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Arun Kolatkar's Sarpa Satra
Research Journal of English Language and Literature (RJELAL) Vol.1.Issue.3.;2013 A Peer Reviewed International Journal - http://www.rjelal.com ISSN 2321 – 3108 RESEARCH ARTICLE REVISITING THE MAHABHARATA: ARUN KOLATKAR’S SARPA SATRA BALKRISHNA MAGADE, M.A., M. Phil. Assistant Professor, Department of English, Kisan Veer Mahavidyalaya, Wai, Maharashtra, India ABSTRACT The present paper is an attempt to examine Arun Kolatkar’s revisit to the epic The Mahabharata in his poem Sarpa Satra (2004). Kolatkar’s poem demythifies two myths: the ‘Khandava Forest’ in which the incineration of Khandava Forest was carried out by Krishna and Arjuna with their divine weapons and also the ‘Snake Sacrifice’ where king Janamejaya decides to avenge the assassination of his father Parikshita by the snake Takshaka by performing the Snake Sacrifice, which would drive all the snakes in the world and kill them in the sacrificial fire called Sarpa Satra. The poet questions the moral authority of the ruler whose irrational action becomes ‘cause for concern indeed for the future of the country in question’. Such a ruler who brings the betterment of the country in danger is fit either for punishment or banishment. The poet further exposes the rampant corruption, mindless violence in the form of commercial riots and a swarm of disruptive BALKRISHNA MAGADE activities that go non-stop in all parts of India. The burning of the Khandava Forest Article Info: by Lord Krishna and Arjuna leads to a severe ecological loss: ‘---nothing was left, Article Received:06/08/2013 not a trace of that great sanctuary---’ (p. 43). -
Hindu America
HINDU AMERICA Revealing the story of the romance of the Surya Vanshi Hindus and depicting the imprints of Hindu Culture on tho two Americas Flower in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand. Little flower— but if I could understand What you arc. root and all. and all in all, I should know what God and man is — /'rimtjihui' •lis far m the deeps of history The Voice that speaVeth clear. — KiHtf *Wf. The IIV./-SM#/. CHAMAN LAL NEW BOOK CO HORNBY ROAD, BOMBAY COPY RIGHT 1940 By The Same Author— SECRETS OF JAPAN (Three Editions in English and Six translations). VANISHING EMPIRE BEHIND THE GUNS The Daughters of India Those Goddesses of Piety and Sweetness Whose Selflessness and Devotion Have Preserved Hindu Culture Through the Ages. "O Thou, thy race's joy and pride, Heroic mother, noblest guide. ( Fond prophetess of coming good, roused my timid mood.’’ How thou hast |! THANKS My cordial chaoks are due to the authors and the publisher* mentioned in the (eat for (he reproduction of important authorities from their books and loumils. My indchtcdih-ss to those scholars and archaeologists—American, European and Indian—whose works I have consulted and drawn freely from, ts immense. Bur for the results of list investigations made by them in their respective spheres, it would have been quite impossible for me to collect materials for this book. I feel it my duty to rhank the Republican Governments of Ireland and Mexico, as also two other Governments of Europe and Asia, who enabled me to travel without a passport, which was ruthlessly taken away from me in England and still rests in the archives of the British Foreign Office, as a punishment for publication of my book the "Vanishing Empire!" I am specially thankful to the President of the Republic of Mexico (than whom there is no greater democrat today)* and his Foreign Minister, Sgr. -
Mz-Issue-12.Pdf
the minison zine The Minison Project © all our wonderful, respective authors issue 12 index ASIAN MYTHS: Regina Jade ................................................................................................................................................................. 4 Ankur Jyoti Saikia ..................................................................................................................................................... 6 Pramod Subbaraman .............................................................................................................................................. 8 Oormila Vijayakrishnan Prahlad ....................................................................................................................... 9 Sanjana Ramanathan ........................................................................................................................................... 10 GREEK MYTHS: Sadie Maskery ......................................................................................................................................................... 13 Alison Bainbridge .................................................................................................................................................. 14 Arden Hunter .......................................................................................................................................................... 15 Ankur Jyoti Saikia ................................................................................................................................................. -
