Nfb/Onf Animation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2018-2019 New Horizons Annual Report
SEE BIGGER NEW HORIZONS 2018-2019 ANNUAL REPORT TABLE OF CONTENTS 1 HIGHLIGHTS MANAGEMENT DISCUSSION 15 AND ANALYSIS 6 ACHIEVEMENTS INDUSTRY AND 16 ECONOMIC CONDITIONS 8 ABOUT US CORPORATE 25 PLAN DELIVERY 11 MESSAGES 26 INNOVATE 31 STRENGTHEN 39 EXPORT CORPORATE SOCIAL 63 RESPONSIBILITY 46 EXCEL 66 TALENT FUND 52 FINANCIAL REVIEW 74 GOVERNANCE 60 RISK MANAGEMENT FINANCIAL 88 STATEMENTS ADDITIONAL 111 INFORMATION TELEFILM CANADA / 2018-2019 ANNUAL REPORT 1 THE CANADIAN INDUSTRY HAS REACHED A POINT OF STRENGTH HIGHLIGHTS AND MATURITY WHERE IT IS NOW WELL-POSITIONED TO BUILD ON ITS STRONG FOUNDATIONS AND INVEST IN THE NEW GENERATION OF TALENTED CANADIANS THAT ARE LEAVING THEIR INDELIBLE MARK ON MODERN CINEMA. TELEFILM, IN PARTNERSHIP WITH THE INDUSTRY, CAN NOW SEE BIGGER TOWARDS NEW HORIZONS AND BEYOND. LOCAL STORIES GLOBAL IMPACT Anthropocene: The Human Epoch Documentary Anthropocene: The Human Epoch, from the award-winning team of Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky, travelled to the world’s top film festivals – Berlin, Sundance and TIFF – vividly demonstrating the environmental impact of our actions. Sharkwater Extinction The late Rob Stewart’s environmental legacy lives on through his documentary Sharkwater Extinction, which had its world premiere at TIFF. The documentary focuses on shark finning –a practice that has been largely banned worldwide thanks to awareness created by his earlier work, Sharkwater. TELEFILM CANADA / 2018-2019 ANNUAL REPORT 2 HIGHLIGHTS LOCAL STORIES GLOBAL IMPACT 2019 – INTERNATIONAL YEAR OF INDIGENOUS LANGUAGES TO RAISE AWARENESS OF THE CONSEQUENCES OF THE ENDANGERMENT OF INDIGENOUS LANGUAGES ACROSS THE WORLD Sgaawaay K’uuna (Edge of the Knife) Gwaai Edenshaw and Helen Haig-Brown’s Sgaawaay K’uuna (Edge of the Knife) marks a significant moment for Canadian Indigenous film: it is the first feature performed entirely in Haida, an endangered language with fewer than 20 fluent speakers. -
Thinking Animation: Bridging the Gap Between 2D and CG the Magic of Animation
TEAM LinG ©2007 Angie Jones and Jamie Oliff. All rights reserved. No part of Publisher and General Manager, this book may be reproduced or transmitted in any form or by any Thomson Course Technology PTR: means, electronic or mechanical, including photocopying, recording, Stacy L. Hiquet or by any information storage or retrieval system without written Associate Director of Marketing: permission from Thomson Course Technology PTR, except for the Sarah O’Donnell inclusion of brief quotations in a review. Manager of Editorial Services: The Thomson Course Technology PTR logo and related trade dress are Heather Talbot trademarks of Thomson Course Technology, a division of Thomson Learning Inc., and may not be used without written permission. Marketing Manager: Heather Hurley “OSCAR®,” “OSCARS®,” “ACADEMY AWARD®,” “ACADEMY AWARDS®,” Executive Editor: “OSCAR NIGHT®,” “A.M.P.A.S.®” and the “Oscar” design mark are trade- Kevin Harreld marks and service marks of the Academy of Motion Picture Arts and Marketing Coordinator: Sciences. All other trademarks are the property of their respective owners. Meg Dunkerly Important: Thomson Course Technology PTR cannot provide software Project Editor/Copy Editor: support. Please contact the appropriate software manufacturer’s Cathleen D. Snyder technical support line or Web site for assistance. Technical Reviewer: Thomson Course Technology PTR and the authors have attempted Scott Holmes throughout this book to distinguish proprietary trademarks from PTR Editorial Services Coordinator: descriptive terms by following the capitalization style used by the Elizabeth Furbish manufacturer. Interior Layout Tech: Information contained in this book has been obtained by Thomson Bill Hartman Course Technology PTR from sources believed to be reliable. -
