A Study on the Scientific Approach Towards Vedic Shaivism in Amish Tripathi's the Shiva Trilogy
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Samudra-Manthan
SAMUDRA-MANTHAN Swami Nirvikarananda Introduction The ancient story of Samudra-manthan of the Hindu tradition has got a deep spiritual meaning for all humanity, especially in this modern age. During the past four hundred years, man has been doing, what the myth refers to us as, samudra-manthan, ‘churning the ocean’, through his scientific discoveries, technological inventions, industrial developments, and socio-economic programmes. Man ‘churns’ the ‘oceans’ of his life and experience, churns the whole nature, to obtain the ‘nectar’ of happy, joyous, and fulfilled life—a churning that has become intensified in the modern period. The Ancient Myth and the Modern Reality The vigorous churning of the ocean by the gods and the demons produced both poison and nectar, along with many other good and useful and attractive things in between, says the myth. The modern churning also, similarly, has produced beneficent and harmful things in abundance. When the beneficent things emerge, men rush towards them to possess them and to enjoy them. When harmful things emerge, all run away in fear and consternation. The gods and demons in the myth also behaved similarly. Among the beneficent and attractive things that came out, according to the myth, are Lakshmi, the goddess of wealth and welfare, and Dhanvantari, the god of health and longevity, bringing with him the pot of nectar capable of conferring immortality on the churning participants. That led to competition, strife, and bitter war between the two groups, in the struggle to obtain the nectar for oneself and deprive the other group of it. The harmful thing that came out was the terrible poison called halāhala or kālakūta. -
Wish You All a Very Happy Diwali Page 2
Hindu Samaj Temple of Minnesota Oct, 2012 President’s Note Dear Community Members, Namaste! Deepavali Greetings to You and Your Family! I am very happy to see that Samarpan, the Hindu Samaj Temple and Cultural Center’s Newslet- ter/magazine is being revived. Samarpan will help facilitate the accomplishment of the Temple and Cultural Center’s stated threefold goals: a) To enhance knowledge of Hindu Religion and Indian Cul- ture. b) To make the practice of Hindu Religion and Culture accessible to all in the community. c) To advance the appreciation of Indian culture in the larger community. We thank the team for taking up this important initiative and wish them and the magazine the Very Best! The coming year promises to be an exciting one for the Temple. We look forward to greater and expand- ed religious and cultural activities and most importantly, the prospect of buying land for building a for- mal Hindu Temple! Yes, we are very close to signing a purchase agreement with Bank to purchase ~8 acres of land in NE Rochester! It has required time, patience and perseverance, but we strongly believe it will be well worth the wait. As soon as we have the made the purchase we will call a meeting of the community to discuss our vision for future and how we can collectively get there. We would greatly welcome your feedback. So stay tuned… Best wishes for the festive season! Sincerely, Suresh Chari President, Hindu Samaj Temple Wish you all a Very Happy Diwali Page 2 Editor’s Note By Rajani Sohni Welcome back to all our readers! After a long hiatus, we are bringing Samarpan back to life. -
Issues of War in the Immortals of Meluha
INTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, LITERATURE AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in (Impact Factor : 5.9745 (ICI) KY PUBLICATIONS RESEARCH ARTICLE ARTICLE Vol. 5. Issue.1., 2018 (Jan-Mar) ISSUES OF WAR IN THE IMMORTALS OF MELUHA RITIKA PAUL Research Scholar, Department of English, Himachal Pradesh University, Shimla, Himachal Pradesh, India. ABSTRACT The issue of war had been relevant in all ages which also figures prominently in the Immortals of Meluha. It seems to question war on the one hand and draws attention towards the present on the other. Wars are an organized and prolonged conflict that is carried out by states. It is generally characterized by extreme violence, social disruption and economic destruction. It is an intentional widespread conflict between political communities. War leads to destruction of human and natural RITIKA PAUL resources. War leads to pervasive violence in the name of justice and revenge. In the novel various battles are fought between Guna and Prakritis, Suryavanshi and Chandravanshi, Naga and Suryavanshi. Keywords: Meluha, Shiva, war. Introduction Amish Tripathi is a finance professional educated from Indian Institute of Management, Calcutta. He is passionate about history, mythology and philosophy. He is an avid reader of history and his inspirations for the story ranged from writers like Graham Hancock and Gregory Possehl to the Amar Chitra Katha series of Indian comics. The Immortals of Meluha, the first novel in Shiva Trilogy by Amish Tripathi, is also heavily embedded in Indian mythology. The Shiva Trilogy comprises three parts: The Immortals of Meluha, The Secrets of the Nagas and The Oath of Vayuputras. -
