DOCSLIB.ORG

Be Here Now by Deborah Zoe Laufer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Be Here Now by Deborah Zoe Laufer presents Be Here Now by Deborah Zoe Laufer Directed by Sandy Shinner+ Scenic Designer Costume Designer Lighting Designer Angela Weber Miller** Hailey Rakowiecki~ Shelley Strasser+ Composer and Props Designer Production Manager Sound Designer Vivian Knouse+ Lucy Schuh Stephen Gawrit Executive Publicity Stage Manager Production Manager David Rosenberg Tina M. Jach* Judy Anderson*+ Public Relations Producing Artistic Director Managing Director Sandy Shinner+ Doug McDade*+ 2019–2020 Season Sponsors: Shulman-Rochambeau Charitable Foundation With support from the James P. and Brenda S. Grusecki Family Foundation * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers + Shattered Globe Ensemble Member ~ Shattered Globe Artistic Associate # Shattered Globe Protégé Program Alum ** Member, United Scenic Artists, Local USA 829 Originally Commissioned and Produced by Cincinnatti Playhouse in the Park Blake Robison, Artistic Director Buzz Ward, Managing Director Be Here Now is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company Be Here Now 1 CAST ( IN ORDER OF APPEARANCE ) ABOUT US Bari ..................................................................................................................................... Rebecca Jordan*+ This season, Shattered Globe celebrates 29 years of building Ensemble. During that time, Patty Cooper .........................................................................................................Deanna Reed-Foster*+ SGT has produced over 60 plays and has garnered an impressive 42 Joseph Jefferson Luanne Cooper ......................................................................................................................Demetra Dee# Awards and 106 Jeff nominations. The Ensemble creates visceral theatrical experiences Mike Cooper ...............................................................................................................................Joe Wiens*+ that challenge the perspective of audience and artist alike through passionate storytelling. SGT is inspired by the diversity of our city and is committed to making theater accessible to all audiences. Through initiatives such as our Protégé Program, SETTING we create a space which allows emerging artists to grow and share in the Ensemble experience. East Cooperville, a fictional, small town in upstate NY, SGT would like to express its sincere appreciation for the continued support of Dr. Len about a hundred miles from Manhattan. and Cheryl Cerullo, John Cerullo and Shawn Finnegan, Carol Cerullo Cauley, Cathy and Terry Carey, and Robert Weir, in loving memory of Katie Cerullo. Shattered Globe continues to acknowledge the generosity of Dan and Claudia PRODUCTION TEAM Cyganowski in memory of Carol Klimick Cyganowski, scholar and passionate supporter of Chicago Theater. Business Manager .................................................................................................................. Drew Schad+ Shattered Globe Theatre is partially supported and funded by generous grants from Marketing Director ............................................................................................................ Melissa Schmitz the Shulman-Rochambeau Charitable Foundation, the James P. and Brenda S. Grusecki Technical Director ...................................................................................................................... David Reed Family Foundation, The Blum-Kovler Family Foundation, The Alphawood Foundation, The Assistant Stage Manager ...................................................................................Devonte Washington~ Shubert Foundation, The Gaylord & Dorothy Donnelley Foundation, The MacArthur Fund Intimacy Choreographer ..........................................................................................Christina Gorman+ for Arts & Culture at The Richard H. Driehaus Foundation, The Bayless Family Foundation, Master Electrician ..................................................................................................................... Jonah White The Robert J. & Loretta W. Cooney Family Foundation, The Illinois Arts Council, a CityArts Build and Light Crew .................................................. Zach Fisher, Andrew Hildner, Drew Schad+, Grant from the City of Chicago Department of Cultural Affairs & Special Events, and the Jason Shivers, Devonte Washington~ Elizabeth F. Cheney Foundation. Scenic Charge ............................................................................................................................Lauren Giolli Graphic Designers ............................................................ Kelsey Colleen Melvin+, Sarah Jo White+ Brochure/Poster Photography .............................................................................................Joe Martinez Production Photographer ...................................................................................................Evan Hanover WHO’S WHO Videography ........................................................................................... Starbelly Studios Photography Demetra Dee (Luanne Rebecca Jordan (Bari) Cooper) is extremely is over the moon and excited to be making honored to be cast in SPECIAL THANKS her Shattered Globe this little treasure of a debut in Be Here Now. play at her artistic Remy Bumppo Theatre, Court Theatre, Raven Theatre, The Saints, Theater Wit, Dexter She is a graduate of the Wallace, Auxiliary Art Center, Judy Anderson, and CenterStage Productions of Illinois. home, Shattered Globe 2018-2019 Shattered Theatre, where she is a Globe Protégé Shattered Globe Theatre Company, a not-for-profit organization, invites your founding ensemble member of 29 years. Program. Credits include: Ernestine in Some favorite SGT credits include: Marvin’s involvement (financial or otherwise) in order to continue its pursuit of excellence in Crumbs from the Table of Joy (Raven theater. All donations are tax deductible to the extent allowed by law. Room, Mill Fire, Talk Radio, The Manchurian Theatre, u/s performed), Patrice in Comfort Candidate, All My Sons, Anna Karenina, Stew (ETA Creative Arts), Neena in The Rocket to the Moon, and Judgment at Shattered Globe Theatre • 2936 North Southport Ave Suite 214 Green Book (Chicago Dramatists), Lilian in Nuremberg. Rebecca received Joseph Chicago, IL 60657 • (773) 770-0333 | www.shatteredglobe.org Migration (ETA Creative Arts), Hattie in Laundry and Bourbon (Messick Theatre), Jefferson awards for her portrayals of Stella and many others. She would like to thank in A Streetcar Named Desire and Pam in THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS God, her family, and her sweet friend Lilia Frozen Assets, as well as nominations for the OF THIS PRODUCTION OR DISTRIBUTING RECORDINGS ON ANY MEDIUM, INCLUDING THE for listening to her run lines. title role in Anna Karenina and for the role INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE of Catherine in A View from the Bridge UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT: https://shop.samuelfrench.com/content/files/pdf/piracy-whitepaper.pdf (Shattered Globe Theatre). Other credits include: House and Garden, Trojan Women, 2 Shattered Globe Theatre Be Here Now 3 WHO’S WHO CONT. WHO’S WHO CONT. and Blue Surge (Goodman Theatre). The and Punishment, Five Mile Lake, The Tall Girls, Williamstown Theatre Festival, The Ojai Newcity and a “Chicagoan of the Year” by Jacksonian (Geffen Playhouse) where she True West, In the Heat of the Night, Animals Playwrights Conference, The Missoula the Chicago Tribune. She is an adjunct performed opposite Ed Harris, Bill Pullman, Out of Paper, The Whaleship Essex, The Colony, The Cherry Lane Alternative, The professor at DePaul’s Theatre School, an At and the magnificent late Glenne Headly; Grown-Up, Other People’s Money, Her Naked Dramatists Guild Fellowship Program, New Large Ambassador for the National New The Butcher of Baraboo (The Road Theater); Skin, Orpheus Descending, Romeo and Juliet, Georges, The Lark Play Development Center, Play Network, and an Artistic Affiliate at Scarcity (Need Theater, LA Scenie Award for and The Beauty Queen of Leenane. Other Asolo Repertory Theatre, PlayLab, and the American Blues Theater. Best Actress), and Fatboy (Need Theater, Chicago credits include: Breaks and Bikes Baltic Playwrights Conference. She is a Ovation award nomination for Best Actress (Pavement Group), A Touch of the Poet and graduate of Juilliard, an alumna of the BMI Lucy Schuh (Production Manager) is in a Comedic Role); and Hellcab (Sky Pilot Beaten (The Artistic Home), The Tennessee Lehman Engel Musical Theatre Workshop, happy to be working with Shattered Globe Theater). Recent TV credits include: Williams Project (The Hypocrites), Orange and a member of The Dramatists Guild. once again, having previously joined them Shameless (Showtime), PKD’s Electric Dreams Flower Water (Interrobang Theatre, Jeff on Hannah and Martin. Other assistant Sandy Shinner (Director, Producing production management credits include: (Amazon), Chicago Justice (NBC), and Empire nomination for Actor in a Supporting Role), Artistic Director) joined Shattered Globe (FOX). Many thanks to Pete Flynn and SGT and Look Back in Anger (Redtwist Theatre, Wolf Play (The Gift), The Antelope Party, Theatre in October 2013 as the theatre’s The Realistic Joneses, and Admissions for your continued support and for being
Load more

Recommended publications
  • <I>Ensemble-Made Chicago</I>
    The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Ensemble-Made Chicago Ensemble-Made Chicago: A Guide To Devised Theater. Chloe Johnson and Coya Paz Brownrigg. Evanston: Northwestern University Press, 2019. Pp. 202. Chloe Johnson and Coya Paz Brownrigg’s Ensemble-Made: A Guide to Devised Theater (2019) is a valuable resource for theater educators and practitioners, particularly those who wish to deepen their knowledge of the craft variously known as devised theater, ensemble-based performance, and collective creation. Each short chapter of the book focuses on a distinct Chicago-based theater company (15 in total)—which range from large, nationally-renowned companies such as Lookingglass Theatre and The Second City to smaller, community-based collectives. Each chapter includes a brief history of the company alongside descriptions of games and exercises emblematic of their process and pedagogy. The co-written book also includes an Introduction which places the field of devising in its larger cultural and historical context, as well as a Time Line of the field and List of Exercises By Type, which function as the book’s conclusion. The authors’ methodologies are informed by their own relationship to devised theater in Chicago: Johnson is an ensemble member of the Neo-Futurists and Paz Brownrigg is the Artistic Director of Free Street Theater and cofounder of Teatro Luna—both of which are featured in the book. In this regard, they write as scholars and practitioners of devised theater but also as colleague- critics within the expansive but close-knit network of the Chicago theater community.
