Harmonizer Vol21 No1 Jan1961.Pdf
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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Ella Fitzgerald Collection
Ella Fitzgerald Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2005 Revised 2010 December Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu010023 LC Online Catalog record: http://lccn.loc.gov/2006568227 Processed by the Music Division of the Library of Congress Collection Summary Title: Ella Fitzgerald Collection Span Dates: 1956-1992 Bulk Dates: (bulk 1960-1985) Call No.: ML31.F58 Creator: Fitzgerald, Ella Extent: 23,500 items ; 285 containers ; 176 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Ella Fitzgerald (1917-1996) was a popular and highly-respected American jazz and pop vocalist and recording artist. The Ella Fitzgerald Collection chiefly consists of musical arrangements made for her by more than fifty arrangers and orchestrators. Arrangers whose works are found in this collection include: Buddy Bregman, Benny Carter, Frank DeVol, Russ Garcia, Billy May, Marty Paich, Nelson Riddle, and Gerald Wilson. The arrangements consist of a combination of full scores and parts, and are often accompanied by piano-conductor short scores, reduced scores, lead sheets and lyric sheets. Music is found in the form of manuscripts, printed music, photocopies, and ozalids, often in multiple or different versions. In addition, the collection contains repertoire and program lists and other miscellaneous material, including a minimal amount of correspondence and photographs. Note: To find locations of arrangements within this finding aid, consult the Songs Index and Arrangers Index under Index Terms. -
Songs & Hymns of Revival
Songs & Hymns of Revival SONG TITLES - PAGE 1 A Charge To Keep Born Again Fill Me Now A Child of the King Born to Die Fill My Cup, Lord A Flag to Follow Break Thou the Bread of Life Follow On A Mighty Fortress Breathe on Me Follow, I Will Follow Thee A New Name in Glory Brethren, We Have Met Following Jesus A Passion for Souls Brighten the Corner Footprints of Jesus A Shelter in the Time Bring Them In For God So Loved the World A Soul Winner for Jesus Bringing in the Sheaves For What Earthly Reason Abide with Me Build My Mansion From the First Hallelujah Alas! and Did My Savior Bleed? Burdens Are Lifted At Calvary Gentle Jesus All Because of Calvary Calvary Covers It All Give Him the Glory All For Jesus Can Others See Jesus in You? Give Me Jesus All Hail the Power Canaanland Is Just in Sight Give of Your Best to the Master All I Need Channels Only Glorious Things of Thee All That Thrills My Soul Christ Arose! Glory Hallelujah! All The Way My Savior Leads Me Christ for Me! Glory to His Name All Your Anxiety Christ Is All I Need Go Tell It on the Mountain Almost Persuaded Christ Liveth In Me Go Ye Into All the World Am I A Soldier of the Cross? Christ Receiveth Sinful Men God Be with You Amazing Grace Christ Returneth God Can Do Anything And Can It Be? Christ the Lord Is Risen Today God Is Perfect Love Angels We Have Heard Cleanse Me God Is So Good Angels, From the Realms Come and Dine God Leads Us Along Anywhere with Jesus Come, Holy Spirit God of Our Fathers Are We Down-hearted? Come, Thou Fount God Owns the Cattle “Are Ye Able,” Said -
Ella Fitzgerald from Wikipedia, the Free Encyclopedia
Ella Fitzgerald From Wikipedia, the free encyclopedia Background information Birth name Ella Jane Fitzgerald Born April 25, 1917 Newport News, Virginia, United States Died June 15, 1996 (aged 79) Beverly Hills, California, United States Genres Swing, bebop, traditional pop, vocal jazz Occupation(s) Singer, actress Instruments Vocals Years active 1934–1993 Labels Capitol, Decca, Pablo, Reprise, Verve, Brunswick, HMV Website ellafitzgerald.com Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After tumultuous teenage years, Fitzgerald found stability in musical success with performances on many stages in the Harlem area, including her rendition of the nursery rhyme "A-Tisket, A-Tasket" that helped boost her to fame. In 1942, Fitzgerald left the amateur performances behind, signed a deal with Decca Records, and started her solo career by redefining the art of scat singing. It was not until her manager, Norman Granz, built Verve Records based on her vocal abilities that she recorded some of her more widely noted works. Under this label, Fitzgerald focused more on singing than scatting, providing perhaps her most career-defining works in her interpretation of the Great American Songbook. While Fitzgerald appeared in movies and as guests on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and Bill Kenny and the Ink Spots were some of her most notable acts outside of her solo career. -
