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Syllabus for Post Graduate Programme in Music
1 Appendix to U.O.No.Acad/C1/13058/2020, dated 10.12.2020 KANNUR UNIVERSITY SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: MA MUSIC DEPARTMENT OF MUSIC KANNUR UNIVERSITY SWAMI ANANDA THEERTHA CAMPUS EDAT PO, PAYYANUR PIN: 670327 2 SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: M A (MUSIC) ABOUT THE DEPARTMENT. The Department of Music, Kannur University was established in 2002. Department offers MA Music programme and PhD. So far 17 batches of students have passed out from this Department. This Department is the only institution offering PG programme in Music in Malabar area of Kerala. The Department is functioning at Swami Ananda Theertha Campus, Kannur University, Edat, Payyanur. The Department has a well-equipped library with more than 1800 books and subscription to over 10 Journals on Music. We have gooddigital collection of recordings of well-known musicians. The Department also possesses variety of musical instruments such as Tambura, Veena, Violin, Mridangam, Key board, Harmonium etc. The Department is active in the research of various facets of music. So far 7 scholars have been awarded Ph D and two Ph D thesis are under evaluation. Department of Music conducts Seminars, Lecture programmes and Music concerts. Department of Music has conducted seminars and workshops in collaboration with Indira Gandhi National Centre for the Arts-New Delhi, All India Radio, Zonal Cultural Centre under the Ministry of Culture, Government of India, and Folklore Academy, Kannur. -
1 ; Mahatma Gandhi University B. A. Music Programme(Vocal
1 ; MAHATMA GANDHI UNIVERSITY B. A. MUSIC PROGRAMME(VOCAL) COURSE DETAILS Sem Course Title Hrs/ Cred Exam Hrs. Total Week it Practical 30 mts Credit Theory 3 hrs. Common Course – 1 5 4 3 Common Course – 2 4 3 3 I Common Course – 3 4 4 3 20 Core Course – 1 (Practical) 7 4 30 mts 1st Complementary – 1 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 1 (Theory) 2 2 3 Common Course – 4 5 4 3 Common Course – 5 4 3 3 II Common Course – 6 4 4 3 20 Core Course – 2 (Practical) 7 4 30 mts 1st Complementary – 2 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 2 (Theory) 2 2 3 Common Course – 7 5 4 3 Common Course – 8 5 4 3 III Core Course – 3 (Theory) 3 4 3 19 Core Course – 4 (Practical) 7 3 30 mts 1st Complementary – 3 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 3 (Theory) 2 2 3 Common Course – 9 5 4 3 Common Course – 10 5 4 3 IV Core Course – 5 (Theory) 3 4 3 19 Core Course – 6 (Practical) 7 3 30 mts 1st Complementary – 4 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 4 (Theory) 2 2 3 Core Course – 7 (Theory) 4 4 3 Core Course – 8 (Practical) 6 4 30 mts V Core Course – 9 (Practical) 5 4 30 mts 21 Core Course – 10 (Practical) 5 4 30 mts Open Course – 1 (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 1 2 1 Core Course – 11 (Theory) 4 4 3 Core Course – 12 (Practical) 6 4 30 mts VI Core Course – 13 (Practical) 5 4 30 mts 21 Core Course – 14 (Practical) 5 4 30 mts Elective (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 2 2 1 Total 150 120 120 Core & Complementary 104 hrs 82 credits Common Course 46 hrs 38 credits Practical examination will be conducted at the end of each semester 2 MAHATMA GANDHI UNIVERSITY B. -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
Showcasing Indigenous Expressions
Showcasing Indigenous Expressions reeting the visitors at Hall wealth was sustained in the vast No. 7 is a huge reclining repositories of ‘oral memories’ Gfigure of a lady engrossed by various communities. in reading. This replica of a These indigenous voices figure, a Bengal folk art form, have found their expressions in in a way represents the Theme medium as varied as handicrafts Presentation of the New Delhi to performances and literature. World Book Fair 2013. In bringing a renewed focus on Indigenous Voice: Mapping this tradition and culture, the India’s Folk and Tribal Literature NBT has conceived and put up is an attempt by National Book an impressive pavilion at Hall Trust, India to map some of 7E. The Pavilion transports the writings on tribal and folk the visitors to a time and place literature as well as works by that still co-exists along with and on tribals. our urbane existence, with its Kalamkari, an ancient style of textile art tradition by nomadic painting from Andhra Pradesh; Waghari community of Gujarat; Kavad, story telling in pictorial Pabuji ka Phad, storytelling tradition; Pattachitra painting through painting; Rajwar murals from Odisha; Warli painting style of painting practised by from Maharashtra; Gond art women of Rajwar community of from central India; Patwa style Bihar, Chhattisgarh and Madhya of painting from Bihar and West Pradesh; Ravan Chaya traditional Bengal; Pinguli Chitrakatha story shadow-puppet theatre form telling tradition; Mata-ni-Pachedi of Odisha; Thanka, painting Wisdom Tree: Nurturing young minds! The identity of a nation colossal replicas of the dwelling and her people lie in its many abodes of our community. -
