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Issues of War in the Immortals of Meluha
INTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, LITERATURE AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in (Impact Factor : 5.9745 (ICI) KY PUBLICATIONS RESEARCH ARTICLE ARTICLE Vol. 5. Issue.1., 2018 (Jan-Mar) ISSUES OF WAR IN THE IMMORTALS OF MELUHA RITIKA PAUL Research Scholar, Department of English, Himachal Pradesh University, Shimla, Himachal Pradesh, India. ABSTRACT The issue of war had been relevant in all ages which also figures prominently in the Immortals of Meluha. It seems to question war on the one hand and draws attention towards the present on the other. Wars are an organized and prolonged conflict that is carried out by states. It is generally characterized by extreme violence, social disruption and economic destruction. It is an intentional widespread conflict between political communities. War leads to destruction of human and natural RITIKA PAUL resources. War leads to pervasive violence in the name of justice and revenge. In the novel various battles are fought between Guna and Prakritis, Suryavanshi and Chandravanshi, Naga and Suryavanshi. Keywords: Meluha, Shiva, war. Introduction Amish Tripathi is a finance professional educated from Indian Institute of Management, Calcutta. He is passionate about history, mythology and philosophy. He is an avid reader of history and his inspirations for the story ranged from writers like Graham Hancock and Gregory Possehl to the Amar Chitra Katha series of Indian comics. The Immortals of Meluha, the first novel in Shiva Trilogy by Amish Tripathi, is also heavily embedded in Indian mythology. The Shiva Trilogy comprises three parts: The Immortals of Meluha, The Secrets of the Nagas and The Oath of Vayuputras. -
Mz-Issue-12.Pdf
the minison zine The Minison Project © all our wonderful, respective authors issue 12 index ASIAN MYTHS: Regina Jade ................................................................................................................................................................. 4 Ankur Jyoti Saikia ..................................................................................................................................................... 6 Pramod Subbaraman .............................................................................................................................................. 8 Oormila Vijayakrishnan Prahlad ....................................................................................................................... 9 Sanjana Ramanathan ........................................................................................................................................... 10 GREEK MYTHS: Sadie Maskery ......................................................................................................................................................... 13 Alison Bainbridge .................................................................................................................................................. 14 Arden Hunter .......................................................................................................................................................... 15 Ankur Jyoti Saikia ................................................................................................................................................. -
Budhadeva (Mercury Planet)
Budha-deva (Mercury Planet) When Chandradeva (the Moon) came of age, he conquered he three worlds and several times performed the Rajasuya sacrifice, which gives Lordship. Nine goddesses served him as well as many other deities. Then, having achieved rare glory, he became inordinately arrogant and overstepped the boundaries of propriety. Chandradeva was the chief disciple of Jupiter (Brihaspatideva), the guru of the celestials and was also the favourite of Tara (The Star), Jupiter's wife, who was attracted to him by his character, nature and beauty. Once it so happened - when Jupiter was away on an errand for the Devas, Tara and Chandradeva eloped. When Jupiter returned home, he found out that his wife was gone, and discovered her whereabouts, and several times sent messages to the Moon requesting his wife©s return. Chandradeva, however, repeatedly refused to comply with these requests, maintaining that Tara had accompanied him on her own accord and would leave only when she was satiated with him. These replies so infuriated Jupiter that he communicated with them to his disciple Lord Indra deva, who sent an ultimatum to the Moon. When the Moon refused to yield, Indra deva then commenced a war. Venus and the asuras (demons) took the side of the Moon in this war, because of the ongoing enmity between Jupiter and Venus, while Lord Shiva took the side of the devas for his love and respect for his preceptor Angiras Maha Rishi, the Rishi who was Jupiter©s father. As the battle was due to the desire (kama) for Tara, it was known as Tara-kaamayam. -
