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National Screen Institute–Canada ANNUAL REPORT 04| 05
National Screen Institute – Canada ANNUAL REPORT 04| 05 measuringsuccessframebyframe! THE NATIONAL SCREEN INSTITUTE – CANADA (NSI) is pleased to present a record year of success in our 2004-2005 Annual Report. Our market-driven programs have led to employment for emerging talent by providing a competitive edge – over 80% of NSI graduates work in the industry! How do we do it? NSI seeks emerging and mid-career content creators with ideas and dreams that can be realized as award-winning and commercially successful fi lms and television productions. NSI delivers hands-on experience in developing and producing productions March 2 to 5, 2005 Winnipeg Tickets start at $7* For tickets, call 780-3333 or visit www.ticketmaster.ca Full Festival information at www.nsi-canada.ca or call 956-7800. *agency fee applies Event Partners Offi cial Media Sponsors that get noticed. NSI provides access to leading industry professionals who know what sells. NSI Table of Contents transforms career potential into a vibrant life in the 3 Profi le industry. This winning approach makes NSI the ideal 4 Message from the Chair choice for the most promising Canadian talent across 5 Message from the CEO the country. 7 NSI ZeD Drama Prize 9 NSI Aboriginal Youth Pilot Project For nearly 20 years, NSI has been delivering results by 11 NSI Features First offering professional development programs in close 15 NSI Totally Television consultation with the industry, and with an eye on 17 Spark Plug Program - Telefi lm Canada future trends. As one of four federally recognized and 19 NSI Global Marketing supported National Training Schools for emerging and 21 NSI Aboriginal Cultural Trade Initiative 23 NSI FilmExchange mid-career writers, directors and producers, NSI plays a 26 Filmmakers of Tomorrow leading role in preparing Canadian content creators for 29 Trendsetters viable and sustainable careers, without their having to 31 Globetrotters relocate to Toronto, Montreal or Vancouver for training. -
Gemini Awards: the Winners Prix Gemeaux
CINEMA CAN A D A • SesSiOIlS, Da vid Foster, Tony Greco, Linda . Series: Tim Dunphy, Peter Monahan (Night Heat Gemini awards: Thompson (Davlin Productions/CBC); Best "Dead Rillger"); Best Writing in a Comedy or Prix Gemeaux: Variety Series: It's Oilly Rock 'N' Roll , Joe Variety Program or Series: Avrum Jacobson the winners Bodolai, John Brunton, Judith Dryland (Family Reullioll); Best Writing in an Information! Quatre Saisons (insightiCBC); Best Information Series: Vellture, Documenta ry Program or Series: Kent Martin, TORONTO - The fo llowing is a complete list of Duncan McEwan (CBC); Best Light Information James Laxer (Reckollillg: The Politica l Eco llomy Of to boycott awards the 1988 Gemini Award winners in ceremonies Series: Live It Up, Alan Edmonds, Jack McGa w Callada "Part Olle -111 Bed With All Elephant"); sponsored by the Academy of Canaclian Cinema (CTV); Best Documentary Program : RUllaways- Best Photography in a Dramatic Program or MONTREAL - The third- annual Prix Gemeaux and Television at the Metro Toronto Convention 24 HOllrs 011 The Street, Lon Appleby, Howard Series: Marc Champion (Alille Of Green Gables was a unqualified success fo r some and a Centre November 29 and 30th. Bernstein, David Sobelman (CBC); Best TIle Sequel); Best Photography in a Comedy, complete waste of time for others. In the Program categories the winners were: Documentary Series: Th e Nature Of Things, Variety or Performing Arts Program or Series: Over 50 awards were presented during the Best Short Drama: A Child's Christmas III Wales, James R. Murray (CBC); Best Performing Arts Rene Ohashi (Masterclass With MeI1l1hill); Best televised gala event to honor the Quebec Seaton McLean, Gillian Richardson (Atlantis/ Program: Masterclnss With Melluhill, Niv Photography in an InformationIDocumentary television industry. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
Tribeca Film in Partnership with American Express and Entertainment 1 Present
Tribeca Film in Partnership with American Express and Entertainment 1 Present Release: April 22, 2011 – NY/LA/Chicago/Irvine April 29, 2011 – Washington DC/Seattle/Santa Monica May 6, 2011 – Landsdowne, PA/Monterey, CA/Long Beach, CA May 13, 2011 – San Diego May 20, 2011 – Palm Desert, CA With additional marKets TBC VOD - April 20 – June 23 PRESS CONTACT Distributor: Publicity: Tribeca Film ID PR Tammie Rosen Dani Weinstein 212-941-2003 Sara Serlen [email protected] Sheri Goldberg 375 Greenwich Street 212-334-0333 New York, NY 10011 [email protected] 150 West 30th Street, 19th Floor New York, NY 10001 1 SYNOPSIS The Bang Bang Club is the real life story of a group of four young combat photographers - Greg Marinovich, Joao Silva, Kevin Carter and Ken Oosterbroek - bonded by friendship and their sense of purpose to tell the truth. They risked their lives and used their camera lenses to tell the world of the brutality and violence associated with the first free elections in post Apartheid South Africa in the early 90s. This intense political period brought out their best work – two won Pulitzers during the period – but cost them a heavy price. Based on the book of the same name by Marinovich and Silva, the film stars Ryan Phillipe, Malin Akerman and Taylor Kitsch and explores the thrill, danger and moral questions associated with exposing the truth. 