    [Show full text]
  • Organist-Led Community Singing in the American Picture Palace, 1925–1933 Esther Marie Morgan-Ellis 2013
    ABSTRACT Organist-Led Community Singing in the American Picture Palace, 1925–1933 Esther Marie Morgan-Ellis 2013 uring the 1920s, most urban Americans participated in community D singing at least once a week. They did so at the local picture palace, a multimedia venue that combined motion pictures with live entertain- ment. These stately theaters, found in cities across the nation after 1913, represented the cultural acceptance of motion pictures as a form of entertainment suitable for the middle class. Since 1905, films exhibited in urban nickelodeon theaters had been attracting a working-class audience. To counteract negative associations between the motion picture and its rough clientele, picture-palace exhibitors offered their patrons every luxury, including air conditioning, comfortable lounges, glamorous décor, and complimentary child care. Individual theaters replicated the architecture and ornamentation of famous palaces, opera houses, and hotels, while the attentive service made visitors feel like European nobility. Among the luxuries in store for the visitor was a diverse program of live enter- tainment, including an overture, an organ solo, and a stage show. The overture was presented by the house orchestra, while the stage show featured guest artists and local favorites, most of whom performed in costume before an elaborate set. Audience Abstract singing was sometimes led by stage performers or band leaders, or by sing-along films (popular throughout the ’20s and ’30s). Most of the time, however, community singing was led by the organist. The term “organ solo” is the trade designation for the portion of the show over which the organist had complete control.
    [Show full text]
  • Founded in 1982 by Master Maestro Jose L. Ovalle. MFDC Is the Oldest Mexican Folkloric Troupe in Chicago. MISSION
    Founded in 1982 by Mast er Maestro Jose L. Ovalle. MFDC is the oldest Mexican Folkloric troupe in Chicago. President MISSION: To perpetuate the traditional dance, music, song, dress and history of Mexico. Ronald Reagan’s 1985 visit to To increase the Mexican progeny’s knowledge and the public’s awareness of such heritage. BIO: MFDC showcases the richness of Mexican culture and heritage through festive dancing, diverse musical Chicago Heights IL melodies and breath taking costumes. Suites reflect pre-Columbian indigenous, Spanish Colonialism, French Illinois at Bloom High School Intervention, other European and Eastern cultures, Caribbean, the 1910 Mexican Revolution and the modern. The mixture of all these elements served to develop the present dance and music culture that is “Just Mexican” and unique. Performances are fast-paced and non-stop with many quick costume changes. Since 1983 MFDC has received over 300 Awards, Grants and Recognitions* and has toured nationally and internationally in Mexico (1988) and Ireland (2007 and 2009). NOTABLE EVENTS ARE: 1985 For President Reagan’s visit to Chicago Heights, IL at Bloom High School. See picture. 1987 Opening performance for Steve Lawrence and Eydie Gorme at The Chicago Theater. 1987 For the Pan Am Games in Indianapolis, IN with Vice President Bush in attendance. 1987 For Governor James Thompson at Orchestra Hall accompanied by Chicago Symphony Orchestra. 1987 For Mayor Harold Washington at Fiesta del Sol. Matehuala 1988 Tours Mexico and receives rave reviews from Mexican media and TV interview. San Luis Potosi 1988 For the Tribute to Katherine Dunham at The New Regal Theater, Chicago.
