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The Art Union in England and the United States, 1840–60
Joy Sperling "Art, Cheap and Good:" The Art Union in England and the United States, 1840–60 Nineteenth-Century Art Worldwide 1, no. 1 (Spring 2002) Citation: Joy Sperling, “‘Art, Cheap and Good:’ The Art Union in England and the United States, 1840–60,” Nineteenth-Century Art Worldwide 1, no. 1 (Spring 2002), http://www. 19thc-artworldwide.org/spring02/196--qart-cheap-and-goodq-the-art-union-in-england-and- the-united-states-184060. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2002 Nineteenth-Century Art Worldwide Sperling: The Art Union in England and the United States, 1840–60 Nineteenth-Century Art Worldwide 1, no. 1 (Spring 2002) "Art, Cheap and Good:" The Art Union in England and the United States, 1840–60 by Joy Sperling "Alas, it is not for art they paint, but for the Art Union." William Thackeray, 1844[1] The "Art Union" was a nineteenth-century institution of art patronage organized on the principle of joint association by which the revenue from small individual annual membership fees was spent (after operating costs) on contemporary art, which was then redistributed among the membership by lot. The concept originated in Switzerland about 1800 and spread to some twenty locations in the German principalities by the 1830s. It was introduced to England in the late 1830s on the recommendation of a House of Commons Select Committee investigation at which Gustave Frederick Waagen, director of the Berlin Royal Academy and advocate of art unions, had testified. -
Two Boys with a Bladder by Joseph Wright of Derby
RCEWA – Two Boys with a Bladder by Joseph Wright of Derby Statement of the Expert Adviser to the Secretary of State that the painting meets Waverley criteria two and three. Further Information The ‘Applicant’s statement’ and the ‘Note of Case History’ are available on the Arts Council Website: www.artscouncil.org.uk/reviewing-committee-case-hearings Please note that images and appendices referenced are not reproduced. EXECUTIVE SUMMARY 1. Brief Description of item(s) • What is it? A painting by Joseph Wright of Derby representing two boys in fancy dress and illuminated by candlelight, one of the boys is blowing a bladder as the other watches. • What is it made of? Oil paint on canvas • What are its measurements? 927 x 730 mm • Who is the artist/maker and what are their dates? Joseph Wright of Derby (1734-1797) • What date is the item? Probably 1768-70 • What condition is it in? Based upon a viewing of the work by the advisors and conservators, the face and costumes of the two boys are in good condition. However, dark paint throughout the background exhibits widespread retouched drying cracking and there are additional areas of clumsy reconstruction indicating underlying paint losses. 2. Context • Provenance In private ownership by the 1890s; thence by descent The early ownership of the picture, prior to the 1890s, is speculative and requires further investigation. The applicant has suggested one possible line of provenance, as detailed below. It has been mooted that this may be the painting referred to under a list of sold candlelight pictures in Wright’s account book as ‘Boys with a Bladder and its Companion to Ld. -
Grosvenor Prints CATALOGUE for the ABA FAIR 2008
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books CATALOGUE FOR THE ABA FAIR 2008 Arts 1 – 5 Books & Ephemera 6 – 119 Decorative 120 – 155 Dogs 156 – 161 Historical, Social & Political 162 – 166 London 167 – 209 Modern Etchings 210 – 226 Natural History 227 – 233 Naval & Military 234 – 269 Portraits 270 – 448 Satire 449 – 602 Science, Trades & Industry 603 – 640 Sports & Pastimes 641 – 660 Foreign Topography 661 – 814 UK Topography 805 - 846 Registered in England No. 1305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Ellis. E&OE VAT No. 217 6907 49 GROSVENOR PRINTS Catalogue of new stock released in conjunction with the ABA Fair 2008. In shop from noon 3rd June, 2008 and at Olympia