2 ABOUT THE DIRECTOR Written and directed by Steven Silver, The Bang Bang Club is a Canada/South Africa co-production from producer Daniel Iron of Foundry Films Inc. -
Corus Entertainment Inc. Significant Events
CORUS ENTERTAINMENT INC. SIGNIFICANT EVENTS Fiscal 2012 July 4, 2012. Teletoon Canada Launches Cartoon Network The Company’s Teletoon Canada launched Cartoon Network (Canada), which offers hilarious and live action content for kids and families. Teletoon Canada is owned by Corus Entertainment Inc. (50%) and Astral (50%). June 29, 2012. Bill C-11 Passes Third Reading at the Senate and Receives Royal Ascent Bill C 11, the copyright reform bill, passed third reading at the Senate and received royal ascent. The new law will come into force once new regulations have been issued by the Governor in Council. June 29, 2012. Dividend Payment The Company paid a monthly dividend of $0.079583 and $0.08 to holders of its Class A and Class B Shares, respectively. June 27, 2012. Telelatino Network Gains License to Operate The Canadian Sportsmen Channel The Company’s Telelatino Network Inc. was awarded a broadcasting license to operate The Canadian Sportsmen Channel, a national, English language specialty Category B service that will provide a full spectrum of award winning hunting, shooting and fishing programming while promoting conservation and the tradition of the Canadian sportsman and Canadian sportswoman lifestyle. June 20, 2012. Ontario Government Cancels Planned Future Corporate Tax Reductions The Ontario government passed legislation cancelling planned future corporate tax rate reductions. As a result, the Company will be required to remeasure certain deferred tax assets and liabilities in its fourth quarter ending August 31, 2012 which will result in a non cash tax impact of approximately $6.0 million. June 20, 2012. TSX Accepts Notice Filed by Corus to Renew Normal Course Issuer Bid The Company announced that the Toronto Stock Exchange (TSX) had accepted the notice filed by Corus of its intention to renew its Normal Course Issuer Bid for its Class B Non Voting Participating Shares (“Class B Shares”) through the facilities of the TSX, or any other alternative Canadian trading system. -
Louisiana Bar Journal/April/May 2015
RESURRECTION OF A REAL RIGHT: Annuities with a Charge Also Inside: • Interstate Discovery Simplified • Are Medicare Set-Asides Legally Mandated in Personal Injury Settlements? • Book Review: Acadie LegierCo haystack NO Mag Aug09 8/12/09 4:37 PM Page 1 The Needle In A Haystack Ask how we can help you file BP Oil Spill Claims utilizing the latest court-supervised settlement methodology. Complex financial litigation cases often require the engagement of experts who can find “the needle in a haystack.” A substantial edge is gained when you have Legier & Company’s Forensic & Investigative CPA and Expert Witness Group on your team to help you find obscured financial facts that build and prove stronger cases. Expert Testimony • Fraud • Forensic & Investigative Accounting • Calculating and Refuting Financial Damages Business Valuations • Bankruptcies • Shareholder Disputes • Lost Profits • Business Interruptions Lost Wages • Corporate Veil Piercing • Marital Dissolutions For more information, contact William R. Legier (504) 599-8300 1100 Poydras Street • 34th Floor • Energy Centre • New Orleans, LA 70163 Telephone (504) 561-0020 • Facsimile (504) 561-0023 • http://www.legier.com Louisiana Bar Journal Vol. 62, No. 6 417 418 April / May 2015 ® April / May 2015 Volume 62, Number 6 Departments Features Editor’s Message .................. 423 Interstate Discovery Simplified: Louisiana Passes the Uniform Interstate Depositions and Discovery Act President’s Message ............ 424 By Christopher D. Cazenave and Graham H. Ryan ..............................................426 Association Actions .............. 440 Practice Management........... 450 Resurrection of a Real Right: Annuities with a Charge By Tyler G. Storms .................................................................................................430 Lawyers Assistance .............. 451 Focus on Diversity ................ 452 Are Medicare Set-Asides Legally Mandated in Personal Injury Settlements? Puzzle .................................. -
