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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
A Darkness at the End: the Shadows Know Your Name Free
FREE A DARKNESS AT THE END: THE SHADOWS KNOW YOUR NAME PDF Ruth Frances Long | 448 pages | 12 Sep 2016 | O'Brien Press Ltd | 9781847178633 | English | Dublin, Ireland LARRY GATLIN - LIGHT AT THE END OF DARKNESS LYRICS O'Brien Press uses cookies on this website. They are stored locally on your computer or mobile device. To accept cookies continue browsing as normal. Or go to the cookie policy for more information and preferences. Holly, the fae matriarch, tries to sieze the power of heaven for herself, while Izzy has lost her memory and Jinx is dead The final book in the contemporary fantasy trilogy set in Dublin: and Dubh Linn, the fae world that exists in the cracks and corners of reality. Angels, A Darkness at the End: The Shadows Know Your Name demons and humans are drawn into lethal conflict as the fate of the world hangs in the balance in the final installment in this urban fantasy. Confronted with ancient powers, sacrifice and treachery. War is looming within the ranks of the Sidhe. The angels and the demons begin to draw lines, daring each other to transgress and start another war She studied English Literature, History of Religions, and Celtic Civilisation in college and now works in a specialised library of rare and unusual books. She skilfully melds real Dublin and magical Dubh Linn, making excellent use of the history surrounding the locations. She writes about Dublin as a place of magic and story, making the Irish reader see their place in a new way … a brilliant read, both heart-pounding and heartbreaking. -
The Primary Videos
Ivo Koers Instrumentation On Hank Marvin Recordings III: The Primary Videos March 1997 VHS, PolyGram Video 639 198 3 Hank Plays Live Video remark: For different mixes of all tracks (except “Heartbeat”, “Sacha”, “Red Back”, “Oxygene (Part IV)” and “Shadoogie”), see under “I: The Primary Albums”, album “Hank Plays Live”. For a different mix of “Heartbeat”, see under “I: The Primary Albums”, album “Hank Plays Holly”. Title: Heartbeat [LIVE 1995, M2] Duration: 2:24 Recording date: December 15th, 1995 Location: Royal Symphony Hall, Birmingham, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar Ben Marvin Electric X lead/rhythm guitar Warren Synthesizers X X X Bennett Mark Griffiths Electric bass X guitar Peter May Drums X Remarks: This mix features a more prominent electric bass guitar sound by Mark. Title: Atlantis [LIVE 1995, M1] Duration: 2:47 Recording date: December 15th, 1995 Location: Royal Symphony Hall, Birmingham, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar Ben Marvin Acoustic X rhythm guitar Warren Synthesizers X X X Bennett Mark Griffiths Electric bass X guitar Peter May Drums X Title: Devil Woman [LIVE 1995, M1] Duration: 3:40 Recording date: December 15th, 1995 Location: Royal Symphony Hall, Birmingham, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric -
%Ocr#S"Rordsc€Off J€RM\/'S NUSTE!LIAN IIISTRT'm€Nth,L N€Q/SL€TT€R
%ocr#S"roRDsc€oFf J€RM\/'S NUSTE!LIAN IIISTRT'M€NTh,L N€q/SL€TT€R EDTTTON #2 _ AUGUST 2{X}4 rHe r,i,A.Ntn I had many good idcas submitt€d (and some not so goodl) alld the final decision was difficult. Some of the suggestions included "GAIN" (Geofs Australian lnsrrurnental Newslettei), "DWAIN" (Definjtely Wortlrwhile Aust Inst Newsletter), "The Twang OfThe Beat", "cuitar String-A-Long". "Twank" (couldn'r imagine using that I'd be forever referred toas a Twankerl), and one unidentified lady left a message on my answering machine swgesting "MUSIC" (Most Unusual Stupid Instrumsntal Cmp", agarn, one fo. tlrc bin. My favourite is "Too Good For Words"- which I'11 use for the presen| Many thanks to Kim for lhe logo | ! Let me know what you think!l SHADOZ 2004 A great day was had by all at 'The Bridge" h tuchmond on Sunday 13 June. With l2 hours ofgood musjc, good bee{, good company and a great overall atmospherg how could we go wrong? 'I_he Foceedings we.e once again started by our ove.s€as friends, the Five O'Clock Shadows, ilom Hobart, Tasmania. Richard Andrews (Lead Guitar) ard Bill Burton (Rh).thm) *€re this year joined t'y P€ter Davidson (Bass) and a drunlmer called "machine". Their firsr s€f contained a wid€r variety ofshadows instumentalE as well as a seleclion offtacks by the Adantics and others and proved a perfect start to the day. nMidlife Crisis" featued Richard Codron (Lead). Eugene Van Der Hooden (Rhltlm). -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
1 This Was the Year That the Shadows Appeared As Singers Before a Pan
