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1 ; Mahatma Gandhi University B. A. Music Programme(Vocal
1 ; MAHATMA GANDHI UNIVERSITY B. A. MUSIC PROGRAMME(VOCAL) COURSE DETAILS Sem Course Title Hrs/ Cred Exam Hrs. Total Week it Practical 30 mts Credit Theory 3 hrs. Common Course – 1 5 4 3 Common Course – 2 4 3 3 I Common Course – 3 4 4 3 20 Core Course – 1 (Practical) 7 4 30 mts 1st Complementary – 1 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 1 (Theory) 2 2 3 Common Course – 4 5 4 3 Common Course – 5 4 3 3 II Common Course – 6 4 4 3 20 Core Course – 2 (Practical) 7 4 30 mts 1st Complementary – 2 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 2 (Theory) 2 2 3 Common Course – 7 5 4 3 Common Course – 8 5 4 3 III Core Course – 3 (Theory) 3 4 3 19 Core Course – 4 (Practical) 7 3 30 mts 1st Complementary – 3 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 3 (Theory) 2 2 3 Common Course – 9 5 4 3 Common Course – 10 5 4 3 IV Core Course – 5 (Theory) 3 4 3 19 Core Course – 6 (Practical) 7 3 30 mts 1st Complementary – 4 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 4 (Theory) 2 2 3 Core Course – 7 (Theory) 4 4 3 Core Course – 8 (Practical) 6 4 30 mts V Core Course – 9 (Practical) 5 4 30 mts 21 Core Course – 10 (Practical) 5 4 30 mts Open Course – 1 (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 1 2 1 Core Course – 11 (Theory) 4 4 3 Core Course – 12 (Practical) 6 4 30 mts VI Core Course – 13 (Practical) 5 4 30 mts 21 Core Course – 14 (Practical) 5 4 30 mts Elective (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 2 2 1 Total 150 120 120 Core & Complementary 104 hrs 82 credits Common Course 46 hrs 38 credits Practical examination will be conducted at the end of each semester 2 MAHATMA GANDHI UNIVERSITY B. -
SCW Design Contest to Mark Women's Day DT News Network
Sunday, August 27, 2017 3 Percussion jamboree from October 5 to 6 SCW design contest DT News Network Sreekanth and Mattannur [email protected] Sreeraj. ver 150 Indian Day-two will kick off with percussionists will the performance ‘Kombu performO at a major music and Pattu’ followed by ‘Kuzhal to mark Women’s Day cultural extravaganza to be Pattu’. be held from October 5 and 6 Day-two will also feature at the Indian School Bahrain ‘Erattapanthy Panchaari premises in Isa Town, the Melam’ to be performed by organisers said at a press more than 150 percussionists conference held at Adliya on a special custom-built yesterday. stage arranged at the Indian Sopanam Vadya Kala School ground. Sangham, in association “This event will mesmerize with Choice Advertising the audience with several and Publicity, will be percussion arts of Kerala The meeting organised to announce the design contest at the Bahrain National Museum organising the event entitled in its various forms. ‘Vadyasangaman 2017’. The “Vadyasangamam 2017” DT News Network engineering streams will at engineering colleges in to attend the workshops and event will include a percussion will be steered under the Manama participate in the contest, architecture, civil, mechanical, lectures to be held as part of ensemble involving 150 leadership of legendary he Supreme Council the organisers said during electrical, landscaping and the contest, as well as personal artists. percussionist ‘Padmashri for Women (SCW) is an introductory meeting urban planning. interviews. According to the organisers, Mattannur Sankarankutty organising,T in cooperation held at the Bahrain National Participants, not exceeding The designs should provide such a performance will be Maraar’,” the organizers said. -
Impacts of Sustainable Cultural Tourism in Fort Kochi, Kerala
