELINE SOFTWARE: 6. GENERATE ILM LEVEL KEYFRAME CONTROL RIG OPTIMIZE CHARACTER FOR 1. START WITH YOUR MODEL CONTROL RIG INSTANTLY 7. WITH GUI BUTTONS 8. IN GAME USE WITH GUI • WROTE ENTIRE TECHNOLOGY BY MYSELF IN MEL AND PYTHON • CUSTOMIZABLE UPON REQUEST: FEATURED AT SIGGRAPH AND GDC GENERATE AND ALIGN 2. SKELETON WITH GUI ATTACH MODEL TO • ADVISED BY ILM COFOUNDER AFFILIATE TO NOT SELL BELOW $20 MILLION SKELETON AND PICK REFERENCE IN ZBRUSH, NEXT - • 3 ACQUISITION REVIEWS WITH 3 SEPARATE FORTUNE 100 COMPANIES THE NUMBER OF SKIN 3. INFLUENCES WITH GUI GEN, OR MOBILE PROXY WITH CORRECT SKIN WEIGHTS THAT • RAISED INVESTMENT MONEY FROM BANKING ALUM OF HARVARD AND YALE ALIGNS WITH MODEL. TRANSFER WEIGHTS THEN UNREFERENCE. TEST SKIN WEIGHTING WITH • FEATURED ON THE COVER OF A WORLDWIDE MAGAZINE 4. THIS HAPPENS ALL WITHIN GUI. 5. GUI POSER LIBRARY • TECH BURNED TO WORLDWIDE MAGAZINE’S INCLUDED ACCOMPANYING DVD OVER 80 HOURS SAVED • 250 UNIVERSITIES ON 6 CONTINENTS RECEIVED PRODUCT EITHER 6. 9. -
DOUGLAS S. JONES Line Producer/UPM
DOUGLAS S. JONES Line Producer/UPM THE WATSONS GO TO BIRMINGHAM ; Bryce Jenkins Exec. In Charge of Prod./UPM Dir: Kenny Leon. Producers: Nikki Silver, Tonya Lewis Lee Walden Media Location: Atlanta, Georgia DEAR DUMB DIARY ; Emily Alyn Lind Exec. In Charge of Prod. Dir: Kristin Hanggi. Producers: Janet Zucker, Jerry Zucker Walden Media Location: Salt Lake City, Utah PARENTAL GUIDANCE; Billy Crystal, Bette Midler Exec. In Charge of Prod. Dir: Andy Fickman. Producers: Peter Chernin, Billy Crystal Walden Media Location: Atlanta, Georgia WON’T BACK DOWN ; Viola Davis, Maggie Gyllenhaal Exec. In Charge of Prod. Dir: Daniel Barnz. Producer: Mark Johnson. Walden Media Location: Pittsburgh, Pennsylvania CHASING MAVERICKS; Gerard Butler, Elisabeth Shue Exec. In Charge of Prod. Dir: Curtis Hanson, Michael Apted. Walden Media Producers: Mark Johnson, Jim Meenaghan Location: Northern California THE CHRONICLES OF NARNIA: Exec. In Charge of Prod. VOYAGE OF THE DAWN TREADER; Walden Media Ben Barnes, Skandar Keynes, Georgie Henley. Dir: Michael Apted. Producers: Mark Johnson, Phil Steuer Location: Gold Coast, Australia. BAND SLAM ; Vanessa Hudgens, Aly Michalka Exec. In Charge of Prod. Dir: Todd Graff. Producer: Elaine Goldsmith Thomas Walden Media Location: Austin, Texas JOURNEY TO THE CENTER OF THE EARTH; Exec. In Charge of Prod. Brendan Fraser, Josh Hutcherson Walden Media Dir: Eric Brevig. Producer: Beau Flynn Location: Montreal, Canada CITY OF EMBER ; Saoirse Ronan, Bill Murray Exec. In Charge of Prod. Dir: Gil Kenan. Producers: Gary Goetzman, Tom Hanks Walden Media Location: Belfast, Ireland T Exec. In Charge of Prod. 6399 Wilshire Blvd., Ste. 415 Los Angeles, CA 90048 ph 323.782.1854 fx 323.345.5690 [email protected] HE CHRONICLES OF NARNIA: PRINCE CASPIAN; Walden Media Ben Barnes, Skandar Keynes, Georgia Henley Dir: Andrew Adamson. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
NZFC Annual Report 2012/13
New Zealand Film Commission ANNUAL REPORT 2012-2013 PO Box 11-546 Wellington www.nzfilm.co.nz Funded by the New Zealand Government through the Ministry for The Weight of Elephants Culture and Heritage and by the Lottery Grants Board G19 Report of the New Zealand Film Commission for the year ended 30 June 2013 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2013. Patsy Reddy Andrew Cornwell Chair Board Member 1 Cover (clockwise from top right): Ellen is Leaving, Top of the Lake, Fantail, Shopping, Utu: Redux, Mt. Zion Highlights Who we are This year has seen success across the The New Zealand Film Commission (NZFC) New Zealand screen sector from short is an Autonomous Crown Entity with a film festival starEllen is Leaving, to the wide statutory remit in respect of New continued festival run of short Night Shift, Zealand film and the New Zealand film feature film Shopping’s win in Berlin, Mt. industry as a whole. It allocates funds Zion topping the New Zealand Box Office, provided by the Crown and Lottery Grants eight Emmy Award nominations for Board to meet its statutory functions and 2 Jane Campion’s Top of the Lake and the implement government policies. international attention for the country and We are committed to supporting a sustainable and internationally screen sector attracted by the Large Budget competitive screen sector for New Zealand. -
Masculinity in Children's Film
Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________ -
15Th Annual ADG Awards Nominations
15th Annual ADG Awards Nominations Congratulations to the entire team for each film and television show honored! The SDSA would like to particularly acknowledge the set decorators’ contribution for these outstanding productions. NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2010 PERIOD FILM TRUE GRIT Production Designer: Jess Conchor Set Decorator: Nancy Haigh THE KING'S SPEECH Production Designer: Eve Stewart Set Decorator: Judy Farr SHUTTER ISLAND Production Designer: Dante Ferretti Set Decorator: Francesca Lo Schiavo SDSA ROBIN HOOD Production Designer: Arthur Max Set Decorator: SonJa KLaus GET LOW Production Designer: Geoffrey KirkLand Set Decorator: Frank Galline SDSA FANTASY FILM ALICE IN WONDERLAND Production Designer: Robert Stromberg Set Decorator: Karen O’Hara SDSA Set Decorator: Peter Young HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Production Designer: Stuart Craig Set Decorator: Stephanie McMiLLan INCEPTION Production Designer: Guy Hendrix Dyas Set Decorator: Larry Dias SDSA Set Decorator: Doug Mowat TRON: LEGACY Production Designer: Darren GiLford Set Decorator: Lin MacDonaLd THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER Production Designer: Barry Robison Set Decorator: Rebecca Cohen CONTEMPORARY FILM BLACK SWAN Production Designer: Therese DePrez Set Decorator: Tora Peterson THE SOCIAL NETWORK Production Designer: DonaLd Graham Burt Set Decorator: Victor J. Zolfo SDSA THE FIGHTER Production Designer: Judy Becker Set Decorator: Gene Serdena THE TOWN Production Designer: Sharon Seymour Set