March 2012 Issue of AJET Connect
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected]
Contact: Tatiana Moton FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected] GLOBAL ICON MÝA RETURNS WITH BRAND NEW SINGLE CELEBRATING 20TH YEAR ANNIVERSARY MÝA ANNOUNCES THIRTEENTH ALBUM, ARRIVING 2018 Grammy-winning recording artist, Mýa, unveiled the release of her brand new single, from her highly anticipated upcoming 13th studio project. The global entertainer and humanitarian surprised eager fans by ushering in Valentine’s Day with a debut of her new music, once again breaking the mold with a sexy, sultry, soulful sound that is sparking scores of praise and raving fanfare. The new single, “You Got Me,” now available on all digital outlets worldwide, celebrates the 20th year anniversary of Mýa’s debut single, the Billboard chart- topping hit, “It’s All About Me,” featuring R&B singer, Sisqo. Released in 1998, it was the leading single on the self-titled, double platinum, debut album, Mýa, which would launch the then 18-year-old Mýa into the fabric of pop-culture. The celebrated singer, songwriter, producer, musician, dancer/choreographer, designer, actress, activist and philanthropist has electrified audiences over the years with world smash hits including, “It’s All About Me,” “Movin On,” “Ghetto Superstar,” “Take Me There,” “Case of the Ex,” “Best of Me,” “My Love Is Like Wo,” “Fallen” and more. Mýa’s impressive catalog of music includes her second double platinum album, Fear of Flying, released in 2000. In 2001, Mýa collaborated with Christina Aguilera, Lil’ Kim, P!nk and Missy Elliot on a remake of LaBelle’s “Lady Marmalade,” which is featured in Baz Luhrman’s “Moulin Rouge.” Selling over 5.5 million copies, it became the most successful airplay-only single in history, winning the Grammy Award for Best Pop Collaboration and garnering numerous awards. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
Hegemony and Difference: Race, Class and Gender
Hegemony and Difference: Race, Class and Gender 9 More than Just the “Big Piece of Chicken”: The Power of Race, Class, and Food in American Consciousness Psyche Williams-Forson 10 The Overcooked and Underdone: Masculinities in Japanese Food Programming T.J.M. Holden 11 Domestic Divo ? Televised Treatments of Masculinity, Femininity, and Food Rebecca Swenson 12 Japanese Mothers and Obent¯os: The Lunch-Box as Ideological State Apparatus Anne Allison 13 Mexicanas’ Food Voice and Differential Consciousness in the San Luis Valley of Colorado Carole Counihan 14 Feeding Lesbigay Families Christopher Carrington 15 Thinking Race Through Corporeal Feminist Theory: Divisions and Intimacies at the Minneapolis Farmers’ Market Rachel Slocum 16 The Raw and the Rotten: Punk Cuisine Copyright © 2012. Routledge. All rights reserved. © 2012. Routledge. Copyright Dylan Clark Food and Culture : A Reader, edited by Carole Counihan, et al., Routledge, 2012. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uoregon/detail.action?docID=1097808. Created from uoregon on 2018-10-21 19:08:08. Copyright © 2012. Routledge. All rights reserved. © 2012. Routledge. Copyright Food and Culture : A Reader, edited by Carole Counihan, et al., Routledge, 2012. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uoregon/detail.action?docID=1097808. Created from uoregon on 2018-10-21 19:08:08. 9 More than Just the “Big Piece of Chicken”: The Power of Race, Class, and Food in American Consciousness* Psyche Williams-Forson In 1999 HBO premiered Chris Rock’s stand-up comedy routine Bigger and Blacker . One of the jokes deals with what Rock humorously calls the “big piece of chicken.” 1 Using wit, Chris Rock delivers a semi-serious treatise on parenting and marriage. -
