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To Rock Or Not Torock?
v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay. -
Dark German Romanticism and the Postpunk Ethos of Joy Division, the Cure and Smashing Pumpkins
University of South Carolina Scholar Commons Theses and Dissertations Fall 2020 Dark German Romanticism and the Postpunk Ethos of Joy Division, The Cure and Smashing Pumpkins Logan Jansen Hunter Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the German Language and Literature Commons Recommended Citation Hunter, L. J.(2020). Dark German Romanticism and the Postpunk Ethos of Joy Division, The Cure and Smashing Pumpkins. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/6182 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. DARK GERMAN ROMANTICISM AND THE POSTPUNK ETHOS OF JOY DIVISION, THE CURE AND SMASHING PUMPKINS by Logan Jansen Hunter Bachelors in Arts University of South Carolina, 2017 Submitted in Partial Fulfillment of the Requirements For the Degree of Masters in German College of Arts and Sciences University of South Carolina 2020 Accepted by: Nicholas Vazsonyi, Director of Thesis Yvonne Ivory, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Logan Jansen Hunter, 2020 All Rights Reserved. ii DEDICATION To my Opa, who helped me to appreciate the complexities of music, understand the significance of history and inspire to learn the German language. Without him, this thesis would not have been possible. iii ACKNOWLEDGEMENTS I would like to express my gratitude to Dr. Nicholas Vazsonyi for his willingness to direct my thesis. I would also like to thank Will Whisenant, Ross and James Haynes, Max Gindorf, and C.J. -
Bos BA Thesis Final Version
Bert Bos 3274063 Maxwellstraat 12 6716 BX Ede BA Thesis English Language and Culture, Utrecht University Supervisor: Derek Rubin November 2010 6562 words What if God Was One of Us: American Artists and Their Religious Messages 2 Table of Contents Introduction page 3 Section One – Statistics page 6 Section Two – Joan Osborne and Dishwalla page 7 Section Three – Dishwalla page 8 Section Four – Kanye West page 10 Section Five – The Fray page 12 Section Six – Madonna page 14 Conclusion page 15 Appendix A: Joan Osborne – “One of Us” page 17 Appendix B: Dishwalla – “Counting Blue Cars” page 19 Appendix C: Kanye West – “Jesus Walks” page 21 Appendix D: The Fray – “You Found Me” page 23 Appendix E: Madonna – “Live to Tell” page 25 Works Cited page 27 3 Introduction On May 15, 1994 Sting held a speech at Berklee College of Music in Boston. In his speech he spoke about the relationship between music and religion. He said the following: “What I'm trying to say here is that if ever I'm asked if I'm religious, I always reply that, yes, I'm a devout musician. Music puts me in touch with something beyond the intellect, something otherworldly, something sacred” (5). Music and religion have a strange connection. Many concerts have the atmosphere of a religious event, indeed many fans that spend a day waiting to enter an arena hoping to be as close to the artist as possible may not be very different from those who spend a day waiting to catch a glimpse of the pope. -
Adele with Just a Couple of Cursory Listens to the Few Tracks That Popped
19 – Adele With just a couple of cursory listens to the few tracks that popped up all over the Internet through 2007, comparisons were made between Adele, the much-hyped brassy British songstress, and Amy Winehouse, the...much-hyped brassy British songstress. However, after a solid listen to 19, the first full sampling by the up-and-coming Adele, listeners are forced to throw all comparisons to the wind; Adele is simply too magical to compare her to anyone. Bluesy like it's no one's business yet voluptuously funky in a contemporary way, Adele rocks out 19 with a unique voice and gritty sound that dazzle endlessly. Synthesizing blues, jazz, folk, soul, and even electric pop, Adele mystifies through her mature songwriting skills and jaw-dropping arrangements. As the album opens with "Daydreamer," Adele's illusionary instrument -- over minimal sounds -- engulfs the listener with a gorgeous feeling of awe and wonderment. On "Melt My Heart to Stone" and the bona fide hit "Chasing Pavements," Adele allows herself to soar over the strings and power her way through these incredible songs. The upbeat "Right as Rain" is just wonderful, with clear Ashford & Simpson influences speckled all over it in an upbeat set. Nearly all the tracks seem to have been nurtured to glory over months as labors of love. What's simply awesome on 19 is its capability to capture the listener through mere teasing; Adele doesn't shout for attention, and doesn't rely on anyone but herself to prove she's worth it, in the same vein as Sara Bareilles, another heavily praised artist of 2007. -
