©MSCIM® Vw “®"* and Life
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Lesbian & Gay Film Festival
University of Rhode Island DigitalCommons@URI GBLA Film Gender and Sexuality Center 1994 Lesbian & Gay Film Festival Follow this and additional works at: https://digitalcommons.uri.edu/gbla-film Recommended Citation "Lesbian & Gay Film Festival" (1994). GBLA Film. Paper 14. https://digitalcommons.uri.edu/gbla-film/14https://digitalcommons.uri.edu/gbla-film/14 This Playbill is brought to you for free and open access by the Gender and Sexuality Center at DigitalCommons@URI. It has been accepted for inclusion in GBLA Film by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. mediaby JennieLivingston (Pans 1s Burning) and Jim Lyons OnJune 28, 1969, (Poison),a selectionof films fromAndrea Weiss' recently publishet shortlyafter oneam, the NewYork Police City entered the Vampiresand Violets.Lesbians in Film anda videopresentation StonewallInn on a routineraid But on this fatefulmorning just andlecture, Fifty Yearsof Perversity,in whichRosa van Praunheim hoursafter the funeralof the legendaryJudy Garland a few will discusshis illustriouscinematic career. Closing the '94 bravesouls donned shields of rageand pride, igniting the historic Festivalwill be GreggBordowitz's powerful AIDS testimony Fast riot that wouldcome to be knownas the StonewallRebellion Trip,Long Drop GETYOUR Forfive dayslesbians and gays waged battle, ushering in an era As an organizationdependent upon the invaluableresource of of politicalactivism and personal pride, giving birth to a movement humanbeings, this -
The Cambridge Companion to F. Scott Fitzgerald
THE CAMBRIDGE COMPANION TO F. SCOTT FITZGERALD EDITED BY RUTH PRIGOZY Hofstra University PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211,USA 10 Stamford Road, Oakleigh, vic 3166, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Sabon 10/13 pt. System LATEX 2ε [TB] A catalogue record for this book is available from the British Library. Library of Congress Cataloguing in Publication Data The Cambridge companion to F. Scott Fitzgerald / edited by Ruth Prigozy. p. cm. – (Cambridge companions to literature) Includes bibliographical references and index. isbn 0 521 62447 9 – isbn 0 521 62474 6 (pbk.) 1. Fitzgerald, F. Scott (Francis Scott), 1896–1940 – Criticism and interpretation – Handbooks, manuals, etc. I. Prigozy, Ruth. II. Series. ps3511.I9 Z575 2002 8130.52 –dc21 [B] 2001025957 isbn 0 521 62447 9 hardback isbn 0 521 62474 6 paperback CONTENTS Notes on contributors page xi Preface xv List of abbreviations xvi Chronology xvii 1 Introduction: Scott, Zelda, and the culture of celebrity 1 ruth prigozy 2 F. Scott Fitzgerald, age consciousness, and the rise of American youth culture 28 kirk curnutt 3 The question of vocation in This Side of Paradise and The Beautiful and Damned 48 james l. -
Editorial Introduction
The Pennsylvania State University The Graduate School College of the Liberal Arts TEMPORARILY DEVOTEDLY YOURS: THE LETTERS OF GINEVRA KING TO F. SCOTT FITZGERALD A Dissertation in English by Robert Russell Bleil © 2008 Robert Russell Bleil Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2008 ii The dissertation of Robert Russell Bleil was reviewed and approved* by the following: James L. W. West III Edwin Erle Sparks Professor of English Dissertation Advisor Co-Chair of Committee Christopher Clausen Professor of English, emeritus Co-Chair of Committee Mark S. Morrisson Professor of English William L. Joyce Dorothy Foehr Huck Chair and Head of Special Collections, University Libraries and Professor of History Robert R. Edwards Edwin Erle Sparks Professor of English and Comparative Literature Director of Graduate Studies Department of English *Signatures are on file in the Graduate School iii ABSTRACT When Ginevra King met F. Scott Fitzgerald in St. Paul, Minnesota on January 4, 1915 there was instant chemistry between them. That night in her diary, Ginevra exclaimed, “Scott perfectly darling am dipped about.” For his part, Scott was equally smitten with Ginevra; although he was due back in Princeton immediately, Scott stayed over an extra day to spend more time with the brunette debutante from Chicago. Upon his return to Princeton, Scott immediately sent Ginevra a special delivery letter; according to the customs of the time, such a letter constituted Scott’s formal declaration that he was interested in pursuing a correspondence with Ginevra. A vivacious and fun- loving girl, Ginevra was no stranger to the importance of a “special delie” and the epistolary game was afoot. -
From Curtis to Eleanor, What Splendor In-Between; from Curtis to Eleanor, Was It Only a Dream
