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Information Guide – Montréal & Mcgill
Information Guide – Montréal & McGill 2016 McGill-Queen’s Graduate Conference in History Past the Pages / / Au-delà des pages Welcome to Montréal! Since 2004, the McGill-Queen’s Graduate Conference in History has invited young scholars from across Canada and the United States to participate in a discussion about the practice of history. For thirteen years, graduate students in History and the Humanities have chosen this conference to present their promising research. This year, we are pleased to expand the conference to include an afternoon of excisions and camaraderie for conference participants and graduate students in the Department of History and Classical Studies. On behalf of the organizing committee and all of us here in the History and Classical Studies Graduate Student Association, welcome to Montréal! This information guide should answer most of your questions about transportation, scheduling, and other practical matters. Upon arrival to the first day of conference panels on February 26, you’ll receive a wifi passcode for your time at McGill University. As part of our sustainability mission is to reduce our paper use, we hope that you will refer to this guide and the conference proceedings using a digital device. If possible, please bring a digital device with you to the conference, as there will be no paper materials circulated regarding the conference or scheduling. In the meantime, we eagerly await your arrival and look forward to an excellent conference! MCGILL UNIVERSITY Montréal & McGill University Home to over 1.6 million people, Montréal Contents is Canada’s second largest metropolis and WELCOME…………….. 1 the largest city in the province of Quebec. -
2006-07 Undergraduate Scholarships and Awards [.Pdf]
PRINCIPAL’S MESSAGE Welcome to McGill! 2006/07 Welcome to McGill, an internationally renowned university with a historic tradition of excellence in research and academics. McGill is Canada's leading teaching and research-intensive university, and has long attracted the best and the brightest faculty and students from around the world. There are more than 170,000 McGill graduates worldwide, a virtual city, whose residents include Nobel laureates, Rhodes scholars, astronauts, Olympic athletes, and global leaders in science, politics, the arts, and business. Our dedicated administrative staff are working hard to ensure that your time here at McGill is not only academically challenging, but an opportunity to develop as a person. Today's social, technological and medical challenges continue to push the envelope of research, teaching and learning. At McGill, we welcome these challenges as we enter an unprecedented period of growth and renewal. New cutting-edge facilities will not only benefit students and faculty directly with state-of-the-art classrooms and laboratories, but will also serve to secure McGill's place at the forefront of global innovation. Our investment in our infrastructure is matched by a major academic rejuvenation. This decade will see the hiring of 100 new faculty members per year. Academic programs are growing and evolving too. New programs in engineering, science, and education have been added to the already more than 300 areas of study offered by the University. McGill's strengths lie not only in our reputation, facilities, faculty and administrative staff, but in the quality of our students. We are committed to attracting students of the highest calibre from across Canada and around the world. -
MB-01 COVER.Indd
SHANAH TOVAH uc,f, vcuy vbak INFLUENCERS Plus: Fiction by Ella Burakowski M THE CANADIAN JEWISH NEWS B2 [ RH 5776 ] SEPTEMBER 10, 2015 Supreme Court judge broke new ground A colourful life Employment, she coined the term and in the spotlight the concept of “employment equity,” as a strategy to remedy workplace dis- arbara Amiel has been called a lot of crimination faced by women, Aborigin- B things, but boring shouldn’t be one of al Peoples, people with disabilities and them. visible minorities. Known for her outspoken, politically That same year she was the first conservative column in Maclean’s maga- woman chair of the Ontario Labour Re- zine as much as for her marriage to for- lations Board and later became the first mer media baron Conrad Black, Amiel is Barbara Amiel Rosalie Silberman Abella woman in the British Commonwealth to a British Canadian journalist, writer and head a law reform commission. socialite. In 2001, Amiel made a splash when she osalie Silberman Abella, the first In 2004, she was appointed to the Su- Born in England, Amiel moved with her reported in the British weekly magazine, R Jewish woman appointed to the Su- preme Court, where she has written de- family to Hamilton, Ont., as an adolescent, The Spectator, that the then-French am- preme Court of Canada has been shat- cisions on family law, employment law, but spent years living on her own and bassador to Britain had called Israel “that tering the glass ceiling her entire life. youth criminal justice and human rights. holding various jobs to support herself af- shitty little country” to Black at a private Born to Holocaust survivor parents in She continues to be involved in issues ter her mother and stepfather pushed her dinner party he was hosting. -