26 Kris Myers
The all new SONOR AQ2 Series drums feature 7ply all Maple shells, the new SmartMount isolation system, five exciting finishes, and bring some uniquely SONOR configurations to a new level of quality. us.sonor.com GUARANTEED DURABILITY. The Vater Extended Play™ Series is an extremely durable American hickory drumstick that has two distinct features; The first feature is a pearl-colored, specially formulated durable finish that protects the tip and shoulder area of the stick from early chipping and cracking. The second feature is our exclusive 3 inch “Stick Shield™“ located in the rimshot area that is highly impact resistant and 8X stronger than Steel with maximum tensile strength. The grip area of the stick has the same great-feeling finish as found on all Vater Sticks. Extended Play™ sticks offer the optimal balance and feel of a Vater hickory stick, with advanced durability and resistance to rimshot fatigue and breakage. Patent Pending. Visit vater. com for warranty info. Both sticks pictured used by the same drummer, under the same conditions, for the same amount of time, with the same band and on the same drum kit. • Durable Finish on tip and shoulder • Stick Shield™ prevents wear and breakage in the “rimshot” area • Same great balance and feel as standard models, but with unmatched durability • GUARANTEED against breakage due to wear in the area protected by the Stick Shield™ • Available in 5A, 5B, Power 5A, Power 5B and 3A, wood or nylon tip as well as in the MV7 and MV8 Marching Snare Stick models #SWITCHTOVATER 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM BASS HEADS ARE ONE-SIZE-FITS-ALL.* * IF WE BELIEVED THIS, WHY WOULD WE MAKE THREE BRAND NEW CUTTING-EDGE BASS HEADS? This series brings you the same UV-coating that made drummers switch to UV1 tom and snare heads, featuring the UV1 for a wide open sound, the UV EQ4 for balance and sustain, and the UV EMAD for a more focused attack. -
Happy Holidays Holiday Movies, Events, Gifts and More! JACKSONVILLE
happy holidays holiday movies, events, gifts and more! JACKSONVILLE Holiday Movie Preview | Winter Wonderland in St. Augustine | Holiday Event Calendar | Mitchell’s Fish Market free weekly guide to entertainment and more | november 29 - december 5, 2007 | www.eujacksonville.com 2 november 29-december 5, 2007 | entertaining u newspaper table of contents feature Holiday Gift Guide ..........................................................................................PAGES 14-19 Holiday Events ...................................................................................................... PAGE 15 Winter Wonderland (St. Augustine Amphitheatre) ................................................... PAGE 26 movies Movies in Theaters this Week ...........................................................................PAGES 6-10 Holiday Movie Preview .......................................................................................PAGES 6-7 Before the Devil Knows You’re Dead (movie review) ................................................. PAGE 8 Mama’s Boy (movie review) .................................................................................... PAGE 9 Hitman (movie review) .......................................................................................... PAGE 10 No Country for Old Men (movie review) ................................................................. PAGE 11 home Netscapades ......................................................................................................... PAGE 12 Video Games ...................................................................................................... -
Ird BWS Images *******
Rosa Menkman Beyond Resolution !LXIII !LXVII Refuse to let the syntaxes of (a) history direct our futures !I Colophon Beyond Resolution is compiled of texts that have been extended and reworked by Rosa Menkman, 2115 – 2020. Published by the i.R.D. A pdf of this publication can be freely downloaded at: https://beyondresolution.info/beyond-resolution For more information please contact me: [email protected] ISBN: 978-90-828273-0-9 COPY < IT > RIGHT ! A warm thank you for the support I have received: Transfer Gallery: Kelani Nichole Akademie Schloss Solitude: Jean-Baptiste Joly, Clara Herrmann, Mareen Wrobel and Bruce Sterling, Taietzel Ticalos and Jakob Weiss Ward Janssen and Mieke Gerritzen Landers: Per Platou, Amsterdam: Annette Wolfsberger. Tokyo: CG-Arts (Japan Media Arts Festival), the ICC and ARTnSHELTER Oregon Story Board, Upfor Gallery, EyeBeam: Tomas Wester and Teo Downes-Le Guin DiMoDA: Will