    [Show full text]
  • INVISIBLE-HAND-Program-Digital.Pdf
    hand_program.pdf 1 9/13/17 7:54 PM C M Y CM MY CY CMY K STEEP THEATRE COMPANY COMPANY MEMBERS James Allen Jonathan Edwards Jim Poole Kendra Thulin Jonathan Berry Alex Gillmor Egan Reich Robin Witt Lucy Carapetyan Nick Horst Joel Reitsma Brendan Melanson George Cederquist Ashleigh LaThrop Melissa Riemer in memoriam Brad DeFabo Akin Cynthia Marker Michael Salinas Patricia Donegan Peter Moore Joanie Schultz Peter Dully Caroline Neff Julia Siple ARTISTIC ASSOCIATES Matthew Chapman Lauren Lassus Alison Siple Dan Stratton Maria DeFabo Akin Kristin Leahey Simon Stephens Brandon Wardell Thomas Dixon Emily McConnell Assoc. Playwright Chelsea M. Warren BOARD OF DIRECTORS Jessica Schrey David Bock Doug Passmore Sonya Dekhtyar President Vice President Secretary Treasurer Dave Bartusek Ian Galleher Ted Lowitz Shawn Sackett Kelly Carpenter Molly Johnson Anne Marie Mitchell Kelly Fitzgerald Stu Kiesow Elizabeth Moore STAFF Peter Moore Staci Weigum Egan Reich Stu Kiesow Artistic Director House Manager Literary Manager Graphic Designer Kate Piatt-Eckert Caroline Neff Lee Miller Julianna Jarik Executive Director Casting Director Photographer Management Intern Julia Siple Lucy Carapetyan Gregg Gilman Managing Director Casting Associate Photographer FRIENDS OF STEEP Heidi Brock Sara Foster Katie Kett Christine Rousseau Reid & Jennifer Diane Galleher Jennifer Collins Craig Steadman Quinn Broda Barry Grant Moore John C. White John Dunnigan Neil Jain Jon Putnam Steep Theatre Company is supported in part by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, the MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, the Gaylord & Dorothy Donnelley Foundation, the Illinois Arts Council Agency, the Sol R.
    [Show full text]
  • The Theater Designs of C. Howard Crane
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C.
    [Show full text]
  • It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
    “IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture.
    [Show full text]
  • Village Theatre (Originally Germania Theater) 1546-1550 North Clark Street
    LANDMARK DESIGNATION REPORT Village Theatre (Originally Germania Theater) 1546-1550 North Clark Street Preliminary Landmark recommendation approved by the Commission on Chicago Landmarks, April 3, 2008 CITY OF CHICAGO Richard M. Daley, Mayor Department of Zoning and Land Use Planning Patti A. Scudiero, Commissioner The Commission on Chicago Landmarks, whose ten members are appointed by the Mayor and City Council, was established in 1968 by city ordinance. The Commission is responsible for recommending to the City Council which individual buildings, sites, objects, or districts should be designated as Chicago Landmarks, which protects them by law. The landmark designation process begins with a staff study and a preliminary summary of informa- tion related to the potential designation criteria. The next step is a preliminary vote by the landmarks commission as to whether the proposed landmark is worthy of consideration. This vote not only initiates the formal designation process, but it places the review of city permits for the property under the jurisdic- tion of the Commission until a final landmark recommendation is acted on by the City Council. This Landmark Designation Report is subject to possible revision and amendment during the designation process. Only language contained within the designation ordinance adopted by the City Council should be regarded as final. Cover: The Village Theatre at 1546-1550 N. Clark Street on the Near North Side. The building is a rare- surviving “first-generation” movie theater in Chicago built in 1916 exclusively for motion picture use. (Photo by Susan Perry, CCL) VILLAGE THEATRE (ORIGINALLY GERMANIA THEATER) 1546-1550 NORTH CLARK STREET BUILT: 1915-1916 ARCHITECT:ADOLPH WOERNER The Village Theatre (originally called the Germania Theater) is one of the best-surviving “first- generation” movie theaters in Chicago.
