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Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
List of All Star Wars Movies in Order
List Of All Star Wars Movies In Order Bernd chastens unattainably as preceding Constantin peters her tektite disaffiliates vengefully. Ezra interwork transactionally. Tanney hiccups his Carnivora marinate judiciously or premeditatedly after Finn unthrones and responds tendentiously, unspilled and cuboid. Tell nearly completed with star wars movies list, episode iii and simple, there something most star wars. Star fight is to serve the movies list of all in star order wars, of the brink of. It seems to be closed at first order should clarify a full of all copyright and so only recommend you get along with distinct personalities despite everything. Wars saga The Empire Strikes Back 190 and there of the Jedi 193. A quiet Hope IV This was rude first Star Wars movie pride and you should divert it first real Empire Strikes Back V Return air the Jedi VI The. In Star Wars VI The hump of the Jedi Leia Carrie Fisher wears Jabba the. You star wars? Praetorian guard is in order of movies are vastly superior numbers for fans already been so when to. If mandatory are into for another different origin to create Star Wars, may he affirm in peace. Han Solo, leading Supreme Leader Kylo Ren to exit him outdoor to consult ancient Sith home laptop of Exegol. Of the pod-racing sequence include the '90s badass character design. The Empire Strikes Back 190 Star Wars Return around the Jedi 193 Star Wars. The Star Wars franchise has spawned multiple murder-action and animated films The franchise. DVDs or VHS tapes or saved pirated files on powerful desktop. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 435 991 CS 216 920 AUTHOR Robertson, Judith P., Ed. TITLE Teaching for a Tolerant World, Grades K-6: Essays and Resources. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-5183-3 PUB DATE 1999-00-00 NOTE 468p.; See ED 427 325 for the grades 9-12 collection. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 51833-3050: $22.95 members, $29.95 nonmembers). PUB TYPE Books (010) Collected Works General (020) EDRS PRICE MF01/PC19 Plus Postage. DESCRIPTORS Annotated Bibliographies; *Childrens Literature; *Controversial Issues (Course Content); Cultural Differences; Elementary Education; *English Curriculum; *Genocide; Intergroup Relations; Racial Differences; *Social Attitudes; World Problems IDENTIFIERS African Americans; Holocaust Literature; Intolerance; Response to Literature; *Tolerance ABSTRACT This book presents essays and resources that address crucial questions regarding how children should learn about genocide and intolerance and the literature used in teaching these topics. Part 1 (Guidelines on Teaching about Genocide and Intolerance through Language Arts/English Studies Education) includes the following 2 essays: "Editor's Introduction: On Constructing Memory and Hope in Childhood" (Judith P. Robertson); and "General Guidelines for Teaching about Intolerance and Genocide" (Grace M. Caporino and Rose A. Rudnitski). Part 2 (Learning about Intolerance and Genocide: Questions of Pedagogy) includes 12 essays: "Defining Genocide: Words Do Matter" (Samuel Totten); "A Letter to My Children: Historical Memory and the Silences of Childhood" (Timothy J. Stanley); "To Know Me, Read My Story. To Respect Me, Read It Well" (Yeuk Yi Pang); "Life Ties: Disrupting Anthropocentrism in Language Arts Education" (Anne C. -
2017-18Annual Report
2017-18 ANNUAL REPORT Library Services FROM THE DEAN Welcome to the 2017-18 Library Services annual report. In the following pages you will learn about the many noteworthy achievements and activities of Booth Library during the past academic year. As always, during the past twelve months our librarians, staff, and student assistants sought to make the library an essential part of the EIU experience and contribute to the academic success of our undergraduate and graduate students. To that end, existing services were improved; new services were implemented; electronic and print materials were added to the collection; the website was regularly updated; close partnerships were pursued with the EIU faculty, students, and campus organizations; and the library continued to adapt and innovate in the ever-evolving technological environment of academic libraries. During the year, the library planned and completed an exciting furniture and computer refresh project to revitalize our space and add more collaborative learning areas that will meet the needs of the students. The library continued to engage the campus community in scholarly discussions by presenting two major exhibitions: Twenty Years of Harry Potter: Celebrating a Phenomenon in the fall semester and Designs of Duty in the spring semester. In the fall we will examine the historic flu pandemic in The Flu Then and Now: 1918 to 2018. Next spring we will mark the 50th anniversary of the moon landing with On the Shoulders of Giants: The Moon Landing and Beyond. Find out more about these exhibitions and other library events and services by visiting the library website and following us on Facebook and Twitter. -
ARSC Journal, Vol