1975 This was the year that The Shadows appeared as singers before a pan-European audience. The earlier 1973 initiative had not produced the desired outcome and by 1974 they were in the wilderness and did not exist as a viable group. They got together to perform at the Palladium on 27 October of that year as a personal tribute to and for the benefit of the widow of BBC producer Colin Charman. BBC boss Bill Cotton heard them and suggested that they might like to represent the UK at the Eurovision Song Contest the following year. They accepted, formed a working ensemble, and undertook a few local ‘practice’ gigs while preparing and practising the songs. The chosen song, [254] LET ME BE THE ONE, was one of six put forward for the UK’s entry in the Eurovision Contest of 1975, and was the last of the contenders performed over six successive weeks on Lulu’s BBC TV show at the start of the year. It was duly televised in Stockholm on 22 March but came in second to Dutch group Teach-In’s lyrically challenged ‘Dinge-Dong’ ~ English title ‘Ding-A-Dong’ (“Ding- A-Dong every hour,/ When you pick a flower …”), which impressed the British public sufficiently to enjoy a seven-week residence in the Singles charts (climbing to No.13). No such good fortune attended the release of The Shadows’ follow-up to their charting Eurovision Single, another piece from the same composer, the staggeringly inane, hopelessly unamusing [266] RUN BILLY RUN (“Closed my eyes, I tried countin’ sheep,/ Desp-rate Dan just looked like Bo-Peep,/ I can’t sleep”). -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
SHADOWS of the SEVENTIES an Article Covering the Shadows’ Most Creative but Criminally Overlooked Decade
SHADOWS OF THE SEVENTIES An article covering the Shadows’ most creative but criminally overlooked decade. By Chris Drake 1 In August 2013, Music Club Deluxe/Parlophone released a 2CD Shadows compilation CD entitled The Collection . The slipcase and inner insert featured a big close-up of the by now obligatory red and white Fender Stratocaster, which during the past 30 or so years has become synonymous with virtually any Shadows-related product. It’s an attractive and eye-catching image. What is worth remarking in this case is that the 35 tracks contained within come almost entirely from the 1970s – a period of the Shadows’ history in which there wasn’t a single red (or Salmon Pink !) Fender Strat in sight. But, in fairness, would a close-up of the scratch plate, body and other furnishings, all uniformly in black, have made the product stand out on the shelves? What is interesting also is that the period covered represents something of a commercial low-point for the band, with very little in terms of hit singles and albums compared to the previous decade. What it does contain, on the other hand, is some of the band’s most creative and impressive recordings and suggests that perhaps the Shadows’ output of the 1970s is worth listening to and evaluating after all. The basis of this article, therefore, will be the contents of MCDLX187: The Collection . Before venturing into the territory so comprehensively covered by the compilation, let’s just pause for a few moments to consider the period leading up to it and the way in which the Shadows seemed to prepare the ground for this new and potentially very exciting decade. -
Rhythm & Blues...60 Deutsche
1 COUNTRY .......................2 BEAT, 60s/70s ..................69 OUTLAWS/SINGER-SONGWRITER .......23 SURF .............................81 WESTERN..........................27 REVIVAL/NEO ROCKABILLY ............84 WESTERN SWING....................29 BRITISH R&R ........................89 TRUCKS & TRAINS ...................31 INSTRUMENTAL R&R/BEAT .............91 C&W SOUNDTRACKS.................31 POP.............................93 COUNTRY AUSTRALIA/NEW ZEALAND....32 POP INSTRUMENTAL .................106 COUNTRY DEUTSCHLAND/EUROPE......33 LATIN ............................109 COUNTRY CHRISTMAS................34 JAZZ .............................110 BLUEGRASS ........................34 SOUNDTRACKS .....................111 NEWGRASS ........................36 INSTRUMENTAL .....................37 DEUTSCHE OLDIES112 OLDTIME ..........................38 KLEINKUNST / KABARETT ..............117 HAWAII ...........................39 CAJUN/ZYDECO ....................39 BOOKS/BÜCHER ................119 FOLK .............................39 KALENDER/CALENDAR................122 WORLD ...........................42 DISCOGRAPHIES/LABEL REFERENCES.....122 POSTER ...........................123 ROCK & ROLL ...................42 METAL SIGNS ......................123 LABEL R&R .........................54 MERCHANDISE .....................124 R&R SOUNDTRACKS .................56 ELVIS .............................57 DVD ARTISTS ...................125 DVD Western .......................139 RHYTHM & BLUES...............60 DVD Special Interest..................140 -
Mødet I Erritsø