Conserving the Modern in Canada Buildings, Ensembles, and Sites: 1945-2005
Conserving the Modern in Canada Buildings, ensembles, and sites: 1945-2005 Conference Proceedings Trent University, Peterborough, May 6-8, 2005 Editors: Susan Algie, Winnipeg Architecture Foundation James Ashby, Docomomo Canada-Ontario Library and Archives Canada Cataloguing in Publication Conserving the Modern in Canada (2005: Trent University) Conserving the Modern in Canada: buildings, ensembles, and sites, 1945-2005: conference proceedings, Trent University, Peterborough, May 6-8, 2005 / editors: Susan Algie and James Ashby. Papers presented at the Conserving the Modern in Canada conference held at Trent University, Peterborough, Ont., May 6-8, 2005. Includes bibliographical references. ISBN 978-0-9683100-5-2 1. Architecture--Conservation and restoration--Canada. 2. Historic sites--Conservation and restoration--Canada. 3. Architecture--Canada--20th century. 4. Historic preservation--Canada. I. Algie, Susan, 1951 II. Ashby, James, 1962 III. Winnipeg Architecture Foundation. NA109.C3C66 2007 363.6'90971 C2007-902448-3 Also available in French. / Aussi disponible en francais. Conserving the Modern in Canada Conference Proceedings Table of Contents 1.0 Foreword . 1 2.0 Acknowledgements . 3 3.0 Conference Programme . 9 4.0 Introduction Session Papers . 15 5.0 Documentation Session Papers . 29 6.0 Evaluation Session Papers . 53 7.0 Legacy of Ronald J. Thom Session Papers . 87 8.0 Stewardship Session Papers . 113 9.0 Conservation Session Papers . 173 10.0 Education Session Papers . 203 11.0 Tours . 239 i Conserving the Modern in Canada Conference Proceedings ii Conserving the Modern in Canada Conference Proceedings FOREWORD The “Conserving the Modern in Canada” conference, held at Trent University in Peterborough from May 6 to 8, 2005, was Canada’s first national conference on the subject of the built heritage of the 1950s, ‘60s, and ‘70s. -
2015 Annual Report
2015 ANNUAL REPORT MISSION AND VISION Heritage Montreal has worked to promote and to protect the architectural, historic, natural and cultural heritage of Greater Montreal, its neighbourhoods and communities. This private non- profit organization is at the heart of an extensive network of partners, working through education and representation to celebrate, develop and preserve Montreal’s identity and uniqueness. McGill College © Jean-François Séguin, photographer Séguin, © Jean-François Avenue 2015 ANNUAL REPORT | HERITAGE MONTREAL 1 MESSAGE FROM THE PRESIDENT It is now four decades since Heritage Montreal began raising Montrealers’ awareness of the importance of safeguarding and enhancing their urban heritage, and accompanying them on explorations of our city. With celebrations marking our 40th anniversary held throughout the year, 2015 provided opportunities for us to assert more forcefully than ever our collaborative and strategic- action role vis-à-vis elected officials, the media, and members of the Greater Montreal community. While some files had very unfortunate outcomes—for example, the elimination of the vestiges of the former tanneries settlement in Saint-Henri—others were more successful, such as Maison Alcan and the Square Viger project, thanks to the productive actions of Heritage Montreal, among others. As has been the case since the founding of the organization, we will remain vigilant and spare no effort to ensure that heritage value and intelligent land use are considered integral to our city’s identity as well as its social, economic and cultural development. We engaged in many and varied projects during the past year, including the unveiling of our new digital H-MTL platform. -
Inspired by Global Art Movements Such As the American and French
>> Inspired by global art movements such as the American and French Barbizon schools, Horatio Walker's Turning the Harrow - Early Morning demonstrates the artist's interest in painting simple, nostalgic views of real-life often set in the bucolic landscape of the Île d'Orléans in Quebec. Anne-Marie Bouchard, curator of modern art at the Musée national des beaux-arts du Québec explains. >> Just as the American Barbizon painters, Walter was really influenced by the French Barbizon school. And he kind of valued simple and pastoral scenes painted directly from nature. He liked to paint the kind of traditional activity mostly taking place during the sunrise. And he always painted the same kind of scenes. I mean it was sheeps, cattles, chickens, pigs, always in the sunset or sunlight with the peasant working by their side. And he was really interested in just trying to put a kind of majestic landscape in which the animals could be at their most beautiful. He put a lot of effort in depicting the way of life and he had the kind of idea that the peasant and his relation to the landscape was conveying a kind of spiritual strength that was really particular. It was an idea that was absolutely generalized in French painting at the same time. And that was really popularized also by the political parties that were seeing the peasant and also the labourer as someone who had a kind of authenticity that was different from what we were able to see in the modern cities. And that it was through the peasant way of life and through the peasantry and the rural life that we were able to find back something we had lost in the industrialization. -