RCA Victor 12 Inch Popular Series LPM/LSP 3700-3999
RCA Discography Part 12 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 3700-3999 LPM/LSP 3700 – Norma Jean Sings Porter Wagoner – Norma Jean [1967] Dooley/Eat, Drink And Be Merry/Country Music Has Gone To Town/Misery Loves Company/Company's Comin'/I've Enjoyed As Much Of This As I Can Stand/Howdy Neighbor, Howdy/I Just Came To Smell The Flowers/A Satisfied Mind/If Jesus Came To Your House/Your Old Love Letters/I Thought I Heard You Calling My Name LPM/LSP 3701 – It Ain’t necessarily Square – Homer and Jethro [1967] Call Me/Lil' Darlin'/Broadway/More/Cute/Liza/The Shadow Of Your Smile/The Sweetest Sounds/Shiny Stockings/Satin Doll/Take The "A" Train LPM/LSP 3702 – Spinout (Soundtrack) – Elvis Presley [1966] Stop, Look And Listen/Adam And Evil/All That I Am/Never Say Yes/Am I Ready/Beach Shack/Spinout/Smorgasbord/I'll Be Back/Tomorrow Is A Long Time/Down In The Alley/I'll Remember You LPM/LSP 3703 – In Gospel Country – Statesmen Quartet [1967] Brighten The Corner Where You Are/Give Me Light/When You've Really Met The Lord/Just Over In The Glory-Land/Grace For Every Need/That Silver-Haired Daddy Of Mine/Where The Milk And Honey Flow/In Jesus' Name, I Will/Watching You/No More/Heaven Is Where You Belong/I Told My Lord LPM/LSP 3704 – Woman, Let Me Sing You a Song – Vernon Oxford [1967] Watermelon Time In Georgia/Woman, Let Me Sing You A Song/Field Of Flowers/Stone By Stone/Let's Take A Cold Shower/Hide/Baby Sister/Goin' Home/Behind Every Good Man There's A Woman/Roll -
La Musa Y El Duende Nº 30
La Musa y el Duende REVISTA INTERNACIONAL DE FLAMENCO Esperanza Fernández Nº 30 Febrero, 2021 ISSN 2445-4214 La Musa y el Duende. Nº 0 - 2016. 1 Nº 30. Febrero, 2021 La Musa y el Duende 1 Consejo de Dirección Alfonso Carmona González Dirección José Cenizo Jiménez José Luis Navarro Cristina Cruces Roldán Vicedirección Francisco Javier Escobar Borrego Eulalia Pablo Agustín González Gallego Secretaría Rafael Infante Macías Rocío Luna Paco Sánchez Juan Manuel Suárez Japón La Musa y el Duende Nº 30. Febrero, 2021 Sumario Portada Esperanza Fernández. Paco Sánchez. Editorial 4. Va de cantaoras Maestros del cante 5. José Luis Navarro. Escarnación Fernández De discos 2 José Luis Navarro. Omina vincit Amor de Rocío Márquez. De libros José Cenizo. Cante mistico-flamenco. José Luis Navarro. Tipos de interés de José Cenizo. Noticiario Venturas y desventuras. Una ventana abierta a la Investigación José Luis Navarro. Ella Fitzgerald. Nº 30. Febrero, 2021 La Musa y el Duende Va de Cantaoras Es cierto que en el cante, a lo largo de su historia, ha habido más cantaores que cantaoras. Tal vez porque la mayoría de los que han frecuentado los locales donde se podía escuchar cante han sido hombres. Desde luego, no porque no hubiese cantaoras que lo hiciesen tan soberanamente bien como los cantaores. Aquí va un listado a vuela pluma de grandes voces históricas femeninas, entre otras: La Rubia delas Perlas (XIX), Dolores la de la Huerta (XIX), Mercedes la Serneta (1837-1910), Concha la Peñaranda (1850-¿?), La Trini (1868-1930), La Serrana (1868-¿?), Pepa de Oro (1871-1918), Niña de los Peines (1890-1969), La Periñaca (1891-1987), Niña de la Puebla (1909-1999), La Sallago (1919-2015), La Perrata (1922-2005), La Perla de Cádiz (1924-1975), Fernanda (1923-2006) y Bernarda de Utrera (1927- 2009), La Cañeta (1936), La Paquera (1937-2004), La Repompa (1937-1959), Pepa Vargas (1945), María Vargas (1947), Mariana Cornejo (1947-2013), Encarnación Fernández (1951), Carmen Linares (1951) y Antonia Contreras (1963). -