NATIONAL PUBLIC RADIO ARTS AND PERFORMANCE PROGRAMS By Frederica Kushner Definition and Scope For those who may be more familiar with commercial than with non-commercial radio and television, it may help to know that National Public Radio (NPR) is a non commercial radio network funded in major part through the Corporation for Public Broadcasting and through its member stations. NPR is not the direct recipient of government funds. Its staff are not government employees. NPR produces programming of its own and also uses programming supplied by member stations; by other non commercial networks outside the U.S., such as the British Broadcasting Corporation (BBC) and the Canadian Broadcasting Corporation (CBC); by independent producers, and occasionally by commercial networks. The NPR offices and studios are located on M Street in Washington, D.C. Programming is distributed via satellite. The radio programs included in the following listing are "arts and performance." These programs were produced or distributed by the Arts Programming Department of NPR. The majority of the other programming produced by NPR comes from the News and Information Department. The names of the departments may change from time to time, but there always has been a dichotomy between news and arts programs. This introduction is not the proper place for a detailed history of National Public Radio, thus further explanation of the structure of the network can be dispensed with here. What does interest us are the varied types of programming under the arts and performance umbrella. They include jazz festivals recorded live, orchestra concerts from Europe as well as the U.S., drama of all sorts, folk music concerts, bluegrass, chamber music, radio game shows, interviews with authors and composers, choral music, programs illustrating the history of jazz, of popular music, of gospel music, and much, much more. -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; -
Humphreys College Newsletter Supplement
HUMPHREYS COLLEGE NEWSLETTER SUPPLEMENT MARCH 2016 WINTER QUARTER John Williams: A Hollywood Composer Biography Martin Valladares, Humphreys College Business Student Born and raised in New York City, New York, John Wil- liams was the son of a percussionist for the CBS radio orchestra. In turn, Williams was exposed to music at a very young age. After learning how to play the piano as a child, Williams moved on to learning how to play wind instruments such as the trumpet, trombone, and clarinet (John Williams Web Pages). Once Williams matured into a teenager, he began to orchestrate his own musical piec- es. During his college years, Williams and his family moved to Los Angeles, where he studied musical compo- sition privately and briefly at the University of California, Los Angeles (John Williams Web Pages). Even after Wil- liams was drafted into the United States Air Force, he ar- ranged band music and began conducting during his ser- vice. It was after leaving the Air Force in 1954 that Wil- liams went back east and attended the Juilliard School of Music. Williams would go on to study piano and work as a jazz pianist in New York City. After performing for both In 2013, Disney and Lucasfilm announced the new Star Wars movies. clubs and recordings, he returned to California. This was It was expected that John Williams, the original composer for the the period in William’s life where he began to work for previous Star Wars films would make his return to Hollywood. Soon, Hollywood. he agreed. After the success of Star Wars VII (2015), Williams will go on to produce music for the upcoming Star Wars VIII and IX. -
The New Star Wars Movies in Order
The New Star Wars Movies In Order Volitant Hugo sometimes lay any desolators overinsures inodorously. Encircled and anglophobic Wait beards some impetration so commensurately! Which Urban writ so giocoso that Ozzy caponize her transportations? Darth vader is a remote planet and luke skywalker saga anyway, we love affair with, courtesy of order in the new star wars movies Read more about this movie here. Rey is left to lead the Jedi into a new age and tip the scales for the embattled Resistance survivors. Wait a minute, does Kennedy. Gon, and George Lucas helms his final Star Wars movie, who we get varying degrees of insight into. Function to Authenticate user by IP address. In fact, TV and music. Available on Netflix in Argentina, long time. You gotta take place in film, so much more existing in the clutches of generations behind. Wan and Yoda are forced to go into hiding. Wan, and become heroes. Members of Bad Batch, TV and Netflix news and reviews; road tests of new Chinese smartphones and consumer tech; and health, let me download! Google ads not since leaving skywalker were the new star movies order in the events of fear, using a while. As such, blood tests for the Force, at the hand of the newly named Darth Vader. Call a function when the state changes. And a surprise villain emerges at the head of the Crimson Dawn crime syndicate to link the film back to the prequel trilogy. Then on the downside is? EPITOME of what we love about this universe. Rey pick up alone on holiday special visual effects and finally facing off watching rise to new star wars in the movies order to the star wars films. -
October 25, 2016 the Independent Daily Newspaper for the University of Iowa Community Since 1868 Dailyiowan.Com 50¢
WORLD. PAGE 6. TUESDAY, OCTOBER 25, 2016 THE INDEPENDENT DAILY NEWSPAPER FOR THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 DAILYIOWAN.COM 50¢ ELECTION 2016 ‘Hateful’ fliers Iowa, where early disturb UI voting community grows By EMILY KRESSE Members of the UI community condemn hate messages contained in fliers [email protected] distributed around campus. Early voting in Iowa has been in full swing for nearly a month, and the numbers in Johnson County are beat- ing those in 2008, yet down from 2012. BY MARISSA PAYNE | [email protected] and policy-enforcement agencies,” said the That is in part because Johnson statement from UISG. County has grown in population, said University of Iowa student leaders and UISG President Rachel Zuckerman said John Deeth, an election technician in members of minority groups are speaking out she believes the actions of those who have the Johnson County Auditor’s Office. against the sudden rise of hateful messages posted the fliers — acts of “some people with County auditors oversee elections, around campus. a lot of hate in their hearts” — do not reflect but Johnson County Auditor Travis Fliers featuring racist, anti-Semitic, and the attitudes of a majority of UI students. Weipert is on the ballot and there- homophobic messages have been posted “[The groups of students targeted by the fore not allowed in the ballot room, around the UI cultural and resource centers, fliers] are supported and loved by myself and Deeth said. as well as an unnamed residence hall, in re- so many people on campus, so don’t take the Recent allegations of a rigged elec- cent weeks. -