SShhaaddoowwssNNyytt 1166 August 2003 THE FINAL TOUR: Klip fra engelsk artikel: Grundlæggerne af The Shadows - Bruce Welch og Hank Marvin har helet et 13 år gammelt sår – og den klassiske guitargruppe genforenes for en sidste tour. Lidt overraskende har en ”kändis” bedt om billetter til den sidste koncert – nemlig Neil Young. Bandets rytmeguitarist Bruce Welch siger: ”En har på vegne af Neil Young bedt om billetter til det sidste show på London’s Hammersmith Odeon – 12. juni 2004. Åbenbart var Hank hans idol i de tidlige år – det undrer mig ikke – Hank var den første guitar stjerne”. En happy ending lå ellers ikke i kortene. Bruce Welch – som på et tidspunkt var forlovet med Olivia Newton- John – siger, at der var store problemer før de kunne komme til enighed. Så kom den længe ventede nyhed – THE SHADOWS er tilbage igen – i den ”gamle” opstilling med Hank, Bruce og Brian. Hvem der bliver bassisten og manden på keyboards vides ikke på nuværende tidspunkt. Men mon ikke det bliver Mark Griffiths og Cliff Hall – det var jo dem der var med på den sidste tour i 1990. ”Jeg havde ikke talt med Hank siden den sidste tour i Det vides heller ikke på nuværende tidspunkt, om det 1990. Vi gik hver til sit og fik ikke diskuteret bliver en ren engelsk tour eller om der bliver plads – problemerne dengang” – siger Bruce Welch. ”Hank læs økonomi – til et par afstikkere til Danmark og den ringede til mig for 3 måneder siden, og vi blev enige øvrige del af Europa. Der er ingen tvivl om at det er et om at lægge uoverensstemmelserne bag os – så vi kan dyrere arrangement at håndtere end Hank alene – nu tage ud på den sidste tour og tage afsked med vore men vi krydser fingre/tæer og håber det bedste. -
INDEX of FEATURES up to and Including Pipeline 118
INDEX OF FEATURES up to and including Pipeline 118 100 Guitars stage show: 37 '1961' live at Pipeline Convention: 27, 64 3 Balls Of Fire feature interview: 70, 93 2i's Coffee Band, The live at ShadowDania: 112, 115 3 Balls Of Fire live at Pipeline Convention: 71 4 Jets, Los feature & discog: 54 45s: The 30 Best Double-Siders Dave's list and text: 111 5 O'Clock Shadows, The live at Shadoz: 60 A.J. Band live at Keith Newton benefit: 6 Aces, The overview & discog: 33 AdVenture live at Instrumental Rock Guitar Festival: 58 Ainsby, Neil interview: 64 Ahab & The Wailers feature: 112 Akkerman, Jan feature interview: 67 Allan, Davie, & The Arrows Davie Allan interview: 79 Allan, Davie, & The Arrows feature: 38, 47 Allan, Davie, & The Arrows live in London 1996: 35 Allen, Richie feature, interview & discog: 88 Alphonso, Roland tribute: 46 Angel, Eddie feature interview: 100 Apemen, The interview: 32 Apollo 11 live at Pipeline Convention: 84 Arousers, The feature: 32 Atkins, Chet Chet on CD: 54 Atkins, Chet feature & discog: 15 Atkins, Chet tribute: 54 Atlantics, The feature interview: 69 Atlantis (group) live at Shadows Fan Meeting, Tilburg: 98 Auger, Brian feature:50 Avantis, The Judd Hamilton feature interview & discog: 77 Bachman, Randy feature, interview & discog: 25 Ballard, Russ interview: 114 Banned Instrumentals feature: 117 Barons, The feature & interview: 118 Barry, John interview: 29 Barry, John tribute: 86 Barry, John, Seven feature & discog: 18 Baxter, Bruce Sons Of The Piltdown Men feature & interview: 104 Beat Poets, The feature -
On History Phd Programs in the United States and Canada
erspectives on PThe Newsmagazine of the American Historical Association | 52: 6 | September 2014 History The AHA’s Online Directories Explore the history profession of the past and present Directory of History Departments and Organizations Comprehensive information about historians and programs www.historians.org/directory/search Hard copies are sold at the AHA Store: www.historians.org/ahastore Directory of History Doctoral Programs Annually updated information on history PhD programs in the United States and Canada www.historians.org/directory/phd Directory of History Dissertations More than 53,000 dissertations currently in progress or completed since 1873 www.historians.org/dissertations Directory of History Journals Helpful links to peer-reviewed journals in all fields of history www.historians.org/directory/journals Member Directory AHA members only: contact information for collaboration and community www.historians.org/myaha From the President 5 Dividing up the World: The AHA Taxonomy Project By Jan Goldstein From the Executive Director 7 Preparation for a Professorial Profession: Reflections on One Aspect of Graduate Education By James Grossman and Julia Brookins News 9 Architectural History and Modernity at the Venice Biennale By Shatha Almutawa 9 Teaching Undergraduates: A FEATURES Conversation in Brooklyn By Elaine Carey, Sara Haviland, Eric Platt, Sarah Shurts, and Emily Tai 10 Historical Narrative in Viewpoints 34 American Counterterrorism Operations By Shatha Almutawa 12 The Academic Cuban Memory Wars Job Market’s Jagged