opening 5th June. Established by Nigel Talbot in 1976, we have built up the United Kingdom’s largest stock of prints from the 17th to early 20th centuries. Well known for our topographical views, portraits, sporting and decorative subjects, we pride ourselves on being able to cater for almost every taste, no matter how obscure. We hope you enjoy this catalogue put together for this years’ Antiquarian Book Fair. Our largest ever catalogue contains over 800 items, many rare, interesting and unique images. We have also been lucky to purchase a very large stock of theatrical prints from the Estate of Alec Clunes, a well known actor, dealer and collector from the 1950’s and 60’s. -
Joseph Wright
Made in Derby 2018 Profile Joseph Wright Derby’s most celebrated artist is known the world over. Derby Museums is home to the world’s largest collection of works by the 18th century artist. Joseph Wright of Derby is acknowledged officially as an “English landscape and portrait painter”. But his fame lies in being acclaimed as "the first professional painter to express the spirit of the Industrial Revolution", by experts. Candlelight, the contrast of light and dark, known as the chiaroscuro effect, and the birth of science out of the previously held beliefs of alchemy all feature in his works. The inspiration for Wright’s work owes much to meetings of the Lunar Society, a group of scientists and industrialists living in the Midlands, which sought to reconcile science and religion during the Age of Enlightenment. Wright was born in Iron Gate – where a commemorative obelisk now stands –in 1734, the son of Derby’s town clerk John Wright. He headed to London in 1751 to study to become a painter under Thomas Hudson but returned in 1753 to Derby. Wright went back to London again for a further period of training before returning to set up his own business in 1757. He married, had six children – one of whom died in infancy, son John, died aged 17 but the others survived to live full lives. In 1773, he took a trip to Italy for almost two years and this became the inspiration for some of his work featuring Mount Vesuvius. Stopping off to work for a while in Bath as a portrait painter, he finally returned to Derby in 1777, where he remained until his death at 28 Queen Street in 1797. -
International Art
International Art Collectors’ List No. 168, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com 1. Cecil Aldin (Brit., 1870-1935). Miss Camp JOSEF LEBOVIC GALLERY bell’s “April Lady” & “Dame Marigold” Babies, Established 1977 Mr Frank Harrison’s “Champion Angelo” & 103a Anzac Parade, Kensington (Sydney) NSW Mr Duerdin Dutton’s “Starboard” [St Bernard Dogs], 1893. Ink and wash with white highlight, Post: PO Box 93, Kensington NSW 2033, Australia captioned left and right, signed and dated lower Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) left, publishing annotations in pencil in various hands with two stamps verso, 44.1 x 29.7cm. Email: [email protected] • Web: joseflebovicgallery.com Foxing, slight stains, soiling over all. $2,900 Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Stamps read “Horace Cox, Brear’s Buildings, E. C. The Member of • Association of International Photography Art Dealers Inc. Queen” and “C. Robertson & Co. Artist’s Colourmen. 99 Long Acre and 154 Piccadilly, London.” International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 168, 2013 International Art On exhibition from Sat., 9 November 2013 to Sat., 1 February 2014. All items will be illustrated on our website from 16 November. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $0.96¢; UK £0.59p © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka 2. -
National Gallery of Art