A Case for High-Density Living, a Study of Adaptable Prefabricated
A Case for High-density Living, A Study of Adaptable Prefabricated Construction for High-rise Residential Buildings in Hong Kong By Michael Kin Kai Lam, B.E.S. A thesis submitted to The Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Architecture (Professional M. Arch) School of Architecture Carleton University Ottawa, Ontario January 2007 ©2007, Michael Kin Kai Lam Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-26972-5 Our file Notre reference ISBN: 978-0-494-26972-5 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. -
The Diamond Heart Conclave Montreal, QC, August 16, 17, 18, 2019
Download a copy of this information and bring it with you. Lodgings – Restaurants & Your Necessary Travel Information when attending The Radiant Rose Academy Diamond Heart “Celebration” Conclave The Diamond Heart Conclave Montreal, QC, August 16, 17, 18, 2019 The Metamorphosis of our Physical Bodies has begun! The Seven Spiritual Biorhythms and Seven Sacred Seals Anticipate 2019 DHC/Montreal to be beyond all expectations! Dates: Friday, August 16 Registration 4:00pm Doors open 5:00 pm Saturday, August 17 9 am – 6pm Sunday, August 18 9 am – 6pm Location: Le Gesu Theatre, Centre de Creativite 1200 rue de Bleury, Montreal, QC H3B 3J3 Saturday night This year no organized group meal get-together has been planned as students desire to be on their own to explore Montreal. Vegan/Vegetarian restaurants are listed on Page 9, below. 1 Water: Le Gesu is a theatre, not a hotel. The theatre bar is not open during Conclave. Please Bring your own water bottle, and you can refill it at Le Gesu water fountain. Le Gesu Theater does not allow any Food or Beverages such as Coffee/ Tea/Smoothies/Juices/Protein Bars etc. inside the Theater. Dress Code: Friday: green or pink Saturday: Violet/purple Sunday: white/blue Le Gesu is air-conditioned best a sweater or shawl of the matching color. Wear layers. Parking: Underground at the Double Tree Hilton or 1432 rue de Bleury just across rue Ste. Catherine. Or Complexe des Jardins attached to the Hotel. Short walk to the Theater. Time zone: http://www.timeanddate.com/worldclock/canada/montreal http://dateandtime.info/city.php?id=6077243 Weather Forecast: 10-day pre DHC week-end Weather Forecast: http://weather.gc.ca/city/pages/qc-147_metric_e.html Spiritual & Mystic Montreal Book to read: “The Templars’ Legacy in Montreal, the New Jerusalem” by Francine Bernier. -
Exhibition REVIEWS Way the Close Comradeship with the Swiss Painter Cuno Oddly Vamp-Like
Volume XIX, No. 2 The BRITISH ARTJournal The BRITISH ARTJournal Volume XIX, No. 2 time and weather conditions. The fact that Constable consid strate the relationship between O’Conor and Van Gogh in by the Sea (no. 50) — one group unleashing his full expressive ered this studio working material and not art allowed him to the first instance and with Gauguin in the second. Along the force, the other evoking a primeval Venus, but one that is imbue sketches with freedom and inventiveness. In order to ExhIBITIoN REVIEWS way the close comradeship with the Swiss painter Cuno oddly Vamp-like. The stage was set for O’Conor’s permanent catch changing effects he painted fast, sometimes on sur Amiet is examined in some depth, and other Pont-Aven and return to Paris, to the studio at 102 rue du Cherche-Midi, faces prepared with blue to facilitate fast working. When he Le Pouldu associates such as Emile Bernard, Armand Séguin bringing with him his latest bretonnes. These, works now in needed to describe an effect he brushed as directly as possi and Robert Bevan, are referred to. And in a broader scene- the two leading Dublin collections, have the confidence that ble, heedless of finish or convention, which imparted great setting, the show took us from the Impressionist Grez phase the NEAC picture anticipated, but it is one that emerges from energy to the sketches. This alla prima prestissimo manner to Cassis where O’Conor produced ‘Fauve’ landscapes of a pact with Salon Naturalism. became an aspiration for Impressionists and a creed for purple, viridian, orange and leaf green just before the Great Of course, as the Dublin exhibition indicated, the story Expressionists; Constable came to be regarded — however War. -