Vol. 3 No. 1 July 2015 ISSN: 2321 – 788X IMPACTS OF SUSTAINABLE CULTURAL TOURISM IN FORT KOCHI, KERALA Jose Bejoy (Ph.D Research Scholar in Tourism Management) Centre for Tourism & Hotel Management, Madurai Kamaraj University, Madurai-21 Dr. R. Kannan (Research Supervisor), Associate Professor and Director i/c Centre for Tourism & Hotel Management, Madurai Kamaraj University, Madurai-21 Abstract Before the death of Christ, Fort Kochi was covered by mangrove woods, turfs and sand banks. Sand banks were created with the rise in the sea level which formed the shape of the coastal area. Around 600 AD, written documents about the Malabar coast show that this region had Hindus, Christians, Muslims and a Jewish minority. The natural harbour of Kochi was created by a flood that also destroyed the harbour of the town Kodungalloor. Thereafter, Fort Kochi was developed into one of the most important harbours in the west coast of India. It concentrated on the spices trade with the China and the Middle East. Keywords: Fort Kochi, Kodungalloor, Malabar coast, Zamorin, Portugese, Alvares, Hyder Ali, Tippu Sultan Introduction Historical Background of Fort Kochi, Kerala During 1500 A.D. Calicut was ruled by king Zamorin and Kochi was ruled by the Maharajah of Cochin. This was the time when the first Portugese ships berthed at Malabar coast. Vasco Da Gamma landed in Calicut and Pedro Alvares Cabral landed in Kochi. The Maharaja of Kochi felt threatened by the Zamorin of Calicut. The Maharajah hoped that the Portugese would help him in his defense from the neighbouring King of Calicut. The Maharajah welcomed the Portugese and they founded their first trading centre in Kochi. -
A Conservation Report from Kerala Patricia Fels
Peer Reviewed Title: Setting Straight the Priorities: A Conservation Report from Kerala [Speaking of Places] Journal Issue: Places, 18(3) Author: Fels, Patricia Publication Date: 2006 Publication Info: Places Permalink: http://escholarship.org/uc/item/0m09p7pm Acknowledgements: This article was originally produced in Places Journal. To subscribe, visit www.places-journal.org. For reprint information, contact [email protected]. Keywords: places, placemaking, architecture, environment, landscape, urban design, public realm, planning, design, speaking, setting, straight, priorities, conservation, Kerala, report, Patricia Fels Copyright Information: All rights reserved unless otherwise indicated. Contact the author or original publisher for any necessary permissions. eScholarship is not the copyright owner for deposited works. Learn more at http://www.escholarship.org/help_copyright.html#reuse eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. Setting Straight the Priorities: A Conservation Report from Kerala Patricia Fels For thousands of years, urban civili- ditions, and designs that reflect social ascendancy after the great flood of zation has flourished on the Indian and religious patterns. 1341 silted up the historic port of subcontinent. In modern, indepen- The state of Kerala stretches along nearby Kodungalloor. The arrival of dent India, the fate of historic monu- the Malabar Coast, in southwestern Vasco da Gama at the end of the fif- ments (temples, mosques, palaces, India. Isolated for millennia from the teenth century began a long period of and forts) varies: some buildings are rest of India by the dense forests and European domination. Fort Cochin, protected; some have become heavily mountain peaks of the Western Ghats, at the tip of the peninsula, became a visited icons; others have been left to the people along the coastline peace- colonial outpost, the first European decay. -
Kerala History Timeline
Kerala History Timeline AD 1805 Death of Pazhassi Raja 52 St. Thomas Mission to Kerala 1809 Kundara Proclamation of Velu Thampi 68 Jews migrated to Kerala. 1809 Velu Thampi commits suicide. 630 Huang Tsang in Kerala. 1812 Kurichiya revolt against the British. 788 Birth of Sankaracharya. 1831 First census taken in Travancore 820 Death of Sankaracharya. 1834 English education started by 825 Beginning of Malayalam Era. Swatithirunal in Travancore. 851 Sulaiman in Kerala. 1847 Rajyasamacharam the first newspaper 1292 Italiyan Traveller Marcopolo reached in Malayalam, published. Kerala. 1855 Birth of Sree Narayana Guru. 1295 Kozhikode city was established 1865 Pandarappatta Proclamation 1342-1347 African traveller Ibanbatuta reached 1891 The first Legislative Assembly in Kerala. Travancore formed. Malayali Memorial 1440 Nicholo Conti in Kerala. 1895-96 Ezhava Memorial 1498 Vascoda Gama reaches Calicut. 1904 Sreemulam Praja Sabha was established. 1504 War of Cranganore (Kodungallor) be- 1920 Gandhiji's first visit to Kerala. tween Cochin and Kozhikode. 1920-21 Malabar Rebellion. 1505 First Portuguese Viceroy De Almeda 1921 First All Kerala Congress Political reached Kochi. Meeting was held at Ottapalam, under 1510 War between the Portuguese and the the leadership of T. Prakasam. Zamorin at Kozhikode. 1924 Vaikom Satyagraha 1573 Printing Press started functioning in 1928 Death of Sree Narayana Guru. Kochi and Vypinkotta. 1930 Salt Satyagraha 1599 Udayamperoor Sunahadhos. 1931 Guruvayur Satyagraha 1616 Captain Keeling reached Kerala. 1932 Nivarthana Agitation 1663 Capture of Kochi by the Dutch. 1934 Split in the congress. Rise of the Leftists 1694 Thalassery Factory established. and Rightists. 1695 Anjengo (Anchu Thengu) Factory 1935 Sri P. Krishna Pillai and Sri. -
