Calendar of Events September 2015 – January 2016

Snite Museum of Art

1 INFORMATION GALLERIES OPEN ENDOWED FUNDS FROM THE DIRECTOR Dorothy Griffin (1914-2015) also served for Snite Museum of Art Tuesday through Friday Edward M. Abrams and Family Endowment for the Snite Museum a number of years on the Snite Museum of Art Advisory Council. She purchased the Museum’s 10:00 a.m. – 5:00 p.m. Marilynn and James W. Alsdorf Endowment for Ancient, Medieval, & Early Renaissance Art In Memory of Allan Riley University of Notre Dame Olmec masterpiece, the Standing Female Ashbaugh Endowment for Educational Outreach (574) 631-5466 Saturday and Sunday and Dorothy Griffin Ballplayer, as well as 97 other pre-Columbian noon – 5:00 p.m. Walter R. Beardsley Endowment for Contemporary Art sniteartmuseum.nd.edu ceramic figurines. facebook.com/sniteartmuseum The Kathleen and Richard Champlin Endowment for Traveling Exhibitions Open until 7:30 pm every Before that, she purchased William Zorach’s twitter.com/snitemuseum 3rd Thursday of the month. Mr. and Mrs. Terrence J. Dillon Endowment Susan M. and Justin E. Driscoll Endowment for Photography large walnut diptych entitled Family Group, 1927, in honor of Rev. Theodore M. Hesburgh, LOCATION + MAP Closed Mondays and Mr. and Mrs. Raymond T. Duncan Endowment for American Art major holidays C.S.C.; Rev Edmund P. Joyce, C.S.C.; and Rev. Margaretta Higgins Endowment The Snite Museum of Art is Free admission Anthony J. Lauck, C.S.C. From 1952 to 1987 Humana Foundation Endowment for American Art centrally located on the University Fr. Hesburgh was president of the University of Notre Dame campus, northwest Fritz and Mildred Kaeser Endowment for Liturgical Art and Fr. Joyce its chief financial officer. They of the football stadium. Milly and Fritz Kaeser Endowment for Photography were instrumental in the growth of the campus The Notre Dame Sculpture Park is Pat and Robert Kill Family Endowment for Excellence in Latin American Art art collection and its “home”, which changed located on the south end of campus, Lake Family Endowment for the Arts of the Americas, Africa and Oceania during their leadership from the O’Shaughnessy at the northeast intersection of Lake Family Endowment for Student Internships Galleries in the early 1950s to the fall 1980 Eddy and Edison / Angela Blvds. Lake Family Endowment for the Snite Museum Library opening of the current Snite Museum of Margreta Gibbs and James Larson Family Endowment for Excellence Art. Fr. Lauck was a sculptor and UND art Visit our website for visitor parking updates. Rev. Anthony J. Lauck, C.S.C., Sculpture Endowment faculty member who in the 1960s and ’70s Virginia A. Marten Endowment for Decorative Arts served terms as both the director of the Snite J. Moore McDonough Endowment for Art of the Americas Standing Female Ballplayer, 1500-1300 B.C., Museum of Art and chair of the Notre Dame art department. SNITE MUSEUM OF ART Everett McNear Memorial Fund Early Preclassic Period, First Phase, Olmec Culture, Joshua Reynolds (British, 1723–1792) Las Bocas, Puebla, Mexico Bernard Norling and Mary T. Norling Endowment for 18th– and 19th−Century Sculpture H.R.H. Edward Augustus, Duke Of York, ca. 1760 slipped and painted earthenware, 7 x 3.5 x 1.5 inches In more recent years, Dorothy established a Rev. George Ross Endowment for Art Conservation oil on canvas, 30.25 x 25.83 inches Acquired with funds provided by Mrs. Dorothy Griffin generous fund for the ongoing conservation of Gift of Mr. and Mrs. Allan J. Riley ’57, 1995.067 2001.037 Ivan MeštroviĆ sculptures on campus. She also Joyce Center and John C. Rudolf Endowment for the Snite Museum Purcell Pavilion Frank and Joan Smurlo American Southwest Art Endowment for Excellence made an early, generous contribution to the art museum building fund. Snite Museum General Endowment Mr. Allan J. Riley ’57 (1935-2015) was a Reynolds and a landscape painting by Louis Remy Football Stadium John Surovek Endowment member of the Snite Museum of Art Advisory Mignot. The Rileys also donated fund for the Elsewhere on campus, she created The Dorothy Anthony Tassone Memorial Art Fund Council. With his wife Radwan, Allan gave renovation of Riley Hall, in honor of his parents. Griffin Chair of Early Modern European History important works of American and British art. In They also funded annual student awards in design, Staff Parking William L. and Erma M. Travis Endowment for the Decorative Arts and she gave her late husband’s coin collection Weekend Parking 2002, they funded the purchase of 40 British art history, studio art, and photography. Legends The Alice Tully Endowment for the Fine and Performing Arts to Hesburgh Library Special Collections. EDDY STREET EDDY HOLY CROSS DRIVE drawings, which were featured in an exhibition