Issn 2454-8596
ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- Modernisation of Myth in Amish Tripathi's Shiva Trilogy and Ram Chandra Series Priti M. Padsumbiya Dr Ankit Gandhi Research Scholar Assistant Professor Dept. of English Dept. of English Madhav University, Sirohi, Rajasthan Madhav University, Sirohi, Rajasthan V o l u m e . 3 I s s u e 4 F e b r u a r y - 2 0 1 8 Page 1 ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- ABSTRACT Each extraordinary human civilization has its own fortune of folklore. Egypt, Rome, Greece, India, China and different societies are the exemplary models. Every one of them, throughout history, made old stories, network customs and social convictions which prompted the making of tremendous collections of mythology. India has most likely the most extravagant storage facility of folklore and legends on the planet. It is encouraged from incalculable sources and safeguarded in the four Vedas , the Upanishads, the two stories, the eighteen fundamental Purans and manychants, plays, verse, figures ,move, music and folklore. The underlying foundations of India‟s incredible past go before the Aryans to the Dravidians and even -
Application of Langinus' Resources of Sublimity in Amish Tripathi's The
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-9 Issue-2, December 2019 Application of Langinus’ Resources of Sublimity in Amish Tripathi’s The Immortals of Meluha R. Manikandan, M. R. Bindu Abstract: Longinus, besides being one of the most famous III. RESULTS AND DISCUSSION ancient philosophers, contributed enormously to the field of art GRANDEUR OF THOUGHTS and literature; his concept of ‘Sublime’ which he introduced in his path-breaking work ‘On the Sublime’, written in epistolary The author has used a number of grand concepts— they are form and addressing Posthunius Terentianus, has constantly simple, yet aesthetically appealing to the been used to evaluate literature over the years. This paper studies readers—throughout the novel to make it sublime. For Amish Tripathi’s ‘The Immortals of Meluha’, the first of the instance, Meluhans are obsessive with the rules of war; they three novels of his Shiva Trilogy, using the five parameters that never kill the people who are begging for mercy, for them, it Longinus set forth to appraise if a work of literature has is unethical to attack an unarmed man, a swordsman from achieved sublimity or not. Written in simple, yet effective Meluhan camp does not attack a person below his waist. The language, the fantasy retelling of the story of Indian nobleness of Meluha is clearly shown by the words uttered by mythological God Lord Shiva, The Immortals of Meluha has Nandi “We deal honourably even with those are uplifting thoughts and the capacity to kindle readers’ emotions dishonourable, like the Sun we never take from anyone but which Longinus propagated as two of the major qualities of always give to others” (40). -
Ethical Wisdom and Philosophical Judgment in Amish Tripathi's the Oath of Vayuputras
Linguistics and Literature Studies 1(1): 20-31, 2013 http://www.hrpub.org DOI: 10.13189/lls.2013.010104 Ethical Wisdom and Philosophical Judgment in Amish Tripathi's The Oath of Vayuputras Lata Mishra Department of English Government KRG Autonomous PG Girls' College Gwalior, Madhya Pradesh *Corresponding Author: [email protected] Copyright © 2013 Horizon Research Publishing All rights reserved. Abstract This paper considers 'culture' as a framework in of good and evil, as perceived in Indian society. The which people live their lives and communicate shared concluding novel, The Oath of Vayuputras, argues and to a meanings with each other. Culture has been a dynamic great extent convinces that the culture of the nation, that system through which a society constructs, represents, enacts ignores the Laws of Nature, violates it, while the one that and understands itself. The research documents the way follows Laws of Nature leads its nation towards human consciousness cognizes and registers the world enlightenment. For fulfilling, harmonious and progressive around her/him. 'The Shiva Trilogy" authored by Amish life one is required to live in accordance with Laws of Nature Tripathi combines the narrative excess with philosophical or Dharma. The trilogy combines the narrative excess with debate. The fiction depicts that the culture evolves as men philosophical debate. sacrifice their duty (swadharma) for the greater good, Amish recreates the myth of Shiva, Ganesh, Sati and Kali Universal Dharma. The Oath of Vayuputras, enlivens through his study of all spheres of Indian life and literature. consciousness and promotes the experience of a new sense of He makes Shiva myth appealing and intelligible to the Self. -
