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National Screen Institute–Canada ANNUAL REPORT 04| 05
National Screen Institute – Canada ANNUAL REPORT 04| 05 measuringsuccessframebyframe! THE NATIONAL SCREEN INSTITUTE – CANADA (NSI) is pleased to present a record year of success in our 2004-2005 Annual Report. Our market-driven programs have led to employment for emerging talent by providing a competitive edge – over 80% of NSI graduates work in the industry! How do we do it? NSI seeks emerging and mid-career content creators with ideas and dreams that can be realized as award-winning and commercially successful fi lms and television productions. NSI delivers hands-on experience in developing and producing productions March 2 to 5, 2005 Winnipeg Tickets start at $7* For tickets, call 780-3333 or visit www.ticketmaster.ca Full Festival information at www.nsi-canada.ca or call 956-7800. *agency fee applies Event Partners Offi cial Media Sponsors that get noticed. NSI provides access to leading industry professionals who know what sells. NSI Table of Contents transforms career potential into a vibrant life in the 3 Profi le industry. This winning approach makes NSI the ideal 4 Message from the Chair choice for the most promising Canadian talent across 5 Message from the CEO the country. 7 NSI ZeD Drama Prize 9 NSI Aboriginal Youth Pilot Project For nearly 20 years, NSI has been delivering results by 11 NSI Features First offering professional development programs in close 15 NSI Totally Television consultation with the industry, and with an eye on 17 Spark Plug Program - Telefi lm Canada future trends. As one of four federally recognized and 19 NSI Global Marketing supported National Training Schools for emerging and 21 NSI Aboriginal Cultural Trade Initiative 23 NSI FilmExchange mid-career writers, directors and producers, NSI plays a 26 Filmmakers of Tomorrow leading role in preparing Canadian content creators for 29 Trendsetters viable and sustainable careers, without their having to 31 Globetrotters relocate to Toronto, Montreal or Vancouver for training. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Hitchcock/ Truffaut
January / February 2016 Canadian & International Features The Heart of Madame Sabali NEW WORLD DOCUMENTARIES special events SHORTS & ARTIST TALKS Hitchcock/ Cabin Fever: Vinylside Chat Truffaut Free Films for Kids! with Alan Zweig www.winnipegcinematheque.com January/February Staff Picks the art direction and costumes in the film, which are both colourful and creative. The most refreshing element of McKenna’s film is the complexity of his characters, more specifically Marie Brassard who was amazing as Jeannette. This middle-aged woman was given more power and freedom to explore all types of relationships within the film, unlike films where we would normally see a woman of this age for a blink of a second. McKenna’s choice of casting such a strong lead pays off with depth to the plot and this film will not disappoint. Another screening that is not to be missed is Moving Perspectives (Feb 13) ↑ Left to right: A customer (Kristy Muckosky), Dave Barber, Eric Peterson, Cecilia Araneda, Heidi curated by Leslie Supnet. I feel like this is a Phillips, Kaitlyn McBurney, Jaimz Asmundson. Photo by Leif Norman. program that, while promising to put form over content, will not fail to entertain. I asked For 12 years now, January and February luck to you in your future endeavours! I’ll Supnet for a sneak peak and I can promise at Cinematheque have meant one very miss your goofy laugh. — Jaimz Asmundson, dancing, which is rare for program that special event: Cabin Fever! Every Sunday Cinematheque Programming Director focuses on personal cinema.— Heidi Phillips, at 2 pm, this free admission series offers Cinematheque Head Projectionist a variety of family friendly classics with The touring Canada’s Top Ten Film Festival made-in-Manitoba shorts. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
