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On History Phd Programs in the United States and Canada erspectives on PThe Newsmagazine of the American Historical Association | 52: 6 | September 2014 History The AHA’s Online Directories Explore the history profession of the past and present Directory of History Departments and Organizations Comprehensive information about historians and programs www.historians.org/directory/search Hard copies are sold at the AHA Store: www.historians.org/ahastore Directory of History Doctoral Programs Annually updated information on history PhD programs in the United States and Canada www.historians.org/directory/phd Directory of History Dissertations More than 53,000 dissertations currently in progress or completed since 1873 www.historians.org/dissertations Directory of History Journals Helpful links to peer-reviewed journals in all fields of history www.historians.org/directory/journals Member Directory AHA members only: contact information for collaboration and community www.historians.org/myaha From the President 5 Dividing up the World: The AHA Taxonomy Project By Jan Goldstein From the Executive Director 7 Preparation for a Professorial Profession: Reflections on One Aspect of Graduate Education By James Grossman and Julia Brookins News 9 Architectural History and Modernity at the Venice Biennale By Shatha Almutawa 9 Teaching Undergraduates: A FEATURES Conversation in Brooklyn By Elaine Carey, Sara Haviland, Eric Platt, Sarah Shurts, and Emily Tai 10 Historical Narrative in Viewpoints 34 American Counterterrorism Operations By Shatha Almutawa 12 The Academic Cuban Memory Wars Job Market’s Jagged Line By Allen By Michael J. Bustamante 34 Mikaelian 14 Inspiring an Interest in Revising Nixon in DC: Nixon Foundation Still Campaigning History: National History Day 2014 By George Derek Musgrove 36 By Dana Schaffer 16 The Digital Public Library of America and the NEH, a Perspectives on Film 38 Partnership for the People By Seth Denbo 18 Teenage: Documentary Features the Stories behind Advocacy 19 an Invention By Marcia Chatelain The AHA Responds to the Relocation of the National Archives for Black Women’s Career Paths 40 History By Debbie Ann Doyle 19 Advocacy The Edges of History Roundup By Lee White 20 Black Holes in By Clifford Adelman the Predecisional Universe: Agencies Gain a New Justification for SecrecyBy Nate Teaching 42 Jones 22 Embracing the Challenge of the New AP US History Exam AHA Activities 24 By Brenda Santos AHA Welcomes New Staff Members 24 2014 The 129th Annual Meeting 44 NASA and Jameson Fellowships Awarded By On to New York City for the 2015 Annual Meeting Elizabeth Elliott 25 Action Items by the AHA By Sharon K. Tune 44 Tours of New York By Debbie Ann Doyle 48 Council 26 2014 AHA Election Results 27 Donors to the Association 28 The 130th Annual Meeting 50 Digital Dispatches 30 Call for Proposals for the 130th Annual Meeting of the AHA 50 “Global Migrations: Empires, Nations, and Neighbors”: The Theme of the 130th Annual Mapping the History Twittersphere Meeting By Vicki L. Ruiz, María E. Montoya, and Douglas Haynes 51Crafting an By Vanessa Varin Effective Panel Proposal By Francesca Trivellato and Andrew Sartori 52 The National History Center 32 A Decol Community: Forging Connections On the Cover s we started preparations for the 2015 annual meeting among Citizens of the World at the erspectives on Decolonization Seminar By Amanda PThe Newsmagazine of the American Historical Association | 52: 6 | September 2014 History Ain New York City, we were struck by this painting by Lily Moniz 32 Furedi. Image used courtesy of the Smithsonian American Art Museum, which provided the following information: Member News 53 “Lily Furedi’s Subway was painted as part of the Public Affiliated Societies 53 Works of Art Project—the first federal government program Letters to the Editor 54 to support the arts nationally. Artists from across the United States who participated in the program, which lasted only In Memoriam 56 per0914.indd 1 19/08/14 5:50 PM six months, from mid-December 1933 to June 1934, were u David Mark Griffiths u Elbert B. Smith u encouraged to depict ‘the American Scene.’ The Smithsonian American Art Richard Wilson Reichard u Philip R. Schmidt Museum has an unparalleled collection of vibrant artworks created for the u Solomon Wank program, which are a lasting visual record of America at a specific moment in time. Lily Furedi’s Subway was part of the museum’s touring exhibition 1934: A Endnote 61 New Deal for Artists, organized to celebrate the 75th anniversary of the Public Pedaling through Memory By Allen Works of Art Project. The painting is currently on view at the museum as part Mikaelian of an installation of artworks from the 1930s titled Experience America.” Job Center 62 Perspectives on History (ISSN 1940-8048) is published nine times a year, monthly September through May, by the American Historical Association, 400 A St., SE, Washington, DC 20003-3889. (202) 544- 2422. Fax (202) 544-8307. World Wide Web: www.historians.org/ perspectives. E-mail: [email protected] (editorial issues) Newsmagazine of the or [email protected] (membership and subscription issues). Perspectives on History is distributed to members of the Association. Individual membership subscriptions include an amount of $7.04 to cover the cost of Perspectives on History. 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Assistant Membership Manager Michelle Hewitt ©2014 American Historical Association. Controller Postmaster: Send change of address to Perspectives on History, Randy Norell Membership Department, AHA, 400 A St., SE, Washington, DC Associate Director 20003-3889. Dana Schaffer Special Projects Coordinator Publisher’s Statement Julia Brookins Staff Accountant The American Historical Association is a nonprofit membership Phu Pham corporation founded in 1884 for the promotion of historical research, Executive Office Assistant study, and education. The Association reserves the right to reject Matthew Keough editorial material sent in for publication that is not consonant with the goals and purposes of the organization. The Association also Editorial Advisory Board assumes the right to judge the acceptability of all advertising copy and illustrations in advertisements published in Perspectives on History. 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