38. Aruna Prasnam V2
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An Integrative Framework for Temple Tourism Destination of Odisha: the Marketing and Management Perspectives, Case Study on Golden Triangle of Odisha, India
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 01, JANUARY 2020 ISSN 2277-8616 An Integrative Framework For Temple Tourism Destination Of Odisha: The Marketing And Management Perspectives, Case Study On Golden Triangle Of Odisha, India P.P.Mohanty, Dr. Sapan Kumar Sadual Abstract: The tourism industry is changing rapidly across the globe that ultimately accountable towards the sustainability of the destination. Tourists derive the unforgettable experience by the dint of destination attributes like competitiveness, attractiveness, and uniqueness. The success and failure of a particular destination solely depend on the various attributes that make and mars the image of the destination. The existence of both destination and tourism is vital for future survival in terms of many touristic activities. Odisha, the land of spiritualism, has been laced with history, heritage, culture, faith and belief of various temples, but in particular temple tourism as a single entity has not been promoted instead of vast potential and prospects. Hence it is a major and prolific step taken by the author to study and find the way for promoting Odisha as an emerging temple tourism destination concentrating and focusing in and around Bhubaneswar-Puri- Konark, the golden triangle circuit. Index Terms: Temple tourism, Marketing, Management, Destination, Golden triangle ———————————————————— 1 INTRODUCTION Since then temples have been significant in all religions. In In this cut-throat competitive era, lagging behind all other many people’s opinion religious, spiritual and pilgrimage all sectors, the tourism industry is growing rapidly and has are enticed or engulfed within the temple tourism being been emerged as a vehicle for socio-economic, cultural and propelled by the faith, belief, religion, somehow correct, but sustainable development. -
Cow Care in Hindu Animal Ethics Kenneth R
THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. -
Shree Jagannath Temple at Puri : a Study on Aruna Stambha, Simha Dwara and Baisi Pahacha
ISSN 0970-8669 Odisha Review Shree Jagannath Temple at Puri : A Study on Aruna Stambha, Simha Dwara and Baisi Pahacha Dr. Benudhar Patra he massive temple of Shree Jagannath (214 Tfeet 8 inches high above the road level) located at Puri (the hallowed srikshetra or the Purushottam kshetra) near the sea (the Bay of Bengal), in the state of Odisha on the eastern coast of India is not only a sacred Hindu temple but also one of the char dhamas (four dhamas/ four traditional pilgrimage centres) of the Hindu devotees and pilgrims. It is the symbol and embodiment of the Odia culture and civilization. The temple was built in the 12th century CE by King Anantavarman Chodaganga Deva (c. 1078 to c. 1147 CE) of the Eastern Ganga dynasty and is moulding the social, economic, political, religious gate (lion gate or simha dwara) of Shree and cultural life of the people of Odisha for Jagannath Temple. The pillar is named so after centuries. The temple is built in the Kalinga style the name of Aruna, the charioteer of the Sun God. of architecture and is significant for its marvellous It is a magnificent sixteen-sided monolithic column art, architecture and sculpture. Apart from the of chlorite stone set on an exquisite pedestal, main temple complex, the aruna stambha delicately carved of the same material. According standing in front of the temple, the simha to R.L.Mitra1 the carvings on the plinth “are of dwara or the lion gate or the main entrance of the most sumptuous description, the like of which the temple and the baisi pahacha (the flight of are to be seen nowhere else in India.” It is 25 twenty two steps) leading into the temple complex feet, and 2 inches in height, 2 feet in diameter, from the simha dwara are very noteworthy to and 6 feet and 3.5 inches in circumference. -
37. Aruna Prasnam V1