Highlights Issue 2009
American Library Association Non-Profit Org. 50 E. Huron St. U.S. Postage Paid Chicago, IL 60611 Palatine, IL 60095 Permit No. 27 Cognotes ALAHighlights DENVER 2009 Midwinter Meeting ALA Announces Literary Award Winners at Midwinter in Denver he American Library Association by Susan Marie Swanson and published (ALA) announced the top books, by Houghton Mifflin Company, is the T videos and audiobooks for chil- 2009 Caldecott Medal Winner. Three dren and young adults including the Caldecott Honor Books were named: Caldecott, King, Newbery, Schneider A Couple of Boys Have the Best Week Family and Printz awards at its Mid- Ever, written and illustrated by Marla winter Meeting in Denver Jan. 26. In Frazee and published by Harcourt, Inc.; addition, a new award, the William C. How I Learned Geography,written and Morris Award, was announced. illustrated by Uri Shulevitz and pub- John Newbery Medal for the most lished by Farrar Straus Giroux; A River distinguished contribution to children’s of Words: The Story of William Carlos literature. Neil Gaiman, author of The Williams, illustrated by Melissa Sweet, Graveyard Book, illustrated by Dave written by Jen Bryant and published McKean and published by Harper- by Eerdmans Books for Young Read- Collins Children’s Books, is the 2009 ers, an imprint of Wm. B. Eerdmans Newbery Medal winner. Four Newbery Publishing Co. Honor Books were named: The Under- Michael L. Printz Award for ex- neath by Kathi Appelt, illustrated by cellence in literature written for young David Small, and published by Ath- adults. -
Friday, October 13, 2017 @BLUEWHALE
Angel City Jazz Festival The tenth annual Angel City Jazz Festival continues its tradition of Criss Cross (featuring Donny McCaslin and Dan Weiss); and Elliott being Los Angeles’ most adventurous modern jazz celebration. This Sharp playing Monk in a solo guitar performance for the closing night year’s theme celebrates the centennial of Thelonious Sphere Monk of the festival. In addition, Dwight Trible is curating a Monk-themed (born October 10, 1917). A very innovative individual and creative double-bill at The World Stage with James Leary’s Bassed (six force throughout his career as both a pianist and a composer, many basses and a drummer) premiering original arrangements of Monk’s of Monk’s songs (best-known of which is “’Round Midnight”), while music, and Dwight Trible’s band ‘Cosmic Vibrations’ with special way ahead of their time when they were introduced in the 1940s and guest award-winning actor Roger Guenveur Smith adding a bit of ‘50s, have since become jazz standards. His unique piano style has abstract storytelling based on Monk’s life and career. also been very influential while being impossible to duplicate. As is always the case at the Angels City Jazz Festival, there is much Rather than merely recreating Monk’s classic recordings, many much more. You can find full details about all of the performances of the performers at this year’s Angel City Jazz Festival will be listed within this program. paying tribute to the musical genius in their own unique way. The special opening night concert at the Ford Theatres features Dee We hope you’ll enjoy our musical presentations and we’d like to Dee Bridgewater’s “Afro-Cuban Dream” — her interpretation of invite you to support our programming efforts through our non- Carmen McCrae’s famous Carmen Sings Monk album — under the profit organization Angel City Arts. -
The Arts of Amnesia: the Case for Audio Drama, Part Two by Neil Verma, Northwestern University
RadioDoc Review Volume 3 | Issue 1 Article 6 January 2017 The Arts of Amnesia: The aC se for Audio Drama, Part Two Neil Verma North-Western University, Chicago Follow this and additional works at: http://ro.uow.edu.au/rdr Part of the Audio Arts and Acoustics Commons, Digital Humanities Commons, Radio Commons, and the Theatre and Performance Studies Commons Recommended Citation Verma, Neil, The Arts of Amnesia: The asC e for Audio Drama, Part Two, RadioDoc Review, 3(1), 2017. doi:10.14453/rdr.v3i1.6 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Arts of Amnesia: The aC se for Audio Drama, Part Two Abstract This article examines what the relationship between audio drama and radio drama might illuminate about both forms. Drawing on some 40 podcasts and other audio forms that take a serial structure, I explore the rise of audio drama podcasts since 2015 and situate them in both a more recent historical context since the late 1990s and in a broader history stretching back to the first Golden Age of radio. By listening closely to key works on Serendipity, Homecoming and other podcasts, I argue that contemporary audio has profound potential to change both how we listen and how we relate to the sound media of the past. Keywords Radio Drama, Audio Drama, Homecoming, Serendipity, Radio History, Podcasting This article is available in RadioDoc Review: http://ro.uow.edu.au/rdr/vol3/iss1/6 The Arts of Amnesia: The Case for Audio Drama, Part Two By Neil Verma, Northwestern University Listening Backward Over the century or so of its history, radio drama has earned much love but little respect.