COPPERS” Directed By: Alan Zweig
“COPPERS” Directed by: Alan Zweig Sales and Distribution Kristina McLaughlin - [email protected] Michael McMahon - [email protected] Publicity: Robyn Mogil, TARO PR [email protected] Synopsis In 2009 director Alan Zweig made A HARD NAME, a film about ex-convicts, and 10 years later comes COPPERS, a film that explores the lives of the men and women who helped convict them in the first place. Hurt people hurt people, as they say. The only thing the men and women in COPPERS have in common is that they’re retired and ready to look back. They tell gruesome stories, sad stories and a few funny ones but the gruesome stories dominate — they’re just part of the daily grind. Heads indeed can roll and guts can spill. Most cops have seen that happen at least once in their career. It’s a profession marked by adrenaline and chaos but also by suicide and marital breakdown. Some coppers feel they can sail past the mayhem and decomposing bodies. But no one leaves the job without a mark, and not everyone bounces back. Short Summary The thirteen retired police officer in COPPERS tell stories of fights, shootings, accident scenes and sudden death. There are sweet stories and funny ones but the gruesome stories dominate because this is what cops see everyday. At its heart that’s what this collective story is about - the trauma we expect the police to clean up and what that experience does to them. One Sentence Logline “After three months on this job, what you see and what you do, will change you.” Shorter One Sentence Logline “The job is pure chaos.” 2 Director Biography: Alan Zweig Alan Zweig is a Toronto documentary filmmaker known for using film to explore his own life. -
A Film by Hugh Gibson
THE STAIRS A FILM BY HUGH GIBSON PRESS KIT The Stairs follows the triumphs and heartbreaks of three social workers, who struggle with their own addictions, in a turbulent story of resilience spanning several years. 1 THE STAIRS PROJECT: THE STAIRS DIRECTOR: HUGH GIBSON EXECUTIVE PRODUCER: ALAN ZWEIG CINEMATOGRAPHER: Cam Woykin & Hugh Gibson EDITORS: Andres Landau & Ryan J. Noth SOUND: Finlay Braithwaite, Gabe Knox, Lucas Prokaziuk, Marcel Ramagnano GENRE: Documentary LENGTH: 95 minutes FORMAT: DCP, Colour, 1.78:1, 5.1 SALES: World Sales: Midnight Lamp Films US Sales: Grasshopper Film AWARDS: Toronto Film Critics Association Awards (2016) Winner: Rogers Best Canadian Film Award Runner-up: Best Documentary Award Regent Park Film Festival Winner: Audience Award RIDM (Montreal International Doc. Festival) Runner-up: Magnus-Isacsson Award Runner-up: Student Jury Award Screening Highlights: Toronto International Film Festival, 2016 (World Premiere) Toronto Theatrical release at TIFF Bell Lightbox, Oct 7-Oct 13, 2016 Mar del Plata International Film Festival (International Premiere) 2 THE STAIRS ABOUT THE FILM The Stairs follows the triumphs and heartbreaks of three social workers, who counsel clients about drug use while also struggling with their own addictions. Their turbulent story of resilience spans half a decade. Exec-Produced by Alan Zweig (Director of TIFF & Hot Docs prize-winners: Hurt, When Jews Were Funny, A Hard Name). Marty, Greg and Roxanne live and work in Toronto’s Regent Park neighbourhood, where they have lived and survived decades of street life. Each is funny, articulate, surprising: mother, grandfather, poet – and a habitual drug user. Performing outreach in their community – trying to give back – they struggle with tenuous lifestyles and past choices. -
News Release. Toronto International
