DOCSLIB.ORG

Michelle Lee

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Michelle Lee MICHELLE LEE Gender: Female Service: See Representation Below Height: 5 ft. 7 in. Mobile: 310-766-4393 Weight: 125 pounds E-mail: [email protected]... Eyes: Brown Web Site: http://www.actressmi... Hair Length: Long Waist: 27 Inseam: no info Shoe Size: 7.5 Physique: Athletic Coat/Dress Size: 4 Ethnicity: Asian, Mixed, Pacific Islander / Polynesian Photos Film Credits Pacific Rim Rinko Kikuchi Lead Stunt Double Branko Raki Pirates of the Caribbean 3 & 4 Fighter and Mermaid George Ruge Avatar: The Last Airbender Kyoshi Warrior Fighter Markos Rounthwaite and Ben Cooke Cold Fusion Lead Stunt Actress Reycho (Bulgaria) Crank 2 Fighter Jason Rodriguez Takers Stunt Driving Lance Gilbert Surrogates Stunt Fall Wade Eastwood Gamer Stunt Fall Darrin Prescott Television Lost Sun Double Mike Trisler Death Valley Stunt Zombie Phil Tan Flash Forward Stunts Danny Weselis CSI New York Stunt Actress Norm Howell CSI Las Vegas Stunt Actress Jon Epstein Crash Linda Park Stunt Double Clint Lilley Generated on 09/26/2021 01:30:16 pm Page 1 of 3 Hiro Koda Heros Stunts Spike Silver Knight Rider Smith Cho Stunt Double Danny Wynans Numbers Stunts Jim Vickers Commercial Propel Fitness Water Martial Artist Athlete Stage Music Videos Niki Manaj Double Motion Capture God of War 3 Mocap Actress and Stunt Sony Guild Affiliations SAG / AFTRA Stunt Teams No Affiliation at this time. Stunt Skills Stunt Skills: Ratchets, Squibs, Air Rams, Horseback Riding, Fight-Guy/Gal - General, Martial Artist, Certified Scuba Diver - PADI, Wire Work, Hong Kong Wire Work, Weapons ~ General, Motion Capture, Stunt Driving, Martial Arts: Kung Fu, Martial Arts: Karate, Martial Arts: Tae Kwon Do, Martial Arts: Krav Maga, Martial Arts: Eskrima, Martial Arts: Wushu, Weapons: Sword, Weapons: Guns, Weapons: Knife, Weapons: Staff, Weapons: Nunchaku, Weapons: Katana, Chinese Swords: Butterfly Sword, Chinese Swords: Dao, Chinese Swords: Dadao, Chinese Swords: Guandao, Chinese Swords: Hook Sword, Chinese Swords: Iron Sword, Chinese Swords: Jian, Chinese Swords: Liuyedao, Chinese Swords: Nandao, Chinese Swords: Niuweidao, Chinese Swords: Piandao, Chinese Swords: Pudao, Chinese Swords: Wodao, Chinese Swords: Yanmaodao, Chinese Swords: Zhanmadao, Car Work, Mini Tramp Athletic Skills: Boxing , Martial Arts, Swimming, Snow Skiing, Snowboarding, Yoga Accents: Chinese, French, Southern, Spanish, Japanese, Mexican, New York (Bronx), New York (Brooklyn), Texan, Hawaiian Spoken Languages: Chinese, Cantonese, Mandarin Dance: Club/Freestyle, Salsa, Swing Training Awards SAG Award for Pirates of the Caribbean 3, Nomination for Stunt Ensemble , 2007 References Generated on 09/26/2021 01:30:16 pm Page 2 of 3 **Available Upon Request**, **Available Upon Request**, **Available Upon Request** Stunt Skills Work History: Commercial, Film, Industrial, Internet Projects, Music Video, Radio, Television, Theater, Voice Over Job Categories: Dialogue / Acting, Editing, Stunts, Visual Effects, Fight Coordinator, Fight Choreographer, Motion Capture, Stunt Double, Stunt Driver, Consultant: (Water Safety / Training) Prior Job Title(s): Stunt Double / Stunt Performer, Stunt Actress / Motion Capture Actress, Fighter / Stunts Are you willing to work Globally?: yes Authorized to work in United States?: yes What state are you considered a Local Hire?: California What state are you considered a Local Hire?: California Do you have a valid passport?: yes Generated on 09/26/2021 01:30:16 pm Page 3 of 3.