    [Show full text]
  • Wood County – March 9Th, 2018 Preliminary Report
    Nourishing Networks Workshop Wood County – March 9th, 2018 Preliminary Report 0 Nourishing Networks Wood County: Workshop Reflections and Report Authors: Dr. Bradley R. Wilson, Director, Food Justice Lab Heidi Gum, Coordinator, Nourishing Networks Program Facilitators: Dr. Bradley Wilson, Food Justice Lab Director Jessica Arnold, Community Food Initiatives Jed DeBruin, Food Justice Fellow Kelly Fernandez, Community Food Initiatives Thomson Gross, Food Justice Lab GIS Research Director Heidi Gum, Nourishing Networks Coordinator Joshua Lohnes, Food Justice Fellow Amanda Marple, Food Justice Fellow Ashley Reece, Food Justice Laboratory VISTA Raina Schoonover, Community Food Initiatives Participants: Amy Arnold - United Way Alliance of the MOV Sister Molly Bauer - Sisters Health Foundation Judith Boston - Fairlawn Baptist Church Food Pantry and Wood County Emergency Food Co-op Andy Church – United Way Alliance of the MOV Marian Clowes - Parkersburg Area Community Foundation and Regional Affiliates Kristy Cramlet - Highmark Health Gwen Crum - WVU Wood County Extension (continued on next page) 1 Dianne Davis - Lynn Street Church of Christ Laura Dean – Mt. Pleasant Food Pantry Lisa Doyle-Parsons - Circles Campaign of the Mid-Ohio Valley Kayla Ersch - Community Resources Inc. Amy Gherke - The Salvation Army Shirley Grogg - The Salvation Army Sara Hess - United Way Alliance of the MOV Kayla Hinkley - Try This WV Sherry Hinton - Sak Pak Delaney Laughery - United Way Alliance of the MOV Jeremy Lessner - Catholic Charities of WV Andrew Mayle - Mid-Ohio
    [Show full text]
  • The Gateway Theater Logan Square
    Newsletter – January 2017 Number XXV A Gorgeous Garden of Dreams: The Gateway Theater Logan Square This past year, the Northwest Chicago Historical Society was proud that Jefferson Park and Portage Park were chosen to showcase venues in Open House Chicago, an annual architectural festi- val organized by the Chicago Architecture Foundation. Multiple establishments on the Northwest side opened their door for the very first time to host curious guests from all over the country. The venues included the Copernicus Center, Carl Schurz High School, the Jefferson Masonic Temple, the Rivoli Theater, Our Lady of Victory, Portage Arts Lofts, and the Portage Theater. Over 100,000 people partici- pated this year, making it one of the largest events of its kind in the world. We hope that we are able to continue to bring more people into the area to visit our historical and cultural heritage. In our most recent newsletter issues, members were most excited about the movie theater pic- tures, so this issue continues on that theme. This time, we feature the Kobelinski Theater, a theater inside the Copernicus Center that has been redeveloped into a cultural venue and multi-event complex. At one time, this was called the Gateway Theater, and it was the largest movie palaces on the Northwest Side. Since the Copernicus Center purchased the Gateway, they transformed the lobby and outside mar- quee to be more reflective of its current usage. However, the community is fortunate that they saved the theater from the wrecking ball and have beautifully preserved the historic, decorative interior. While the venue now is mostly used for live performances, the center also hosts many multi-cultural and neighbor- hood events.
    [Show full text]
  • Universidade Federal Do Rio De Janeiro Centro De Filosofia E Ciências Humanas Escola De Comunicação
    UNIVERSIDADE FEDERAL DO RIO DE JANEIRO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS ESCOLA DE COMUNICAÇÃO CLARISSA MONTALVÃO VALLE DA SILVA HOUSE M.D.: UM ESTUDO DE CASO DA ESTRUTURA NARRATIVA SERIAL COMPLEXA Rio de Janeiro 2011 UM ESTUDO DE CASO DA ESTRUTURA NARRATIVA SERIAL COMPLEXA Clarissa Montalvão Valle da Silva HOUSE M.D.: um estudo de caso da estrutura narrativa serial complexa Monografia submetida à Escola de Comunicação da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do grau de bacharel em Comunicação Social, habilitação em Radialismo Orientador: Prof. Dr. Maurício Lissovsky. Rio de Janeiro 2011 Clarissa Montalvão Valle da Silva HOUSE M.D.: um estudo de caso da estrutura narrativa serial complexa Monografia submetida à Escola de Comunicação da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do grau de bacharel em Comunicação Social, habilitação em Radialismo. Rio de Janeiro, 14 de dezembro de 2011 _________________________________________________ Prof. Dr. Maurício Lissovsky, ECO/UFRJ _________________________________________________ Prof. Dr. Ivan Capeller, ECO/UFRJ _________________________________________________ Profª Drª Ieda Tucherman, ECO/UFRJ _________________________________________________ Profa Dra Fátima Sobral Fernandes, ECO/UFRJ AGRADECIMENTOS Quero agradecer a todos que me deram força, apoio, palavras de confiança e incentivo, o que me ajudou muito a fazer esta monografia. Se não fosse por vocês, eu provavelmente teria sentado e deixado o tempo passar. Agradeço aos meus pais, Patricia e Marcos, e à minha irmã, Isabela, que sempre acreditaram em mim. Desculpem a angustia que fiz vocês passarem me vendo nervosa e na correria. À Tati, que mais do que uma tia, foi uma contente ajudante de revisão de texto e me deu muito apoio.