ARMSTRONG, Louis, & His Orchestra
DEBUT PEAK WKS ARTIST (no B-side) = single-faced disc DATE POS CHR Song Title or cylinder record B-side Label & Number ARMSTRONG, Louis, & His Orchestra All-Time: 38 Born Daniel Louis Armstrong on 8/4/1901 in New Orleans, Louisiana. Died of heart failure on 7/6/1971 (age 69). Legendary jazz singer/trumpet player. Nicknamed “Satchmo.” Moved to Chicago in 1922 to join King Oliver‘s band. Formed own band in 1926. Known for his uniquely raspy, scat-tinged vocals. Numerous appearances on radio, TV and in movies. Also see Fletcher Henderson, King Oliver, Bessie Smith, Clara Smith and Clarence Williams. AWARDS: Grammy: Lifetime Achievement 1972 R&R Hall of Fame: 1990 (Early Influence) 1)All Of Me 2)I’m In The Mood For Love 3)You Can Depend On Me 4)Love, You Funny Thing! 5)Chinatown, My Chinatown 7/17/26 8 2 1 Muskrat Ramble....................................................................................................................Heebie Jeebies [I] Okeh 8300 4/9/27 13 3 2 Big Butter And Egg Man From The West...........................................................................Sunset Cafe Stomp Okeh 8423 10/29/27 16 2 3 Keyhole Blues .........................................................................................................................Melancholy Blues Okeh 8496 also see #42 below 12/10/27 12 3 4 Potato Head Blues.........................................................................................................Put ‘Em Down Blues [I] Okeh 8503 LOUIS ARMSTRONG & HIS HOT SEVEN (above 2) 5/12/28 10 3 5 Hotter Than -
New World Records
New World Records NEW WORLD RECORDS 701 Seventh Avenue, New York, New York 10036; (212) 302-0460; (212) 944-1922 fax email: [email protected] www.newworldrecords.org Brighten the Corner Where You Are: black and white Urban Hymnody New World NW 224 BLACK URBAN HYMNODY: GOSPEL day to day, despite poverty ("I've been down to my by Anthony Heilbut last dime"), illness ("I've been sick and couldn't get well"), depression ("I've been almost level to the James Baldwin, the best-known literary offspring of ground"), isolation ("friends move out and crowds the black church, detects in the moans and shouts of get thin"), and betrayal ("folks smile in your face and gospel music, a note "tart and ironic, authoritative and cut your throat behind your back"). As a supremely double-edged" (The Fire Next Time). Even more, in emotional music, it allows vocal, physical, and facial singers who exult "I gave up everything to follow contortions ("sometimes we need to get ugly for Him," Baldwin hears a note profoundly "sensual," Him"), but it also requires wit, even comedy, and a assuming as he does that to be sensual is to be imme- musical skill that black audiences reward with the diately present in the world. These are surely the at- most ecstatic responses. tributes of great art, but very seldom of post- Some of the gospel code is incarnated by the per- Renaissance religious music. And though the subject formers themselves. Gospel is virtually the only art matter and performing situation of black gospel are form I know where women are perceived as the religious, its appeal transcends sectarian barriers.At its equals or superiors of men as both performers and best, as in the classic performances included here, innovators. -
Download Butrinti, 1993-2002: Dhjetðflâ•fl Vjet Kðflâ•flrkim
Butrinti, 1993-2002: DhjetД— Vjet KД—rkim Shkencor = Ten Years of Research, Cassy Payne, Butrint Foundation, 2003, 0953555631, 9780953555635, . DOWNLOAD HERE Explorations in Albania, 1930-39 the notebooks of Luigi Cardini, prehistorian with the Italian Archaeological Mission, Luigi Cardini, Karen Francis, Oliver J. Gilkes, British School at Athens, 2005, Social Science, 222 pages. During research into the Italian Archaeological Mission to Albania, a collection of documents came to light within the archives of the Italian Institute of Human Palaeontology .... Butrint 3 Excavations at the Triconch Palace, William Bowden, Richard Hodges, Nov 30, 2011, , 382 pages. This comprehensive and