Robertson and Alfredo Salazar Caro #Additivism: Daniel Rourke and Morehshin Allahyari Parallax, Brett Wallace, Lune Magazine: Nathan Jones Nora ní Mhurchú and Bogomir Doringer A4 and Matus Kobolka Transmediale: Kristofer Gansing Kunsthochschule Kassel: Joel Baumann and my students CERN and Fabra i Coats SJSU and L’Unique Caen Mario de Vega Lotte, Ben, Caspar Menkman Crum Beyond Resolution is supported by Stimuleringsfonds Creatieve Industrie !II BEYOND RESOLUTION Introduction 0000 Whiteout 0001 Behind White Shadows 0010 Night of the Unexpected 0011 Refuse to Let the Syntaxes of (a) History Direct Our Futures 0100 institutions of Resolution Disputes [i.R.D.] Conclusion !I “the pandemic of mental anguish that aficts our time cannot be properly understood, or healed, if viewed as a private problem sufered by damaged individuals.” - Mark Fisher. -
©Copyright 2010 Bradley T. Osborn
©Copyright 2010 Bradley T. Osborn Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music Bradley T. Osborn A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2010 Program Authorized to Offer Degree: Music University of Washington Graduate School This is to certify that I have examined this copy of a doctoral dissertation by Bradley T. Osborn and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Chair of the Supervisory Committee: ___________________________________________________ Áine Heneghan Reading Committee: __________________________________________________ Áine Heneghan __________________________________________________ Jonathan Bernard ___________________________________________________ John Rahn ___________________________________________________ Lawrence Starr Date: ________________________________________ In presenting this dissertation in partial fulfillment of the requirements for the doctoral degree at the University of Washington, I agree that the Library shall make its copies freely available for inspection. I further agree that extensive copying of the dissertation is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for copying or reproduction of this dissertation may be referred to ProQuest Information and Learning, 300 North Zeeb Road, Ann Arbor, MI 48106-1346, 1-800-521-0600, to whom the author has granted “the right to reproduce and sell (a) copies of the manuscript in microform and/or (b) printed copies of the manuscript made from microform.” Signature________________________ Date____________________________ University of Washington Abstract Beyond Verse and Chorus: Expermental Formal Structures in Post-Millennial Rock Music Bradley T. Osborn Chair of Supervisory Committee: Dr. -
PRECIOUS METAL “This Page Left Intentionally Blank.” 0306818066-Mudrian 01:Layout 1 5/4/09 1:28 PM Page Iii
0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page i PRECIOUS METAL “This page left intentionally blank.” 0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page iii PRECIOUS METAL ø DECIBEL Presents the Stories Behind 25 Extreme Metal Masterpieces Edited by ALBERT MUDRIAN DA CAPO PRESS A Member of the Perseus Books Group 0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page iv Copyright © 2009 by Decibel magazine All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America. For information, address Da Capo Press, 11 Cambridge Center, Cambridge, MA 02142. Designed by Jeff Williams Set in 11 point Adobe Caslon by the Perseus Books Group Library of Congress Cataloging-in-Publication Data Precious metal : Decibel magazine presents the oral histories of 25 extreme metal essentials / edited by Albert Mudrian. p. cm. Includes index. ISBN 978-0-306-81806-6 (alk. paper) 1. Extreme metal (Music)—History and criticism. 2. Death metal (Music)—History and criticism. 3. Heavy metal (Music)—History and criticism. 4. Rock musicians—Interviews. I. Mudrian, Albert, 1975– II. Decibel (Philadelphia, Pa.) ML3534.P73 2009 781.66--dc22 2009007835 Published by Da Capo Press A Member of the Perseus Books Group www.dacapopress.com Da Capo Press books are available at special discounts for bulk purchases in the U.S. by corpo- rations, institutions, and other organizations. -
©Copyright 2010 Bradley T. Osborn