Load more

Recommended publications
  • Records of the Medieval Sword Free
    FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser.
    [Show full text]
  • Uhm Phd 4323 R.Pdf
    4 ONfvERsrr'( O~ HhW6i! LI~RbR~ PREDICTION? PRESCRIPTION? AN ANALYSIS OF CHINESE AND ENGLISH MODALITIES: A COMPARATIVE APPROACH A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN EAST ASIAN LANGUAGES AND LITERATURES (CHINESE) MAY 2003 BY Shao-Iing Wang Dissertation Committee: Tao-chung (Ted) Yao, Chairperson Ying-che Li Robert. L. Cheng Chin-tang Lo Cynthia Ning © 2003, Shao-ling Wang All rights reserved iii ACKNOWLEDGEMENTS I am not quite sure why my parents, You-min Chen and Yung-jang Wang. since my early years of schooling, have not cared too much about what is taught at school, but instead about what I have learned or sensed from the outside world, from the surroundings. However I know that from then on the passion for languages became what Shakespear's Leontes calls magic, "an artlLawful as eating" (Estrin, 1994). I remember that most ofthe days when other students were cramming for exams, I was sitting in my parents' language classes, becoming cultivated in the exquisite syntax and semantics of the tool for human communication. Most importantly, I was inspired by how to efficiently and effectively transmit a natural language to a non-native speaker of that language. In college, I was privileged to meet Dr. Chin-tang Lo who later supported my receipt of a Teaching Assistant Fellowship in the Ph.D program at the Department of East Asian Languages and Literatures. For the past four and half years, I have been lucky to have my advisor, Dr.
    [Show full text]
  • Rules for International Wushu Taolu Competition
    Rules for International Wushu Taolu Competition International Wushu Federation November 2005 1 CONTENTS CHAPTER 1 ORGANIZATIONAL STRUCTURE Article 1 Competition Committee Article 2 Jury of Appeal Article 3 Officials Article 4 Duties of Contest Officials Article 5 Duties of Support Staff CHAPTER 2 GENERAL RULES FOR COMPETITION Article 6 Types of Competition Article 7 Competition Events Article 8 Age-groups in Competition Article 9 Appeals Article 10 Determination of the Starting Order of Competition Article 11 Registry Article 12 Protocol Article 13 Timekeeping Article 14 Display of Scores Article 15 Default Article 16 Anti-doping Test Article 17 Placing Article 18 Application for Recognition of Innovative Movements Article 19 Other Competition Regulations CHAPTER 3 SCORING METHODS & CRITERIA Article 20 Scoring Methods & Criteria for Optional Events Article 21 Scoring Methods & Criteria for Events Without Specific Requirements for Degree of Difficulty Article 22 Decimal System of Scores Article 23 Determination of Actual Scores Article 24 Determination of Final Scores Article 25 Scoring Methods Without Computer Scoring System Article 26 Bonus and Deduction by Head Judge 2 CHAPTER 4 REQUIREMENTS FOR OPTIONAL TAOLU Article 27 Requirements for Optional Changquan, Jianshu, Daoshu, Qiangshu and Gunshu Article 28 Requirements for Optional Taijiquan and Taijijian Article 29 Requirements for Optional Nanquan, Nandao and Nangun 3 CHAPTER 1 ORGANIZATIONAL STRUCTURE Article 1 Competition Committee The Competition Committee of the World Championships and the World Cup shall be composed of wushu experts appointed by the International Wushu Federation and the Organizing Committee. It is held responsible for all work of the Competition. According to the scale of competition, each continental, regional or national federation may form its own Competition Committee or Department composed of technical officials to take charge of the whole organizational work of the Competition under the leadership of the Organizing Committee.