SCW Design Contest to Mark Women's Day DT News Network
Sunday, August 27, 2017 3 Percussion jamboree from October 5 to 6 SCW design contest DT News Network Sreekanth and Mattannur [email protected] Sreeraj. ver 150 Indian Day-two will kick off with percussionists will the performance ‘Kombu performO at a major music and Pattu’ followed by ‘Kuzhal to mark Women’s Day cultural extravaganza to be Pattu’. be held from October 5 and 6 Day-two will also feature at the Indian School Bahrain ‘Erattapanthy Panchaari premises in Isa Town, the Melam’ to be performed by organisers said at a press more than 150 percussionists conference held at Adliya on a special custom-built yesterday. stage arranged at the Indian Sopanam Vadya Kala School ground. Sangham, in association “This event will mesmerize with Choice Advertising the audience with several and Publicity, will be percussion arts of Kerala The meeting organised to announce the design contest at the Bahrain National Museum organising the event entitled in its various forms. ‘Vadyasangaman 2017’. The “Vadyasangamam 2017” DT News Network engineering streams will at engineering colleges in to attend the workshops and event will include a percussion will be steered under the Manama participate in the contest, architecture, civil, mechanical, lectures to be held as part of ensemble involving 150 leadership of legendary he Supreme Council the organisers said during electrical, landscaping and the contest, as well as personal artists. percussionist ‘Padmashri for Women (SCW) is an introductory meeting urban planning. interviews. According to the organisers, Mattannur Sankarankutty organising,T in cooperation held at the Bahrain National Participants, not exceeding The designs should provide such a performance will be Maraar’,” the organizers said. -
LI-DISSERTATION-2015.Pdf
Copyright by Wai Chung LI 2015 The Dissertation Committee for Wai Chung LI Certifies that this is the approved version of the following dissertation: The Sikh Gurmat Sangīt Revival in Post-Partition India Committee: Stephen Slawek, Supervisor Andrew Dell’Antonio Gordon Mathews Kamran Ali Robin Moore Veit Erlmann The Sikh Gurmat Sangīt Revival in Post-Partition India by Wai Chung LI, MPhil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2015 Acknowledgements I would like to thank the following individual and parties for making this project possible. First of all, I would like to express my sincere gratitude and respect to Professor Stephen Slawek, who always enlightens me with intellectual thoughts and personal advice. I would also like to thank other members of my doctoral committee, including Professor Andrew Professor Dell’Antonio, Professor Gordon Mathews, Professor Kamran Ali, Professor Robin Moore, and Professor Veit Erlmann for their insightful comments and support towards this project. I am grateful to the staff of the following Sikh temples and academic institutions where research was conducted: The Archives and Research Center for Ethnomusicology; The American Institute of Indian Studies, Haryana; Gurdwara Sahib Austin, Texas; Jawaddi Taksal, Ludhiana; Gurdwara Sahib Silat Road, Singapore; Khalsa Diwan (Hong Kong) Sikh Temple, Hong Kong; Punjabi University Patiala, Patiala; The Harmandir Sahib, Amritsar; and The Sikh Center, Central Sikh Gurdwara Board, Singapore. I owe a debt of gratitute to people affiliated with the Jawaddi Taksal, Ludhiana, as they made my time in India (especially Punjab) enjoyable and memorable. -
Kerala History Timeline
Kerala History Timeline AD 1805 Death of Pazhassi Raja 52 St. Thomas Mission to Kerala 1809 Kundara Proclamation of Velu Thampi 68 Jews migrated to Kerala. 1809 Velu Thampi commits suicide. 630 Huang Tsang in Kerala. 1812 Kurichiya revolt against the British. 788 Birth of Sankaracharya. 1831 First census taken in Travancore 820 Death of Sankaracharya. 1834 English education started by 825 Beginning of Malayalam Era. Swatithirunal in Travancore. 851 Sulaiman in Kerala. 1847 Rajyasamacharam the first newspaper 1292 Italiyan Traveller Marcopolo reached in Malayalam, published. Kerala. 1855 Birth of Sree Narayana Guru. 1295 Kozhikode city was established 1865 Pandarappatta Proclamation 1342-1347 African traveller Ibanbatuta reached 1891 The first Legislative Assembly in Kerala. Travancore formed. Malayali Memorial 1440 Nicholo Conti in Kerala. 