September 20, 2015 .NEWS RELEASE. TORONTO INTERNATIONAL FILM FESTIVAL ANNOUNCES 2015 AWARD WINNERS TORONTO — The Toronto International Film Festival® today announced award winners from the 40th Festival, which wraps up this evening. The short film awards below were selected by a jury comprised of the head of the shorts program and creations unit at Canal+ France, Pascale Faure, film writer John Anderson (The Wall Street Journal, The New York Times), and actor Rizwan Manji (Outsourced, The Wolf of Wall Street). SHORTS CUTS AWARD FOR BEST CANADIAN SHORT FILM The Shorts Cuts Award for Best Canadian Short Film goes to Patrice Laliberté for Overpass. The jury remarked, “For its seductive, elliptical and graceful manner of exploring the nature of grief and the unconventional ways that families react to loss, all of which was elevated by the performance of Téo Vachon Sincennes.” The award offers a $10,000 cash prize. The jury gave an honourable mention to Sol Friedman’s Bacon & God’s Wrath, “For its whimsical and wry examination of religious conviction and intellectual conversion, and the acknowledgment that courage and transformation can be achieved at any age and involve any manner of pork by-product.” SHORT CUTS AWARD FOR BEST SHORT FILM The Short Cuts Award for Best Short Film goes to Maïmouna Doucouré’s Maman(s). The jury remarked, “For its daring and revelatory exploration of a family's dysfunction and upheaval through the eyes of a child and its refusal to cast characters as villains but rather as complex, and highly conflicted, human beings the jury selects Maman(s). -
Cinematheque JAN
JAN / FEB 2011 CINEMATHEQUE PROGRAM CANADIAN & INTERNATIONAL FEATURE FILMS | NEW WORLD DOCUMENTARIES CANADIAN SHORTS & ARTIST TALKS | CABIN FEVER: FREE FILMS FOR KIDS! CINEMA LOUNGE: CRITICAL DIALOGUE ON CANADIAN CINEMA NEWLY RELEASED 35MM CLASSICS To celebrate the recent acquisition of films of the legendary comedian Charlie Chaplin, Janus Films has released new 35mm prints of Chaplin’s best work and has launched a major theatrical tour of North America. Cinematheque is excited to screen two of his most loved classics and a couple of shorts. The Circus (page 5) is a hidden gem about his attempts to woo the ringmaster’s daughter. City Lights (page 5), cited by Time Magazine as “the greatest film of any year” is the story of the tramp who falls for a blind flower seller. Our CABIN FEVER: Free Films for Kids series opens with A Dog’s Life and Payday (page 6). $8 GENERAL | $7 STUDENTS & SENIORS | $6 FILM GROUP & CINEMATHEQUE MEMBERS $1 of each admission goes toward our capital MEMBERS PAY ONLY $6.00 improvements, aimed at making your experience ADMISSION BUY A MEMBERSHIP! SEE PAGE 12 FOR MORE INFORMATION... at the Cinematheque even more satisfying. PUBLICATIONS MAIL AGREEMENT NUMBER 40045468 INFOLINE: 204-925-3457 RETURN TO : WINNIPEG FILM GROUP 304-100 ARTHUR STREET 100 ARTHUR STREET, IN THE EXCHANGE WINNIPEG, MB R3B 1H3 www.winnipegcinematheque.com POLYTECHNIQUE POLYTECHNIQUE OF MICE AND MEN DIR. DENIS VILLENEUVE | 2009 | CANADA | 77 MIN DIR. KYLE HUDLIN-WHELAN | 2009 | CANADA | 74 MIN FRENCH WITH ENGLISH SUBTITLES A PROBLEM WITH FEAR › WED JAN 26 & THU JAN 27 – 7:30 PM › THU JAN 20 – 7:00 PM DIR. -
1997-1998 1996-1997
0 1998 National Film Board of Canada Published by Communications Service P.O. Box 6100, Station Centre-elle Montreai, Quebec H3C 3H5 Telephone: (514) 283-9246 Fax: [ 514) 283-8971 Intemet: http9/www.nfb.ca ISBN: O-7722-0764-X 3rd quarter 1998 Graphic design: Cormier Communication Publicité Printed in Canada @ recycled paper NATIONAL FILM BOARD OF CANADA OFFICE NATIONAL DU FILM DU CANADA Ottawa, September 1998 The Honourable Sheila Copps Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, 1950, the Annual Report of the National Film Board of Canada for its fifly-nine year, ended March 31. 1998. The report also provides highlights of noteworthy events which occured during the fiscal year. Respectfully, &- Sandra Macdonald Government Film Commissioner and Chairperson Table of Contents NFB's profile .Management Committee ......................... 6 Members of the Board of Trustees ........................... 7 Chairperson's Message ...................................... 9 Year in Review .............................................. 11 AFew Figures ............................................... 15 Productions ................................................. 16 Versions and Adaptations ................................... 28 Summary of Activities - Production ..........................32 Summary of Adivities - Canadian Distribution .................33 Summary of Activities - International Distribution ..............34 Summary -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