    [Show full text]
  • Athlete Wushu Taolu Event Gender Barehand Short Weapon Long Weapons Total Rank
    Athlete Wushu Taolu Event Gender Barehand Short Weapon Long Weapons Total Rank Chang, Kai-Hsin Group C Combined ChangQuan/Daoshu/Gunshu M 7.97 8.43 8.31 24.71 1 Liu, Allen Group C Combined ChangQuan/Daoshu/Gunshu M 8.09 8.2 8.22 24.51 2 Liu, Alfred Group C Combined ChangQuan/Daoshu/Gunshu M 8.09 8.06 8 24.15 3 Zhou, Martin Group C Combined ChangQuan/Jianshu/Qiangshu M 8.23 8.17 7.78 24.18 1 Amigoud, Daniel Group C Combined ChangQuan/Jianshu/Qiangshu M 8.20 8.01 7.97 24.18 1 Yuyi-Ting, Cabot Group C Combined ChangQuan/Jianshu/Qiangshu M 8.07 7.96 7.95 23.98 3 Wang, Kaitlyn Group C Combined ChangQuan/Daoshu/Gunshu F 8.54 8.38 8.43 25.35 1 Tran, Tiana Group C Combined ChangQuan/Daoshu/Gunshu F 8.44 8.39 8.48 25.31 2 Tang-Ruggiero, Lia Group C Combined ChangQuan/Daoshu/Gunshu F 8.52 8.36 8.34 25.22 3 Sun, Amanda Group C Combined ChangQuan/Jianshu/Qiangshu F 8.58 8.3 8.42 25.30 1 Lee, Chloe Group C Combined ChangQuan/Jianshu/Qiangshu F 8.22 8.26 8.35 24.83 2 Choy, Candace Group C Combined ChangQuan/Jianshu/Qiangshu F 7.99 7.79 7.86 23.64 3 Lam, Rex Group A/B Combined ChangQuan/Daoshu/Gunshu M 8.94 8.75 9.02 26.71 1 Luong, Derek Group A/B Combined ChangQuan/Daoshu/Gunshu M 8.65 8.63 8.77 26.05 2 Liu, Dylan Group A/B Combined ChangQuan/Daoshu/Gunshu M 8.97 8.21 8.62 25.80 3 Leung, Kiyan Group A/B Combined ChangQuan/Daoshu/Gunshu F 8.69 8.50 8.67 25.86 1 Fejedelem, Julia Group A/B Combined ChangQuan/Daoshu/Gunshu F 8.68 8.12 8.63 25.43 2 He, Laura Group A/B Combined ChangQuan/Daoshu/Gunshu F 7.86 8.07 7.12 23.05 3 Ho, Louis Group A/B Combined
    [Show full text]
  • Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
    Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade.
    [Show full text]
  • The Long Sword Free Download
    THE LONG SWORD FREE DOWNLOAD Christian Cameron | 448 pages | 03 May 2016 | Orion Publishing Co | 9781409137511 | English | London, United Kingdom Long Swords Fans of medieval blade replicas are sure to appreciate the expert craftsmanship evident in the Agincourt War Sword. The end of the Bronze Age: changes in warfare and the catastrophe ca. The medieval long sword looks stunning and feels great to use. Decorative Weapons. Free Shipping. The sword has been especially associated with the Marathaswho were famed for their cavalry. Swords with exceptionally long hilts are found throughout the High Middle Ages, but these remain rare, and are not representative of The Long Sword identifiable trend before the late 13th or early 14th century. Long Swords. As noted above, the terms longswordbroad swordgreat swordand Gaelic claymore are used relative to the era under consideration, and each term designates a particular type of sword. Archived from the original on 29 June Hot this week in Long Sword. All Rights The Long Sword. Functional Weapons. The hunter must take some risks, in order to fill up his Spirit Gauge, which, once full, increases damage dealt and enables the sword to unleash a powerful Spirit Combo: a fast combo with 5 attacks that can be extended for up to 7 hits, and can be canceled out or finished The Long Sword any time with a Fade Slash. September, Buy It Now. Show only see all. Hwandudaedo Seven- Branched The Long Sword. Bronze Age — Gojoseon Liaoning bronze dagger culture. Codified systems of fighting with the longsword existed from the later 14th century, with a variety of styles and teachers each providing a slightly different take on the art.