NOTRE DAME AVENUE DAME NOTRE Founder of Allan Riley Realty, Inc., Riley was a and catalog entitled Eighteenth- and Nineteenth- Dorothy was president of the Varflex wire New York City real estate investor who owned Visitor Parking Visitor Parking Century British Drawings from the Collection insulation and sleeving company in Rome, New properties in the United States and Britain. He DeBartolo Performing FRONT COVER: of Mr. and Mrs. Allan J. Riley. Riley gifts on view York. Her father founded it in 1924 and Dorothy Arts Center Constantin Meunier (Belgian, 1831–1905), Miners at the Shaft, 1867 (detail),(see page 17) was born in Indianapolis, graduated from the began working there in 1941, after a short Hockey Arena BACK COVER: within Snite Museum permanent collection Notre Dame University of Notre Dame in 1957, and served in initial career as a schoolteacher. Sculpture Park Jaume Plensa (Spanish, b. 1955), Tale Teller VI, 2014 (detail),(see page ) galleries include a portrait painting by Joshua 15 the US Air Force. ANGELA EDISON ROAD 2 BLVD 3 Eddy Street Commons EXHIBITIONS Transitory Waterscapes Landscape Paintings and Over One Hundred Years an Evaporation Pool by Danae Mattes of Automobile Design O’Shaughnessy West Gallery August 9 – December 6, 2015 Three Examples from the Jack B. Smith Jr. Automobile Collection These beautiful landscape paintings are the artist’s Ivan Meštrović Studio Gallery personal “maps” of time spent within nature, formal and Entrance Atrium equivalents to her experience of moving through July 28 – November 15, 2015 and perceiving outdoor environments. The paintings are created from natural materials—clay, fiber, and The 1905 Cadillac represents utilitarian, pigments—where shapes, patterns, and forms are affordable, early automobile design. The 1933 revealed over time through natural processes, such Packard is a powerful luxury automobile built for as evaporation and the force of gravity drawing an ultra-wealthy customer. The 2014 Ferrari is water-based pigments across sloped canvases. a state-of-the-art sports car designed solely Mattes will also install an evaporation pool within for high performance. the gallery. Liquid clay will be poured into a clay The Ferrari boasts a 730- horsepower, V-12 basin on the gallery floor. As the water evaporates These automobiles are generously lent from 2014 Ferrari F12 Berlinetta Danae Mattes (American, b. 1958), Rain: A Hundred Roots Silently Drinking engine coupled to a seven-speed, dual-clutch 2010, clay, paper, and pigment on canvas, 66 × 133 inches, Artist’s Collection. from the clay over days and weeks, the various clays the Jack B. Smith Jr. Automobile Collection. automatic transmission—all tucked into an This exhibition provides an opportunity used will create distinct cracking and tonal patterns. Smith is a member of the DeBartolo Center for aluminum chassis and body fabricated from to see the difference that 109 years This exhibition is made possible by the Humana the Performing Arts Advisory Council at the seven distinct alloys. The Berlinetta reveals made in automotive design, as revealed Foundation Endowment for American Art. University of Notre Dame, where he and his wife Danae Mattes (American, b. 1958), Alluvial Maps, 2015, 83 inches x 29 feet, Artist’s Collection. exotic body styling not necessary for the Cadillac by three automobiles not likely to be Laura D. Arauz Smith funded the Laura and Jack or the Packard: air channels sculpted into front found together elsewhere. fenders increase downward pressure on tires Boyd Smith Jr. Endowment for Excellence in to enhance traction when traveling up to 211 Performing Arts; they generously support the mph. Braking, traction, stability, suspension, Notre Dame Summer Shakespeare program and differential are computer monitored and (Mrs. Smith serves on its advisory board); they controlled to assist the driver in managing the have also supported a fellowship in the Mendoza most powerful Ferrari ever conceived. Price is School of Business, The Smith Library Collection consistent with its power, speed, and styling: in Business, and teaching labs within the Jordan outrageous. Hall of Science. LaVine Restorations, Inc. maintains the Jack B. Smith Jr. Automobile Collection. This exhibition is made possible by the Humana Foundation Endowment for American Art.

4 5 EXHIBITIONS Rock-Paper . . . Counter-Archives to the Lithographs from the Permanent Collection, Part II Scholz Family Works on Paper Gallery Narco City August 23 – November 22, 2015 O’Shaughnessy Galleries II and III Pop artist Robert Rauschenberg cynically (and ironically) said of lithography, August 16 – December 13, 2015 “the second half of the twentieth century is no time to start writing on Adriana Corral’s installations and Alma Leiva’s photographs rocks.” But, in fact, it was. The Snite Museum presents the conclusion of its focus on the less tangible registers of collective experience two-part series charting lithography’s evolution from 1900 through today. in Ciudad Juárez, Mexico and San Pedro Sula, Honduras. With highlights by modern and contemporary artists, such as Max Beckman, These are two of the deadliest cities in the world that Henri Matisse, Pablo Picasso, Jasper Johns, and Renée Stout, among others, connect industrial centers and migration points with the the exhibition reflects shifts in styles from expressionism, regionalism, expansion of organized crime. The media spectacle of abstract expressionism, pop art, and more recently a return to the figure. narco-violence often has a distancing effect. In contrast, The impact of patronage, consumerism, and new distribution models on these artists take a conceptual and research-based the creative process and lithography’s role in it are also broached. In the approach to make visible what we call the counter-archives 1930s, the government sponsored artists through the Works Progress of the narco-city, that is, the frequently overlooked stories Administration to make prints that were subsequently distributed free to of specific victims who live and die in violent cities across schools and community organizations. At about the same time, business the Americas. man Reeves Lewenthal (d. 1987) established Associated American Artists, Corral’s installations mine classified documents from a contracting with artists, such as Thomas Hart Benton and Ivan Albright, high-profile human rights case where the bodies of eight to make lithographs that he sold inexpensively at department stores and young girls were found violently murdered in a cotton field through catalogs. in the center of Ciudad Juárez, and the recent enforced At mid century, new lithography studios sprouted up around the country, disappearance of the 43 Ayotzinapa rural student including Universal Limited Art Editions in New York (1957), Tamarind teachers in Iguala, Guerrero. Leiva reconstructs the interior Lithography Workshop in Los Angeles (1960; now Tamarind Institute at the of modest Honduran homes, based on documented cases University of New Mexico), its offshoot Gemini G.E.L. (1965) also in Los of human rights violations, and photographs these intricate Angeles, and Landfall Press in Chicago (1970). Building on its nature as installations. a democratic and spontaneous art form, these collaborative ventures — Tatiana Reinoza and Luis Vargas-Santiago resulted in an experimental phase that pushed the limits of the medium exhibition co-curators and resulted in a golden age of lithography. This exhibition is funded with support from the Snite Museum General Alma Leiva, (Honduran-American b. 1975), Celda #2, (from Celdas), 2009 Endowment. digital C-Print, 34 x 34 inches, Artist’s Collection.

Grace Hartigan (American, 1922–2008) Thursday, October 8, 4:00 p.m. – 6:00 p.m. This exhibition and its associated bilingual exhibition catalogue are sponsored by the Pallas Athene, 1961, lithograph, 30.13 x 22.25 inches Public reception and opportunity to meet Snite Museum of Art, the Notre Dame Center for Arts & Culture, the Institute for Latino Acquired with funds from the Humana Foundation Endowment for American Art the artists and curators Studies, the National Association for Latino Arts and Culture, and Southwest Airlines. 2008.033. Reproduced with the permission of the Grace Hartigan Estate.

6 7 UPCOMING EXHIBITIONS

In Dialogue: Henry Mosler, Forging the Cross No Cross, No Crown: O’Shaughnessy Galleries Prints by James Barry January 10 – March 13, 2016 Milly and Fritz Kaeser Meštrović Studio Gallery This is the second in our occasional series of one-work exhibitions designed January 24 – April 17, 2016 to highlight the many interpretive possibilities a single object offers. Staff and This exhibition celebrates the recent acquisition of 28 prints faculty from across campus will be invited to address issues raised by this by the Irish artist James Barry (1741–1806), all from the monumental portrayal of a religious theme in early America found in Forging the collection of William and Nancy Pressly with the generous Cross painted by German-born, Jewish-American artist Henry Mosler in 1904. Recent Photography Acquisitions support of the F. T. Stent Family. O’Shaughnessy Galleries Uta Barth (American, b. 1958) January 17 – March 13, 2016 Untitled (10.4), 2010 Henry Mosler (American, 1841–1920) James Barry (Irish, 1741–1806) Chromogenic prints, 2/6 Forging the Cross, ca. 1904 The Phoenix or The Resurrection of Freedom, 1775/ca. 1790 Curator of Photography David Acton will organize an 41.25 x 32.25 inches (left panel), 41 x 46.50 inches (right panel) oil on canvas etching and engraving with traces of aquatint, third state of three, exhibition selected from the many photographs acquired 41.25 x 79.75 inches overall 46.5 x 67.25 inches. 17 x 24.1 inches (plate) Acquired with funds provided by the Milly and Fritz Kaeser Gift of Mrs. J. Fuller Feder, New York Gift of William and Nancy Pressly in honor of the Stent Family since he joined the Snite Museum of Art staff in May Endowment for Photography 1950.003. 2015.002.001 of 2013. 2014.042.003.A&B