LYRIQ BENT Winner on Canada’S Talent
Fall 2016 Inaugural TIFF issue! LYRIQ BENTThe Canadian Screen Award winner on why this country is becoming a global production power player What do Canadians want (to watch)? We have the answers inside And the nominees are… Check out who’s up for the 2016 CMPA Feature Film Producer Awards at TIFF Q&As with Canada’s talent 31 Q&A: Kim Todd Service stereotypes and IP ownership 40 Q&A: David Way Why authenticity matters 50 Q&A: Jay Bennett Brave new worlds 64 Q&A: Mike Volpe Laughing all the way 74 Q&A: Jillianne Reinseth Engaging children (and parents) 8 Cover feature The Canadian Screen Award Page 11 Page 42 LYRIQ BENT winner on Canada’s talent Features Page 55 Page 83 2 Reynolds Mastin 48 Taken A letter from the President Tackling a tough topic and CEO of the CMPA with empathy 11 Canadian Film Pictured (top to bottom): Black Code, Giants of Africa, Nelly Pictured (top to bottom): X Quinientos, Maudie, Maliglutit (Searchers) Pictured (top to bottom): Mean Dreams, Anatomy of Violence, Pays 4 The Big Picture 61 Feeling the Love! 32 Foreign Location · A look at TV, film and media A data-driven case for Service Production Film across Canada made-in-Canada content 41 Canadian THE 6 And the Nominees Are… 62 Behind the Scenes Documentary Film Leads negotiations with unions, broadcasters and funders The CMPA Feature Film A photographic look at filming Producer Awards and production across Canada Explores new digital and international business models 51 Canadian TV ∙ Builds opportunities for established and emerging content creators 72 Changing the Channel Drama CMPA Women in production 65 Canadian TV ∙ 86 The Indiescreen Listicle Comedy Through international delegations, best-in-class professional development, mentorship programs and more, Which Canadian film are you? the CMPA advances the interests of Canada’s indie producers. -
150 Canadian Films
150 CANADIAN FILMS MESSAGE FROM THE PRIME MINISTER OF CANADA Dear Friends: I am delighted to extend my warmest greetings to Canadians on National Canadian Film Day, a Canada 150 Signature Project, presented by REEL CANADA. This one-day event connects Canadians from sea to sea to celebrate the achievements of Canadian filmmakers. The film festival is one of many cultural projects during the Sesquicentennial year that will help build a sense of pride in and attachment to everything our remarkable country represents. National Canadian Film Day focuses on discovery, with opportunities to view culturally diverse Canadian films on television, online and in theatres large and small across the country. I would like to commend REEL CANADA for coordinating this exciting celebration of homegrown film excellence and I encourage everyone to get involved. With so many works to choose from, and an audience eager to explore the best of Canada’s rich film history, National Canadian Film Day is sure to be a resounding success. On behalf of the Government of Canada, I offer my best wishes for an enjoyable and memorable experience. Justin P.J. Trudeau Prime Minister of Canada The Rt. Hon. Justin P.J. Trudeau, P.C., M.P. Prime Minister of Canada MESSAGE FROM THE MINISTER OF CANADIAN HERITAGE As we kick off the 150th anniversary of Confederation, we want to support projects that inspire national pride and strengthen the bonds between citizens from coast to coast to coast. This is why we are pleased to support REEL CANADA and its National Canadian Film Day 150.