Buddhacarita
CLAY SANSKRIT LIBRARY Life of the Buddka by AsHvaghosHa NEW YORK UNIVERSITY PRESS & JJC EOUNDATION THE CLAY SANSKRIT LIBRARY FOUNDED BY JOHN & JENNIFER CLAY GENERAL EDITORS RICHARD GOMBRICH SHELDON POLLOCK EDITED BY ISABELLE ONIANS SOMADEVA VASUDEVA WWW.CLAYSANSBCRITLIBRARY.COM WWW.NYUPRESS.ORG Copyright © 2008 by the CSL. All rights reserved. First Edition 2008. The Clay Sanskrit Library is co-published by New York University Press and the JJC Foundation. Further information about this volume and the rest of the Clay Sanskrit Library is available at the end of this book and on the following websites: www.ciaysanskridibrary.com www.nyupress.org ISBN-13: 978-0-8147-6216-5 (cloth : alk. paper) ISBN-10: 0-8147-6216-6 (cloth : alk. paper) Artwork by Robert Beer. Typeset in Adobe Garamond at 10.2$ : 12.3+pt. XML-development by Stuart Brown. Editorial input from Linda Covill, Tomoyuki Kono, Eszter Somogyi & Péter Szântà. Printed in Great Britain by S t Edmundsbury Press Ltd, Bury St Edmunds, Suffolk, on acidffee paper. Bound by Hunter & Foulis, Edinburgh, Scotland. LIFE OF THE BUDDHA BY ASVAGHOSA TRANSLATED BY PATRICK OLIVELLE NEW YORK UNIVERSITY PRESS JJC FOUNDATION 2008 Library of Congress Cataloging-in-Publication Data Asvaghosa [Buddhacarita. English & Sanskrit] Life of the Buddha / by Asvaghosa ; translated by Patrick Olivelle.— ist ed. p. cm. - (The Clay Sanskrit library) Poem. In English and Sanskrit (romanized) on facing pages. Includes bibliographical references and index. ISBN-13: 978-0-8147-6216-5 (cloth : alk. paper) ISBN-10: 0-8147-6216-6 (cloth : alk. paper) 1. Gautama Buddha-Poetry. I. Olivelle, Patrick. II. -
Representation and Anthropomorphism of Mythical Characters in Amish Tripathi's Shiva Trilogy
International Journal Online of Humanities (IJOHMN) ISSN: 2395-5155 Volume 6, Issue 1, February 2020 DOI: https://doi.org/10.24113/ijohmn.v6i1.162 Humanly Gods or Godly Humans: Representation and Anthropomorphism of Mythical Characters in Amish Tripathi’s Shiva Trilogy Aritra Basu M.Phil. Research Scholar University of Delhi Delhi, India [email protected] Abstract This paper attempts to analyse the representation of mythical characters in the three novels by Amish Tripathi, namely The immortals of Meluha, The secret of the Nagas and The oath of the Vayuputras. The protagonist is a human being, Shiva, whose bildungsroman through the trilogy transforms him into a God, but without actually changing any of his physical attributes. Thus, at the level of anthropomorphism, this method of representation sheds light on the humane aspect of the divinity. From a perspective of feminist understanding of disability, the character of Kali would be studied, as an initial outcast to an important character in the last two books. Thus, this paper would conclude that Tripathi attempts at a vision of inclusivity, by his clever techniques of the representation of the disabled and the divine alike. Keywords: Anthropomorphism, Disability, Myth, History, Marginalisation. www.ijohmn.com 96 International Journal Online of Humanities (IJOHMN) ISSN: 2395-5155 Volume 6, Issue 1, February 2020 The larger-than-life representation of characters with a divine prospect has been the signature move of Indian epics, legends, Vedas and Upanishads. While some of them were born out of a union between a God and a human, others were avatars or versions of Gods themselves. -
Kali Stotram Herself
“The mind can disentangle itself from worldliness if, through Her grace, She makes it turn toward Kali Stotram Herself. Only then does it become devoted to the lotus feet of the Divine Mother.” Hymns to Goddess Kali ~ Sri Ramakrishna Paramahamsa In India there has been an unbroken tradition of worshiping God in the form of the Divine Mother Kali for many thousands of years. Kali is She from whom all are born and into whom all must eventually return. She is the ultimate power of creation and destruction, and pervades every aspect of the universe. While Her iconography and mythology have deep mystical and symbolic meaning, Her essence is simple: transformation. Loving Her transforms our lives. She annihilates limitations, purifies hearts, fills lives with joy and