8 9 UPCOMING EXHIBITIONS African-American Voices The Portage Path: Returning to Our History 2016 BFA/MFA Selections from the Scholz Family Works on Paper Gallery Candidates Thesis Exhibition January 31­ – April 3, 2016 Permanent Collection O’Shaughnessy Galleries O’Shaughnessy Galleries The Snite Museum of Art April 8 – May 15, 2016 January 24 – March 13, 2016 commissioned artist Kay Public Reception: This exhibition of works in a variety of media Westhues to document some Friday, April 8 from 5:00–7:00 p.m. celebrates African-American art from the aspect of the local area as part of This annual exhibition is comprised of the culminating thesis permanent collection. the City of South Bend’s 150th projects created by the students graduating with either a The Promise of the Vatican Library anniversary. She selected the St BFA or MFA degree from the UND Department of Art, Art Milly and Fritz Kaeser Meštrović Studio Gallery Joseph-Kankakee River portage. History & Design. May 1 – May 22, 2016 This walking trail between the St. Organized in conjunction with a conference of the same name, this Joseph River and the Kankakee exhibition will feature about 12 works from the Vatican Library’s River/Grand Kankakee Marsh, holdings, including original Greek and Latin manuscripts, a was the only overland segment of fifteenth-century music sheet, numismatics, maps, and drawings. an ancient water route between the Great Lakes region and the Gulf of Mexico and was one of the reasons why a city grew near this bend of the St. Joseph River.

Twelve color photographs from the resulting body of work will be exhibited in the Museum’s Scholz Family Works on Paper Gallery.

Richard Hunt, (American, b. 1935) Torso Hybrid, 1986 Kay Westhues, (American, b. 1961) welded chrome steel, 37 x 31 x 22 inches, Footpath to Portage Landing, 2015, Acquired with Funds Provided by the Humana Foundation archival pigment photograph, 30 x 20 inches Endowment for American Art Acquired with funds provided by the Humana Foundation Endowment for American Art 2015.047 2015.048.001

10 11 UPCOMING EVENTS Public Reception for Fall Special Exhibitions Sunday, September 13 2:00 – 4:00 p.m. All are invited to attend a celebration of the four special fall exhibitions. Come enjoy complimentary refreshments and hear the curators give brief gallery talks.

PhotoFutures: Snite Salon Series Collecting for Notre Dame Tuesdays — September 1, October 6, Wednesdays, September 9 – October 14 November 3 and December 2 4:30 – 6:00p.m. September 17 November 19 5:00 – 6:00 p.m. Ever wondered how the Snite Museum builds its Get revved up at the Snite Museum and Map your explorations of the world—your Snite Salons are collegial exchanges of ideas collection? Join PhotoFutures, a collaborative satisfy your need for extreme speed and community, the Museum, your mind— about a great work of art, informed by visitors’ collecting group, and find out through the process elegant design. Get behind the wheel under the skillful guidance of artist thoughtful observations and curiosity. Salons of acquiring a work of art for the University (virtually) of a Ferrari and race around cartographer Emily Garfield. Take in the bring students, faculty, and staff from across of Notre Dame. Designed for students of any the legendary Mugelo circuit in Italy, landscape paintings of Danae Mattes and disciplines and corners of campus together major, this five-session co-curricular program SatAWAY Outdoor Yoga: customize your own miniature work of South Bend by Robert Indiana in the Rock- into the Snite galleries to discover, discuss, combines issues related to museum collecting, art on wheels, and explore over 100 Paper… exhibition for inspiration. and debate a selected work of art. No prior contemporary photography, and socially-engaged RecSports @ the Snite years of automobile design. experience with, or knowledge of, art is artistic practice. Students will critique individual Saturday, September 12 December 17 required, so drop into the galleries to explore photographs and evaluate artists’ portfolios October 15 9:30 – 10:30 a.m. Revel in the holiday spirit with ornament a work of art this fall. through critical discussions with the artists Delve into the sweet history of chocolate making inspired by works from the themselves, Snite Museum curators, and select Looking for something to do on an rd Fall 3 Thursdays @ the Snite from its roots in ancient Mesoamerica collection, festive refreshments, and faculty. Ultimately, students will develop their away-game Saturday? Try morning yoga 5:00 – 7:30 p.m. over 4,000 years ago all the way to the seasonal music in the galleries. own collecting criteria to choose a photograph surrounded by contemporary sculpture and contemporary creations of today. Join for acquisition that adds value to the permanent gardens in the Museum’s Dillon Courtyard. Join us on the third Thursday of each month for exciting Snite Museum curators and chocolatiers collection of the Snite Museum and supports the This program, open to the ND community, programs, interesting people, and amazing works of art. rd from Violet Sky on this rich, sometimes mission of the University. Check the website for is co-sponsored by RecSports. Space is All 3 Thursdays are open to all, include refreshments, dark, but always delicious, journey for more information, or register on Class Search limited, so please arrive early through and are a great way to connect with art in new ways. All your eyes, mind, and taste buds. (ARHI30540). the front doors of the Snite. Mats will be of the galleries and exhibitions are open for viewing on provided or you can bring your own. these evenings.

12 13 UPCOMING EVENTS RECENT ACQUISITIONS Snite Museum Acquires Jaume Plensa Sculpture

