Exhibiting Racism: the Cultural Politics of Lynching Photography Re-Presentations
EXHIBITING RACISM: THE CULTURAL POLITICS OF LYNCHING PHOTOGRAPHY RE-PRESENTATIONS by Erika Damita’jo Molloseau Bachelor of Arts, Western Michigan University, 2001 Master of Arts, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH COLLEGE OF ARTS AND SCIENCES This dissertation was presented August 8, 2008 by Erika Damita’jo Molloseau It was defended on September 1, 2007 and approved by Cecil Blake, PhD, Department Chair and Associate Professor, Department of Africana Studies Scott Kiesling, PhD, Department Chair and Associate Professor, Department of Linguistics Lester Olson, PhD, Professor, Department of Communication Dissertation Advisor, Ronald Zboray, PhD, Professor and Director of Graduate Study, Department of Communication ii Copyright © by Erika Damita’jo Molloseau 2008 iii EXHIBITING RACISM: THE CULTURAL POLITICS OF LYNCHING PHOTOGRAPHY RE-PRESENTATIONS Erika Damita’jo Molloseau, PhD University of Pittsburgh, 2008 Using an interdisciplinary approach and the guiding principles of new historicism, this study explores the discursive and visual representational history of lynching to understand how the practice has persisted as part of the fabric of American culture. Focusing on the “Without Sanctuary: Lynching Photography in America” exhibition at three United States cultural venues I argue that audiences employ discernible meaning making strategies to interpret these lynching photographs and postcards. This examination also features analysis of distinct institutional characteristics of the Andy Warhol Museum, Martin Luther King Jr. National Historic Site, and the Charles H. Wright Museum of African American History, alongside visual rhetorical analysis of each site’s exhibition contents.
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