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The Amazing Meeting 5
The Amazing Meeting 5 Per Johan Råsmark James Randi är känd för de flesta skeptiker. Det finns knappast någon som inte vid något till- fälle i en diskussion nämnt hans utmaning, där den som kan visa upp en paranormal förmåga under kontrollerbara former kan få $ 1 000 000. För knappt ett år sedan var vi nära att förlora honom då han drabbades av en allvarlig hjärtattack, men tack vare modern medicinsk veten- skap överlevde han. Den 18 januari 2007 var han så närvarande när det femte ”The Amazing Meeting” (TMA) inleddes i Las Vegas. Dessa möten, av vilka det första hölls i Florida och de övriga har varit i Las Vegas, arrangeras av ”James Randi Educational Foundation” (JREF). Denna gång hölls konferensen på Riviera eftersom Stardust där man varit de två senaste åren håller på att för- vandlas till enbart ”dust” i den ständiga omvandlingen av staden. Konferensen har hela tiden ökat i popularitet och detta år tyckte drygt 800 personer att det var värt att resa till ett kallt Las Vegas. Enligt arrangörerna gör detta konferensen till världens största någonsin för skeptiker och det ska också vara den med procentuellt sett flest kvinnor och flest ungdomar. (För att vara sunt skeptisk vill jag påpeka att jag inte har kontrollerat de uppgifterna.) Temat för årets möte var ”Skepticism and the Media”, något som inte alla talarna höll sig till eftersom det är en stor konferens, men som kunde ses på antalet mediepersonligheter bland de inbjudna gästerna. Att man inte helt höll sig till konferensens tema märktes redan den första dagen som inled- des med två workshops. -
An Honest Liar Premieres on Independent Lens Monday, March 28, 2016 on PBS
FOR IMMEDIATE RELEASE CONTACT Lisa Tawil, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ An Honest Liar Premieres on Independent Lens Monday, March 28, 2016 on PBS Portrait of James “The Amazing” Randi, the Extraordinary Magician Who Dedicated His Life to Exposing Hucksters and Frauds “Magicians are the most honest people in the world. They tell you they’re gonna fool you, and then they do it.” – James Randi (San Francisco, CA) — For the last half-century, James “The Amazing” Randi has entertained millions of people around the world with his remarkable feats of magic, escape, and trickery. But when he saw faith healers, fortunetellers, and psychics using his beloved magician’s tricks to steal money from innocent people and destroy lives, he dedicated his life to exposing frauds, using the wit and style of the great showman that he is. Part detective story, part biography, and a bit of a magic act itself, the award- James "The Amazing" Randi. winning An Honest Liar, directed and produced by Credit: Justin Weinstein, Tyler Measom Justin Weinstein and Tyler Measom, premieres on Independent Lens Monday, March 28, 2016, 10:00-11:30 p.m. ET (check local listings) on PBS. A self-described liar, cheat, and charlatan, Randi embarked on a mission for truth by perpetrating a series of unparalleled investigations and elaborate hoaxes. These grand schemes fooled scientists, the media, and a gullible public, but always with a deeper goal of demonstrating the importance of evidence and the dangers of magical thinking. -
The Project Alpha Papers Edited by Peter R
Journal of Scientifi c Exploration, Vol. 30, No. 3, pp. 458–466, 2016 0892-3310/16 BOOK REVIEW The Project Alpha Papers edited by Peter R. Phillips, Prologue by Lance Storm. The Australian Institute for Parapsychological Research, 2015. http://www.aiprinc.org/the-project-alpha-papers/ The electronic archival document The Project Alpha Papers is a collection of 18 articles relevant to “Project Alpha,” an intervention designed and executed by the magician James Randi and his confederates. The target of the intervention was the McDonnell Laboratory for Psychical Research (known as the “MacLab”) located at Washington University, St. Louis, Missouri. This document was originally conceptualized as a book by Michael Thalbourne, an Australian parapsychologist and scholar, but he died before he could fi nish the task. The erstwhile director of the Laboratory, Peter Phillips, assembled Thalbourne’s material and produced an archive for the website of the Australian Institute for Parapsychological Research, and it is available there. All the articles were written and published in the 1980s, except for an article by Thalbourne, which was delayed until 1995. Phillips produced an eBook, Companion to the Project Alpha Papers, which is available at a modest price. This archive is thorough and well-collated; this review will not describe all of the contents but will focus on some highlights, especially those of which I have fi rsthand knowledge. It will also raise questions as to why Randi’s hoax was not detected earlier, given the many clues, some of which were supplied by Randi himself. In the companion piece, Phillips describes how the magician James Randi sent two of his confederates (Steve Shaw and Michael Edwards, AKA “The Alpha Boys”) to his laboratory to simulate psychic effects by trickery, suspecting that the staff would not be able to detect fraud without the aid of an expert conjuror. -
Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton
00:00:00 Music Music “Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton. A jaunty, upbeat instrumental. 00:00:08 Ross Host Hello, and welcome to Oh No, Ross and Carrie!, the show where we Blocher don’t just report on fringe science, spirituality, and claims of the paranormal, no, we take part ourselves. 00:00:17 Carrie Host Yup, when they make the claims, we show up so you don’t have to. Poppy I’m Carrie Poppy. 00:00:20 Ross Host And I’m Ross Blocher, and we are joined with two exciting guests today. We have Susan Gerbic— 00:00:25 Susan Guest Yay! Gerbic 00:00:26 Ross Host —and Mark Edward. 00:00:27 Mark Guest Hey. Edward 00:00:28 Ross Host Welcome, and welcome back, Mark. 00:00:29 Mark Guest Thank you. It’s been awhile. 00:00:30 Ross Host I had to look this up. Our thirteenth episode was an interview with you. 00:00:34 Susan Guest Carrie said this house was weird— 00:00:35 Mark Guest Blissfully creepy, which I really liked. [Carrie laughs.] 00:00:38 Susan Guest He’s bringing it to my house in Salinas now. My house is becoming blissfully creepy, it’s great. 00:00:43 Ross Host Wonderful. 00:00:44 Carrie Host So you’re moving in. You’re shacking up. 00:00:46 Mark Guest Yeah, we’re shacking up. 00:00:47 Susan Guest It’s only been ten years. 00:00:48 Mark Guest After ten years, you know. -
Griffin Nov 20
November 2020 Sad News - James Randi, famous for breaking Harry Houdini’s submersion record, dies aged 92 Via AP News Wire Thursday 22 October 2020 James Randi, a magician who later challenged spoon benders, mind readers and faith healers with such voracity that he became regarded as the country’s foremost sceptic, has died, his foundation announced. He was 92. The James Randi Educational Foundation confirmed the death, saying simply that its founder succumbed to “age-related causes” on Monday. Entertainer, genius, debunker, atheist ̶ Randi was them all. He began gaining attention not long after dropping out of high school to join the carnival. As the Amazing Randi, he escaped from a locked coffin submerged in water and from a straitjacket as he dangled over Niagara Falls. Magical as his feats seemed, Randi concluded his shows around the globe with a simple statement, insisting no otherworldly powers were at play. The magician’s transparency gave a glimpse of what would become his longest-running act, as the country’s sceptic-in-chief. In that role, his first widely seen exploit was also his most lasting. On a 1972 episode of “The Tonight Show,” he helped Johnny Carson set up Uri Geller the Israeli performer who claimed to bend spoons with his mind. Randi ensured the spoons and other props were kept from Geller’s hands until showtime to prevent any tampering. The result was an agonizing 22 minutes in which Geller was unable to perform any tricks. Randi had bushy white eyebrows and beard, a bald head, and gold-rimmed glasses, and bounced his 5-foot-6 (1.6 meter) frame energetically, even in his final years. -
Fraud: Just Fraud
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Fraud: Just Fraud Reeves David Ion Morris-Stan Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Acting Commons, and the Dance Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Morris-Stan, Reeves David Ion, "Fraud: Just Fraud" (2016). Senior Projects Spring 2016. 321. https://digitalcommons.bard.edu/senproj_s2016/321 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Fraud: Just Fraud Senior Project Submitted to The Division of Arts Of Bard College By Reeves Morris-Stan Annandale-on-Hudson, New York May 2016 Acknowledgements I would like to start out by thanking my mother, father, and sister who shown given me nonstop support throughout the years. You are the reason I make art. I would like to thank Kedian Keohan, my amazing collaborator, for putting up with my crazy ways and for exposing my dark side. You made fraud make sense. -
Tommy Wonder & Stephen Minch)