Japonica Humboldtiana 7 (2003)
JAPONICA HUMBOLDTIANA 7 (2003) Contents MARKUS RÜTTERMANN Ein japanischer Briefsteller aus dem ‘Tempel zu den hohen Bergen’ Übersetzung und Kommentar einer Heian-zeitlichen Handschrift (sogenanntes Kôzanjibon koôrai). Erster Teil ................................. 5 STEPHAN KÖHN Tradition und visuelle Narrativität in Japan Von den Anfängen des Erzählens mit Text und Bild....................... 55 CARL STEENSTRUP The Munakata Clan Code of 1313 How a Clan of Hereditary Shrine Priests with Warrior Status Modernized Their Rule and Survived in Power............................... 93 MICHAEL KINSKI Admonitions Regarding Food Consumption Takai Ranzan’s Shokuji kai Introduction, Transcription and Translation. Part One .................... 123 HARALD SALOMON Agnes Sappers Wirkung in Japan Zur Rezeption eines deutschen Familienbilds in der frühen Shôwa-Zeit ................................................................. 179 Review Article W. J. BOOT: James MCMULLEN: Idealism, Protest, and the Tale of Genji. The Confucianism of Kumazawa Banzan (1619–1691)..................................................................................... 239 Ein japanischer Briefsteller aus dem ‘Tempel zu den hohen Bergen’ Übersetzung und Kommentar einer Heian-zeitlichen Handschrift (sogenanntes Kôzanjibon koôrai). Erster Teil Markus Rüttermann, Kyôto 1. Zur Einführung 1.1 Überlieferung und Aufbau Zu den heute bekannten Briefstellern der Heian-Zeit werden neben dem berühmten, von C. Scharschmidt bearbeiteten Unshû shôsoku B&A* (“Kor- respondenzen des [Provinzverwesers] von Izumo”)1 des Fujiwara no Akihira + (?–1066) und – wir folgen mit großen Vorbehalten – den sogenannten 1 Auch B&P3 (“Briefe des Gouverneurs der Provinz Izumo”) bzw. Meigô ôrai +P 3 (“Korrespondenzen des Herrn Akihira”); Unshû shôsoku B&A*, HANAWA Hokiichi .[5 (Hg.): Gunsho ruijû U4E. [GR], Bd. 9 (bunpitsubu O?H, shôsokubu A 3 1 *H), Zoku Gunsho ruijû Kanseikai rev. 1968 ( 1928): 390–437; Meigô ôrai, ISHIKAWA Ken (Hg.): Nihon kyôkasho taikei @\49` [NKT] (ôraihen P3W), Bd. -
Filmography of Case Study Films (In Chronological Order of Release)
FILMOGRAPHY OF CASE STUDY FILMS (IN CHRONOLOGICAL ORDER OF RELEASE) Kairo / Pulse 118 mins, col. Released: 2001 (Japan) Director: Kiyoshi Kurosawa Screenplay: Kiyoshi Kurosawa Cinematography: Junichiro Hayashi Editing: Junichi Kikuchi Sound: Makio Ika Original Music: Takefumi Haketa Producers: Ken Inoue, Seiji Okuda, Shun Shimizu, Atsuyuki Shimoda, Yasuyoshi Tokuma, and Hiroshi Yamamoto Main Cast: Haruhiko Kato, Kumiko Aso, Koyuki, Kurume Arisaka, Kenji Mizuhashi, and Masatoshi Matsuyo Production Companies: Daiei Eiga, Hakuhodo, Imagica, and Nippon Television Network Corporation (NTV) Doruzu / Dolls 114 mins, col. Released: 2002 (Japan) Director: Takeshi Kitano Screenplay: Takeshi Kitano Cinematography: Katsumi Yanagijima © The Author(s) 2016 217 A. Dorman, Paradoxical Japaneseness, DOI 10.1057/978-1-137-55160-3 218 FILMOGRAPHY OF CASE STUDY FILMS… Editing: Takeshi Kitano Sound: Senji Horiuchi Original Music: Joe Hisaishi Producers: Masayuki Mori and Takio Yoshida Main Cast: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara, Tsutomu Takeshige, and Kyoko Fukuda Production Companies: Bandai Visual Company, Offi ce Kitano, Tokyo FM Broadcasting Company, and TV Tokyo Sukiyaki uesutan jango / Sukiyaki Western Django 121 mins, col. Released: 2007 (Japan) Director: Takashi Miike Screenplay: Takashi Miike and Masa Nakamura Cinematography: Toyomichi Kurita Editing: Yasushi Shimamura Sound: Jun Nakamura Original Music: Koji Endo Producers: Nobuyuki Tohya, Masao Owaki, and Toshiaki Nakazawa Main Cast: Hideaki Ito, Yusuke Iseya, Koichi Sato, Kaori Momoi, Teruyuki Kagawa, Yoshino Kimura, Masanobu Ando, Shun Oguri, and Quentin Tarantino Production Companies: A-Team, Dentsu, Geneon Entertainment, Nagoya Broadcasting Network (NBN), Sedic International, Shogakukan, Sony Pictures Entertainment (Japan), Sukiyaki Western Django Film Partners, Toei Company, Tokyu Recreation, and TV Asahi Okuribito / Departures 130 mins, col. -