Janamejaya I Janamejaya I
JANAMEJAYA I 346 JANAMEJAYA I King mistaking the sage's silence for haughtiness threw Yajna gala. Janamejaya received the young Sage with in anger a dead snake round his neck and went away. all respect and promised to grant his desire what- But, within seven days of the incident Pariksit was ever that be. Astlka's demand was that the Sarpa Satra bitten to death by Taksaka, king of the Nagas accord- should be stopped. Though Janamejaya was not for ing to the curse pronounced on him by Gavijata, stopping the yajna, he was reminded of his promise to son of sage Samika. grant any desire of Astlka and the latter insisted on the Janamejaya was only an infant at the time of his stopping of the Satra. Janamejaya stopped it. Astlka father's death. So the obsequies of the late king were blessed that the serpents which had died at the Satra his ministers. After that at an attain salvation. performed by auspicious would (Adi Parva, Chapters 52-58 ; time Janamejaya was crowned King. Within a short Devi Bhagavata, 2nd Skandha) . time he mastered statecraft. Dhanurvidya was taught 6) Listens to the Bhdrata story. While the Sarpa Satra by Krpacarya. Very soon he earned reputation as an was being conducted Vyasa came over there and related efficient administrator. He got married in due course. the whole story of the Mahabharata at the request of (Devi Bhagavata, 2nd Skandha) . Janamejaya. (Adi Parva, Chapter 60) . 4) His hatred towards snakes. In the course of a talk 7) Saramd's curse. Janamejaya along with his brother one day with Janamejaya Uttanka the sage detailed to once performed a yajna of long duration at Kuruksetra. -
Budhadeva (Mercury Planet)
Budha-deva (Mercury Planet) When Chandradeva (the Moon) came of age, he conquered he three worlds and several times performed the Rajasuya sacrifice, which gives Lordship. Nine goddesses served him as well as many other deities. Then, having achieved rare glory, he became inordinately arrogant and overstepped the boundaries of propriety. Chandradeva was the chief disciple of Jupiter (Brihaspatideva), the guru of the celestials and was also the favourite of Tara (The Star), Jupiter's wife, who was attracted to him by his character, nature and beauty. Once it so happened - when Jupiter was away on an errand for the Devas, Tara and Chandradeva eloped. When Jupiter returned home, he found out that his wife was gone, and discovered her whereabouts, and several times sent messages to the Moon requesting his wife©s return. Chandradeva, however, repeatedly refused to comply with these requests, maintaining that Tara had accompanied him on her own accord and would leave only when she was satiated with him. These replies so infuriated Jupiter that he communicated with them to his disciple Lord Indra deva, who sent an ultimatum to the Moon. When the Moon refused to yield, Indra deva then commenced a war. Venus and the asuras (demons) took the side of the Moon in this war, because of the ongoing enmity between Jupiter and Venus, while Lord Shiva took the side of the devas for his love and respect for his preceptor Angiras Maha Rishi, the Rishi who was Jupiter©s father. As the battle was due to the desire (kama) for Tara, it was known as Tara-kaamayam. -
About Yajna, Yaga & Homa
Mahabharata Series About Yajna, Yaga & Homa Compiled by: G H Visweswara PREFACE I have extracted these contents from my other comprehensive & unique work on Mahabharata called Mahabharata-Spectroscope. (See http://www.ghvisweswara.com/mahabharata-2/mahabharata-spectroscope-a-unique- resource/). Whereas the material in that was included in the order in which it appears in the original epic, in this compilation I have grouped them by meaningful Topics & Sub- topics thus making it much more useful to the student/scholar of this subject. This is a brief compilation of the contents appearing in the great epic Mahabharata on the topics of Yajna, Yaga & Homa. The compilation is not exhaustive in the sense that every para appearing in the great epic is not included here for the sake of limiting the size of this document. Some of the topics like japa-yajna have already been compiled in another document called Japa-Dhayana-Pranayama. But still most of the key or representative passages have been compiled here. The contents are from Mahabharata excluding Bhagavad Gita. I hope the readers will find the document of some use in their study on these topics. Please see http://www.ghvisweswara.com/mahabharata-2 for my other topic based compilations based on Mahabharata. G H Visweswara [email protected] www.ghvisweswara.com March 2017 About Yajna, Yaga & Homa in Mahabharata: G H Visweswara Page 1 Table of Contents About Yajna, Yaga & Homa in Mahabharata .......................................................................................... 4 Eligibility, -
Buddhacarita