Downloaded from www.vanishingincmagic.com by Ray Hyman EDITED by Joshua Jay Cover designed by Vinny DePonto Layout by Andi Gladwin Downloaded from www.vanishingincmagic.com by Ray Hyman Magic in Mind was prepared in cooperation with the Society of American Magicians, and the ebook will be made available for free to all members worldwide. www.vanishingincmagic.com All rights reserved. The essays in this book are copyrighted by their respective authors and used with permission. No portion may be reproduced without written permission from the authors. Downloaded from www.vanishingincmagic.com by Ray Hyman AcknowledgEments Magic in Mind started out as a project intended expressly for serious young magicians, but the first of many lessons I learned during my two-year endeavor is this: age has little to do with learning. It was evident, early on, that this collection would benefitanyone serious about getting serious in magic. So here we are. Thanks to all the generous magicians who have allowed me to include their work in this collection. I am overwhelmed by the support they have shown. In particular, I wish to single out Darwin Ortiz, whose writings I admire greatly, and who went against a personal policy, and agreed to participate. I consider it a favor to me, and a favor to all those who will learn from his writings. Thanks, Darwin, for being flexible and generous. Thanks to Stephen Minch, whose encouragement and “pull” helped initiate the project. Irving Quant helped with the translation of “Fundamentals of Illusionism” by Juan Tamariz. Denis Behr suggested a few essays I was not familiar with. -
Cybersecurity Magic: Parallel Structures of Design by Hackers and Magicians
Cybersecurity Magic: Parallel Structures of Design by Hackers and Magicians Samuel Sagan Honors Thesis Science, Technology, and Society Program Stanford University May 12, 2018 Advisor: John Willinsky, May 2018 STS Honors Program Director: Kyoko Sato Kyoko Sato, May 2018 1 Abstract Almost half of the American public has been a victim of a major cyber-hacking incident and cyber-crime now tops the Gallup Poll’s list as the crime Americans worry about the most. (Pagliery 2014; Riffkin 2017) Yet for many Americans, their vulnerability to hacking seems mysterious. How can so much cyber-crime occur when so many technical efforts are devoted to preventing it? One possible answer to this question might be that cyber-hackers take advantage of common human psychological traits that make us all vulnerable to deception and misdirection. The ability to take advantage of such human vulnerabilities is part of the art of deception in many realms, such as espionage, warfare, politics, theatre, and especially in performance magic. What are the similarities and differences between the process used by cyber-criminals to design their hacking attacks and the process used by magicians to design their magic tricks? I investigated these connections by collecting primary sources and interviewing a small number of magicians, “white hat hackers,” and individuals from the national security intelligence community to discover how they design their activities to take advantage of individuals’ common human vulnerabilities and new technology vulnerabilities. I present multiple case studies and then compare specific magic tricks with specific cybersecurity exploits, demonstrating how the design processes used by hackers have inherent structural similarities to those used by magicians. -
MAGIC ROADSHOW #170 September, 2015
MAGIC ROADSHOW #170 September, 2015 Hello Friends.. Welcome to a new issue of the Magic Roadshow. If this is your first visit, I hope you find something that makes you want to come back. Honest... Well, after a long, hot summer I can honestly say I'm glad to see it go. I'm ready for fall.. I'm ready for Halloween, and I'm ready for some football. I'm REALLY ready. I have a full schedule for the fall season that includes: Carolina Close-Up Convention (TRICS) in November, where I'll get a chance to see all my 'local' friends that I have to go to another state to see. Ironic, isn't it? ( http://tricsconvention.com/ ). I'd love to see some of you there. Contact Scott Robinson via this link and ask if tickets are still available. Joe Bonamassa will be in town in November too, and I've got great seats to see Joe. Plus.. I've got tickets for the little wife and I to see Penn & Teller the first week of December. October 6th is my 25th wedding anniversary and I've been asked if we can spend it quietly in the mountains.. somewhere. As some of you have noticed, each issue of the Magic Roadshow has a bit of a theme. Oh, certainly I include a little of everything, but I try to have several features that are of the same genre. This month, in celebration of the upcoming Halloween, also known as All Halloween, All Hallows' Eve, or All Saints' Eve, I've featured a few stories based on either ESP, the supernatural, or pseudo-science. -
New Series the Top of the Jon Foo Isn’T Jackie Chan, Leader Board? but He’S in “Rush Hour”