Daan and Other Giving Traditions in India-Final.Qxd
Daan and Other Giving Traditions in India THE FORGOTTEN POT OF GOLD SANJAY AGARWAL Daan and Other Giving Traditions in India THE FORGOTTEN POT OF GOLD SANJAY AGARWAL Dedicated to Sh. Shekhar Agarwal, my brother, Guru, guardian, and friend, who first showed me the path of daan Published by AccountAidTM India 55-B, Pocket C, Siddharth Extension, New Delhi - 110014, India Phone No.: +91-11-2634 3852, +91-11-2634 3128 [email protected] www.accountaid.net First Edition: Delhi, 2010 Copyright © Sanjay Agarwal Price: `500 All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the copyright owner of this book. While the greatest care has been taken in writing this book, no responsibility can be accepted by the publisher for the accuracy of the information presented. Daan and Other Giving Traditions in India ISBN 978-81-910854-0-2 Design and Layout: Moushumi De Illustrations: Mridula Sharma Printed at: PRINTWORKS, F-25, Okhla Industrial Area, Phase 1, New Delhi Contents at a Glance Foreword 09 Preface 14 I. Introduction 18 II. Daan and Utsarg (Hindu) 21 III. Sadaqa and Zakaat (Islam) 63 IV. Charity and Tithe (Christian) 71 V. Sewa and Daswandh (Sikh) 78 VI. Daan (Bauddh) 80 VII. Daan (Jain) 97 VIII. Other Traditions 102 IX. Leveraging Traditional Giving 106 Appendices 111 Works Cited 168 Notes 177 Index 229 Detailed Contents Foreword by Priya Viswanath 09 Foreword by Mark Sidel 12 Preface 14 Acknowledgements 16 I. -
Issn 2454-8596
ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- Modernisation of Myth in Amish Tripathi's Shiva Trilogy and Ram Chandra Series Priti M. Padsumbiya Dr Ankit Gandhi Research Scholar Assistant Professor Dept. of English Dept. of English Madhav University, Sirohi, Rajasthan Madhav University, Sirohi, Rajasthan V o l u m e . 3 I s s u e 4 F e b r u a r y - 2 0 1 8 Page 1 ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- ABSTRACT Each extraordinary human civilization has its own fortune of folklore. Egypt, Rome, Greece, India, China and different societies are the exemplary models. Every one of them, throughout history, made old stories, network customs and social convictions which prompted the making of tremendous collections of mythology. India has most likely the most extravagant storage facility of folklore and legends on the planet. It is encouraged from incalculable sources and safeguarded in the four Vedas , the Upanishads, the two stories, the eighteen fundamental Purans and manychants, plays, verse, figures ,move, music and folklore. The underlying foundations of India‟s incredible past go before the Aryans to the Dravidians and even -
Application of Langinus' Resources of Sublimity in Amish Tripathi's The
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-9 Issue-2, December 2019 Application of Langinus’ Resources of Sublimity in Amish Tripathi’s The Immortals of Meluha R. Manikandan, M. R. Bindu Abstract: Longinus, besides being one of the most famous III. RESULTS AND DISCUSSION ancient philosophers, contributed enormously to the field of art GRANDEUR OF THOUGHTS and literature; his concept of ‘Sublime’ which he introduced in his path-breaking work ‘On the Sublime’, written in epistolary The author has used a number of grand concepts— they are form and addressing Posthunius Terentianus, has constantly simple, yet aesthetically appealing to the been used to evaluate literature over the years. This paper studies readers—throughout the novel to make it sublime. For Amish Tripathi’s ‘The Immortals of Meluha’, the first of the instance, Meluhans are obsessive with the rules of war; they three novels of his Shiva Trilogy, using the five parameters that never kill the people who are begging for mercy, for them, it Longinus set forth to appraise if a work of literature has is unethical to attack an unarmed man, a swordsman from achieved sublimity or not. Written in simple, yet effective Meluhan camp does not attack a person below his waist. The language, the fantasy retelling of the story of Indian nobleness of Meluha is clearly shown by the words uttered by mythological God Lord Shiva, The Immortals of Meluha has Nandi “We deal honourably even with those are uplifting thoughts and the capacity to kindle readers’ emotions dishonourable, like the Sun we never take from anyone but which Longinus propagated as two of the major qualities of always give to others” (40). -