The Cinema of the Quiet Revolution: Quebec‟S Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967
The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 Eric Fillion A Thesis in The Department of History Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (History) at Concordia University Montreal, Quebec, Canada March 2012 © Eric Fillion, 2012 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Eric Fillion Entitled: The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 and submitted in partial fulfillment of the requirements for the degree of Master of Arts (History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ___________________________________ Chair Dr. Barbara Lorenzkowski ___________________________________ Examiner Dr. Graham Carr ___________________________________ Examiner Dr. Nora Jaffary ___________________________________ Supervisor Dr. Ronald Rudin Approved by: ___________________________________ Dr. Norman Ingram Chair of Department _____________ 2012 ___________________________________ Dean of Faculty iii ABSTRACT The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 Eric Fillion Film historians situate the birth of le cinéma québécois in the late 1950s with the emergence – within the National Film Board of Canada (NFB) – of an Équipe française whose Direct Cinema revolutionized documentary filmmaking. The grand narrative of Quebec national cinema emphasises the emancipating qualities of this cinematographic language and insists that it contributed to a collective prise de parole and Quebec‟s ascension to modernity. -
1997-1998 1996-1997
0 1998 National Film Board of Canada Published by Communications Service P.O. Box 6100, Station Centre-elle Montreai, Quebec H3C 3H5 Telephone: (514) 283-9246 Fax: [ 514) 283-8971 Intemet: http9/www.nfb.ca ISBN: O-7722-0764-X 3rd quarter 1998 Graphic design: Cormier Communication Publicité Printed in Canada @ recycled paper NATIONAL FILM BOARD OF CANADA OFFICE NATIONAL DU FILM DU CANADA Ottawa, September 1998 The Honourable Sheila Copps Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, 1950, the Annual Report of the National Film Board of Canada for its fifly-nine year, ended March 31. 1998. The report also provides highlights of noteworthy events which occured during the fiscal year. Respectfully, &- Sandra Macdonald Government Film Commissioner and Chairperson Table of Contents NFB's profile .Management Committee ......................... 6 Members of the Board of Trustees ........................... 7 Chairperson's Message ...................................... 9 Year in Review .............................................. 11 AFew Figures ............................................... 15 Productions ................................................. 16 Versions and Adaptations ................................... 28 Summary of Activities - Production ..........................32 Summary of Adivities - Canadian Distribution .................33 Summary of Activities - International Distribution ..............34 Summary -
Translation Quality Assessment
Voices and Silences: Exploring English and French Versions at the National Film Board of Canada, 1939-1974 Christine York Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate of Philosophy degree in Translation Studies School of Translation and Interpretation University of Ottawa © Christine York, Ottawa, Canada, 2014 Table of Contents Chapter One: Understanding NFB versions as a site of competing voices ................................................... 1 1.1 Interwoven threads of English and French production ........................................................................ 3 1.2 Defining a corpus ................................................................................................................................ 6 1.3 Defining concepts: Beyond source and target text ............................................................................ 11 1.4 Literature review: NFB ..................................................................................................................... 19 1.5 Literature review: Translation studies ............................................................................................... 25 1.6 Considering multiple voices .............................................................................................................. 32 1.6.1 Voice-over in film studies and audiovisual translation .................................................................. 33 1.6.2 Voice of the text ............................................................................................................................ -
Nfb/Onf Animation