PLUS BUZZWORTHY “THE RANCH” STARS “THE PATH” TALK ABOUT CROSSOVER EPISODE EVERYTHING “SUPERGIRL” FROM A LOVE OF SUPERGIRL, MEET WINE TO A PASSION THE FLASH FOR WILDLIFE CONSERVATION HOUSTON, WE HAVE A GOLF TOURNAMENT! WILL J.B. HOLMES FIND HIS NAME AT NEW SERIES THE TOP OF THE JON FOO ISN’T JACKIE CHAN, LEADER BOARD? BUT HE’S IN “RUSH HOUR” FOLIO Connect to these shows within this magazine! Courtesy of Gracenote March 27 - April 2, 2016 C What’s HOT this Week! Click to jump to these contents featured sections! YOURTVLINK “THE RANCH” CELEBRITY is a “That ‘70s Show” 4 CARRIE PRESTON reunion is happy being “Crowded” 5 JAMES PUREFOY Purefoy feels like an ‘old pickup’ to Hendricks’ Bentley 6 SARAH GRAHAM A chef’s love of lions 8 JUSSIE SMOLLETT “Empire” star doesn’t like “THE PATH” auditions A crisis of faith 9 JAMES YOUNG Getting to know the “SUPERGIRL” kitchen fixer The epic story of when superheroes collide 17 FOOD 7 KATHIE LEE GIFFORD Wine love SPORTS THE STORY! 18-19 J.B. HOLMES Holmes hoping Houston “RUSH HOUR” Open is simply elementary brings another movie premise to TV REALITY MOVIES IN EVERY ISSUE 16 “INDEPENDENT LENS” 20-21 Featuring: Theatrical 22-23 Featuring: Our top focuses on magic’s Review, Our top DVD pick, suggested programs to watch Amazing Randi and Coming Soon on DVD. this week! Page 2 YOUR TV LINK Courtesy of Gracenote March 27 - April 2, 2016 Editor's choice STORY S It’s ‘Rush Hour’ at CBS with new series version of action- comedy movies BY JAY BOBBIN If a movie franchise is popular enough, it still can yield a television-series spinoff some years later. -
Fighting Ghosts, Playing Whist, and Fencing with Fire: Three Technologies of Illusion in Performance in Nineteenth-Century London
Fighting Ghosts, Playing Whist, and Fencing with Fire: Three Technologies of Illusion in Performance in Nineteenth-Century London by Sarah Rachel Kriger A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Institute for the History and Philosophy of Science and Technology University of Toronto © Copyright by Sarah Rachel Kriger 2012 Fighting Ghosts, Playing Whist, and Fencing with Fire: Three Technologies of Illusion in Performance in Nineteenth-Century London Sarah Rachel Kriger Doctor of Philosophy Institute for the History and Philosophy of Science and Technology University of Toronto 2012 Abstract Technologies of illusion are technologies used to evoke an emotional response in an audience by producing an effect that seems to violate the laws of physics; for example, conjuring apparatuses and special effects are technologies of illusion. Traditional histories suggest that audience members value technologies of illusion for their mystery: when they understand the mechanism responsible for an effect, they lose interest in that technology. This view is empirically unsupported. Instead, technologies of illusion should be considered not as apparent violations of nature but as representations of violations of nature. Like all representations, their effectiveness hinges not on the deception of the audience by the performer but on collaboration between both parties to establish the illusion within the socio-cultural contexts that give it meaning. The analysis of three case studies, each of which embodies one of the main fields in which technologies of illusion were used in performance in nineteenth-century London, supports this understanding. The ghost illusion jointly developed by Henry Dircks and John Henry Pepper in 1862 and presented by the latter at the Royal Polytechnic Institution is representative of technologies of illusion used in popular-science demonstrations. -
Presents in Association with Participant Media & Omidyar
presents In Association with Participant Media & Omidyar Network A Film by Robert Kenner INSPIRED BY THE BOOK ‘MERCHANTS OF DOUBT’ by Naomi Oreskes and Erik M. Conway Official Selection 2014 TORONTO INTERNATIONAL FILM FESTIVAL (93 min., USA, 2014) Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com CREDITS DIRECTED BY Robert Kenner PRODUCERS Robert Kenner Melissa Robledo EXECUTIVE PRODUCERS Jeff Skoll Pierre Omidyar Diane Weyermann CO-PRODUCERS Brian Pearle Taki Oldham Dylan Nelson Youtchi von Lintel MUSIC BY Mark Adler EDITOR Kim Roberts, A.C.E. DIRECTORS OF PHOTOGRAPHY Don Lenzer Barry Berona Jay Redmond 2 SYNOPSIS Inspired by the acclaimed book by Naomi Oreskes and Erik Conway, MERCHANTS OF DOUBT takes audiences on a satirically comedic, yet illuminating ride into the heart of conjuring American spin. Filmmaker Robert Kenner lifts the curtain on a secretive group of highly charismatic, silver- tongued pundits-for-hire who present themselves in the media as scientific authorities – yet have the contrary aim of spreading maximum confusion about well-studied public threats ranging from toxic chemicals to pharmaceuticals to climate change. ABOUT THE PRODUCTION “It offends me when someone takes the skills of my honest living . and uses them to twist and distort and manipulate people and their sense of reality and how the world works.” -- Magician Jamy Ian Swiss MERCHANTS OF DOUBT takes audiences on a satirically comedic and illuminating ride into the heart of conjuring American spin.