Tale Teller VI is a conceptual artwork of in the world we inhabit; it is universal. Yet considerable presence—it is nearly eight-foot through these material elements it reaches tall and it weighs over 3,500 lbs. It is of a type out to the immaterial, to the mind and the Plensa calls “souls:” human figures or heads soul; even when alluding to life’s adversity it described by stainless-steel matrices of alphabet is hopeful and unashamedly beautiful. letters. The figure takes a classic Plensa pensive Fall Family Night* Therefore, the sculpture’s content beautifully pose: seated with arms clasped around the legs. Thursday, October 29 fits the theme of the Notre Dame Sculpture The alphabet letters are of multiple languages 5:00 – 7:30 p.m. Park: Reclaiming our Nature—both the natural and the artist ensures that they do not spell environment and our spiritual nature. Monsters of all sizes are welcome (please no monster pets actual words or deal with specific concepts or though) to our fall family night where they can enjoy trick-or- topics. Rather, he sees written languages as the The sculpture has been temporarily installed treating in the galleries, a Halloween-themed dance party, distinguishing feature of humans; specifically, within the Snite Museum of Art Dillon courtyard, refreshments, and festive art making activities. our ability to understand and interpret our lives until the fly ash removal is completed in the Notre Dame Sculpture Park. *Due to previous high attendance numbers, tickets will be through literature and poetry. required for this free event. Further information will be The Yorkshire Sculpture Park, United Kingdom, The purchase was made possible thanks to the available on our website closer to the event date. shared the following statement in connection generosity of Mr. and Mrs. William C. Ballard ’62. with their 2011 one-man exhibition of Jaume Plensa sculptures: Counter-Archives to the Narco-City Exhibition Plensa is very widely read and often refers Public Reception with Gallery Talk by the Artists to how his family home was filled with Thursday, October 8 books as a child. Throughout his life he 4:00 – 6:00 p.m. has discovered poems and texts that have Counter-Archives to the Narco-City is a curatorial moved him profoundly and it is these rather project on art and human rights, co-curated by than the visual arts that have provided the Tatiana Reinoza and Luis Vargas-Santiago, that broadest source of inspiration, often being offers alternative views to the media spectacle directly referenced in his own work. Yet it is of narco-violence in the Americas. The exhibition not just works of literature that fascinate at the Snite Museum will include, Impunidad him, but language itself. An abundance Circulo Vicioso, 2015 and the installation, Within of letters and words, often forming the outline or shell of the human body, has the Ashes, 2013, both by Adriana Corral, along Jaume Plensa (Spanish, b. 1955) with nine photographs by Alma Leiva from her come to characterize his sculpture and Tale Teller VI, 2014 stainless steel and stone series Celdas (2009–15). Both artists and both Alma Leiva, (Honduran-American b. 1975) drawing. Plensa’s use of both language Celda #14, (from Celdas series), 2009 and the figure makes his work particularly 91.75 x 47.5 x 55 inches curators are scheduled to be in attendance and Acquired with funds provided by Mr. and Mrs. William C. Ballard digital C-Print, 34 x 34 inches accessible and poignant as it exists directly will give brief talks. Artist’s Collection 2015.009

14 15 RECENT ACQUISITIONS Bequest of John D. Reilly ’63 George Rickey Sculpture One of the collecting strengths of the Snite Museum is its old master and nineteenth-century In 1986 Snite Museum Advisory Council drawings, due almost exclusively to the efforts member Aloysius H. Nathe and his wife were and support of Notre Dame alum John D. Reilly ’63 the first donors to recommend and assist (1942–2014). The 351 drawings that he had left the Museum in acquiring a sculpture by the on long-term loan to the University have now been internationally known kinetic sculptor, George formally accessioned, bringing the total number of Rickey. Generous to the end, in 2014 Nathe works in his bequest to nearly 600. bequeathed a Rickey sculpture from his private collection to the Museum. Jack had already donated to the Museum a painting by Italian artist Gaetano Gandolfi, The Rejection of Cain’s Offering and the Sacrifice of Manoah, ca. 1779, when then-director Dean Porter approached him with the proposal to acquire John Minor Wisdom Jr.’s collection of drawings, which had just come on the market in 1985. Wisdom was a respected curator and scholar of the Barbizon school who had gathered an enviable collection of 65 old master and nineteenth-century drawings. A graduate of Notre Dame’s engineering school and publications and exhibitions. Art of the eighteenth drawings, works related to the theatre, and figure an enlightened businessman with an MBA from and nineteenth centuries is best represented by studies have been organized out of the Reilly Harvard, Jack understood the value of access to French drawings, including examples by master collection. Key works by female pastel artists original art for university students. He agreed to draftsmen such as François Boucher, Honoré Rosalba Carriera (Italian 1675–1757) and Constantin Meunier (Belgian, 1831–1905) buy the collection for his alma mater. Over the Fragonard, Jacques-Louis David, Pierre-Paul Adélaïde Labille-Guiard (French, 1749–1803) Miners at the Shaft, 1867 next 30 years and with the Wisdom Collection as a oil on canvas, 36 x 25.3 inches Prud’hon, J.A.D Ingres, Eugène Delacroix, and are used regularly to introduce students to Bequest of John D. Reilly ’63 foundation, Jack and Stephen Spiro, who was then William-Adolphe Bouguereau. Modern artists gender issues related to the profession of art. 2014.050.001 curator of Western art at the Snite Museum, built Edgar Degas, Camille Pissarro, Berthe Morisot, Jack served for a number of years on the Snite an impressive trove of European draftsmanship that Paul Gauguin, and Odilon Redon provide a Giorgio Vasari (Italian, 1511–1574) Museum of Art Advisory Council and in recent continues to garner scholars’ attention worldwide. counterpoint to the academic current that Design for the Decoration of the Façade of the Apse years was its chairman. He established at and Two Side Chapels of a Gothic Church, early dominates the collection. British and German Italian drawings outnumber all others by 3:1. Some Notre Dame the James Reilly Endowment for He hailed from Pittsburgh and was the grandson 1560s or early 70’s art appear in the inventory as well, with prime pen and brown ink and wash over traces of black chalk on of the earliest drawings in the collection are by Excellence in Engineering and the James Reilly of a coal miner, explaining the special appeal laid paper, 17.63 x 23.38 inches examples by pre-Raphaelite artist Edward Burne- George Rickey, American (1907–2002) Filippino Lippi (1457–1504), Fra Bartolommeo Material Production Lab within Stinson-Remick Constantin Meunier’s painting Miners at the Bequest of John D. Reilly ’63 (1472–1517) and Perino del Vaga (1501–1547). Jones and Adolphe von Menzel, among others. Shaft (1867) held for him. Never forgetting Three Rectangles Oblique Wall, 1991 2014.061.209 Hall. He also funded the Reilly Center for stainless steel, 33 x 32 x 6 inches Sheets by the Carracci, Parmigianino, Giorgio In addition to illustrating the art historical canon, Science, Technology, and Values, which features where he came from and inspired by another art No. 1 of an edition of 3 Edward Burne-Jones (British, 1833–1898) Vasari, Tintoretto, Veronese, and Tiepolo illustrate patron from Pittsburgh, Paul Mellon, Jack left a Bequest of Aloysius H. Nathe the Reilly drawings address themes that lend the John J. Reilly Scholarship and the Reilly Head of a Young Girl principles of Italian renaissance and baroque art legacy that will be a mainstay of the University of 2015.028 red chalk on wove paper, 9.38 x 5.75 inches themselves well to multi-disciplinary interpreta- Scholars Program. Bequest of John D. Reilly ’63 admirably and have been the subject of numerous tions. Focus exhibitions featuring architectural Notre Dame for generations to come. 2014.061.246 16 17 RECENT ACQUISITIONS European Art