1895-96 Ezhava Memorial 1498 Vascoda Gama reaches Calicut. 1904 Sreemulam Praja Sabha was established. 1504 War of Cranganore (Kodungallor) be- 1920 Gandhiji's first visit to Kerala. tween Cochin and Kozhikode. 1920-21 Malabar Rebellion. 1505 First Portuguese Viceroy De Almeda 1921 First All Kerala Congress Political reached Kochi. Meeting was held at Ottapalam, under 1510 War between the Portuguese and the the leadership of T. Prakasam. Zamorin at Kozhikode. 1924 Vaikom Satyagraha 1573 Printing Press started functioning in 1928 Death of Sree Narayana Guru. Kochi and Vypinkotta. 1930 Salt Satyagraha 1599 Udayamperoor Sunahadhos. 1931 Guruvayur Satyagraha 1616 Captain Keeling reached Kerala. 1932 Nivarthana Agitation 1663 Capture of Kochi by the Dutch. 1934 Split in the congress. Rise of the Leftists 1694 Thalassery Factory established. and Rightists. 1695 Anjengo (Anchu Thengu) Factory 1935 Sri P. Krishna Pillai and Sri. -
Way of the Cross Malayalam Songs Free
way of the cross malayalam songs free Download way of the cross malayalam songs free Malayalam Christian Devotional Songs are here. Listen to these Christian Malayalam songs or MP3. 1. Bhavaykkum Puthranum 2. Aakaashangalirikkum 3. Nithya History of Malayalam cinema. Active Malayalam film production did not take place until the second half of the 20th century: there were only two silent films, and. The most important reason for reviving the practice of making the Stations of the Cross is that it is a powerful way to contemplate, and enter into, the. 11 comments: Binu S Nair, Piravom said. Greatest and Best Collections of Old Malayalam Movie Songs ! Thanks. 27/3/10 Rex said. Simply the Best. What is Lent,How to Living in Lent season,Station Of The Cross (Way Of The Cross) Pray to god through your favorite Devotional Song. For good luck, stress free life and to persevere faiths in god listen to Christian Devotional Songs on Zion Classic. tips for sister regina. 1)believe god loves you uncoditionally ,god has placed his wrath on his son jesus and already set you free from your sins,this is the good. The music of Kerala has a long and rich history. It is not the same as Malayalam poetry although most of it is poetry driven. Kerala has a rich tradition in Carnatic. Lent is here and why not start this Lenten Season with Stations of the Cross (Kurishinte Vazhi). The Stations of the Cross are also know as “Way of Sorrows” or. Super Hit Malayalam Movie Songs of 1980s and early 90s | Free Hit Mp3 Songs Download Links | Malayalam Film Songs | Download Songs that evoke nostalgic emotions. -
Malayalam Super Songs Download
Malayalam super songs download click here to download New Malayalam Songs Download- Listen New Malayalam Songs free online or Download Latest Malayalam Songs MP3. Play latest hit Malayalam Music. Play Super 10 Latest Malayalam Songs Malayalam movie songs MP3 by Gopi Sunder and download Super 10 Latest Malayalam Songs songs. Download new Malayalam mp3 songs to your Hungama account. Listen to your favorite Malayalam songs for free online. Check out latest Malayalam songs and . Browse and listen to new Malayalam song hits on Saavn. Download latest MP3 songs or listen online for free - in HD audio, only on Saavn. www.doorway.ru - Listen & Download latest MP3 songs online. Download new or old Malayalam songs & more on www.doorway.ru and play offline. Create, share and. www.doorway.ru presents a wide range of hit and popular Malayalam music albums, which you can listen to online or download. Here's a list of the top 10 Malayalam songs of , so far! With over 21 million views on Youtube, Jimikki Kammal has been a raging hit within and outside. Download and Listen to Malayalam Music using the new Plingd Application.*** At Plingd, we make available original licensed Malayalam songs with extreme. Latest Malayalam Songs App has been especially created for the fans of Malayalam music. The app offers the largest and best-ever collection of Malayalam. Malayalam Old Songs: 90's Hit Songs Video app has been especially for die- hard fans of Malayalam music. These Malayalam 90's Songs are best of lyrical and. 13 Songs, 56 Minutes. Preview. Memorable Melodies Hits of Yesudas ( Malayalam Film Songs), Vol. -
K.S. Resmi CV