Ethical Wisdom and Philosophical Judgment in Amish Tripathi's the Oath of Vayuputras
Linguistics and Literature Studies 1(1): 20-31, 2013 http://www.hrpub.org DOI: 10.13189/lls.2013.010104 Ethical Wisdom and Philosophical Judgment in Amish Tripathi's The Oath of Vayuputras Lata Mishra Department of English Government KRG Autonomous PG Girls' College Gwalior, Madhya Pradesh *Corresponding Author: [email protected] Copyright © 2013 Horizon Research Publishing All rights reserved. Abstract This paper considers 'culture' as a framework in of good and evil, as perceived in Indian society. The which people live their lives and communicate shared concluding novel, The Oath of Vayuputras, argues and to a meanings with each other. Culture has been a dynamic great extent convinces that the culture of the nation, that system through which a society constructs, represents, enacts ignores the Laws of Nature, violates it, while the one that and understands itself. The research documents the way follows Laws of Nature leads its nation towards human consciousness cognizes and registers the world enlightenment. For fulfilling, harmonious and progressive around her/him. 'The Shiva Trilogy" authored by Amish life one is required to live in accordance with Laws of Nature Tripathi combines the narrative excess with philosophical or Dharma. The trilogy combines the narrative excess with debate. The fiction depicts that the culture evolves as men philosophical debate. sacrifice their duty (swadharma) for the greater good, Amish recreates the myth of Shiva, Ganesh, Sati and Kali Universal Dharma. The Oath of Vayuputras, enlivens through his study of all spheres of Indian life and literature. consciousness and promotes the experience of a new sense of He makes Shiva myth appealing and intelligible to the Self. -
Snakes, Dragons and Cultures
Nagapanchami 081/070816 nag PanChmi: snakes, dragons and Cultures Jawhar Sircar Ananda Bazar Patrika, 7th August 2016 (English Version) The month of Shravan brings joy to poets and also to farmers, but it also brings numerous snakes out of their flooded homes, triggering both fear and worship. This explains why many Indians celebrate Naga Panchami on Shravan Shukla Panchami, on the 7th of August this year. The snake is more than just an awe-inspiring creature: it actually marks different stages in the gradual evolution of the Indian mind, over centuries and millennia. We could begin from Janamejaya who personified the Western-Aryan hatred for the serpent, but we will reach a stage when the same animal found veneration, as Naga-raja or Manasa. The two, incidentally, are quite different, as one is a male snake and the other is surely a female deity. One can forgive this mistake, because it is not very safe to get too close to examine a snake's gender, even while worshipping. The serpent bears evidence of many conflicts, like the one between the wheat-eating Indo-Europeans of the West and the rice-loving civilisations of the East. After all, rice cultivation was hardly possible without water and this necessitated a better adjustment with eco-systems where snakes lived in plenty, but were not usually aggressive or venomous, unless attacked. In its legends are traces of the perennial struggle between ‘formal’ and ‘folk’ cultures. Manasa in Bengal was primarily folk, but later formalized as Padmavati, who was born from Shiva’s semen that fell on a lotus plant. -
Representation and Anthropomorphism of Mythical Characters in Amish Tripathi's Shiva Trilogy
International Journal Online of Humanities (IJOHMN) ISSN: 2395-5155 Volume 6, Issue 1, February 2020 DOI: https://doi.org/10.24113/ijohmn.v6i1.162 Humanly Gods or Godly Humans: Representation and Anthropomorphism of Mythical Characters in Amish Tripathi’s Shiva Trilogy Aritra Basu M.Phil. Research Scholar University of Delhi Delhi, India [email protected] Abstract This paper attempts to analyse the representation of mythical characters in the three novels by Amish Tripathi, namely The immortals of Meluha, The secret of the Nagas and The oath of the Vayuputras. The protagonist is a human being, Shiva, whose bildungsroman through the trilogy transforms him into a God, but without actually changing any of his physical attributes. Thus, at the level of anthropomorphism, this method of representation