protects Her children in ways understandable only to those who worship and depend on Her. Kali is the Goddess of the Tantric tradition, which is characterized by dynamic spiritual practices aimed at transforming consciousness. Primary among these is the devotional recitation of mantras and hymns. Chanting gives expression to the heart’s innate longing for the Divine while awakening subtle energies within the body and mind. This collection of rare hymns to Goddess Kali is being made available with the prayer that they will be approached with humility, devotion, and unselfishness. Translated by Swami Bhajanananda Saraswati © 2012 Kali Mandir www.kalimandir.org Gayatri Mantra for Goddess Kali Meditation on Dakshina Kali This meditation mantra is found in Kali Tantra and Tanta Sara. Dhyana mantras are recited to sonically invoke and mentally visualize the subtle forms of deities before meditation and worship. -
6.03(SJIF) Research Journal of English (RJOE)Vol-5, Issue-4, 2020
Oray’s Publications Impact Factor: 6.03(SJIF) Research Journal Of English (RJOE)Vol-5, Issue-4, 2020 www.rjoe.org.in An International Peer-Reviewed English Journal ISSN: 2456-2696 Indexed in: International Citation Indexing (ICI), International Scientific Indexing (ISI), Directory of Research Journal Indexing (DRJI) Google Scholar &Cosmos. ______________________________________________________________________________ MYTHICAL REPRESENTATION OF THE WOMEN IN THE NOVELS OF AMISH TRIPATHI ___________________________________________________________________________ Nirmla Rani Research Scholar Baba Mastnath University Rohtak, Haryana Research Guide: Dr. J. k. Sharma ___________________________________________________________________________ Abstract This paper explores the feminine virtuosity in the novels of Amish Tripathi.. Many women were given equal status to men even in the ancient civilization. There are so many examples of women, where women fought every challenges of their life and stood example as to the new generation. In the novels of Amish Tripathi women have been presented as doctors, worriers and artists etc. There are so many characters like Sati, Aayurwati and Sita who played different roles in the society. Some of them became the reason to reform the society. Because of Sati only, Shiva, the leader of Meluhans, want to reform the Vikrama system of society. There were women, who brought the change in society. Author Amish Tripathi has presented the women characters very artistically in his novels. Sati and Sita, both do their best in the society. Their presence in the story brings a new life to every character. Sati, is a skilled warrior and at every place, she leaves a mark of her presence. This research paper provides some significance and insight on virtues and ethical development from the ancient Indian philosophical perspective. -
Indian Scholar
ISSN 2350-109X Indian Scholar www.indianscholar.co.in An International Multidisciplinary Research e-Journal PORTRAYAL OF MYTHOLOGY IN AMISH TRIPATHI’S "THE IMMORTAL OF MELUHA" S. Sumathi Assistant Professor Department of English D.K.M. College for Women Vellore-1 All the literature of our world, are the outputs of the human emotions. Indian English literature is not essentially different in kind from the other Indian literatures. Its writers have made the most significant contribution in the fields of poetry, fiction, drama, short story, biography and autobiography. Indian English Literature is deeply rooted in our geographical climate and cultural beliefs. The Indian English novels were developed as a subaltern awareness; as a response to break away from the colonial literature. Hence the post-colonial Indian literature witnessed a revolution against the idiom which the colonial writers followed. However the Indian English writers started employing the techniques of mixed language, magic realism garnished with native themes. Hence from a post-colonial era Indian English literature ushered into the contemporary and then the post-modern era. The saga of the Indian English novel therefore stands as the tale of changing tradition, the story of changing India. The history of Indian English novel, a journey which began long back has witnessed a lot of alteration to gain the current stylish delineation. In the past few years many prominent writers have made a mark on the Indian Diaspora. Later, the concept of Indian English novel or rather the concept of Indians writing in English came much advanced and it is with the coming of Raja Rao, R.K.Narayan,Mulk Raj Anand, the journey of the Indian English Novel began. -
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