well-illustrated volume describes the excavations of the so-called Triconch Palace, which occupied a large sector of the Adriatic port of Butrint. In .... World Heritage Sites A Complete Guide to 878 UNESCO World Heritage Sites, , Sep 1, 2009, Travel, 832 pages. Each site has an entry explaining its historical and cultural significance, with a description and location map.. New Directions in Albanian Archaeology Studies Presented to Muzafer Korkuti, Lorenc Bejko, Richard Hodges, 2006, , 471 pages. This book is a celebration of the 70th birthday of Muzafer Korkuti, one of Albania's most eminent archaeologists. Korkuti's work has focused on European prehistory, with .... London , Paul Mason, Rob Bowden, Oct 1, 2006, , 61 pages. Explores the history, people, economy, transportation, and culture of London.. Eternal Butrint A UNESCO World Heritage Site in Albania, Richard Hodges, Lord Rothschild, 2006, , 256 pages. Located at a crossroads in the Mediterranean, the site of Butrint is a microcosm of changes in the region over the last 3,000 years. -
The Evans Quartet I
e NOW AVAILABLE ON DECCA (' Official S.P.E.B.S. Q.S.A. Recordings l.l3!1@~ THETOl'TEN .. ~ BARBERSHOP .QUARTETS '62 ~O~A 1I~ !lArr~s • " •••.•..,," fOU,l,ISClISv , 11 ~ .. ";" 'COlCI':!US.'!' .••.• ~ A,"'" 1~(IU"IOhns. II) ...... 1~!INII etyMS • DL 4313 - DL 74313 (5) DL 4314 - DL 74314 (5) TEN YEARS OF BRIGHTEN THE CORNER BARBERSHOP CHAMPIONS THE SCHMITT BllOTHERS OHidal S.P.E,B,S.Q,S.A. Reco,ding. Roses Of Pleardy • Shine' Too-Ra·Lac·Ra BARBERSHOP QUARTET loo·Ral (That's An Irish Lullaby) • Whtm Brighten The Corner Where You Are • The Morning Glories Wake Up In The Saviour, Again To Thy Dear Name. Bring. Morning (Then I'll Kiss Your Two lips Ing In The Sheaves. Bless ThIs Houso • Goodnight) • Tho Sweetheart Of Sigma Chi Standing On The Promises • Softly And •I Believe' Good.Byo, D]xle, Good.Bye • Tondorly • Were You There? • Abide With Thore's A Rose On Your Cheek • Last Me • Nearer To The Heart Of God. Load, Night On The ,Back Porch (I Loved Her Kindly Light. Nearer My God To Thee. Best Of All) • That Tumble Down Shack In Je!us, My Lord, My God, My All • Holy, u Athlone • Down By The Old Mill Stream' Holy, Holy, Lord God Almighty, May The Hard Hearted Hannah (The Vamp Of Good Lord Bless And Keep You Savannah) DL 4022 DL 8997 • DL 78997 (8) March-April VOL. XXIll 1963 No.2 International Board of Directors l111emalional Officers PH'sidelll, Wayne Foor, 166 Dtlmtade Rood, Roche'iftl THE IiARMONIZER is Ihe official publication of Ihe Socicty for the PrCKlV,lrion and 17. -
Songs by Artist
Nice N Easy Karaoke Songs by Artist Bookings - Arie 0401 097 959 10 Years 50 Cent A1 Through The Iris 21 Questions Everytime 10Cc Candy Shop Like A Rose Im Not In Love In Da Club Make It Good Things We Do For Love In Da' Club No More 112 Just A Lil Bit Nothing Dance With Me Pimp Remix Ready Or Not Peaches Cream Window Shopper Same Old Brand New You 12 Stones 50 Cent & Olivia Take On Me Far Away Best Friend A3 1927 50 Cents Woke Up This Morning Compulsory Hero Just A Lil Bit Aaliyah Compulsory Hero 2 50 Cents Ft Eminem & Adam Levine Come Over If I Could My Life (Clean) I Don't Wanna 2 Pac 50 Cents Ft Snoop Dogg & Young Miss You California Love Major Distribution (Clean) More Than A Woman Dear Mama 5Th Dimension Rock The Boat Until The End Of Time One Less Bell To Answer Aaliyah & Timbaland 2 Unlimited 5Th Dimension The We Need A Resolution No Limit Aquarius Let The Sun Shine In Aaliyah Feat Timbaland 20 Fingers Stoned Soul Picnic We Need A Resolution Short Dick Man Up Up And Away Aaron Carter 3 Doors Down Wedding Bell Blues Aaron's Party (Come And Get It) Away From The Sun 702 Bounce Be Like That I Still Love You How I Beat Shaq Here Without You 98 Degrees I Want Candy Kryptonite Hardest Thing The Aaron Carter & Nick Landing In London I Do Cherish You Not Too Young, Not Too Old Road Im On The Way You Want Me To Aaron Carter & No Secrets When Im Gone A B C Oh, Aaron 3 Of Hearts Look Of Love Aaron Lewis & Fred Durst Arizona Rain A Brooks & Dunn Outside Love Is Enough Proud Of The House We Built Aaron Lines 3 Oh 3 A Girl Called Jane Love Changes