sheds light on the humane aspect of the divinity. From a perspective of feminist understanding of disability, the character of Kali would be studied, as an initial outcast to an important character in the last two books. Thus, this paper would conclude that Tripathi attempts at a vision of inclusivity, by his clever techniques of the representation of the disabled and the divine alike. Keywords: Anthropomorphism, Disability, Myth, History, Marginalisation. www.ijohmn.com 96 International Journal Online of Humanities (IJOHMN) ISSN: 2395-5155 Volume 6, Issue 1, February 2020 The larger-than-life representation of characters with a divine prospect has been the signature move of Indian epics, legends, Vedas and Upanishads. While some of them were born out of a union between a God and a human, others were avatars or versions of Gods themselves. -
6.03(SJIF) Research Journal of English (RJOE)Vol-5, Issue-4, 2020
Oray’s Publications Impact Factor: 6.03(SJIF) Research Journal Of English (RJOE)Vol-5, Issue-4, 2020 www.rjoe.org.in An International Peer-Reviewed English Journal ISSN: 2456-2696 Indexed in: International Citation Indexing (ICI), International Scientific Indexing (ISI), Directory of Research Journal Indexing (DRJI) Google Scholar &Cosmos. ______________________________________________________________________________ MYTHICAL REPRESENTATION OF THE WOMEN IN THE NOVELS OF AMISH TRIPATHI ___________________________________________________________________________ Nirmla Rani Research Scholar Baba Mastnath University Rohtak, Haryana Research Guide: Dr. J. k. Sharma ___________________________________________________________________________ Abstract This paper explores the feminine virtuosity in the novels of Amish Tripathi.. Many women were given equal status to men even in the ancient civilization. There are so many examples of women, where women fought every challenges of their life and stood example as to the new generation. In the novels of Amish Tripathi women have been presented as doctors, worriers and artists etc. There are so many characters like Sati, Aayurwati and Sita who played different roles in the society. Some of them became the reason to reform the society. Because of Sati only, Shiva, the leader of Meluhans, want to reform the Vikrama system of society. There were women, who brought the change in society. Author Amish Tripathi has presented the women characters very artistically in his novels. Sati and Sita, both do their best in the society. Their presence in the story brings a new life to every character. Sati, is a skilled warrior and at every place, she leaves a mark of her presence. This research paper provides some significance and insight on virtues and ethical development from the ancient Indian philosophical perspective. -
Indian Scholar
ISSN 2350-109X Indian Scholar www.indianscholar.co.in An International Multidisciplinary Research e-Journal PORTRAYAL OF MYTHOLOGY IN AMISH TRIPATHI’S "THE IMMORTAL OF MELUHA" S. Sumathi Assistant Professor Department of English D.K.M. College for Women Vellore-1 All the literature of our world, are the outputs of the human emotions. Indian English literature is not essentially different in kind from the other Indian literatures. Its writers have made the most significant contribution in the fields of poetry, fiction, drama, short story, biography and autobiography. Indian English Literature is deeply rooted in our geographical climate and cultural beliefs. The Indian English novels were developed as a subaltern awareness; as a response to break away from the colonial literature. Hence the post-colonial Indian literature witnessed a revolution against the idiom which the colonial writers followed. However the Indian English writers started employing the techniques of mixed language, magic realism garnished with native themes. Hence from a post-colonial era Indian English literature ushered into the contemporary and then the post-modern era. The saga of the Indian English novel therefore stands as the tale of changing tradition, the story of changing India. The history of Indian English novel, a journey which began long back has witnessed a lot of alteration to gain the current stylish delineation. In the past few years many prominent writers have made a mark on the Indian Diaspora. Later, the concept of Indian English novel or rather the concept of Indians writing in English came much advanced and it is with the coming of Raja Rao, R.K.Narayan,Mulk Raj Anand, the journey of the Indian English Novel began. -
1. the Analysis & Use of Financial Statements White GI ; Fried D
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