Download Butrinti, 1993-2002: Dhjetðflâ•fl Vjet Kðflâ•flrkim

Total Page:16

File Type:pdf, Size:1020Kb

Download Butrinti, 1993-2002: Dhjetðflâ•fl Vjet Kðflâ•flrkim Butrinti, 1993-2002: DhjetД— Vjet KД—rkim Shkencor = Ten Years of Research, Cassy Payne, Butrint Foundation, 2003, 0953555631, 9780953555635, . DOWNLOAD HERE Explorations in Albania, 1930-39 the notebooks of Luigi Cardini, prehistorian with the Italian Archaeological Mission, Luigi Cardini, Karen Francis, Oliver J. Gilkes, British School at Athens, 2005, Social Science, 222 pages. During research into the Italian Archaeological Mission to Albania, a collection of documents came to light within the archives of the Italian Institute of Human Palaeontology .... Butrint 3 Excavations at the Triconch Palace, William Bowden, Richard Hodges, Nov 30, 2011, , 382 pages. This comprehensive and well-illustrated volume describes the excavations of the so-called Triconch Palace, which occupied a large sector of the Adriatic port of Butrint. In .... World Heritage Sites A Complete Guide to 878 UNESCO World Heritage Sites, , Sep 1, 2009, Travel, 832 pages. Each site has an entry explaining its historical and cultural significance, with a description and location map.. New Directions in Albanian Archaeology Studies Presented to Muzafer Korkuti, Lorenc Bejko, Richard Hodges, 2006, , 471 pages. This book is a celebration of the 70th birthday of Muzafer Korkuti, one of Albania's most eminent archaeologists. Korkuti's work has focused on European prehistory, with .... London , Paul Mason, Rob Bowden, Oct 1, 2006, , 61 pages. Explores the history, people, economy, transportation, and culture of London.. Eternal Butrint A UNESCO World Heritage Site in Albania, Richard Hodges, Lord Rothschild, 2006, , 256 pages. Located at a crossroads in the Mediterranean, the site of Butrint is a microcosm of changes in the region over the last 3,000 years. Few UNESCO World Heritage Sites command .... World heritage archaeological sites and urban centres, Unesco, IntesaBci, 2002, , 383 pages. A tour of forty-six of the world's most important archaeological sites uses rich color photography and fascinating text to highlight historical areas worthy of preservation .... Butrint A Guide to the City and Its Monuments, Neritan Ceka, 1999, Albania, 80 pages. Roman Butrint an assessment, Inge Lyse Hansen, Richard Hodges, Richard Anthony Abdy, 2007, , 214 pages. Butrint, ancient Buthrotum, has taken many forms in different ages, shaped by the near-constant interaction between the place, its lagoonal landscape and the Mediterranean .... Byzantine to modern pottery in the Aegean 7th to 20th century : an introduction and field guide, Joanita Vroom, 2005, Antiques & Collectibles, 223 pages. Byzantine to Modern Pottery in the Aegean is the first general introduction to and easy-to-use field guide for Medieval and Post-Medieval Pottery in the Aegean. This books .... Byzantine Butrint excavations and surveys 1994-1999, Richard Hodges, William Bowden, Kosta Lako, Richard Andrews, 2004, , 424 pages. The ancient walled town of burtint sits at the crossroads of the Mediterranean. In its heyday it could command sea-routes up the Adriatic Sea to the north, across the .... Following bereavement, poor health is more likely in carers who perceived that their support from health services was insufficient or whose family member did not die in the carer’s preferred place of death: commentary on: McNamara B, Rosenwax L. Which carers of family members at the end of life need more support from health services and why? Social Science and Medicine 2010, 70: 1035-1041 Dr Meghan Casey is a Research Fellow with extensive research experience in the sport and recreation field and demonstrated experience in managing large and complex research projects, including an Australian Research Council Linkage project. Her research has primarily focused on understanding the community, strategic and operational environments in which organisations operate and deliver physical activity and sport opportunities to foster environments that promote and support participation in physical activity and sport. In particular, her research has explored the determinants of participation in physical activity and sport, which has been largely informed by socio-ecological theory; explored the capacity of sporting organisations to promote health through sport; examined organisational change within sporting organisations to implement health promotion strategies; and contributed to the development, implementation and evaluation of a school and community-linked physical activity and sport intervention for adolescent girls. As a result of this research, Meghan has published widely in a range of well-regarded international peer reviewed journals and has informed program and policy development on a range of sport management issues (e.g. capacity, organisational changes, program development). Symons, C., Polman, R., Moore, J., BOrkoles, E., Eime, R., Harvey, J., Craike, M., Banting, L., Payne, W (2013). The relationship between body image, physical activity, perceived health, and behavioural regulation among Year 7 and Year 11 girls from metropolitan and rural Australia. Annals of Leisure Reserach, 16(2) 115-119. Eime R., Young, J., Harvey, J., Charity, M., Payne, W. (2013). A systematic review of the psychological and social benefits of participation in sport for children and adolescents: Informing development of a conceptual model of Health through Sport. International Journal of Behavioral Nutrition and Physical Activity. 