    [Show full text]
  • Impact Stories
    Our Impact: Playwright Success Stories A Few of the Bright Spots [from over 500] LIZ DUFFY ADAMS Playwrights Foundation helped to launch Liz’s career shortly after she graduated from Yale School of Drama. In 2002, her seminal work, Dog Act was developed on the Bay Area Playwrights Festival (BAPF) and then went on to its 2004 premiere in the Bay Area - with Playwrights Foundation (PF) and Shotgun Players in Berkeley, CA, winning the 2005 Glickman Award for the Bay Area’s Best New Play. The play has since been produced in San Diego, Los Angeles, New York, Massachusetts, Winnipeg, and dozens of other cities. Her next play One Big Lie was co-commissioned by Crowded Fire Theater (CFT) and PF as part of our Producing Partnership Initiative (PPI). The play received a year of development in our studio, culminating in the BAPF in 2004, and subsequently premiered in 2005 in a highly-acclaimed production at CFT. Her play The Listener was developed in PF’s Rough Readings Series (RRS), premiered in a PPI with Crowded Fire in 2008, and went on to productions in Portland and San Diego. And, her play The Train Play was chosen as part of PF’s Des Voix Festival for a French translation and reading in Paris in 2014. Subsequently, as a result of our support, Liz landed her first New York premiere for Or, at the Women’s Project, which has been produced some 50 times since. Liz’s plays have continued to live on stages nation-wide, including the Magic Theater and Seattle Rep, and won her honors including a Women of Achievement Award, a Lillian Hellman Award, and the Will Glickman Award.
    [Show full text]
  • One Big Happy Episode Guide Episodes 001–006
    One Big Happy Episode Guide Episodes 001–006 Last episode aired Tuesday April 28, 2015 www.nbc.com c c 2015 www.tv.com c 2015 www.nbc.com The summaries and recaps of all the One Big Happy episodes were downloaded from http://www.tv.com and http: //www.nbc.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 Pilot ...............................................3 2 Out of the Closet . .5 3 Crushing It . .7 4 Flight Risk . .9 5 A Tale of Two Hubbies . 11 6 Wedlocked . 13 Actor Appearances 15 One Big Happy Episode Guide II Season One One Big Happy Episode Guide Pilot Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Tuesday March 17, 2015 Writer: Liz Feldman Director: Scott Ellis (I) Show Stars: Elisha Cuthbert (Lizzy), Nick Zano (Luke), Kelly Brook (Prudence), Re- becca Corry (Leisha), Chris Williams (Roy), Brandon Mychal Smith (Marcus) Guest Stars: Edwin H. Bravo (Paint Store Guy), Michelle Noh (Pharmacist) Production Code: 276080 Summary: Luke and Lizzy, inseparable pals since childhood, decide to have a child together as friends. Childhood best friends Lizzy and Luke de- cided long ago that if they were both sin- gle at 30, they’d start a family together — just not the old fashioned way. Lizzy is a lesbian and Luke is straight. ”We may not be everyone’s idea of a traditional fam- ily,” Lizzy says to the pharmacist provid- ing her pre-prenatal pills, ”but my point is we’re still good people with solid val- ues.” With parenthood a positive pregnancy test away, Lizzy asks Luke if he’s ready for such a commitment, especially since he never even lets his dates spend the night.
    [Show full text]