©Copyright 2010 Bradley T. Osborn Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music Bradley T. Osborn A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2010 Program Authorized to Offer Degree: Music University of Washington Graduate School This is to certify that I have examined this copy of a doctoral dissertation by Bradley T. Osborn and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Chair of the Supervisory Committee: ___________________________________________________ Áine Heneghan Reading Committee: __________________________________________________ Áine Heneghan __________________________________________________ Jonathan Bernard ___________________________________________________ John Rahn ___________________________________________________ Lawrence Starr Date: ________________________________________ In presenting this dissertation in partial fulfillment of the requirements for the doctoral degree at the University of Washington, I agree that the Library shall make its copies freely available for inspection. I further agree that extensive copying of the dissertation is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for copying or reproduction of this dissertation may be referred to ProQuest Information and Learning, 300 North Zeeb Road, Ann Arbor, MI 48106-1346, 1-800-521-0600, to whom the author has granted “the right to reproduce and sell (a) copies of the manuscript in microform and/or (b) printed copies of the manuscript made from microform.” Signature________________________ Date____________________________ University of Washington Abstract Beyond Verse and Chorus: Expermental Formal Structures in Post-Millennial Rock Music Bradley T. Osborn Chair of Supervisory Committee: Dr. -
Moorings Vol 3-2 Spring 2019
Moorings Jesuit High School Sacramento Literary & Arts Journal Letter From the Editors Welcome to the Spring 2019 edition of As editors, we cannot create Moorings by ourselves. Moorings! As the Jesuit High School Literary & First, we must thank all the students who put Arts Journal, we seek to foster creative expression themselves out there and submitted their work to us. amongst the student body by showcasing the best We also want to thank Mr. Loverich, our leader, for written and visual works produced at Jesuit. always pushing us to make the journal the best it can be and Mr. O’Connor for offering his invaluable input in The pieces in this edition embody the many numerous instances. emotions and moods of the season. “Rippling Sunset” and “Yellow 004” celebrate the upcoming Thank you for taking the time to gaze at the photos, freedom as the photos “Sumidero Canyon” and paintings, and drawings produced by the many talented “Pfeiffer’s Eye” showcase the beauty of the natural student artists at Jesuit and to read the poems, short world soaked in sunlight. But spring is also the stories, and essays carefully crafted by our writers. May end of the school year, and more solemn, reflective their works entertain, surprise, amaze, scare, and most of sentiments can be felt in the painting “Monument all inspire you to be creative in your own way. of Flesh” as well as the appropriately titled poem “Spring” while “The Other Side” ponders the mysterious unknown. Garrett Emmons ’19, Editor in Chief The Editors Allen Chen ’19 Baxter Givans ’19 Peter Grimmett ’19 Hunter Hechtl ’19 Steven Noll ’19 Dean Babb ’20 James Eric Johannessen ’20 Santiago Chang ’21 Peter Wisner ’21 Alfred Yu ’21 Cover Artwork: Light Dance, Soren Peterson ’20, Photography Moorings Jesuit High School Sacramento Literary & Arts Journal Volume 3, No. -
The Un'gathering of the Tribes: Performing, Writing
THE UN’GATHERING OF THE TRIBES: PERFORMING, WRITING, AND REMAKING MASCULINE IDENTITY AT 1990S ALTERNATIVE ROCK FESTIVALS A THESIS IN History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by DANIEL GORDON FITZGERALD B.A., Eastern Illinois University, 1999 Kansas City, Missouri 2013 THE UN’GATHERING OF THE TRIBES: PERFORMING, WRITING, AND REMAKING MASCULINE IDENITITY AT 1990S ALTERNATIVE ROCK FESTIVALS Daniel Gordon Fitzgerald, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2013 ABSTRACT In the early 1990s, a number of up-and-coming American rock bands working in the so-called “alternative rock” genre coupled boyish sensitivity with aggressive sounds that fused punk rock, hard rock, and underground styles to create a genre that provided a thoughtful twist on the angry young man archetype. During this same period, a new wave of traveling all-day, multi-band rock festivals offered bands and audiences a venue for performing their new thoughtful alternative identities. Although Lollapalooza—the first major American alternative festival of the ‘90s—was initially successful in bringing together diverse groups from America’s alternative-aligned countercultures, musicians, fans, and journalists ultimately abandoned the festival when it traded passionate, high volume sensitivity for aggressive hyper-masculinity. As Lollapalooza’s popularity waned, new niche festivals such as the neo-hippie H.O.R.D.E. Tour, the all-female Lilith Fair, and the heavy metal Ozzfest emerged, splitting the iii alternative rock audience and fostering environments where fans and bands could construct subgenre-specific identities.