National Gallery of Art FOR IMMEDIATE RELEASE CONTACT: Ruth Kaplan May 23, 1995 Deborah Ziska (202) 842-6353 PRINTS BY JAMES MCNEILL WHISTLER AND HIS CONTEMPORARIES OPENS SUNDAY, JUNE 18. 1995, NATIONAL GALLERY OF ART WASHINGTON, D.C. -- A dazzling array of 138 works illustrating the printmaking achievements of James McNeill Whistler and his contemporaries in the United States and Europe will be presented at the National Gallery of Art, June 18 through December 31, 1995. Prints by James McNeill Whistler and His Contemporaries is a complementary exhibition to the major retrospective, James McNeill Whistler, on view May 28 through August 20, 1995. Both exhibitions are located in the West Building. "This exhibition is drawn primarily from the National Gallery's permanent collection. Visitors will see fifteen outstanding prints by Whistler presented among works by other leading artists who worked in the rich environment that existed for printmaking in the second half of the nineteenth century," said Earl A. Powell III, director, National Gallery of Art. Prints by James McNeill Whistler and His Contemporaries begins with prints by Charles Meryon and the artists at the core -more- Fourth Street at Constitution Avenue, N.W., Washington, D.C. 20505 whistler prints . page 2 of the etching revival of the 1860s, including Whistler, Felix Bracquemond, and Francis Seymour Haden. Meryon's views of old Paris helped focus attention on the rapidly changing city during its renovation into the first great modern capital. Contemporary critics compared Whistler's etchings from this period to those of Rembrandt. The graphic contributions of the impressionists are presented in lithographs, etchings, and monotypes by Edouard Manet, Edgar Degas, Camille Pissarro, and others. -
The Smith Family…
BRIGHAM YOUNG UNIVERSITY PROVO. UTAH Digitized by the Internet Archive in 2010 with funding from Brigham Young University http://www.archive.org/details/smithfamilybeingOOread ^5 .9* THE SMITH FAMILY BEING A POPULAR ACCOUNT OF MOST BRANCHES OF THE NAME—HOWEVER SPELT—FROM THE FOURTEENTH CENTURY DOWNWARDS, WITH NUMEROUS PEDIGREES NOW PUBLISHED FOR THE FIRST TIME COMPTON READE, M.A. MAGDALEN COLLEGE, OXFORD \ RECTOR OP KZNCHESTER AND VICAR Or BRIDGE 50LLARS. AUTHOR OP "A RECORD OP THE REDEt," " UH8RA CCELI, " CHARLES READS, D.C.L. I A MEMOIR," ETC ETC *w POPULAR EDITION LONDON ELLIOT STOCK 62 PATERNOSTER ROW, E.C. 1904 OLD 8. LEE LIBRARY 6KIGHAM YOUNG UNIVERSITY PROVO UTAH TO GEORGE W. MARSHALL, ESQ., LL.D. ROUGE CROIX PURSUIVANT-AT-ARM3, LORD OF THE MANOR AND PATRON OP SARNESFIELD, THE ABLEST AND MOST COURTEOUS OP LIVING GENEALOGISTS WITH THE CORDIAL ACKNOWLEDGMENTS OP THE COMPILER CONTENTS CHAPTER I. MEDLEVAL SMITHS 1 II. THE HERALDS' VISITATIONS 9 III. THE ELKINGTON LINE . 46 IV. THE WEST COUNTRY SMITHS—THE SMITH- MARRIOTTS, BARTS 53 V. THE CARRINGTONS AND CARINGTONS—EARL CARRINGTON — LORD PAUNCEFOTE — SMYTHES, BARTS. —BROMLEYS, BARTS., ETC 66 96 VI. ENGLISH PEDIGREES . vii. English pedigrees—continued 123 VIII. SCOTTISH PEDIGREES 176 IX IRISH PEDIGREES 182 X. CELEBRITIES OF THE NAME 200 265 INDEX (1) TO PEDIGREES .... INDEX (2) OF PRINCIPAL NAMES AND PLACES 268 PREFACE I lay claim to be the first to produce a popular work of genealogy. By "popular" I mean one that rises superior to the limits of class or caste, and presents the lineage of the fanner or trades- man side by side with that of the nobleman or squire. -
Ian Marr Rare Books: Catalogue 18
CATALOGUE 18 VARIA Item 59 IAN MARR RARE BOOKS IAN MARR RARE BOOKS 23 Pound Street Liskeard Cornwall PL14 3JR England Enquiries or orders may be made by telephone, which will be answered by Ian or Anne Marr: 01579 345310 or, if calling from abroad: 0044 1579 345310 or, mobile: 0773 833 9709 PLEASE NOTE OUR NEW EMAIL ADDRESS: [email protected] Prices are net, postage extra, usual terms apply. Payment may be by cheque, direct transfer, or Paypal. Institutional libraries may have terms to suit their budgetary calendars. We will gladly supply more detailed descriptions, further images, etc. Books may be returned for any reason whatsoever, within the usual time frame, but in that event please let us know as soon as possible. If visiting, please contact us first to make arrangements. The ancient Cornish town of Liskeard is about 20 minutes, by car or railway, west of Plymouth; or 4 ½ hours from London. We are always interested to hear of books, manuscripts, ephemera, etc., which may be for sale, wherever they may be, and we are very happy to travel. Over the years, we have also conducted many cataloguing projects, and valuations for probate, insurance, or family division. 