CLAY SANSKRIT LIBRARY Life of the Buddka by AsHvaghosHa NEW YORK UNIVERSITY PRESS & JJC EOUNDATION THE CLAY SANSKRIT LIBRARY FOUNDED BY JOHN & JENNIFER CLAY GENERAL EDITORS RICHARD GOMBRICH SHELDON POLLOCK EDITED BY ISABELLE ONIANS SOMADEVA VASUDEVA WWW.CLAYSANSBCRITLIBRARY.COM WWW.NYUPRESS.ORG Copyright © 2008 by the CSL. All rights reserved. First Edition 2008. The Clay Sanskrit Library is co-published by New York University Press and the JJC Foundation. Further information about this volume and the rest of the Clay Sanskrit Library is available at the end of this book and on the following websites: www.ciaysanskridibrary.com www.nyupress.org ISBN-13: 978-0-8147-6216-5 (cloth : alk. paper) ISBN-10: 0-8147-6216-6 (cloth : alk. paper) Artwork by Robert Beer. Typeset in Adobe Garamond at 10.2$ : 12.3+pt. XML-development by Stuart Brown. Editorial input from Linda Covill, Tomoyuki Kono, Eszter Somogyi & Péter Szântà. Printed in Great Britain by S t Edmundsbury Press Ltd, Bury St Edmunds, Suffolk, on acidffee paper. Bound by Hunter & Foulis, Edinburgh, Scotland. LIFE OF THE BUDDHA BY ASVAGHOSA TRANSLATED BY PATRICK OLIVELLE NEW YORK UNIVERSITY PRESS JJC FOUNDATION 2008 Library of Congress Cataloging-in-Publication Data Asvaghosa [Buddhacarita. English & Sanskrit] Life of the Buddha / by Asvaghosa ; translated by Patrick Olivelle.— ist ed. p. cm. - (The Clay Sanskrit library) Poem. In English and Sanskrit (romanized) on facing pages. Includes bibliographical references and index. ISBN-13: 978-0-8147-6216-5 (cloth : alk. paper) ISBN-10: 0-8147-6216-6 (cloth : alk. paper) 1. Gautama Buddha-Poetry. I. Olivelle, Patrick. II. -
Kali Stotram Herself
“The mind can disentangle itself from worldliness if, through Her grace, She makes it turn toward Kali Stotram Herself. Only then does it become devoted to the lotus feet of the Divine Mother.” Hymns to Goddess Kali ~ Sri Ramakrishna Paramahamsa In India there has been an unbroken tradition of worshiping God in the form of the Divine Mother Kali for many thousands of years. Kali is She from whom all are born and into whom all must eventually return. She is the ultimate power of creation and destruction, and pervades every aspect of the universe. While Her iconography and mythology have deep mystical and symbolic meaning, Her essence is simple: transformation. Loving Her transforms our lives. She annihilates limitations, purifies hearts, fills lives with joy and protects Her children in ways understandable only to those who worship and depend on Her. Kali is the Goddess of the Tantric tradition, which is characterized by dynamic spiritual practices aimed at transforming consciousness. Primary among these is the devotional recitation of mantras and hymns. Chanting gives expression to the heart’s innate longing for the Divine while awakening subtle energies within the body and mind. This collection of rare hymns to Goddess Kali is being made available with the prayer that they will be approached with humility, devotion, and unselfishness. Translated by Swami Bhajanananda Saraswati © 2012 Kali Mandir www.kalimandir.org Gayatri Mantra for Goddess Kali Meditation on Dakshina Kali This meditation mantra is found in Kali Tantra and Tanta Sara. Dhyana mantras are recited to sonically invoke and mentally visualize the subtle forms of deities before meditation and worship. -
The Mahabharata of Krishna-Dwaipayana Vyasa
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose from the Original Sanskrit Text. By Kisari Mohan Ganguli [1883-1896] TRANSLATOR'S PREFACE The object of a translator should ever be to hold the mirror upto his author. That being so, his chief duty is to represent so far as practicable the manner in which his author's ideas have been expressed, retaining if possible at the sacrifice of idiom and taste all the peculiarities of his author's imagery and of language as well. In regard to translations from the Sanskrit, nothing is easier than to dish up Hindu ideas, so as to make them agreeable to English taste. But the endeavour of the present translator has been to give in the following pages as literal a rendering as possible of the great work of Vyasa. To the purely English reader there is much in the following pages that will strike as ridiculous. Those unacquainted with any language but their own are generally very exclusive in matters of taste. Having no knowledge of models other than what they meet with in their own tongue, the standard they have formed of purity and taste in composition must necessarily be a narrow one. The translator, however, would ill-discharge his duty, if for the sake of avoiding ridicule, he sacrificed fidelity to the original. He must represent his author as he is, not as he should be to please the narrow taste of those entirely unacquainted with him. Mr. Pickford, in the preface to his English translation of the Mahavira Charita, ably defends a close adherence to the original even at the sacrifice of idiom and taste against the claims of what has been called 'Free Translation,' which means dressing the author in an outlandish garb to please those to whom he is introduced. -
Hindu Energies Package Descriptions