EN NOMINATION DANS LA CATÉGORIE MEILLEUR COURT MÉTRAGE D’ANIMATION • CÉRÉMONIE DES OSCARS® 2019 NOMINATED FOR BEST ANIMATED SHORT FILM 2019 ACADEMY AWARDS® NFB/ONF I’M OK / JE SUIS OK PG ANIMAL BEHAVIOUR / ZOOTHÉRAPIE G 6 MIN | 2018 | ELIZABETH HOBBS | ANIMATE ANIMATION PROJECTS, ELIZABETH HOBBS, NFB 14 MIN | 2018 | ALISON SNOWDEN, DAVID FINE | NFB Following a stormy love affair, Expressionist In the latest animated short from the Oscar®- artist Oskar Kokoschka enlists in the First World winning team of Alison Snowden and David Fine War. After suffering serious injuries in battle, (Bob’s Birthday), five animals meet regularly he experiences a series of visions as medics to discuss their inner angst in a group therapy transport him through the forests of the Russian 2021 session led by a canine psychotherapist. Original front. Without words. English version. Pendant la Première Guerre mondiale, l’artiste Pas facile de combattre sa propre nature… surtout autrichien Oskar Kokoschka est grièvement blessé quand elle est animale. Dans Zoothérapie, cinq au combat. Tandis que les secouristes l’emmènent animaux expriment leur angoisse existentielle lors à l’hôpital, son cerveau fiévreux est envahi de de séances hebdomadaires de thérapie de groupe souvenirs et de visions fugaces. Sans paroles. animées par le Dr Clement, un psychothérapeute canin. Version française doublée. CONTACTS OSCAR LOUIS-CHARLES NATHALIE GRACE RANGEL MIGNOT-GRENIER BOURDON MARZELLA AGENT, SALES & MARKET AGENT, SALES & MARKET DIRECTOR, DISTRIBUTION AGENT, SALES & MARKET DEVELOPMENT, DEVELOPMENT, & MARKET DEVELOPMENT DEVELOPMENT, US / LATIN AMERICA / IBERIA / CANADA / EUROPE / VR / DIGITAL PLATFORMS, AFRICA / MIDDLE EAST / INFLIGHT +1-514-995-0095 WORLDWIDE ASIA-PACIFIC [email protected] +1-514-242-6264 +1-438-990-1537 +1-514-629-5174 [email protected] [email protected] [email protected] NFB.CA/DISTRIBUTION ONF.CA/DISTRIBUTION © 2021 National Film Board of Canada. -
Annual Report 2013–2014
PAGE 1 2013–2014 ANNUAL REPORT TABLE OF CONTENTS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER AWARDS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES FINANCIAL STATEMENTS Annex I – NFB AcrOSS CANADA Annex II – PRODUCTIONS Annex III – INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP Photos from French Program productions are featured in the French-language section of this annual report at http://onf-nfb.gc.ca/rapports-annuels © 2014 National Film Board of Canada PUBLISHED BY: Corporate Communications P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 PHONE: 514-283-2469 FAX: 514-496-4372 INTERNET: ONF-NFB.gc.ca ISBN: 0-7722-1274-0 3rd quarter 2014 GRAPHIC DESIGN: folio&garetti COVER: My Prairie Home – Chelsea McMullan Printed in Canada/100% recycled paper PAGE 03 October 30, 2014 The Honourable Shelly Glover, P.C., M.P. Minister of Canadian Heritage and Official Languages Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2014. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Acting Government Film Commissioner and Chairperson of the National Film Board of Canada 2013–2014 IN NUMBERS PAGES 72 04- ORIGINAL NFB FILMS AND CO-PRODUCTIONS 05 10 INTERACTIVE WEBSITES 18 DIGITAL DOCUMENTS SUPPORTING INTERACTIVE WORKS 4 PUBLIC INSTALLATIONS 2 APPLICATIONS FOR TABLETS 85 INDEPENDENT FILM PROJECTS -
2020 Program (PDF)
Official Program March 6-8 2020 downtowndocfest.ca Church St The Empire321 Front Theatre St Pinnacle St Contents Victoria Ave Front St 1. Welcome Messages Patterson St Pinnacle256 Pinnacle Playhouse St 5. DocFeast 6. Friday Night Opening Gala & Green Carpet 7. Saturday Night at The Empire Campbell St Belleville Public Library 8. Filmmakers Panel & John M Parrott Art Gallery CORE Centre 254 Pinnacle St, 3rd Floor 223 Pinnacle St 10. Feature Sunday at The Empire Bridge Street 12. DocFest Highlights United Church 16. Film Schedule 60 Bridge Street East DOWNTOWN 18. Film Listings Bridge St East 27. Get the Most out of DocFest BELLEVILLE 28. Loyalist Screenings 29. I’m the Role Model Art Show All DocFest venues are accessible. Entrance to Screen 1 30. Spotlight on Local Filmmakers at the CORE Centre is on Campbell Street. 37. Sponsors and Partners Festival Passes Rush Tickets $ from $ Includes admission to all 60films during the three-day festival. Sold at the door,10 5 minutes before Festival passes can be purchased at downtowndocfest.ca through screening, subject to availability. Eventbrite (credit/debit) and at the following locations (cash/cheque): $30 for Friday Night Opening Gala at The Empire Theatre. $15 for all other films at The Empire and $10 Lafferty’s Crossings Belleville Public Library The Empire Theatre at other vvvenues CORE, Belleville Library, Pinnacle 228 Front St 254 Pinnacle St 321 Front St Belleville Belleville Belleville Playhouse and Bridge St. United Church. Books & Company The Brake Room EVENTBRITE PURCHASES can be redeemed at the 289 Main St 34 Dundas St East start of the Festival; during the day at the Library or Picton Belleville CORE and in the evening at The Empire Theatre.