1. [ARMY MUSICIANS] [Changing the Guard at St. James's Palace, 1792] [London, 1792] £275 hand-col’d engraving, 15.2 x 20.6 inches [S], proof before letters, unframed (one or two short marginal repairs and short tear just entering image; paper slightly toned, especially on the verso), paper watermarked “W. King,” numbered “58” within the plate, top right The National Army Museum, which also has this image of the Coldstream Guards, comments on the presence of the three African or Caribbean Musicians in ceremonial dress and “splendid turbans,” and that many such musicians were recruited into the British Army in the 18th century, and that they also had an important role on the battlefield, by communicating orders via their instruments. -
Dining Room 14
Dining Room 14 Charles Sackville, 6th Earl of Dorset Richard Lumley, 2nd Earl of (1643–1706) Scarborough (1688?–1740) by Sir Godfrey Kneller (1646–1723) by Sir Godfrey Kneller (1646–1723) Oil on canvas, c.1697 Oil on canvas, 1717 NPG 3204 NPG 3222 15 16 Thomas Hopkins (d.1720) John Tidcomb (1642–1713) by Sir Godfrey Kneller (1646–1723) by Sir Godfrey Kneller (1646–1723) Oil on canvas, 1715 Oil on canvas, c.1705–10 NPG 3212 NPG 3229 Charles Lennox, 1st Duke of Charles Howard, 3rd Earl of Carlisle Richmond and Lennox (1672–1723) (1669 –1738) by Sir Godfrey Kneller (1646 –1723) by Sir Godfrey Kneller (1646 –1723) Oil on canvas, c.1703–10 Oil on canvas, c.1700–12 NPG 3221 NPG 3197 John Dormer (1669–1719) Abraham Stanyan (c.1669–1732) by Sir Godfrey Kneller (1646 –1723) by Sir Godfrey Kneller (1646–1723) Oil on canvas, c.1705–10 Oil on canvas, c.1710–11 NPG 3203 NPG 3226 Charles Mohun, 4th Baron Mohun Algernon Capel, 2nd Earl of Essex (1675?–1712) (1670–1710) by Sir Godfrey Kneller (1646 –1723) by Sir Godfrey Kneller (1646–1723) Oil on canvas, 1707 Oil on canvas, 1705 NPG 3218 NPG 3207 17 15 Further Information If there are other things that interest you, please ask the Room Steward. More information on the portraits can be found on the Portrait Explorer upstairs. All content © National Portrait Gallery, London (NPG) or The National Trust (NT) as indicated. Dining Room 14 William Walsh (1662–1708) Charles Dartiquenave by Sir Godfrey Kneller (1646–1723) (1664?–1737) Oil on canvas, c.1708 after Sir Godfrey Kneller (1646–1723) NPG 3232 Oil on -
Sarah Churchill by Sir Godfrey Kneller Sarah Churchill Sarah Churchill Playing Cards with Lady Fitzharding Barbara Villiers by S
05/08/2019 Sarah Churchill by Sir Godfrey Kneller Sarah Churchill Sarah Churchill playing cards with Sarah Churchill by Sir Godfrey Lady Fitzharding Barbara Villiers by Kneller Sir Godfrey Kneller Letter from Mrs Morley to Mrs Freeman Letter from Mrs Morley to Mrs Freeman 1 05/08/2019 Marlborough ice pails possibly by Daivd Willaume, British Museum The end of Sarah on a playing card as Anne gives the duchess of Somerset John Churchill 1st Duke of Sarah's positions Marlborough by John Closterman after John Riley John Churchill by Sir Godfrey Kneller John Churchill by Sir Godfrey Kneller 2 05/08/2019 John Churchill by the studio of John John Churchill Michael Rysbrack, c. 1730, National Portrait Gallery John Churchill in garter robes John Churchill by Adriaen van der Werff John with Colonel Armstrong by Seeman Marlborough studying plans for seige of Bouchain with engineer Col Armstrong by Seeman 3 05/08/2019 Louis XIV by Hyacinthe Rigaud Nocret’s Family Portrait of Louis in Classical costumes 1670 Charles II of Spain artist unknown Louis XIV and family by Nicholas de Largillière Philip V of Spain by Hyacinthe Rigaud Charles of Austria by Johann Kupezky 4 05/08/2019 James Fitzjames D of Berwick by Eugene of Savoy by Sir Godfrey unknown artist Kneller Blenheim tapestry Marshall Tallard surrendering to