The acquisition of a pair of white porcelain groups Museum of Art and the Scuole Grande di San factory. When they returned to their home at the The Snite Museum added significantly to its hold- (opposite) Cozzi Manufactury (Venice) (left) James Barry (Irish, 1741–1806) entitled Triumph of Neptune, ca. 1780–85, Rocco in Venice. These white porcelain figu- conclusion of the war in 1764, Cozzi took over ings of Irish art with the acquisition of the William Triumph of Neptune, a pair, ca. 1780–85 Job Reproved by His Friends, 1776/ca. 1790 hard-paste porcelain etching and engraving with black aquatint and roulette on represents the first example of wares from the rines evolved from the custom of decorating operations at the factory. Much of what is known and Nancy Pressly Collection of James Barry 10.5 x 7.25 x 7.25 inches (each) wove paper, 5th state of 5 Venetian Cozzi Manufactury in the Virginia A. with sculptures made from sugar. Celebrating about this inventive and resourceful entrepreneur prints. Twenty-eight large-scale prints, most Acquired with funds provided by the Virginia A. Marten 22.9 x 29.6 inches Marten Collection. The Snite Museum has only Neptune, the god of the sea, would have been an comes from court records, as he was sued by of which are rare life-time impressions, by this Endowment for Decorative Arts Gift of William and Nancy Pressly in honor of the Stent Family 2015.030.001-002 2015.002.002. two other examples of Italian porcelain: a coffer apt subject for Cozzi and his clientele in light of his competitors for industrial espionage and for quixotic Irish artist combine with early publi- from Capodimonte and a saltcellar from Doccia. the maritime interests of their native city. “recruiting” designers and craftsmen from nearby cations of his lectures, letters, and treatises in (right) Thomas Frye (Irish 1710–1762) Man Wearing a Turban, 1760 This Cozzi pair was part of a surtout de table, an establishments with promises of more money Special Collections at the Hesburgh Library to Modenese banker Geminiano Cozzi (1728– mezzotint on laid paper ensemble of figures used to decorate a table at a and better working conditions. Nevertheless, he contribute to the University of Notre Dame’s 1797) provided the financial backing for two resi- 22.5 x 16 5/8 inches (sheet) formal event, usually during the dessert course. is regarded as the most successful porcelain distinction as a center for Irish and eighteenth- Acquired with funds provided by Rebecca Nanovic Lin dents of Meissen who relocated to Venice during Two similar works that were likely part of the manufacturer in Italy in the second half of the century studies. 2015.035.001 the Seven Years’ War to establish a new porcelain same ensemble are found at the Metropolitan eighteenth century.

18 19 RECENT ACQUISITIONS — European Art, continued Wright Morris in Nebraska Born in Cork and making his artistic debut in Dublin in 1763, Barry moved to London where he was accepted as a member of The celebrated American novelist and essayist the Royal Academy. He was an activist artist whose historical, Wright Morris (1910 – 1998) was also a skilled mythological, and biblical subjects were thinly veiled critiques of and influential photographer. Famed for his the British government. Included in the acquisition are King Lear portrayal of the people and places of the Great and Cordelia, The Temptation of Adam from Milton’s Paradise Plains, the artist combined the written word Lost, two different states of the Birth of Venus, a unique impres- with his original photographic imagery. Morris’s sion of Blessed Exegesis, and the monumental Resurrection fictional characters often reflect deep identifi- of Freedom, celebrating the birth of a new democratic republic cation with a sense of place. His photographs in North America. Chief among the cache is Lear (1803), frequently represent the vast spaces of the which was included in the first portfolio of artists’ lithographs American Midwest, its topography, weather, published in England. buildings and features. The sense of individuality, isolation, and inquiry common to this imagery The Museum is very grateful to the F. T. Stent Family for gener- may have derived from the artist’s experience. ously donating funds that made possible the acquisition of 18 Barry prints and to William and Nancy Pressly for donating an Days after his birth in Central City, Nebraska, additional 10 Barry prints. The collection of Barry prints will be Morris’s mother died. His father worked for the on exhibit at the Museum January 24 through April 17, 2016. Union Pacific Railroad in jobs that kept him constantly on the road. Morris was brought up Snite Museum Advisory Council member Rebecca Nanovic by nurses and neighbors, and frequently moved Lin made possible the acquisition of more eighteenth-century with his father from town to town. During this mezzotints, two by another Irish artist, Thomas Frye. Frye was nomadic childhood Wright Morris spent two one of the founders of the Bow porcelain factory in London, summers on a farm with his Uncle Harry and Aunt but the manufacturing process took its toll on his health. He Clara near Norfolk, Nebraska, where he grew returned to portrait paintings and late in his career took up to love the country and rural life. After gradu- mezzotints, producing a large series of bust-length portraits ating from college in 1933, Morris embarked exploring different physiognomies and psychological states, on a wanderjahr in Europe, tramping on his own such as the two now in the Snite Museum’s collection. Richard through France, Germany, Austria, and Italy. Earlom’s mezzotint of 1771 after Joseph Wright of Derby’s He purchased his first camera in Vienna, and painting A Blacksmith’s Shop is another important addition though he determined to become a writer, he also to the collection as an exemplar of the technique. Its subject continued to photograph. Wright Morris (American, 1910-1998) matter, too, will be of interest to scholars of the eighteenth Panama, Nebraska, 1942 During the 1940s he explored America from gelatin silver print century, British history and culture, and labor studies. 7.80 x 9.50 inches (image) Chicago to San Francisco with his notebook and Acquired with funds provided by the Milly and Fritz Kaeser Endowment for Photography camera. He collected a repertoire of images 2015.015.001 Richard Earlom (British, 1743–1822) of landscape and architecture, concentrating A Blacksmith’s Shop, after Joseph Wright of Derby, 1771 upon vernacular Midwestern buildings from mezzotint on wove paper, 2nd state of 3 Acquired with funds provided by Rebecca Nanovic Lin around the turn of the twentieth century. The 2015.023 photographer was drawn to grain elevators, 20 21 RECENT ACQUISITIONS — Nebraska, continued EDUCATION — PUBLIC PROGRAMS silos, train stations, small town shop fronts and weathered churches. Morris emphasized their architectural form, as in his photograph from Panama, Nebraska. Morris was drawn to the buildings, materials and surfaces reflective of the harshness of the places, and the passage of time. Traveling provided material for Morris’s first novel, My Uncle Dudley, published in 1942. The book helped him to win the first of three Guggenheim Fellowships, which proposed the combination of his photographs with original prose. In 1948 Morris published The Home Place, a sort of visual novel, which presents photographic images along with short fictional prose for each. People are absent from most of Morris’s photographs. When he did include figures, the photographer often obscured their faces, allowing the setting, costume, and posture imply personality. Morris’s picture-essays were influential in publishing, and began a The June (left) Apprentices were: Hannah Benchik (St. Joseph); Teresa Copenhaver (Marian); China Fick career for him as a novelist. He wrote 19 more novels. Summer High School (Clay); Violet Hayden (Clay); Mic Hughes (Penn); Leonardo Lara (Adams); Brianna Lindke (La Ville); Jasmyne In Cahow’s Barber Shop, Morris represented a place that Apprentice Program Schierbaum (Mishawaka); Leigha Sparrow (Penn); Audrey Sporleder (Clay); and Lily Young (Mishawaka). he knew well. For some years during his childhood he This summer the high school art apprentices The July (right) Apprentices were: Jennifer Alwine (Marian); Jayme Andre (Penn); Sophia Bysiek (Mishawaka); had his hair cut in this small building located in Chapman, Michaela Hartzler (Elkhart); Yi Chen Liao (Mishawaka); Kathryn Myers (Marian); Alaina Powell (Adams); Alex explored mixed media and collage under the Nebraska, where Luther Cahow barbered for 47 years. In Ryder (Clay); Matt Rzeszutko (Penn); Luke Staffelbach (Trinity); Faith West (Penn); and Kinsey Whitt (Marian). fact, Morris’s father first met his mother, Grace Osborn, instruction of artist-educator Lucas Korte, a in that shop. The photographer went back to the shop in UND MFA 2016 degree candidate. Thanks to 1942 and made a series of pictures that symbolize the the support of the Margreta Gibbs and James simple, utilitarian, social structure common to every small Larson Family in addition to the 2014 Friends of village and town across the United States. His close-up the Snite Museum Christmas Benefit proceeds shot of the single chair in Cahow’s prompts us to contem- we were once again able to offer two, two-week plate the history of shop patrons, their lives, interactions, sessions to area high school artists. Over 50 and contributions to their community. The shop became an applications were received from eight school institution, and was so important to the community at large districts and three private schools for the 24 that it is listed in the National Register of Historic Places. openings. Those selected on the basis of a personal interview and a review of their portfolio Wright Morris (American, 1910-1998) of recent artwork received a stipend, all neces- Cahow’s Barber Shop, Chapman, Nebraska, 1947 sary art materials, and a Museum membership. gelatin silver print 10 x 7.875 inches (image) Each session concluded with a Sunday afternoon Acquired with funds provided by the Milly and Fritz Kaeser Endowment for Photography reception and a two-week long exhibition of the 2015.015.002 students’ work produced during the program.