HINDU ENERGIES PACKAGE DESCRIPTIONS Ashta Lakshmi Ashta Lakshmi assists you to make energetic connection to Lakshmi and her Divine Blessings . Goddess Lakshmi means Good Luck to Hindus. The word 'Lakshmi' is derived from the Sanskrit word "Laksya", meaning 'aim' or 'goal', and she is the goddess of wealth and prosperity, both material and spiritual. Lakshmi is one of the mother goddesses and is addressed as "mata" (mother) instead of just "devi" (goddess). As a female counterpart of Lord Vishnu, Mata Lakshmi is also called 'Shri', the female energy of the Supreme Being. She is the goddess of prosperity, wealth, purity, generosity, and the embodiment of beauty, grace and charm. Lakshmi is the household goddess of most Hindu families, and a favorite of women. The Lakshmi Form: Lakshmi is depicted as a beautiful woman of golden complexion, with four hands, sitting or standing on a full-bloomed lotus and holding a lotus bud, which stands for beauty, purity and fertility. Her four hands represent the four ends of human life: dharma or righteousness, "kama" or desires, "artha" or wealth, and "moksha" or liberation from the cycle of birth and death.Cascades of gold coins are seen flowing from her hands, suggesting that those who worship her gain wealth. She always wears gold embroidered red clothes. Red symbolizes activity and the golden lining indicates prosperity. Lakshmi is the active energy of Vishnu, and also appears as Lakshmi- Narayan - Lakshmi accompanying Vishnu. Ashvins Kumaras Founder: Ramon Martinez Lopez. The Ashvins or Ashwini Kumaras (Sanskrit: अश्विê 4; aśvin-, dual aśvinau), in Hindu mythology, are divine twin horsemen in the Rigveda, sons of Saranya (daughter of vishwakarma), a goddess of the clouds and wife of Surya in his form as Vivasvat. -
Kali, Untamed Goddess Power and Unleashed Sexuality: A
Journal of Asian Research Vol. 1, No. 1, 2017 www.scholink.org/ojs/index.php/jar Kali, Untamed Goddess Power and Unleashed Sexuality: A Study of the ‘Kalika Purana’ of Bengal Saumitra Chakravarty1* 1 Post-Graduate Studies in English, National College, Bangalore, India * Saumitra Chakravarty, E-mail: [email protected] Abstract This paper attempts to analyse the paradox inherent in the myth of Kali, both in her iconic delineation and the rituals associated with her worship as depicted in the twelfth century Kalika Purana. The black goddess Kali breaks conventional stereotypes of feminine beauty and sexuality in Hindu goddess mythology. She is the dominant sexual partner straddling the prone Siva and the wild warrior goddess drinking demon blood. She is originally depicted as a symbol of uncontrolled fury emerging from the fair, beautiful goddess Ambika in the battle with the demons in older goddess texts. Thereafter she gains independent existence both as the dark, mysterious and sexually demanding version of the more benign and auspicious Parvati and the Primordial Goddess Power pre-dating the Hindu trinity of male gods, the Universal Mother Force which embraces both good and evil, gods and demons in the Kalika Purana. Unlike other goddess texts which emphasize Kali’s role in the battle against the demons, the Kalika Purana’s focus is on her sexuality and her darkly sensual beauty. Equally it is on the heterodoxical rituals associated with her worship involving blood and flesh offerings, wine and the use of sexual intercourse as opposed to Vedic rituals. Keywords kali, female, sexuality, primordial, goddess, paradox 1. -
Page 1 of 28 Garuda Purana
Garuda Purana Page 1 of 28 Garuda Purana LORD VISHNU'S INCARNATIONS Sutji once reached Naimisharanya in course of his pilgrimage. There he found numerous sages engaged in austerities and penance. All of them were delighted to find Sutji in their midst and considered it as a God sent opportunity to get their doubts related with religious topics cleared. Sage Shaunak was also present there and he asked Sutji --' O revered sage! Who is the creator of this world? Who nurtures it and who annihilates it in the end? How can one realize the supreme Almighty? How many incarnations the Almighty has taken till now? Please enlighten us on all these things, which are shrouded in mystery.' Sutji replied--' I am going to reveal to you the contents of Garuda Puran, which contains the divine tales of Lord Vishnu. This particular Puran is named after Garuda because he was the one who first narrated these tales to sage Kashyap. Kashyap subsequently narrated them to sage Vyas. I came to know about these divine tales from sage Vyas. Lord Vishnu is the supreme almighty and the source of all creations. He is the nurturer of this world and the annihilator as well. Though he is beyond the bondage of birth and death yet he takes incarnations to protect the world from the tyranny of sinners. His first incarnation was in the form of the eternal adolescent Sanat kumar and others who were all celibates and extremely virtuous.' 'Lord Vishnu took his second incarnation in the form of a boar (Varah) to protect the Earth from the mighty demon named Hiranyaksha, who had abducted her to Patal loka (Nether world).