ASIFA Oct 2018 Copy
Oct 2018 THE INTERNATIONAL ANIMATION ASSOCIATION ANIMATION INTERNATIONAL THE THE INTERNATIONAL ANIMATION ASSOCIATION P.O. Box 225263 SF, CA 94122 NEW FILMS FROM THE NATIONAL FILM BOARD OF CANADA WITH GUEST ANIMATORS ALISON SNOWDEN AND DAVID FINE IN PERSON Sunday, September 30, 2018 San Francisco State's Coppola Theater, 1pm, free, bring a friend Alison Snowden and David Fine are the Oscar winning creators of numerous short films, animated TV series and ads. They have been working together since they met at film school in London and now reside in Vancouver, BC. Program Étreintes / Embraced by Justine Vuylsteker, France/Canada (3 min) A beautiful tone poem by a young French animator using NFB’s Alexeieff-Parker pinscreen, which animates the shadows cast by 500,000 tiny sliding pins. Skin for Skin by Kevin D. A. Kurytnik and Carol Beecher (15 min) A visual tour-de-force depicting a horrific canoe trip by 19th century fur traders on a tributary of Hudson Bay. Le Sujet / The Subject by Patick Bouchard (10 min) The ultimate out-of-body experience as a live-action Bouchard dissects a life-size model of himself. Does that make this an auto-autopsy? Alison Snowden and David Fine Retrospective Animal Behaviour (14 min, their new film) Creatures of various species share their neuroses in a hilarious group therapy session animated by this multiple Oscar nominated couple. Second Class Mail (4 min) Alison was nominated for an Oscar in 1985. Their first film is a comic look at a mature woman’s search for a satisfying companion. George and Rosemary (10 min) Nominated in 1987 (with Eunice Macauley) A wistful and absurd comedy of a geriatric love affair. -
1994-1995 Highlights 10
National Film Board of Canada ANNUAL REPORT 1994- 1995 O 1995 National Film Board of Canada Published by Communications and Distribution Çervices (A-1 51 PO. Box 61W. Station Centreuille Montreal. Quebec H3C 3H5 Telephone: (514) 283-9246 Fax: [514] 2838971 ISBN: D77220606-6 4O quarter, 1995 Coordination. Nicole Chicoine, Jean Paré Graphic Design. Studio Andrée Robillard Printed in Canada @recycieci paper NATIONAL FILM BOARD OF CANADA OFFICE NATIONAL DU FILM DU CANADA Ottawa, October 1995 The Honourable Michel Dupuy Minister of Canadian Heritage Ottawa, Ontario Minister l have the honour of subrnitting to you, in accordance with the provisions of Section 20[1) of the National Film Act, 1950, the Annual Report of the National Film Board of Canada for its fifty-sixth fiscal year, ended March 31, 1995. The report also provides highlights of the major events of this fiscal period. Respectfully, Sandra Macdonald Government Film Commissioner and Chairperson of the National Film Board of Canada TABLE OF CONTENTS NFB's Profile - Management Cornrnittee 6 Mernbers of the Board of Trustees 7 Chairperson's Message 9 1994-1995 Highlights 10 Productions 13 Summary of Activities - Production 24 Surnmary of Activities - Canadian Distribution 25 Surnrnary of Activities - International Distribution 26 Sumrnary of Activities - Services and Technological Developrnent 27 Awards 29 Financial Staternents 35 NFB Offices and Partners 46 NFB'S PROFILE MANAGEMENT COMMITTEE The National Film Board of Canada is a Sandra Macdonald unique centre for the creation of motion Government Film Commissioner pictures. Its mandate is to produce and and Chairperson distribute films and other audiovisual works intended for Canadian audiences and for- Gilles Roy eign markets, in order increase viewers' Senior Director General to Administration knowledge and understanding of the social and cultural realities of Canada.