From Curtis Ken Curtis To Eleanor Eleanor Parker An exercise in Proximity and Happenstance by Clark N. Nelson, Sr. (May be updated periodically: Last update 06-07-20) 1 Prelude The quality within several photographs, in particular, those from the motion pictures ‘Untamed Women’, ‘Santa Fe Passage’, and ‘The King and Four Queens’, might possibly prove questionable, yet were included based upon dwindling sources and time capsule philosophy. Posters and scenes relevant to the motion picture ‘Only Angels Have Wings’ from 1939 are not applicable to my personal accounts, yet are included based upon the flying sequences above Washington County by renowned all-ratings stunt pilot Paul Mantz. Acknowledgements I would like to acknowledge the following individuals for their contributions as well as those providing encouragements toward completion of this document: Emma Fife Pete Ewing LaRee Jones Heber Jones Eldon Hafen George R. Cannon. Jr. Winona Crosby Stanley Don Hafen Jim Kemple Rod Kulyk Kelton Hafen Bert Emett 2 Index Page Overture 4 Birth of a Movie Set 4 Preamble 8 Once Upon a Dime 19 Recognize this 4 year-old? 20 Rex’s Fountain 9 Dick’s Cafe 15 The Films Only Angels Have Wings 22 Stallion Canyon 26 Untamed Women 29 The Vanishing American 46 The Conqueror 51 Santa Fe Passage 71 Run of the Arrow 90 The King and Four Queens 97 3 Overture From the bosom of cataclysmic event, prehistoric sea bed, riddles in sandstone; petrified rainbows, tectonic lava flow; a world upside down; cataclysmic brush strokes, portraits in cataclysm; grandeur in script, grandeur in scene. -
Femalemasculi Ni Ty
FEMALE MASCULINITY © 1998 Duke University Press All rights reserved Printed in the United States of America on acid-free paper oo Designed by Amy Ruth Buchanan Frontispiece: Sadie Lee, Raging Bull (1994) Typeset in Scala by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. FOR GAYAT RI CONTENTS Illustrations ix Preface xi 1 An Introduction to Female Masculinity: Masculinity without Men r 2 Perverse Presentism: The Androgyne, the Tribade, the Female Husband, and Other Pre-Twentieth-Century Genders 45 3 "A Writer of Misfits": John Radclyffe Hall and the Discourse of Inversion 7 5 4 Lesbian Masculinity: Even Stone Butches Get the Blues nr 5 Transgender Butch: Butch/FTM Border Wars and the Masculine Continuum 141 6 Looking Butch: A Rough Guide to Butches on Film 175 7 Drag Kings: Masculinity and Performance 231 viii · Contents 8 Raging Bull (Dyke): New Masculinities 267 Notes 279 Bibliography 307 Filmography 319 Index 323 IL LUSTRATIONS 1 Julie Harris as Frankie Addams and Ethel Waters as Bernice in The Member of the Wedding (1953) 7 2 Queen Latifahas Cleo in Set It Off(19 97) 30 3 Drag king Mo B. Dick 31 4 Peggy Shaw's publicity poster (1995) 31 5 "Ingin," fromthe series "Being and Having," by Catherine Opie (1991) 32 6 "Whitey," fromthe series "Being and Having," by Catherine Opie (1991) 33 7 "Mike and Sky," by Catherine Opie (1993) 34 8 "Jack's Back II," by Del Grace (1994) 36 9 "Jackie II," by Del Grace (1994) 37 10 "Dyke," by Catherine Opie (1992) 39 11 "Self- -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Battle of Giants by SHEILAH GRAHAM Televised from New York
Hollywood Report Battle of Giants By SHEILAH GRAHAM televised from New York. March 4. and she will do two more spectaculars for NBC later. (NANA).—Warners HOLLYWOOD are peeved Never heard of Lord Jimmy Nugent who. back at CBS-TV for beating them to the punch with in London from Hollywood, says he made a tele- a 90-minute video version of “The Helen Morgan vision series with starlet Vicky Benet, and pans Story," tentatively scheduled for April and Hollywood thus: “Hollywood Is phony. The starring Polly Bergen. Warners currently are place is full of phonies." And with his next shooting “The Life of Helen Morgan," with Ann breath he says, "Os course I'm going back." Blyth portraying the sultry singer. Same Andy Devine are earning thing happened with Bing Crosby’s “Damon Guy Madison and milk en- Runyon" at Universal-International. The won- as much from those Wild Bill Hickok salary the TV derfully warm life story comes to you first on dorsements as they do in for . Bill refused television. series. But announcer Edwards “The Way Pinky Lee, back from England, is preparing a vlllian role In to the Gold.” be- negative from the a filmed TV series here. Describing the terrible cause of possible action SIOO,OOO fogs in the Oxford area, “Everyone over there,” sponsors who pay him for those TV he was sure, “has incipient TB.“ commercials. John Carroll tells me he has a financial When George Goliel returns to Hollywood this interest in the TV series Jean Lafitte, starring month he will resume his TV series with two Jacques Bergerac. -
Film Noir Classics -- Movie Posters 1948-1950