Moshe Safdie in Singapore
School of Environment Department of Architecture, Griffith University, Cecilia Bischeri / Gold Coast, Australia School of Architecture, The University of Queensland, Silvia Micheli Brisbane, Australia New Directions for the Dense City: Moshe Safdie in Singapore PAPERS The city-state of Singapore declared its independence in 1965, launching an intensive process of modernisation with the aim of erasing any evidence of its colonial past. The developmentalist orientation of Singapore (Beng-Huat, 1991, p.27), captured in the formula “displace, destroy, replace” coined by the Japanese architect Fumihiko Maki and turned into an ideological motto by the political leader Lee Kuan Yew, led to the definition of a precise urban vision for the future of the city (Koolhaas, 1995, p. 1035). Due to its political agenda, population growth and limited area of construction, Singapore has become a contemporary urban and architectural laboratory of the Asia Pacific Region and epicentre of experimentation for the densification of dwelling. Even more, Singapore is now recognised as the place where modern utopian principles forged in Europe during early 20th century, and advanced in the 1960s and 1970s, are taking place, generating new forms of living. One of the significant protagonists of this experimentation is the Israeli/Canadian architect Moshe Safdie, whose recent design for the integrated resort casino Marina Bay Sands (2006-11), has become an international showcase of Singapore’s drive for innovation. Moshe Safdie (Haifa, 1938), moved to Canada in 1953 and graduated from McGill University in Montreal (Quebec) in 1961 with a degree in architecture. After gaining visibility with his Habitat’67 housing megastructure, he opened his practice and started working Frontispiece (Fig. -
Expo 17, a Federally Registered Entity Established for the Planning and Promotion of a World’S Fair in Canada in 2017
a World’s Fair in Montreal This document is the property of Expo 17, a federally registered entity established for the planning and promotion of a world’s fair in Canada in 2017. Expo 17 is not affiliated with the city of Montreal or any other city or organisation. Unless otherwise indicated, all photos contained herein are from the author, the national archives, or the Canadian Corporation for the 1967 World Exhibition. Please see additional terms on page 49. All rights to this document are reserved. Duplicates may be obtained by written request. • Revision 01 September 2007 So C iété D u h A v R e D e mont R é A l SECTION 1 • A World’S FAIR IN MONTREAL SECTION 2 • Expo 17 – A PROPOSAL SECTION 3 • AFTER THE FAIR 2 Purpose of an exhibition 18 IntRoDuCtion 46 afteR the fAiR 2 Name and type of exhibition AReA 1 48 ConCluSion 4 Timing of the exhibition 21 Background 5 Location of the exhibition 49 ContACt AnD acknowleDgementS 23 Layout and use 6 Architecture 24 Obstacles 8 Theme 25 Solutions 10 Feasibility studies and bidding 11 Financing AReA 2 15 Attendance 31 Background 17 Marketing 32 Layout and use 33 Obstacles 34 Solutions AReA 3 36 Background 37 Layout and use 38 Obstacles 38 Solutions TranSpoRtAtion 40 Background 41 Expo Express 42 Expo Express 2017 44 Summary 45 exhibition Site map Overview Montreal, 1967 n ApRil 28th, 1967, against virtually Expo 17 would achieve the following: Oimpossible odds and time constraints, the • Encourage unity and self-esteem by • Save the Saint lawrence River. -
JAMES WILSON MORRICE W (] ~
JAMES WILSON MORRICE w (] ~ ......) ......) >- u w co w a~ ~ ~ w zu ~ ~ ~ LLl 'I JAMES WILSON MORRICE 7? ByDONALD W.BUCHANAN THE RYERSON PRESS TORONTO MOUNTAIN HILL, QUEBEC Collection: Mrs. Howard Pillow, Montreal JAMES WILSON MORRICE HE first Canadian painter to plunge into the clear stream of T the living art of our day was) ames Wilson Morrice. A gener ation in advance of his contemporaries in Canada, he possessed during his lifetime no immediate followers. Yet to-day his memory is revered by all those Canadian painters who asp1re both to sound and original expression. His birthplace was MontreaL the year 1865. He died in Tunis, N orth Africa, in 1924, Forever a wanderer, from the days when he first deserted law school in Toronto to take up art studies in Paris, he seemed continually to be moved by some inner compulsion, which drove him in progression from Canada to France, from Paris to Venice, from the Mediterranean to the West Indies. This was something which he himself never attempted to explain. Yet, despite his many reticences, he should not be regarded either as a man of mystery or as a recluse. On the contrary, he was a wit and a cultured conversationalist, a lover of good music, of fine food, of gay company. During his frequent sojourns in Paris, where he maintained a studio, he mingled in some of the most cosmopolitan society of his day. His range of acquaintanceship was wide. Somerset Maugham and Arnold Bennett, for example, both knew him well an d have recorded their memories of him in several novels.