K.S. Resmi CV
K.S. RESMI 11582 Fury Lane, Apt. #113 (001) 619-467-7997 El Cajon, California [email protected] 92019-4381 USA Skype: ksresmi & http://www.ksresmi.com http://www.youtube.com/ksresmi http://www.facebook.com/ksresmi & http://twitter.com/ksresmi FIELDS OF SPECIALIZATION Carnatic Music, Kathakali Music, Folk Music of Kerala, Fusion PROFESSIONAL ACHIEVMENTS 2007-2016 Developed Carnatic music vocal online studies in the USA TEACHING EXPERIENCE 2004-2007 Full-time Lecturer, Department of Indian Music, University of Madras, Chennai, Tamil Nadu, India. Responsibilities included teaching Carnatic vocal classes, head examiner for examinations for MA degrees in Carnatic music and dance, committees and administration assistance 1995-2004 Carnatic vocal teacher, Sangita Bharati: Malabar Gopalan Nair Memorial Music and Research Center in Thiruvananthapuram, Kerala, India EDUCATION 2004 UGC Refresher Course, Academic Staff College, University of Kerala, India 2001 UGC National Eligibility Test (NET), India 2000 Ph.D. North and South Indian Classical Musics, University of Kerala, Thiruvananthapuram, Kerala, India (ABD) 1999 State Level Eligibility Test (SLET), Kerala, India M.A. South Indian Classical Music Performance, First Class, First Rank, Government Women’s College, University of Kerala, Thiruvananthapuram, Kerala, India 1997 B.A. South Indian Classical Music Performance, Government Women’s College, University of Kerala, Thiruvananthapuram, Kerala, India PRIVATE STUDY 2006-2016 Smt. Lalitha Sivakumar, Carnatic vocal 2009 Ramakant Gundecha of Gundecha Brothers, Dhrupad vocal 2001 Kalamandalam Venmani Haridas, Kathakali padams K.S. Resmi 2 1993-1996 Smt. Kamalalekshmy, Carnatic vina Ramesh Naryan, Hindustani vocal 1990-2004 Nelliyode Vasudevan Namboodiri, Kathakali padams 1984-2005 Dr. K. Omanakutty, Carnatic vocal, gurukul system 1977-1984 Smt. -
Living Culture and Typo-Morphology of Vernacular-Traditional Houses in Kerala
Indah Widiastuti Susilo 1 The Living Culture and Typo-Morphology of Vernacular-Traditional Houses in Kerala Indah Widiastuti Susilo Introduction The term “vernacular architecture” stands for the art of constructing buildings and shelters which is spontaneous, environment-oriented, community-based; it acknowledges no architect or treaty and reflects the technology and culture of the indigenous society and environment (Rudofsky 1964: 4). Vernacular architecture is the opposite of high traditional architecture which belongs to the grand tradition (e.g. palace, fortress, villa, etc.) and requires special skills and expertise which an architect must have knowledge of and for which he enjoys a special position (Rapoport 1969). This paper is a chronicle of observations of traditional vernacular houses in the whole region of Kerala done within nine months The research methods used include observation and photography-documentation of more than 50 traditional-vernacular houses in Kerala State and 30 more random places in other states for comparison. Experts and builders were also interviewed. The object of study is to find patterns and sources of settlement, buildings, living cultures and local indigenous knowledge. Location of samples are in the districts of Shoranur, Pattambi, Pallipuram, Calicut, Palghat, Aranmula, Chenganur, Tiruvalla, Kottayam, Ernakulam-Cochin, Tripunitura, Perumbavur, Mulanthuruti, Piravom, Trivandrum, Kanyakumari, Attapadi, and Parapanangadi. From these places, 52 samples of traditional- vernacular residential architecture of Kerala were observed. These samples cover ordinary commoner houses, the traditional courtyard house and the single mass house, as well as the non- Kerala vernacular houses and houses with colonial vernacular architecture. The research method utilized is the Typo-morphology analysis (Argan 1965, Moneo 1978) which examines existing types of residential houses and their complementary. -