FILM NOIR CLASSICS -- MOVIE POSTERS 1948-1950 The distinctive style of movies of the golden age of Film Noir, the genre of Hollywood crime dramas distinguished by liberal doses of sex and cynicism, is captured in the striking graphics of these classic movie posters. The portrait that emerges of a darker side of mid-twentieth century America makes them a compelling resource for the study of that period as well as for film history archives. The light-hearted Gary Cooper / Barbara Stanwyck comedy “Ball of Fire” of 1941 that we include at the end of this listing drives home this contrast…but no matter what, somebody is going to get burned… Clicking on the item picture will take you to our website for ordering via our secure online system. We hope that you will enjoy this selection. Elisabeth Burdon & Craig Clinton ____________________________________________________ Backfire. Warner Bros. Hollywood. 1948 - 1950. One-sheet color silk-screen poster, 40 x 30 inches, for the 1950 Warner Brothers production "Backfire" directed by Vincent Sherman and starring Gordon MacRae, Edmond O’Brien, and Virginia Mayo (the film was completed in late 1948 but not released until 1950). The poster, a scarce item and in very good condition, was produced by Western Poster Company, San Francisco. "Backfire," a complicated drama involving numerous flashbacks, concerns a World War II veteran Bob Corey (MacRae), a nurse he meets while hospitalized, Julie Benson (Mayo), and Corey's good friend Steve Connolly (O'Brien). After considerable mayhem as the drama unfolds, including a near fatal attempt on Connolly's life, the film delivers a happy ending with the trio heading for Bob and Julie's new ranch. -
1. Dear Scott/Dear Max: the Fitzgerald-Perkins Correspondence, Eds
NOTES INTRODUCTION F. SCOTT FITZGERALD, "THE CULTURAL WORLD," AND THE LURE OF THE AMERICAN SCENE 1. Dear Scott/Dear Max: The Fitzgerald-Perkins Correspondence, eds. John Kuehl and Jackson R. Bryer (New York: Scribner's, 1971),47. Hereafter cited as Dear Scott/Dear Max. Throughout this book, I preserve Fitzgerald's spelling, punctuation, and diacritical errors as preserved in the edited volumes of his correspondence. 2. F. Scott Fitzgerald, A Life in Letters, ed. Matthew J. Bruccoli (New York: Simon and Schuster, 1994),67. Hereafter cited as Life in Letters. 3. F. Scott Fitzgerald, F. Scott Fitzgerald on Authorship, eds. Matthew J. Bruccoli and Judith S. Baughman (Columbia: University of South Carolina Press, 1996),83. Hereafter cited as Fitzgerald on Authorship. 4. For a superb discussion of the voguish "difficulty" associated with the rise of modernist art, see Leonard Diepeveen, The Difficulties ofModernism (New York: Routledge, 2003),1-42. 5. There is a further irony that might be noted here: putting Joyce and Anderson on the same plane would soon be a good indicator of provin cialism. Fitzgerald could not have written this statement after his sojourn in France, and certainly not after encouraging his friend Ernest Hemingway's nasty parody, The Torrents of Spring (1926). Anderson may be one of the most notable casualties from the period of ambitious claimants, such as Fitzgerald, Hemingway, and William Faulkner, to a place within "the cultural world." 6. Pierre Bourdieu, The Rules of Art: Genesis and Structure of the Literary Field, tr. Susan Emanuel (Stanford: Stanford University Press, 1996), 142. 7. "The principle of differentiation is none other than the objective and subjective distance of enterprises of cultural production with respect to the market and to expressed or tacit demand, with producers' strate gies distributing themselves between two extremes that are never, in fact, attained-either total and cynical subordination to demand or absolute independence from the market and its exigencies" (ibid., 141-42). -
The F. Scott Fitzgerald Society Newsletter
The F. Scott Fitzgerald Society Newsletter Volume 23 DECEMBER 2013-2014 The Twelfth International F. Scott Fitzgerald Conference: Montgomery, AL Nov. 6-10, 2013 An antique car worthy of Jay Gatsby helped set Along the way, we enjoyed an afternoon at the the backdrop, the local St. James School band Montgomery planetarium, an aperitif at the local played a medley of jazz and Gatsby-inspired Aviator Bar, and a night of wholly un-1920s rock tunes, and the Southern drawl of Sally Carrol ‘n’ roll in which we were treated to the sizzlin’ Happer filled the air during a performance of guitar licks of Richard Martin and learned that Bill “The Ice Palace” at the opening reception for Blazek is the reincarnation of Hank Williams and the 12th International F. Scott Fitzgerald Society that Walter Raubicheck can channel Dion on com- Conference in Montgomery, Alabama. mand. That vivacious evening, hosted by the F. The closing reception, our “Belles and Jelly-Beans Scott and Zelda Fitzgerald Museum and the Ball,” was held on the Harriott II riverboat. There City of Montgomery, got things off to a great were costumes aplenty as men channeled their start, and the events and excitement contin- inner Gatsby and women their inner flapper. As ued over the next four days of Fitztrava- we cruised along the Alabama River, participants ganza/Zeldapalooza.” enjoyed not only the starry evening and the Montgomery skyline, but also a jazz-age cocktail Around 200 people attended all or some of the presentation by Philip Greene, author of To Have various events during the course of the confer- and Have Another: A Hemingway Cocktail Compan- ence, including academic and scholarly ses- ion. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.