10(98). Ella Fitzgerald (April 25, 1917 – June 15, 1996), also known as the "First Lady of Song", "Queen of Jazz", and "Lady Ella", was an American jazz vocalist[1] with a vocal range spanning three octaves (D♕3 to D♕6).[2] She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing. Fitzgerald was a notable interpreter of the Great American Songbook.[3] Over the course of her 59-year recording career, she sold 40 million copies of her 70-plus albums, won 13 Grammy Awards and was awarded the National Medal of Arts by Ronald Reagan and the Presidential Medal of Freedom by George H. W. Bush. Fitzgerald was born in Newport News, Virginia, the daughter of Temperance "Tempie" and William Fitzgerald.[4] The pair separated soon after her birth, and Ella and her mother went to Yonkers, New York, where they eventually moved in with Tempie's longtime boyfriend, Joseph Da Silva. Ella Fitzgerald's half-sister, Frances Da Silva, was born in 1923. She and her family were Methodists and were active in the Bethany African Methodist Episcopal Church, and she regularly attended worship services, Bible study, and Sunday school.[5][6] In her youth, Fitzgerald wanted to be a dancer, although she loved listening to jazz recordings by Louis Armstrong, Bing Crosby and The Boswell Sisters. She idolized the lead singer Connee Boswell, later saying, "My mother brought home one of her records, and I fell in love with it....I tried so hard to sound just like her."[7] In 1932, her mother died from a heart attack.[4] Following this trauma, Fitzgerald's grades dropped dramatically, and she frequently skipped school. Abused by her stepfather, she ran away to her aunt[8] and, at one point, worked as a lookout at a bordello and also with a Mafia-affiliated numbers runner.[9] When the authorities caught up with her, she was first placed in the Colored Orphan Asylum in Riverdale, Bronx.[10] However, when the orphanage proved too crowded, she was moved to the New York Training School for Girls in Hudson, New York, a state reformatory. Eventually she escaped and for a time was homeless.[8] She made her singing debut at 17 on November 21, 1934, at the Apollo Theater in Harlem, New York. She pulled in a weekly audience at the Apollo and won the opportunity to compete in one of the earliest of its famous "Amateur Nights". She had originally intended to go on stage and dance, but, intimidated by the Edwards Sisters, a local dance duo, she opted to sing instead in the style of Connee Boswell. She sang Boswell's "Judy" and "The Object of My Affection," a song recorded by the Boswell Sisters, and won the first prize of US$25.00.[11] In January 1935, Fitzgerald won the chance to perform for a week with the Tiny Bradshaw band at the Harlem Opera House. She met drummer and bandleader Chick Webb there. Webb had already hired singer Charlie Linton to work with the band and was, The New York Times later wrote, "reluctant to sign her....because she was gawky and unkempt, a diamond in the rough."[7] Webb offered her the opportunity to test with his band when they played a dance at Yale University. She began singing regularly with Webb's Orchestra through 1935 at Harlem's Savoy Ballroom. Fitzgerald recorded several hit songs with them, including "Love and Kisses" and "(If You Can't Sing It) You'll Have to Swing It (Mr. Paganini)". But it was her 1938 version of the nursery rhyme, "A-Tisket, A-Tasket", a song she co-wrote, that brought her wide public acclaim. With Decca's Milt Gabler as her manager, she began working regularly for the jazz impresario Norman Granz and appeared regularly in his Jazz at the Philharmonic (JATP) concerts. Fitzgerald's relationship with Granz was further cemented when he became her manager, although it would be nearly a decade before he could record her on one of his many record labels. With the demise of the Swing era and the decline of the great touring big bands, a major change in jazz music occurred. The advent of bebop led to new developments in Fitzgerald's vocal style, influenced by her work with Dizzy Gillespie's big
Recommended publications
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • 1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
    1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr.