Ashtadasha Vadyam's and Temple Arts of Kerala
www.ijcrt.org © 2020 IJCRT | Volume 8, Issue 8 August 2020 | ISSN: 2320-2882 Ashtadasha Vadyam’s and Temple Arts of Kerala Manoj Manikkoth PhD research scholar Vels University Abstract: Kerala – The God’s Own Country – is filled with the presence of music, dance, musical instruments, temple arts and temple rituals. The history of various traditional art forms rests in the soil of Kerala. About eighteen musical instruments are known as ‘Kshetra Vadyam’. It includes ‘Deva vadyam’ and ‘Asura Vadyam’ from which the distinct place for ‘Chenda’ can be acknowledged by observing where it is present. It might be ‘Chenda’s resonance that make the seventeen ‘Ashtadasha Vadyam’s to below the ‘Chenda’. Some of the musical instruments which are being used for Pooja rituals in temples are also being used for some classical dance forms in Kerala. The study of such musical instruments and the classical dance forms associated to it are the foundation of this journal. Some musical instruments are used only outside the temple and some are used inside the temple only. ‘Sopana Sangeetham’ is one of the popular among ‘Kshetra Sangeetham’. Only one musical instrument is used in ‘Sopana Sangeetham’ ie Idakka. Idakka is a musical instrument which is inevitable in ‘Mohiniyattam’ concert. Idakka is only used in ‘Kathakali’ when female role is presented. The ‘Chenda’ is an inevitable musical instrument in ‘Kathakali’. Altogether, five musical instruments in ‘Pakkamaelam” are used when ‘Kathakali’ is staged from which four are ‘Kshetra Vadyam’s, ‘Chenda’, ‘Idakka’, ‘Madhalam’, ‘Chengila’ and the one which is excluded in Kshetra Vadyam’s is ‘Ilathalam’. -
Amrita Kiranam April
No. 15 | Vol. 17 | April 2019 AMRITA KIRANAM a snapshot and journal of happenings @ Amrita School of Arts and Sciences, Kochi inside............ 2 International Women’s Day Celebrations Visit by Lady Officers of Indian Navy 3 Sessions on Waste Management, Women Safety and Traffic Awareness 4 Book Fair and Quiz Contest 5 Kalamritam 2019 Student’s Portfolio 6 Anuvarthan 2019 - CSI Tech Fest 7 Workshop on Deep Learning 8 Avyukta 2019 - Commerce and Management Fest 9 National Workshop on Structural Equation Modeling using AMOS 10 Animation and VFX Workshop 11 An ‘ARTSY’ Trip - Kochi Biennale 2019 12 Workshop on Linear Algebra 13 National Science Day - 2019 (Sastramritam) 14 International Conference on Travel Narratives International Women’s Day Celebrations International Women’s Day 2019 ‘Janani’ was celebrated on 6th, 7th and 8th March. Beginning with the blessing address by Swami Purnamritananda Puri and a welcome dance by Ms. Lavanya and team, the inaugural address was delivered by a renowned scientist Dr. B. Valsa, Deputy Director- Systems Reliability, Vikram Sarabhai Space Centre (VSSC) and recipient of many awards for her excellent contribution to ISRO. There was a Kathak performance by S. Anupama of 4th Semester BBA among other cultural programmes. On 7th the Dietetics Department of Amrita Institute of Medical Sciences led by Bri. Nivedita, HOD held a session on On 8th March Smt. Patil Pranjil Lahensingh, In the same function chief guest ‘Balanced and healthy diet for women’ IAS, Asst. Collector, Ernakulam was the honoured Sri. K. Jayadevan, President, which was followed by ‘Amrita Paakam’ chief guest. Smt Patil is the first visually Pookkottukavu Grama Panchayat, cooking contest by our staff and students. -
Kavalam Narayana Panikkar (1928-2016): a Tribute