Sincere Thanks To: 1. Smt. Krishna Priya for compiling the source document 2. Nedumtheru SrI Mukund Srinivasan for image selections 3. Smt.Jayashree Muralidharan for eBook assembly sadagopan.org C O N T E N T S Introduction 1 Mantrams and Commentaries 9 First anuvAkam 11 Second anuvAkam 25 Third anuvAkam 39 Fourth anuvAkam 53 sadagopan.org Fifth anuvAkam 66 Sixth anuvAkam 70 ashTottarasata nAmAvaLi 83 i IMPORTANT LINKS 1. AruNam Text in Sanskrit svara notations: http://www.geocities.com/ Yajur.Veda 2. Audio for AruNam - http://www.vedamantram.com/audio/arunam.mp3 3. Another audio for aruNam - http://www.astrojyoti.com/ yajurvedamp3part51.htm 4. Au d i o f o r a s h t o t t a r a m - http://www.astrojyoti.com/ sooryaastottaram.htm 5. Famous sUryanArAyaNa Temple in SrI KAkulam, Andhra Pradesh, India - http://www.arasavallisungod.org/abttemple.html 6. The ancient Konarak Sun Temple in India - http://konark.nic.in/intro.htm sadagopan.org ii Photo Credits Page # Photo Detail Courtesy Cover Ulaguyya ninRa PerumAl SrI B.Senthil Kumar Thirukkadalmallai iv SrI Malayappa Swamy - Tirumala Archakam SrI Ramakrishna Deekshitulu 2 -do- -do- 24 -do- -do- sadagopan.org 46 -do- -do- 74 -do- -do- 10 -do- SrI Amudala Satyanarayana www.tirupatitimes.com 20 -do- -do- 33 -do- -do- 48 -do- -do- 16 -do- SrI Vimal Kalyan 56 -do- -do- 69 -do- -do- 76 -do- -do- 12 SrI MAlolan - Ahobila Mutt SrI Diwakar Kannan 28, 52 SrI Malayappa Swamy SrI Stephen Knapp iii iv sadagopan.org SrI Malayappa Swamy on Ratha Sapthami day ौीः॥ ॥ौी छाया सवलााु र् समते ौी सयनारायणू र् ािमन े नमः॥ कृ यजवदीयु तिरीयारण्यकमै ् अण ूः KrishNa yajurvediiya taittiriiyAraNyakam AruNa praSna: sadagopan.org INTRODUCTION Ratha saptami or Soorya Jayanti is a big festival at Thirumala and is a celebration of the Lord as Soorya NaarAyaNan. -
Atharva Veda Engl
ATHARVA VEDA CHAPTER 1 thus makes me stay above. He grants ATHARVA VEDA me the divine revelation of the audi- ble sound and makes me stay above. 4. Imbued with the sound current, CHAPTER I (the Saint) draws me up. Imbued with the sound current, (the Saint) draws me inside (me). He grants me Hymn 1 the divine revelation of the audible sound and thus gives me enlighten- Rishi: Atharva ment. Devta: Vachaspati 1. He (the Saint) grants (me) three Hymn 2 categories of eternal divine revela- tions. He unfolds all the divine forms Rishi: Atharva (to me). Imbued with the sound cur- Devta: Prithvi rent, (the Saint) gives (me) strength with the divine revelations. Imbued 1. Residing inside (me), (the Saint) with the sound current, he always gives me the nourishing divine reve- gives me the divine revelations. lations and makes me beatific. He makes the divine revelations flow to 2. Imbued with the sound current, control the devotee. Residing inside, (the Saint) in meditation makes me the Saint is like a mother to the devo- beatific. The wise Saint with the di- tee. He makes the audible sound cur- vine revelations makes me mighty. rent flow to make the devotee beatif- The virtuous Saint grants me the di- ic. vine revelation of the audible sound. He grants me the divine revelation of 2. The living Saint meets me by the audible sound and makes me stay himself. He makes me (the son) be- above. atific. With the ever-flowing divine revelations of sound, he destroys 3. The living Saint grants the devo- (my) evil thinking and malice. -
The Signs of the Death Described in Vimalaprabha - Special Reference to the Chapter of Aristamat-Analaksana-Nadiccheda-Mahoddesah
Journal of Indian and Buddhist Studies, Vol. 49, No. 1, December 2000 (57) The signs of the death described in Vimalaprabha - Special reference to the chapter of Aristamat-analaksana-nadiccheda-mahoddesah- Minenori MATSUMOTO Death (marana, mrtyu, cyuti) is one of the important topics in the Buddhism. Then, the Yoga that simulate death developed on Buddhist Tantrism. Well, how were Buddhists thinking about human's death when they constructed the system of this yoga? I pay attention to description about the signs of death (arista) of the human being explained in the chapter of Aristamaranalaksana-nadiccheda-ma- hoddesah (Au) of Vimalaprabha (VP), and try to do a consideration by this paper. The cause that a human ruins health, and the definition of the death. Why does a human become sick? Au explains that the cause of sickness is in bad condition of the elements of the body (dhatu), and then cause of bad condition is in bad condition of the flow of purana. Moreover, explains that it is the good health that flowing intermittently (avyucchinna) through the vessel (nadi) with the wind of prana in the right and left in the body, and it is a fundamental cause of the death that this flow is interrupted (viccheda) and wind of purana flows into the central vessel (avaduti) in the body. These things are described in Au as follows "Wh en it is bitten and struck, the flow of purana of the right and left is prevented, wind flows into avaduti, and it dies." (VP I p208, 11.1015 (summary)) "Th e characteristic(laksana) whichbecomes full at 100 years of the centralvessel are the number of the human's life (jivitasamkhya)."(VP I p191, 1.10) As mentioned above, Au explains the death by wind's flowing into the central vessel, and furthermore explains that 100 years is a human's life span as a charac- teristic (laksana) of avaduti. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