K.S. RESMI 11582 Fury Lane, Apt. #113 (001) 619-467-7997 El Cajon, California [email protected] 92019-4381 USA Skype: ksresmi & http://www.ksresmi.com http://www.youtube.com/ksresmi http://www.facebook.com/ksresmi & http://twitter.com/ksresmi FIELDS OF SPECIALIZATION Carnatic Music, Kathakali Music, Folk Music of Kerala, Fusion PROFESSIONAL ACHIEVMENTS 2007-2016 Developed Carnatic music vocal online studies in the USA TEACHING EXPERIENCE 2004-2007 Full-time Lecturer, Department of Indian Music, University of Madras, Chennai, Tamil Nadu, India. Responsibilities included teaching Carnatic vocal classes, head examiner for examinations for MA degrees in Carnatic music and dance, committees and administration assistance 1995-2004 Carnatic vocal teacher, Sangita Bharati: Malabar Gopalan Nair Memorial Music and Research Center in Thiruvananthapuram, Kerala, India EDUCATION 2004 UGC Refresher Course, Academic Staff College, University of Kerala, India 2001 UGC National Eligibility Test (NET), India 2000 Ph.D. North and South Indian Classical Musics, University of Kerala, Thiruvananthapuram, Kerala, India (ABD) 1999 State Level Eligibility Test (SLET), Kerala, India M.A. South Indian Classical Music Performance, First Class, First Rank, Government Women’s College, University of Kerala, Thiruvananthapuram, Kerala, India 1997 B.A. South Indian Classical Music Performance, Government Women’s College, University of Kerala, Thiruvananthapuram, Kerala, India PRIVATE STUDY 2006-2016 Smt. Lalitha Sivakumar, Carnatic vocal 2009 Ramakant Gundecha of Gundecha Brothers, Dhrupad vocal 2001 Kalamandalam Venmani Haridas, Kathakali padams K.S. Resmi 2 1993-1996 Smt. Kamalalekshmy, Carnatic vina Ramesh Naryan, Hindustani vocal 1990-2004 Nelliyode Vasudevan Namboodiri, Kathakali padams 1984-2005 Dr. K. Omanakutty, Carnatic vocal, gurukul system 1977-1984 Smt. -
Ashtadasha Vadyam's and Temple Arts of Kerala
www.ijcrt.org © 2020 IJCRT | Volume 8, Issue 8 August 2020 | ISSN: 2320-2882 Ashtadasha Vadyam’s and Temple Arts of Kerala Manoj Manikkoth PhD research scholar Vels University Abstract: Kerala – The God’s Own Country – is filled with the presence of music, dance, musical instruments, temple arts and temple rituals. The history of various traditional art forms rests in the soil of Kerala. About eighteen musical instruments are known as ‘Kshetra Vadyam’. It includes ‘Deva vadyam’ and ‘Asura Vadyam’ from which the distinct place for ‘Chenda’ can be acknowledged by observing where it is present. It might be ‘Chenda’s resonance that make the seventeen ‘Ashtadasha Vadyam’s to below the ‘Chenda’. Some of the musical instruments which are being used for Pooja rituals in temples are also being used for some classical dance forms in Kerala. The study of such musical instruments and the classical dance forms associated to it are the foundation of this journal. Some musical instruments are used only outside the temple and some are used inside the temple only. ‘Sopana Sangeetham’ is one of the popular among ‘Kshetra Sangeetham’. Only one musical instrument is used in ‘Sopana Sangeetham’ ie Idakka. Idakka is a musical instrument which is inevitable in ‘Mohiniyattam’ concert. Idakka is only used in ‘Kathakali’ when female role is presented. The ‘Chenda’ is an inevitable musical instrument in ‘Kathakali’. Altogether, five musical instruments in ‘Pakkamaelam” are used when ‘Kathakali’ is staged from which four are ‘Kshetra Vadyam’s, ‘Chenda’, ‘Idakka’, ‘Madhalam’, ‘Chengila’ and the one which is excluded in Kshetra Vadyam’s is ‘Ilathalam’. -
University of Alberta 'Indo-Jazz Fusion'
University of Alberta ‘Indo-Jazz Fusion’: Jazz and Karnatak Music in Contact by Tanya Kalmanovitch A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music Edmonton, Alberta Spring 2008 Abstract An inherently intercultural music, jazz presents a unique entry in the catalog of interactions between Indian music and the west. This dissertation is situated in a line of recent accounts that reappraise the period of Western colonial hegemony in India by tracing a complex continuum of historical and musical events over three centuries. It charts the historical routes by which jazz and Karnatak music have come into contact in the twentieth and twenty-first centuries, both in India and abroad. It presents a detailed account of the history of jazz in India, and Indian music in jazz, and examines jazz’s contact with Karnatak music in three contexts—jazz pedagogy, intercultural collaboration, and the Indian diaspora in the United States—illustrating the musical, social and performative spaces in which these musics come into contact, and describing the specific musical and social practices, and political and social institutions that support this activity. Case studies in this dissertation include an educational exchange between the Jazz and Contemporary Music Program of the New School University (New York, NY) and the Brhaddhvani Research and Training Centre for Musics of the World (Chennai, India), directed by the author in December 2003 – January 2004; a 2001 collaboration between Irish jazz/traditional band Khanda and the Karnataka College of Percussion; and analyses of recent recordings by pianist Vijay Iyer, saxophonist Rudresh Mahanthappa and drummer Ravish Momin.