Churchill by Louis Laguerre Churchill signing despatches after Blenheim by Robert Alexander Hillingford 5 05/08/2019 Note to Sarah on the back of a tavern bill Sir John Vanbrugh by Sir Godfrey Kneller Castle Howard Playing card showing triumph in London Blenheim Palace 6 05/08/2019 Admiral Byng by Jeremiah Davison Ship Model Maritime Museum 54 guns Louis swooning after Ramillies Cartoon of 1706 Pursuit of French after Ramillies by Louis Laguerre 7 05/08/2019 Thanksgiving service after Ramillies Oudenarde by John Wootton Oudenarde on a playing card Malplaquet by Louis Laguerre Malplaquet tapestry at Marlbrook s'en va t'en guerre Blenheim 8 05/08/2019 Marlborough House Marlborough House Secret Peace negotiations 1712 Treaty of Utrecht 1713 9. -
Empire of Prints. the Imperial City of Augsburg and the Printed Image In
OPUS Augsburg 2016 Peter Stoll Empire of Prints The Imperial City of Augsburg and the Printed Image in the 17th and 18th Centuries1 Detail from the frontispiece to David Langenmantel’s Historie des Regiments in des Heil. Röm. Reichs Stadt Augspurg (Augsburg 1734); engraving by Jakob Andreas Friedrich: Augsburg city hall; on top of the cartouche the pine cone from the city’s coat of arms; to the right the eagle signifying the Holy Roman Empire. 1 This text, in a Spanish translation, first served as one of the introductory essays in an exhibition catalogue dealing with Augsburg prints as modellos for baroque paintings in Quito, Ecuador (‘El imperio del grabado: La ciudad imperial de Augsburgo y la imagen impresa en los siglos XVII y XVIII’, in: Almerindo E. Ojeda, Alfonso Ortiz Crespo [ed.]: De Augsburgo a Quito: fuentes grabadas del arte jesuita quiteño del siglo XVIII, Quito 2015, pp. 17-66). For the present purpose, all passages of the text which only made sense in the context of the exhibition have been removed. Nonetheless, the 18th century bias of the text as well as the selection of artists which come under closer scrutiny still reflect the origins of the essay. As it was meant to address not only art historians, but also a general interest readership, it contains much basic information about print- making and the cultural history of Augsburg. OPUS Augsburg 2016 / Stoll, Empire of Prints 2 _______________________________________________________________________________________ A very particular type of factory When in 2001 Johan Roger -
Printmaking Through the Ages Utah Museum of Fine Arts • Lesson Plans for Educators • March 7, 2012
Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Table of Contents Page Contents 2 Image List 3 Printmaking as Art 6 Glossary of Printing Terms 7 A Brief History of Printmaking Written by Jennifer Jensen 10 Self Portrait in a Velvet Cap , Rembrandt Written by Hailey Leek 11 Lesson Plan for Self Portrait in a Velvet Cap Written by Virginia Catherall 14 Kintai Bridge, Province of Suwo, Hokusai Written by Jennifer Jensen 16 Lesson Plan for Kintai Bridge, Province of Suwo Written by Jennifer Jensen 20 Lambing , Leighton Written by Kathryn Dennett 21 Lesson Plan for Lambing Written by Kathryn Dennett 32 Madame Louison, Rouault Written by Tiya Karaus 35 Lesson Plan for Madame Louison Written by Tiya Karaus 41 Prodigal Son , Benton Written by Joanna Walden 42 Lesson Plan for Prodigal Son Written by Joanna Walden 47 Flotsam, Gottlieb Written by Joanna Walden 48 Lesson Plan for Flotsam Written by Joanna Walden 55 Fourth of July Still Life, Flack Written by Susan Price 57 Lesson Plan for Fourth of July Still Life Written by Susan Price 59 Reverberations, Katz Written by Jennie LaFortune 60 Lesson Plan for Reverberations Written by Jennie LaFortune Evening for Educators is funded in part by the StateWide Art Partnership and the Professional Outreach Programs in the Schools (POPS) through the Utah State Office of Education 1 Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Image List 1. Rembrandt Harmensz van Rijn (1606-1669), Dutch Self Portrait in a Velvet Cap with Plume , 1638 Etching Gift of Merrilee and Howard Douglas Clark 1996.47.1 2.