22 23 EDUCATION — PUBLIC PROGRAMS EDUCATION — ACADEMIC PROGRAMS

As the Snite Museum of Art prepares for another Departments that visited the Snite Museum academic year, we look back on our support of during 2014-15 include: Arts & Letters teaching and learning on campus during 2014-15. Honors Program; Aerospace and Mechanical Class visits to the museum are the most obvious Engineering; Africana Studies; American Studies; manifestation of this support, and last year was Art, Art History, and Design; Classics; College a record year of growth in all statistical catego- Seminar; English; Environmental Geosciences; ries. From late-August 2014 into May 2015 the French and Francophone Studies; Film, Snite Museum was visited 310 times by university Television, and Theater; First Year of Studies; students in 242 courses, brought by 148 profes- Gender Studies; History; Irish Studies; Italian; sors from 29 departments on campus. These visits Latino Studies; Peace Studies; Program of introduced 4,240 students to the Museum as part Liberal Studies; Political Science; Portuguese; of their course syllabi. Twenty-six percent of class Psychology; Russian; Sociology; Spanish; visits were self-guided, while Snite Museum staff Theology; and Writing and Rhetoric. The Snite or student gallery teachers taught the remaining Museum also welcomed 27 class visits from PHM Visual Arts Academy Summer Family Days 74% of the class visits. Forty percent of class area colleges and universities such as Indiana visits viewed works of art pulled from storage, University, South Bend; Southwestern Michigan Once again we were able to offer families In July the Museum wrapped up the Visual Arts demonstrating the Museum’s commitment to College; and Lake Michigan College. two opportunities to visit the Museum Academy, a summer program created in part- making the entire collection accessible. nership with the Penn-Harris-Madison School together on a Sunday afternoon during the Corporation (PHM.) The program was open to all summer. On June 14 participants explored children in grades K-5 in the PHM district. Over stories in art and on August 2 they spent 1,400 children participated in the Academy. time solving mysteries together in the Each grade level spent a week exploring works galleries. A total of 227 people enjoyed the in the Snite Museum Permanent Collection as two family days. inspiration for art making and writing under the guidance of PHM teachers and an artist in Art 2 Science residence. The learning experiences took place This summer the Snite Museum was again at both Penn High School and the Museum. Each a component of the Art 2 Science camp week concluded with a family afternoon at the on campus,which is sponsored and run by Museum during which the children could tour Mysterious Summer the Joint Institute for Nuclear Astrophysics their families through the galleries, make art, and Center for the Evolution of the Elements. This summer children in the Robinson Community enjoy refreshments. Museum educators explored the work of Learning Center’s (RCLC) summer program spent Josef Albers with 170 students, ages 8-12 two days at the Museum exploring mysteries years-old, through gallery discussions and in the galleries. Each visit included mysterious hands-on activities. works of art and art making. Museum educators also spent time at the RCLC preparing students for their visit to the Museum.