    [Show full text]
  • BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
    BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6.
    [Show full text]
  • Harmonizer Vol21 No1 Jan1961.Pdf
    f I ~ I I NOW AVAILABL ON DECCA® r Official S.P.E.B.S. Q.S.A. Recordings 1960 International THE TOP TEN BARBERSHOP CHORUS WINNERS BARBERSHOP QUARTETS OF 1960 ( Official S.P.E.B.S.Q.S.A. Recording 011iciol S.P.E.B.S.Q.S.A. Recording Keep America Singing' Tears On My Pillow I'd Love To Fall Asleep And Wake Up In My • Rock·A·Bye Your Baby With A Dixie Melody Mammy's Arms' Dear Little Boy Of Mine' • Deep River' Roll On Missouri· (Here Am I) Mississippi Mud • Daddy, You've Been A '" Broken Hearted' Smile' Last Night Was The Mother To Me • In A Shanty In Old Shanty End Of The World' I Want A Girl (Just Like Town' Ivory Rag' Ain't She Sweet· Roll Out The Girl That Married Dear Old Dad)' "Wanna Of Bed With A Smile • There's Something Go Back Again" Blues' Coney Island Wash· Nice About Everyone But There's Everything board' Battle Hymn Of The Republic Nice About You' Oh How I Miss You Tonight DL 4067 • DL 74067 (S) • Looking At The Worid Through Rose Colored Glasses If You Were The Only Girl In The World DL 4069 • DL 74069 (5) TEN YEARS OF BRIGHTEN THE CORNER BARBERSHOP CHAMPIONS THE SCHMITT BROTHERS Ofl/dol S,P.E.S.S.Q,S,A. Recordings Roses Of Plcardy' Shine' loo·Ra-Loo-Ra· BARBERSHOP QUARTET Loo·Ral (That's An Irish Lullaby) • When Brighten The Corner Where You Are • . \ The Morning Glories Wake Up In The Saviour, Again To Thy Dear Name' Bring­ Morning (Then I'll KIss Your Two Lips ing In The Sheaves' Bless This House· Goodnight) • The Sweetheart Of Sigma Chi Standing On The Promises.
    [Show full text]
  • Jo Jones the Main Man Mp3, Flac, Wma
    Jo Jones The Main Man mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Main Man Country: Brazil Released: 1978 Style: Hard Bop MP3 version RAR size: 1767 mb FLAC version RAR size: 1978 mb WMA version RAR size: 1164 mb Rating: 4.7 Votes: 123 Other Formats: AHX AU VOC DTS WAV WMA DXD Tracklist Hide Credits Goin' To Chicago A1 9:09 Written-By – Basie*, Rushing* I Want To Be Happy A2 4:48 Written-By – Caesar*, Youmans* Adlib A3 8:12 Written-By – Jo Jones Dark Eyes B1 10:20 Arranged By – Buck Clayton Metrical Portions B2 5:51 Written-By – Budd Johnson Old Man River B3 4:25 Written-By – Kern*, Hammerstein* Companies, etc. Phonographic Copyright (p) – Pablo Records Recorded At – RCA Recording Studios Mastered At – Kendun Recorders Distributed By – Companhia Brasileira De Discos Phonogram Manufactured By – Companhia Brasileira De Discos Phonogram Credits Bass – Sam Jones Drums – Jo Jones Engineer – Bob Simpson Guitar – Freddie Green Layout, Design – Gribbitt*, Norman Granz Photography By – Phil Stern Piano – Tommy Flanagan Producer – Norman Granz Tenor Saxophone – Eddie Davis* Trombone – Vic Dickenson Trumpet – Harry Edison, Roy Eldridge Notes Série De Luxo Barcode and Other Identifiers Matrix / Runout (Side A): 2310 799 A Matrix / Runout (Side B): 2310 799 A Mould SID Code (Side A): JA 200 2310 799 A1 Mould SID Code (Side B): JA 200 2310 799 B1 Label Code: 3254 Other versions Category Artist Title (Format) Label Category Country Year The Main Man (LP, 2310-799 Jo Jones Pablo Records 2310-799 US 1977 Album) The Main Man (LP, 2310
    [Show full text]