Bharatiya Pragna: An Interdisciplinary Journal of Indian Studies (E-ISSN 2456-1347) Ed. by Dr. P. Mallikarjuna Rao Vol. 1, No. 2, 2016. URL of the Issue: http://www.indianstudies.net/v1n2 Available at http://www.indianstudies.net/V1/n2/01_KN-Panikkar.pdf © AesthetixMS Kavalam Narayana Panikkar (1928-2016): A Tribute Rajesh P1 University of Hyderabad, India Kavalam, a small village alongside the backwaters of Kerala is today known after a thespian par excellence. Kavalam Narayana Panikkar who carried along with him not just the name of his village, but the rhythm of folk, while in search of the ‘roots’ of Indian art forms. With a profound knowledge of the folk arts of Kerala such as Theyyam, Padayani, Koodiyattam and Kakkarishi Natakam1, he became advocate of the “Theatre of Roots” along with Habib Tanvir, Vijay Tendulkar, Ratan Tiyam and Girish Karnad. His contributions to the revival of Tanathu (indigenous) art forms remain unsurpassed. K. N. Panikkar, popularly known as Kavalam was born into an affluent family with rich cultural heritage of Kuttanad; he worked relentlessly for the revival of native theatre by incorporating classical, folk and western theaters, though not without criticism. Even as a theatre doyen, he was involved in kalari2 till his last days, meditating over his latest drama Rithambara.3 He remained a multitalented artist and made significant contributions as a playwright, director, lyricist and singer. K. N. Panikkar would have remained a lawyer had his disposition not inclined to the culture abundance around him. His six years practice after obtaining a law degree was replaced by an artistic career spanning over half a century, transcending the discipline with an extensive repertoire of folk art. -
Dance-Mohiniyattam.Pdf
SET-4 Series BVM H$moS> Z§. 85 Code No. amob Z§. narjmWu H$moS >H$mo CÎma-nwpñVH$m Ho$ _wI-n¥ð >na Roll No. Adí` {bIo§ & Candidates must write the Code on the title page of the answer-book. H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _o§ _w{ÐV n¥ð> 4 h¢ & àíZ-nÌ _| Xm{hZo hmW H$s Amoa {XE JE H$moS >Zå~a H$mo N>mÌ CÎma-nwpñVH$m Ho$ _wI-n¥>ð> na {bI| & H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _| >6 àíZ h¢ & H¥$n`m àíZ H$m CÎma {bIZm ewê$ H$aZo go nhbo, àíZ H$m H«$_m§H$ Adí` {bI| & Bg àíZ-nÌ H$mo n‹T>Zo Ho$ {bE 15 {_ZQ >H$m g_` {X`m J`m h¡ & àíZ-nÌ H$m {dVaU nydm©• _| 10.15 ~Oo {H$`m OmEJm & 10.15 ~Oo go 10.30 ~Oo VH$ N>mÌ Ho$db àíZ-nÌ H$mo n‹T>|Jo Am¡a Bg Ad{Y Ho$ Xm¡amZ do CÎma-nwpñVH$m na H$moB© CÎma Zht {bI|Jo & Please check that this question paper contains 4 printed pages. Code number given on the right hand side of the question paper should be written on the title page of the answer-book by the candidate. Please check that this question paper contains 6 questions. Please write down the Serial Number of the question before attempting it. 15 minute time has been allotted to read this question paper. -
BA Music 1St Semester Examination – 2020 Time: 3Hrs Maximum Marks :80 Musicology SECTION a Answer Any 10 Questions Each Carries 2 Marks 1
Maharaja’s College, Ernakulam (A Government Autonomous College) Affiliated to Mahatma Gandhi University, Kottayam Under Graduate Programme in Music 2020 Admission Onwards Board of Studies in Music Sl. Name of Member Designation No. 1 Sri. K. Ashtaman Pillai Chairman, BoS Music Dr. Preethy. K, Associate Prof. SSUS 2 External Member Kalady Dr. Manju Gopal, Associate Prof. 3 External Member SSUS Kalady 4 Fr. Paul Poovathingal Member [Industry] 5 Sri. A. Ajith Kumar Member [Alumni] 6 Dr. Pooja. P. Balasundaram Internal Member 7 Dr. Saji. S Internal Member 8 Dr. Sindhu. K. S Internal Member 9 Dr. Sreeranjini. K. A Internal Member 10 Sri. Vimal Menon. J Internal Member A meeting of the Board of Studies was conducted in the department of Music on 29/11/2019. The Board of Studies decided to revise the Syllabus and the same to be implemented from 2020 onwards. MAHARAJA'S COLLEGE, ERNAKULAM (A GOVERNMENT AUTONOMOUS COLLEGE) REGULATIONS FOR UNDER GRADUATE PROGRAMMES UNDER CHOICE BASED CREDIT SYSTEM 2020 1. TITLE 1.1. These regulations shall be called “MAHARAJA'S COLLEGE (AUTONOMOUS) REGULATIONS FOR UNDER GRADUATE PROGRAMMESUNDER CHOICE BASED CREDIT SYSTEM 2020” 2. SCOPE 2.1 Applicable to all regular Under Graduate Programmes conducted by the Maharaja's College with effect from 2020 admissions 2.2 Medium of instruction is English except in the case of language courses other than English unless otherwise stated therein. 2.3 The provisions herein supersede all the existing regulations for the undergraduate programmes to the extent herein prescribed. 3. DEFINITIONS 3.1. ‘Academic Week’ is a unit of five working days in which the distribution of work is organized from day one to day five, with five contact hours of one hour duration on each day.