The Upanishads Translated and Commentated by Swami
The Upanishads Translated and Commentated by Swami Paramananda From the Original Sanskrit Text This volume is reverently dedicated to all seekers of truth and lovers of wisdom Preface The translator's idea of rendering the Upanishads into clear simple English, accessible to Occidental readers, had its origin in a visit paid to a Boston friend in 1909. The gentleman, then battling with a fatal malady, took from his library shelf a translation of the Upanishads and, opening it, expressed deep regret that the obscure and unfamiliar form shut from him what he felt to be profound and vital teaching. The desire to unlock the closed doors of this ancient treasure house, awakened at that time, led to a series of classes on the Upanishads at The Vedanta Centre of Boston during its early days in St. Botolph Street. The translation and commentary then given were transcribed and, after studious revision, were published in the Centre's monthly magazine, "The Message of the East," in 1913 and 1914.. Still further revision has brought it to its present form. So far as was consistent with a faithful rendering of the Sanskrit text, the Swami throughout his translation has sought to eliminate all that might seem obscure and confusing to the modern mind. While retaining in remarkable measure the rhythm and archaic force of the lines, he has tried not to sacrifice directness and simplicity of style. Where he has been obliged to use the Sanskrit term for lack of an exact English equivalent, he has invariably interpreted it by a familiar English word in brackets; and everything has been done to remove the sense of strangeness in order that the Occidental reader may not feel himself an alien in the new regions of thought opened to him. -
Satan and Mara: Christian and Buddhist Symbols of Evil*
MDdern Ceylon Studies. volume 4: 1 '" .2. January '" July. 1973 Satan and Mara: Christian and Buddhist Symbols of Evil* JAMES W. BOYD Tho nature and meaning of what the early Christians and Buddhists experienced and defined as "evil" constitutes an important aspect of their religious experience. As counter to what they experienced as ultimately good and true, the experience of evil offers an alternate perspective from which to view and better to understand the meaning of the Christian "salvation in Christ" or the Buddhist "realizatcn of the Dharma" as taught by the Buddha. Recent studies in the symbolism of cvil.i and more specifically, an analysis of the symbols of Saran and Mara,? have not only demons- trated the intrinsic merit of such considerations but have also revealed the need for further scholarship in this arca.2 This study of the early Christian and Buddhist symbols of evil, Satan and Mara, is based on an examination of selected literature that falls within the formative period of each tradition (ca. 100 B.C.-ca. 350A.D.). In this early period the canonical litera- ture of Christians and Therav.idn Buddhists as well as important sutras of Mahayana Buddhists were written. Given the great diversity and amount ofliterature that falls wirhin this period, a selection of texts was made based on the following criteria: (1) the text must have material relevant to the topic, (2) the texts selected should be representariveof'earllcr and la ter literature and should i cf'ect different types of writings, and (3)the texts should provide a suitable basis of comparison with the other religious rradition.! Analysis of the texts proceeded as follows. -
Chandogya Upanishad 1.2.1: Once Upon a Time the Gods and the Demons, Both Descendants of Prajapati, Were Engaged in a Fight
A Preview “… Dr. Prasad’s collections of the two largest and most difficult to understand Upanishads make an in-road and gives access to the magnificent conclusions left by the ancient sages of India. This book gives us a view of the information which was divulged by those teachers. It is easy to read and understand and will encourage you to delve deeper into the subject matter.” CONTENTS 1. Chāndogya Upanishad……..…….…. 3 1. The big famine…………………………….…..... 6 2. The cart-man…………………………….………13 3 Satyakama Jabala and Sevā………………… 14 4. Fire teaches Upakosala…………….………… 15 Chāndogya 5. Svetaketu: five questions……………………. 18 and 6. Svetaketu: nature of sleep…………………... 22 7. That thou art, O Svetaketu………………….…23 Brihadāranyaka 8. Indra and virochana……………………….….. 29 Commentary…………………………...