Shinzo Abe George W
Shinzo Abe George W. Bush Ichiro Suzuki DOB: 21 st Sep 1954 DOB: 6 th July 1946 DOB: 22 nd October 1973 Age: Age: Age: . m 1.80m 1.75m Yamaguchi USA Aichi Hideki Matsui Shinji Ono Bae Yong Joon DOB: 12 th June 1974 DOB: 27 th September 1979 DOB: 29 th August 1972 Age: Age: Age: 1.82 1.75 1.80 Ishikawa Shizuoka South Korea David Beckham Shunsuke Nakamura Bob Sapp DOB: 2 nd May 1974 DOB: 24 th June 1978 DOB: 22 nd September 1974 Age: Age: Age: 1.80 1.78 2.00 England Yokohama USA Ryoko Tani Kosuke Kitajima Mino Monta DOB: 6 th September 1975 DOB: 22 nd September 1982 DOB: 22 nd August 1944 Age: Age: Age: 1.46 1.78 1.65 Fukuoka Tokyo Tokyo Hidetoshi Nakata Osama Bin Laden Masami Hisamoto DOB: 22 nd January 1977 DOB: 10 th March 1957 DOB: 8 th July 1960 Age: Age: Age: 1.75 1.95 1.54 Yamanashi Saudi Arabia Osaka Nanako Matsushima Takuya Kimura Shingo Katori DOB: 13 th October 1973 DOB: 13 th November 1972 DOB: 31 st January 1977 Age: Age: Age: 1.70 1.75 1.83 Kanagawa Tokyo Yokohama Tsuyoshi Kusanagi Goro Inagaki Masahiro Nakai DOB: 9th July 1974 DOB: 8 th December 1973 DOB: 18 th August 1972 Age: Age: Age: 1.70 1.76 1.65 Ehime Tokyo Kanagawa Takeshi Kitano Akiko Wada Yao Ming ( ヤオミン) DOB: 18 th January 1947 DOB: April 10 th 1950 DOB: 12 th September 1980 Age: Age: Age: 1.85 1m74 2.29 Tokyo Osaka China Shaquille O’Neal Ai Fukuhara Naoko Takahashi DOB: March 6 th 1972 DOB: 1 st November 1988 DOB: 6 th May 1972 Age: Age: Age: 2m16 154 162 USA Miyagi Gifu Sanma Akashiya Saburo Kitajima Hikaru Utada DOB: 1 st July 1955 DOB: 4 th October 1936 DOB: -
El Colegio De México EL MERCADO DE IDOL VARONES EN JAPÓN
El Colegio de México EL MERCADO DE IDOL VARONES EN JAPÓN (1999 – 2008): CARACTERIZACIÓN DE LA OFERTA A TRAVÉS DEL ESTUDIO DE UN CASO REPRESENTATIVO Tesis presentada por YUNUEN YSELA MANDUJANO SALAZAR en conformidad con los requisitos establecidos para recibir el grado de MAESTRÍA EN ESTUDIOS DE ASIA Y ÁFRICA ESPECIALIDAD JAPÓN Centro de Estudios de Asia y África 2009 ÍNDICE INTRODUCCIÓN……………………………………………………………………. 3 I. FENÓMENO IDOL EN JAPÓN Y OBJETO DE ESTUDIO………………... 14 1. Desarrollo general de la industria idol……………………………………. 14 2. Definición de idol………………………………………………………… 18 3. La compañía Johnny’s Jimusho………………………………………….. 22 4. Arashi…………………………………………………………………….. 31 II. ESTRATEGIAS DE DESARROLLO DEL MERCADO IDOL…………….. 36 1. Primera etapa: Base junior, reclutamiento y formación…………………. 37 2. Segunda etapa: Lanzamiento y consolidación de mercado………………. 46 3. Tercera etapa: Diversificación y expansión de mercado…………………. 58 III. SITUACIÓN ACTUAL DEL MERCADO DE IDOL VARONES………….. 68 1. El dominio idol dentro de la industria musical en Japón…………………. 69 2. Fin del monopolio y cambio de estrategias en el mercado de idol varones en Japón……………………………………………………………………… 75 CONCLUSIONES……………………………………………………………………. 84 REFERENCIAS………………………………………………………………………. 88 ANEXOS……………………………………………………………………………… 98 1 NOTA SOBRE EL SISTEMA DE ROMANIZACIÓN UTILIZADO En el presente estudio se utilizará, para los términos generales y los nombres de ciudades, el sistema de romanización usado en el Kenkyusha’s New Japanese – English Dictionary (3ra y ediciones posteriores). En el caso de nombres propios de origen japonés, se presentará primero el nombre y luego el apellido y se utilizará la romanización utilizada en las fuentes originales. Asimismo, es común que los autores no utilicen el macron (¯ ) cuando existe una vocal larga en este tipo de denominaciones. -
TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (83Rd, Phoenix, Arizona, August 9-12, 2000)
DOCUMENT RESUME ED 447 546 CS 510 463 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (83rd, Phoenix, Arizona, August 9-12, 2000). Radio-Television Journalism Division. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 2000-08-00 NOTE 168p.; For other sections of this proceedings, see CS 510 451-470. PUB TYPE Collected Works Proceedings (021) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Content Analysis; Economic Factors; Editing; Empowerment; Higher Education; Journalism; *Journalism Education; News Media; *News Reporting; Ownership; Race; Radio; Social Class; *Television; Videotape Recordings IDENTIFIERS Deregulation; Local Television Stations; Writing Style ABSTRACT The Radio-Television Journalism Division section of the proceedings contains the following six papers: "Local Television News and Viewer Empowerment: Why the Public's Main Source of News Falls Short" (Denise Barkis Richter); "For the Ear to Hear: Conversational Writing on the Network Television News Magazines"(C. A. Tuggle, Suzanne Huffman and Dana Rosengard); "Synergy Bias: Conglomerates and Promotion in the News" (Dmitri Williams); "Constructing Class & Race in Local TV News" (Don. Heider and Koji Fuse); "Going Digital: An Exploratory Study of Nonlinear Editing Technology in Southeastern Television Newsrooms" (Seok Kang, George L. Daniels, Tanya Auguston and Alyson Belatti); and "Deregulation and Commercial Radio Network News: A Qualitative Analysis" (Richard Landesberg).(RS) Reproductions supplied by EDRS are the best that can be made from the original document. ;t- Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (83rd, Phoenix, Arizona, August 9-12, 2000). Radio-Television Journalism Division. -
Guide 2007.Indd
www.islamicfi nancenews.com Islamic Finance news Guide 2007 Note from the publisher As we enter 2007 Islamic fi nance will continue to develop and reach out to the world’s issuers and investors regardless of their faith, religion and location. We will continue to see major advancements in innovation and product development and new players will amaze us with bigger and better offerings. New markets will emerge following the likes of China, Japan and Kenya in 2006. However, the focus will again be on the current dominant players and this is where we’re likely to see the major growth. Malaysia, currently boasting the world’s largest Islamic bond market, will continue to set the pace but the United Arab Emirates, Saudi Arabia and Kuwait are all expected to reduce the gap if not reverse it. The UAE is a bustling haven for Islamic fi nance with Abu Dhabi, Dubai and Sharjah claiming almost every major fi nancial institution with Islamic capabilities between them. Malaysia may have the upper hand on the quantity of Shariah compliant issuances, but the UAE can certainly claim the biggest with the likes of PCFC and Nakheel amounting to a combined US$7.02 billion. These are the deals which raise eyebrows in Europe and the US. Indonesia will witness a major transformation with the proposed new regulations and standards for issuing Islamic paper in the world’s most populous Muslim country. Up to US$10 billion needs to be raised over the next ten years for necessary infrastructure projects. The Islamic Development Bank has already announced US$1.5 billion of investment this year.