  • Ella Fitzgerald with the Tommy Flanagan Trio
    Ella Fitzgerald Montreux '77 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Montreux '77 Country: Europe Released: 2002 Style: Latin Jazz, Swing, Bossa Nova MP3 version RAR size: 1822 mb FLAC version RAR size: 1152 mb WMA version RAR size: 1164 mb Rating: 4.8 Votes: 109 Other Formats: AC3 MP4 MP2 AU AA DTS DMF Tracklist 1 Too Close For Comfort 3:27 2 I Ain't Got Nothin' But The Blues 4:07 3 My Man 3:48 4 Come Rain Or Come Shine 2:30 5 Day By Day 1:46 6 Ordinary Fool 3:20 7 One Note Samba 6:26 8 I Let A Song Go Out Of My Heart 4:31 9 Billie's Bounce 4:49 10 You Are The Sunshine Of My Life 3:53 Companies, etc. Recorded At – Montreux Jazz Festival Credits Bass – Keter Betts Drums – Bobby Durham Piano – Tommy Flanagan Producer – Norman Granz Vocals – Ella Fitzgerald Notes Made in Germany by ZYX Manufactured under license for distribution by ZYX-Music. Issued in digipak with a 4-page booklet. Barcode and Other Identifiers Barcode: 0 90204 87185 8 Other versions Category Artist Title (Format) Label Category Country Year Ella Fitzgerald Ella Fitzgerald With The 2308-206 With The Tommy Tommy Flanagan Trio* - Pablo Live 2308-206 US 1977 Flanagan Trio* Montreux '77 (LP, Album) Ella Fitzgerald Ella Fitzgerald With The 2308 206 With The Tommy Tommy Flanagan Trio* - Pablo Live 2308 206 UK 1977 Flanagan Trio* Montreux '77 (LP, Album) Ella Fitzgerald With Ella Fitzgerald Original OJC20 Tommy Flanagan Trio - OJC20 With Tommy Jazz Spain 2004 376-2 Montreux '77 (CD, 376-2 Flanagan Trio Classics Album, RE) Ella Fitzgerald Ella Fitzgerald With
    [Show full text]
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
    [Show full text]
  • Prologue: “I Made Things Work”
    Prologue: “I Made Things Work” The chartered bus carrying impresario Norman Granz and his Jazz at the Philharmonic troupe pulled into the parking lot of the Regent Restaurant in Jackson, Michigan, about sixty-five miles west of Detroit, with a cou- ple of hours to spare before their appearance at the Jackson County Audi- torium on Monday, October 6, 1947. Granz and JATP, as the national concert tours were already known by legions of fans, had been building a reputation for fiery jam sessions of all-star musicians in integrated set- tings since the concerts had begun in his hometown of Los Angeles in July 1944. The bus that night carried Granz, who emceed his shows, and a lineup including tenor saxophonists Coleman Hawkins and Flip Phillips, trumpeter Howard McGhee, trombonist Bill Harris, pianist Hank Jones, drummer J. C. Heard, and bassist Ray Brown—all dressed in tuxedos—as well as the equally resplendent former Count Basie singer Helen Humes. What unfolded at the diner was vintage Granz. An increasingly vocal provocateur on the subject of racism, he had begun campaigning in 1947 for antisegregation contracts across the touring band circuit and without blinking had turned down $100,000 in bookings by promoters who could not abide his terms. As always, it was a headache (though one he gladly bore) finding hotels and restaurants that would accom- modate the racially mixed group. Granz and company often operated from Detroit’s black Gotham Hotel as a temporary hub for concerts in neighboring cities as he strung together smaller dates across the country in between big paydays in the major cities.