……..... 31 Upanishads End of Commenrary……………………....….. 55 Two large and difficult Upanishads are presented 2. Brihadāranyaka Upanishad …….…56 (without original Sanskrit verses) in simple modern English for those advanced students who have 9. Dialogue: Ajtsatru-Gargya……………...…. 61 read Bhagavad-Gita and other 9 Principal 10. Yajnavalkya and maitreyi ……………....…..63 Upanishads. Simpler important verses are 11. Meditation taught through horse’s head.. 65 12. Yajnavalkya: The best Vedic Scholar…… 66 printed in underlined-bold; comm- 13. Three ‘Da’ …………………………….…….…78 entaries from translators, references&Glossary. Commentary…………………………….……... 84 14. Each soul is dear to the other………...……90 By 15. The Wisdom of the Wise (Yagnavalkya)… 91 16. Gargi and the Imperishable ……………..…94 Swami Swahananda 17. Janaka and Yajnavalkya 1 ……………..…..95 and 18. Janaka and Yajnavalkya 2 …………..……..97 Swami Madhavananda et al. 19. The Process of Reincarnation…… …..… 100 Editor: Ramananda Prasad End of Commenrary …………….…..……….105 A Brief Sanskrit Glossary On page 844 of 908 of the pdf: www.gita-society.com/108Upanishads.pdf INTERNATIONAL GITA ***** Editor’s note: Most of the materials in this book are SOCIETY taken from the above webpage which does not have a Copyright mark. -
Aditi - Wikipedia, the Free Encyclopedia
אדיטי أديتي اديتی Aditi - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Aditi Aditi From Wikipedia, the free encyclopedia In the Vedas, Aditi (Sanskrit: अिदित "limitless") [1] is mother of the gods (devamatar ) and all twelve zodiacal spirits from whose cosmic matrix the heavenly bodies were born. As celestial mother of every existing form and being, the synthesis of all things, she is associated with space ( akasa ) and with mystic speech ( Vāc). She may be seen as a feminized form of Brahma and associated with the primal substance ( mulaprakriti ) in Vedanta. She is mentioned nearly 80 times in the Rigveda: the verse "Daksha sprang from Aditi and Aditi from Daksha" is seen by Theosophists as a reference to "the eternal cyclic re-birth of the same divine Essence" [2] and divine wisdom. [3] In contrast, the Puranas, such as the Shiva Purana and the Bhagavata Purana, suggest that Aditi is wife of sage Kashyap and gave birth to the Adityas such as Indra, Surya, and also Brahma with Aditi (right). Vamana. Contents 1 Origin 2 Attributes 2.1 Motherhood 2.2 Creativity 2.3 Freedom 2.4 Might 2.5 Others 3 Correspondence in Greek and Egyptian Mythology 4 References 5 Further reading 6 External links Origin The name is mentioned in Vedas as mother of Surya (Sun) and other celestial bodies or gods Adityas (meaning sons of Aditi). The first mention of goddess Aditi is found in Rigveda, which is estimated to have been composed roughly during 1700-1100 BC. [4] Attributes 1 of 3 11/25/2014 8:39 PM Aditi - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Aditi Motherhood Aditi is said to be the mother of the great god Indra, the mother of kings (Mandala 2.27) and the mother of gods (Mandala 1.113.19). -
Review of Research Journal:International Monthly
Review Of Research Impact Factor : 5.7631(UIF) UGC Approved Journal No. 48514 ISSN: 2249-894X Volume - 8 | Issue - 5 | fEBRUARY - 2019 __________________________________________________________________________________________________________________________ SHAKTI DIETIES IN KALABURAGI DISTRICT-A STUDY ON BHANKUR KARIYAMMA DEVI AND CHINCHANSUR MAHAPURATAI Maheshkumar Shivasharanappa1 and Dr. Birdar Shrishail2 1Research Student Dept. History & Research Centre Gulbarga University Kalaburagi. 2 M.A.,M.Phil.,Ph.D Associate Professor Research Guide Dept. History & Research Centre Nrupatunga First Grade College, Sedam Dist: Kalaburagi, Karnataka. ABSTRACT : Shakti cult is one of the major traditions of Hinduism followed in India since ancient times. It is considers metaphysical reality as metaphorically a woman and Shakti is regarded as the supreme godhead. It includes many goddesses, who are considered as different aspects of the same supreme goddess.1 It has different sub-traditions that range from those focused on gracious Parvati to that of fierce and horrifying Kali.2 KEYWORDS : Shakti cult , supreme godhead. INTRODUCTION : Sruti and Smriti literatures are important sources that deal with the Shakti tradition. In addition, it reveres the texts like Devi Mahatmya, Devi-Bhagavata Purana, Mahabhagwata Purana and Shakta Upanishads like the Devi Upanishad.3 The Devi Mahatmya particularly, is considered in Shaktism to be as important as the Bhagavad Gita.4 Shaktism is popular for its various sub-traditions of Tantra,5 and a number of goddesses