24 25 FRIENDS OF THE SNITE MUSEUM Appreciation Breakfast On June 9 in the Studebaker National Museum New Membership Benefit this annual event was held to thank all those that ROAM (Reciprocal Organization support the Snite Museum through member- ship at the Friends level or above, along with of Art Museums) the many docents and volunteers that give of If you are a member at the Friends level of $100 or their time to bring art to the Michiana commu- above, your membership card will now have the ROAM nity. Guest speakers were Andy Beckman from sticker. As you travel the United States and Canada, the Studebaker National Museum and Brandon you will have privileges at over 250 museums that Anderson from The History Museum, highlighting support ROAM. Please visit our Friends website for the South Bend 150 activities going on in their Tim McTigue and Ruth Harmelink retired from the that current and ever growing list at: respective venues. The museums and the Oliver Friends Board of Directors at the May annual meeting. Mansion were open for our guests to visit and sniteartmuseum.nd.edu/get-involved enjoy after the meal and presentations. If you would like to join or upgrade to the $100 level, Board Members there is a membership form on page 31 of this publi- Thank you for the combined 51 years of service cation you can fill out and mail in, or join online via the from these retiring Board Members. Get Involved/Friends Membership page of our website sniteartmuseum.nd.edu. 34th Annual Christmas Benefit Dinner We simply could not have done it without you! Becky Asleson Thursday, December 3, 2015 Ruth Harmelink Pat Kill At this annual black-tie dinner we will honor the late Rev. Theodore Tim McTigue Final Bus Trip in 2015 M. Hesburgh, C.S.C. (1917-2015) whose visual arts legacy lives on Molly Trafas at Notre Dame long after his tenure as university president ended Saturday, October 3 Greg Turner in 1987. He was with us for 33 annual dinners and understood the Amy Tyler ArtPrize Seven power of art to represent the divine presence at Notre Dame. Grand Rapids, Michigan Call the Friends Office (574-631-5516) after October 5 if you would Board Officers in 2015-16 like to be a part of this special event. Join us for a full day of exploring this annual unique President – Paul Stevenson and fascinating citywide art competition decided by President-elect – Angie Faccenda public vote and expert jury. You will be free most of VP, Administration – Todd Bruce the day to view your choice of the 1,500+ works of VP, Community Relations – Dana Trowbridge art installed at 160+ venues located across three VP, Development – Kelli Kalisik square miles of the downtown. Call the Friends office Eduard Steinbrück (German, 1803–1882) Adoration of the Magi, 1838 VP, Programs – Coco Schefmeyer for a brochure or more details, 574-631-5516. The oil on canvas, 49x 96.75 inches Secretary – Pam Austin deadline to register is Sept. 25 and the cost is $55 for Acquired with funds provided by the Mr. and Mrs. Robert L. Hanilton Sr. Purchase Fund Treasurer – Joyce Stifel Members and $65 for Non-Members. 1978.017 Past President – Suzanne Cole 26 27 RECENT FRIENDS EVENTS FRIENDS FORUM Art and Architecture Bus Trips Tim McTigue Both of the spring bus trips were sold-out and highly praised Tim McTigue catches his breath during a rare by those who participated. In March we ventured east to see quiet moment in his office as he reflects on his the acclaimed art exhibition Diego Rivera and Frida Kahlo in tenure on the Friends of the Snite Museum of Art Detroit at the Detroit Institute of Arts. In May we experienced Board. He retired from the board in May. the sights and sounds of the Tulip Festival in Holland, Michigan, on a picture perfect spring day. Inspired by the floral array, we When Dick Stifel approached Tim to be on the colored an outline of tulips en route back to campus. board about 12 years ago, Tim says he was honored and happy to join the board. As a banker (he is vice president, administrative division of GreenStone Farm Credit Services, Berrien Springs), he was a natural for the board’s finan- cial committee. He was also instrumental in recruiting new board members. “I feel that’s Tim and Deirdre McTigue where I added the most value. I grew up here and Amy Tyler know a lot of people,” Tim says. Art has managed to be a constant in much of Friends of the Snite Museum has been a The five top finishers in our bus trip coloring contest! High School Art Day Of course, there’s the annual holiday event fund- Amy Tyler’s life. perfect fit for her. “I want to see the arts raiser, for which he and his wife, Deirdre, have Bremen High School attended the thrive in our community and the Friends is a Amy, a six-year member who recently retired volunteered. For all intents and purposes, she Urban 26th annual art day on Friday, April 25. good way to contribute,” she says. In addition from the Friends of the Snite Museum board could almost be considered a board member. “I Organized in collaboration with the to serving as secretary, she has worked on Viewfinders of directors, is by profession a nurse. However, tip my hat to Deirdre. She’s been very involved; faculty and graduate students of the the Christmas benefit and on the nominating for the past five years, she has been pursuing it’s been a joint effort,” he explains. “I couldn’t Downtown South UND Department of Art, Art History committee. But she believes that what she’s her bachelor of fine arts degree at the Art have done it without her.” Bend served as the & Design, the 50 area high school given to the Snite Museum isn’t as much as Institute of Chicago. Even as a nursing student inspiration for some students experience classes taught by what it has given to her. Tim acknowledges that it was not an easy deci- at DePauw University, Greencastle, she did street photography MFA candidates in ceramics, photog- sion to retire. “It’s difficult to step away. It’s been take art classes, acknowledging that “art took “My continued exposure to the Snite Museum lessons under Gina raphy, sculpture, painting, printmaking, a big part of my life. But I work in Michigan and a hobby form. I put my love of art on the back and what it has to offer our community, has Costa’s direction. This graphic and industrial design. Lunch it’s been difficult to get to meetings,” he says. “I burner.” educated me and helped me progress in my was the third class accompanied a presentation on have been on several boards and this board is, by own artistic journey”. offered to Friends “how to create a portfolio” for those After she and her husband, Matthew, started far, the best board I’ve been on.” members in our interested in furthering their artistic their family, Amy’s focus shifted to children Viewfinders series. studies at a university. This annual and volunteering. They have three children, high school program is just one of the Brian, 16, Jack, 14, and Hannah, 12. Life is community outreach programs funded busier than ever, juggling the kids’ activities, by the Friends of the Snite Museum volunteer work — much of it now with the kids’ These are abridged versions of two of the Friends from memberships and the proceeds schools — and driving to Chicago for her own Board member interviews by Becky Emmons posted of the annual Christmas Benefit. art classes. on our website.

28 29 MUSEUM NEWS Snite Museum Art Objects Linda Canfield Retires Out and About László Moholy-Nagy’s, Composition, of 1923, is Assistant to the Curator of Education, Public currently on loan to the Santa Barbara Museum Programs, Linda Canfield retired in April 2015, of Art for its exhibition The Paintings of Moholy- after 10 years as an employee, and over 30 as a Nagy: The Shape of Things to Come on view docent. Canfield was absolutely dedicated to the through September 17. The exhibition, organized thousands of school children she worked with in by guest-curator Joyce Tsai, is the first to explore regional schools and while touring them through the artist’s use of painting as a means for over- Snite Museum galleries. She was an ebullient, coming the limits of early twentieth-century tech- whistling, and drumming presence within the nology. A catalogue published by Yale University Museum galleries where she shared her unbridled Press accompanies the exhibition. joy with school children. She touched thousands Both of the Museum’s horse sculptures by of young lives, enriching their primary education Deborah Butterfield were shipped out in April and making each one feel special for at least one to the Denver Botanic Gardens to be included in day. Famous for her unwavering exuberance, love their Deborah Butterfield: The Nature of Horses of all things elephant, and big, warm hugs, Linda exhibition, which ends October 18, 2015. will be missed by everyone—colleagues, docents, teachers, and students. A small carved wooden crucifix and the portrait of The Marquess of Waterford, ca. 1787-1792 We asked Linda to reflect on her time at the painted by Gilbert Stuart returned to the Snite Museum, describe what she enjoyed most, and Deborah Butterfield (American, b. 1949) Museum in late June. They were loaned to the (left) Many Glacier, 2011 what her experiences taught her. My advice to museum visitors is to really Art Institute of Chicago for inclusion in their (right) Tracery, 2010 cast bronze with patina I loved just being able to spend time with LOOK at the art. What is it saying to you? exhibition, Ireland: Crossroads of Art and Design, You don’t have to be an art expert to enjoy art. Acquired with funds provided by the Humana kids of all ages. Every group was different 1690-1840. Foundation Endowment for American Art and they kept you on your toes. The Egungun Try to get out of your comfort zone and you 2013.017 and 2011.041 body masks and the Ibeji figures in the learn to appreciate more. African collection were some of my favorite As to my plans for retirement, I have started works to talk about. I love talking about teaching classes at the Buchanan Art Center Gilbert Stuart (American, 1755–1828) African art. A close second favorite collection and will continue with afterschool programs Portrait of the Marquess of Waterford, ca. 1787–92 would be the Native American collection, oil on canvas, 30 x 25.25 inches (canvas) there in the fall. I will be a mentor to a 5th Acquired with funds provided by Lawrence and Alfred Fox followed by the Mesoamerican collection. I grade student in the Buchanan Community Foundation, and Edward and Ann Abrams quickly learned that each group your work School Corporation this fall. Rex (my husband 2000.007.002 with is different and that you have to get to László Moholy-Nagy (American, 1895–1946) of almost 60 years) and I enjoy traveling Unknown artist (Irish, 18th century) Composition, 1923 know them before doing anything else. Each together. We loved our road trip this year Crucifix, 1776 oil on canvas child likes to feel important. and are already planning another for next yew wood, 7.1 x 2.1 x .8 inches 22.25 x 25 inches summer. Gift of Rev. James S. Savage Gift of the Aberbach Brothers 1966.031 1962.028.004