    [Show full text]
  • João Gilberto
    SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Diplomová Práce
    JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Diplomová práce Brno 2017 Andrej Farkaš JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra Jazzové interpretace Hra na klavír Oscar Peterson „The Trio“ Diplomová práce Autor práce: Andrej Farkaš Vedoucí práce: MgA. Jan Dalecký Oponent práce: MgA. Jan Přibil Brno 2017 Bibliografický záznam FARKAŠ, Andrej. Oscar Peterson „The Trio“. Brno: Janáčkova akademie múzických umení v Brne, Hudobná fakulta, Katedra jazzové interpretace, 2017. 25 s. Vedoucí diplomovej práce odb.as. MgA. Jan Dalecký. Touto cestou vyslovujem poďakovanie pánovi MgA. Janovi Daleckému za pomoc, odborné vedenie, cenné rady a pripomienky pri vypracovaní mojej bakalárskej diplomovej práce. V Brne dňa 14.5.2017 Anotácia V tejto bakalárskej práci som sa zameral na osobitý štýl Oscara Petersona, jeho riešenie spôsobu fungovania a komunikácie sólového klavíra zo sólovú gitarou. Priblížiť sa k spôsobu, systému, ktorý Oscar Peterson využíval pri svojej hre s Joe Passom. Uviesť príklady, rámcovo sa priblížiť k vyriešeniu problému hrania dvoch harmonických nástrojov súčasne. Kľúčové slová: umelecké cesty, vedenie hlasov, sprievod, dva harmonické nástroje, súzvuk Annotation In this thesis I focused on the distinctive style of Oscar Peterson, his solutions are working and communication of solo piano and solo guitar. Getting closer to the ways of that Oscar Peterson used in their play with Joe Pass. Give an example closer to solving the problem of playing two harmonic Instruments at the same time. Key words: artistic tours, voice management, comping, two harmonic instruments, echoes OBSAH: 1. Úvod 2. Život Oscara Petersona 2.1 Norman Granz 3. Cesta k vzniku Oscar Peterson – „The Trio“ 3.1 „The Trio“ 4.
    [Show full text]
  • Ella Fitzgerald Collection
    Ella Fitzgerald Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2005 Revised 2010 December Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu010023 LC Online Catalog record: http://lccn.loc.gov/2006568227 Processed by the Music Division of the Library of Congress Collection Summary Title: Ella Fitzgerald Collection Span Dates: 1956-1992 Bulk Dates: (bulk 1960-1985) Call No.: ML31.F58 Creator: Fitzgerald, Ella Extent: 23,500 items ; 285 containers ; 176 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Ella Fitzgerald (1917-1996) was a popular and highly-respected American jazz and pop vocalist and recording artist. The Ella Fitzgerald Collection chiefly consists of musical arrangements made for her by more than fifty arrangers and orchestrators. Arrangers whose works are found in this collection include: Buddy Bregman, Benny Carter, Frank DeVol, Russ Garcia, Billy May, Marty Paich, Nelson Riddle, and Gerald Wilson. The arrangements consist of a combination of full scores and parts, and are often accompanied by piano-conductor short scores, reduced scores, lead sheets and lyric sheets. Music is found in the form of manuscripts, printed music, photocopies, and ozalids, often in multiple or different versions. In addition, the collection contains repertoire and program lists and other miscellaneous material, including a minimal amount of correspondence and photographs. Note: To find locations of arrangements within this finding aid, consult the Songs Index and Arrangers Index under Index Terms.
    [Show full text]
  • Oscar Peterson & Roy Eldridge
    Oscar Peterson Oscar Peterson & Roy Eldridge mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Oscar Peterson & Roy Eldridge Country: US Released: 1975 MP3 version RAR size: 1217 mb FLAC version RAR size: 1410 mb WMA version RAR size: 1900 mb Rating: 4.7 Votes: 313 Other Formats: XM DMF MP1 MOD MPC WMA AA Tracklist A1 Little Jazz 4:45 A2 She's Funny That Way 7:38 A3 The Way You Look Tonight 6:22 B1 Sunday 5:45 B2 Bad Hat Blues 7:34 B3 Between The Devil And The Deep Blue Sea 5:22 B4 Blues For Chu 5:06 Companies, etc. Manufactured By – Pablo Records, Inc. Phonographic Copyright (p) – Pablo Records Recorded At – MGM Recording Studios Credits Photography By – Phil Stern Piano, Organ – Oscar Peterson Producer – Norman Granz Trumpet – Roy Eldridge Other versions Title Category Artist Label Category Country Year (Format) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar 2310 739 Pablo Records 2310 739 UK 1975 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Oscar Peterson, Roy Peterson, Eldridge - 2310 739 Pablo Records 2310 739 Germany 1975 Roy Oscar Peterson Eldridge & Roy Eldridge (LP) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar PN 4048 Pablo Records PN 4048 Spain 1984 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar 2310 739 Pablo Records 2310 739 Brazil 1977 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Peterson Original Jazz & Roy Eldridge Oscar Classics, Pablo - Oscar Peterson & Records, 00025218672726 Peterson & 00025218672726 Europe Unknown
    [Show full text]