30 31 The Griffon The

FRIENDS OF THE SNITE MUSEUM 20,000 $

cut along dotted line cut along dotted Contributions to the Friends Endowment Fund Gregori Luigi zip 10,000 $

The Snite Museum of Art and its Friends membership organization are most grateful for endowment donations made in memory of, or in honor of, special individuals. Mestrovic Ivan 5,000 The endowment earnings support art education outreach programs. $

Acknowledgments are sent to the honorees or to the family of those memorialized. Emile Jacques Emile 2,500 $ state state

IN MEMORY OF expiration date expiration George Rickey George 1,500 Merlin Belinger by Marlene Hunt by $

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Phil and Angie Faccenda Kelly Pile 368 Box P.O. IN 46556-0368 Dame, Notre Friend 100 Pat and Bob Kill Dr. and Mrs. Dean Porter $

Celeste Ringuette 49 × 96.75 inches (detail), 1838, oil on canvas,

Kathleen Welsh number Doug and Colleen Rogers Associate 50 George Norris Gibbs Jr. by Frank and FES Smurlo $

Betty Gallagher and John Snider Donald Keough by Senior / Student 25 $ for: $ Museum for: of the Snite the Friends to enclosed a check payable I have Please mail the check to: Museum of Art of the Snite Friends –or– s supporting.nd.edu/Friend Visit –or– my: to Charge Visa MasterCard AmEx Discover e-mail address phone daytime name(s) address city Edward Gray by Frank E. Smurlo Jr. INFORMATION CONTACT Sally Hendricks John (Jack) F. Lambert by the Magi of Adoration Dorothy Griffin by Frank E. Smurlo Jr.

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Allan Riley by and home parking application Annual Appreciation Breakfast Annual Appreciation Mrs. James Driscoll of the SNITE MUSEUM ART Membership card and welcome gift and welcome card Membership Invitation to annual docent lead tour annual docent to Invitation 15% discount on museum purchases 15% discount Invitation to annual curator lead tour annual curator to Invitation Reciprocal privileges to 45 museums to privileges Reciprocal

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January 1, 2015 through June 30, 2015 Dec. 31 by Gift must be received totals Edouard Steinbrück, German, 1802-1882, Steinbrück, Edouard Fund, 1978.017 Purchase L. Hamilton, Sr Robert and Mrs. Mr. by with funds provided Purchased Frank E. Smurlo Jr. bus trips for rate and student subsidized Member discount , our semi-annual magazine Calendar of Events Subscription to Ability to use museum/courtyard for private/corporate event private/corporate for use museum/courtyard to Ability Individual Member Invitations to receptions, openings and “Members Only” events openings and “Members receptions, to Invitations Join the 32 FRIENDS 33 MEMBERSHIP SELECT YOUR MEMBERSHIP LEVEL YOUR SELECT the list above) (from supportI choose to Museum of Art the Snite at the a member of the Friends becoming by level: following ______Invitation to director gallery tour and/or private cocktail reception cocktail private and/or tour gallery director to Invitation Football ticket application (home/away) & home parking application application (home/away) ticket Football Name placement on limestone element in Notre Dame Sculpture Park Sculpture Dame element in Notre on limestone Name placement MUSEUM STAFF SECURITY ACTIVE DOCENTS THE FRIENDS OF THE SNITE MUSEUM OF ART ADVISORY COUNCIL MEMBERS BOARD OF DIRECTORS

David Acton, Ph.D. Charles R. Loving* Capt. Daniel Kavanaugh Mary Allen Paul W. Stevenson, president Susan M. Driscoll, chair curator of photography director and curator, security coordinator Don L. Arenz Louise Anella Dr. Ann Uhry Abrams George Rickey Sculpture Archive Garrick Aldridge Katerina Araman Linda Brammer Pamela J. Austin Kirsten H. Appleyard staff accountant Sarah Martin Myshelle Babcoke Regina Chew Kari Black William C. Ballard Jr. curator of education, public programs Rebeka Ceravolo Elmer Bailey Linda DeCelles Todd Bruce Kelly Kathleen Hamman registrar John Phegley* Kathy Barone Ninette Deliyannides Suzanne Cole, president emerita Mrs. Joyce M. Hank exhibition designer Charles S. Hayes Gina Costa* Hadiyyah Blake Cindy Dunn Ann Dean marketing and public relations specialist Mary Rattenbury Anthony G. Hirschel Leander Brown Angie Faccenda Robin Douglass coordinator, Friends of the Snite Museum Richard H. Hunt Bridget O’Brien Hoyt Rita Burks Julie Farmer Cindy Dunn curator of education, academic programs Michael Rippy Margreta G. Larson Jackie Hardman Becky Emmons multimedia producer & digital archivist John Chapleau Thomas J. Lee Dalila Huerta Jan Durand Carolyn Lamble Edward Everett III curator of education assistant, Ramiro Rodriguez Dr. R. Stephen Lehman public programs exhibition coordinator Sue Fleck Virginia Lehner Angela M. Faccenda Rebecca Nanovic Lin , 1775/ca. 1790 (detail) see page 10 Sibylle Livingston Dolores Garcia Ann M. Knoll Cheryl K. Snay, Ph.D. Dwight Fulce Mrs. Virginia A. Marten associate director curator of European art Charles Harper Sue Lowe Kristi Harman William K. McGowan Jr. Phoebe Lykowski Barbara Henry *staff member for twenty years or more Bruce Hess Mrs. Marion Knott McIntyre Rosemary Hess William Mangold Kelli Kalisik Michael T. McLoughlin HOUSEKEEPING Laccine Kabel Kay Marshall Ginger Lake Eileen Keough Millard Deborah Osborn Charlotte Mittler Debra Kuskye Kathy Martin Tuck Langland Carmen Murphy James Luczkowski Catherine A. McCormick Rose Lyphout James S. O’Connell Sr. Tami Micola Nancy Morgan Kathy Martin Mary Lou Mullen Mary Lou Mullen Beverly O’Grady Judy Rajter Jeannie O’Neill Barbara Obenchain Betsy Palmer Frederick Slaski Freedom of The Resurrection The Phoenix or Dr. Morna E. O’Neill Nancy Racine Barbara L. Phair, president emerita Christina Smith Mary K. O’Shaughnessy Shirley Roseland Celeste Ringuette, president emerita Thomas Stafford Anna K. Rogers Pam Schrader Karen “Coco” Schefmeyer Gerald Strabley Christopher Scholz Gail Schroeder Joyce F. Stifel Ralph Takach Frank E. Smurlo Jr. Rod Spear Michael Szymanski Gary Trost John L. Snider Mary VanderKam Dana Trowbridge Sarah Woolley Courtney B. Stiefel Carole Walton Cheryl Ulrich Janet Unruh

Kim Zimmerman James Barry (Irish, 1741–1806) Marilyn Wood Dr. James A. Welu 34 35 SNITE MUSEUM OF ART Non-Profit University of Notre Dame Organization U.S. Postage P.O. Box 368 PAID Notre Dame, IN Notre Dame, IN 46556–0368 Permit No. 10 Return Service Requested