    [Show full text]
  • Claymore Free Download
    CLAYMORE FREE DOWNLOAD Norihiro Yagi | 208 pages | 02 Jun 2008 | Viz Media, Subs. of Shogakukan Inc | 9781421506180 | English | San Francisco, United States Claymore's Dual Ethereum AMD+NVIDIA GPU Miner Theron Martin, also of Anime News Networksays in his review of volume 14 that "the Claymore has lost some of its luster, and it seems like less and less is actually happening Claymore each volume". Over top of this, several pieces of plate armor are worn: shin-high, slightly heeled metal boots sabatonslarge wrist-guards vambracesshoulder Claymore pauldrons and a partial skirt fauld. It is not clear if the United States Picatinny Arsenal took the concept from the Canadian weapon and asked Norman MacLeod to develop it, or if he Claymore the design independently and presented it to them. This loss of appetite appears to be a result of taking in Yoma flesh; Yoma are capable of staving off hunger for up to two weeks on end. Claymores' eyes are the only visible trait that sets them Claymore from regular humans. Claymore female warriors wear armored uniforms. Dauf and Rigardo are such Claymore. The mine can be detonated by any mechanism that activates the blasting cap. Time Traveler for claymore The first known use of claymore was in See more words from the same year. Two more DVD volumes and one more limited Claymore set are planned for Claymore on March 26, In Galatea's case, she can also Claymore others' emotions from that distance as if she were right next to them. Alicia and Beth both wear completely black uniforms of the same material, saving the Claymore the trouble of having to constantly make new uniforms for them Claymore they need to Claymore.
    [Show full text]
  • Religion and Nationalism in Chinese Societies
    RELIGION AND SOCIETY IN ASIA Kuo (ed.) Kuo Religion and Nationalism in Chinese Societies Edited by Cheng-tian Kuo Religion and Nationalism in Chinese Societies Religion and Nationalism in Chinese Societies Religion and Society in Asia The Religion and Society in Asia series presents state-of-the-art cross-disciplinary academic research on colonial, postcolonial and contemporary entanglements between the socio-political and the religious, including the politics of religion, throughout Asian societies. It thus explores how tenets of faith, ritual practices and religious authorities directly and indirectly impact on local moral geographies, identity politics, political parties, civil society organizations, economic interests, and the law. It brings into view how tenets of faith, ritual practices and religious authorities are in turn configured according to socio-political, economic as well as security interests. The series provides brand new comparative material on how notions of self and other as well as justice and the commonweal have been predicated upon ‘the religious’ in Asia since the colonial/imperialist period until today. Series Editors Martin Ramstedt, Max Planck Institute for Social Anthropology, Halle Stefania Travagnin, University of Groningen Religion and Nationalism in Chinese Societies Edited by Cheng-tian Kuo Amsterdam University Press This book is sponsored by the 2017 Chiang Ching-kuo Foundation for International Scholarly Exchange (Taiwan; SP002-D-16) and co-sponsored by the International Institute of Asian Studies (the Netherlands). Cover illustration: Chairman Mao Memorial Hall in Beijing © Cheng-tian Kuo Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press.
    [Show full text]
  • Moscow Wushu Stars 2017
    International Wushu Tournament MOSCOW WUSHU STARS 2017 17-22 February, 2017 Moscow (Russia) REGULATIONS 1. DATE AND PLACE International tournament "Moscow Wushu Stars" will be held from 17th to 22nd February 2017 in Moscow (Russia). Teams must arrive the 17th February 2017 prior to 14:00 (see Competition schedule). 2. COMPETITION VENUE Moscow Wushu Palace (address: 30/2, b. 1, Khersonskaya str, Moscow). 3. PARTICIPANTS 3.1 Those eligible to participate are national teams from EWUF member countries and IWUF member countries. 3.2 All applications shall bear the signature of the respective team manager. 3.3 There is no limitation for the number of teams from one country. 3.4 There is no limitation of team size. 4. PARTICIPATION FEE 20 Euro - for the 1st event. 10 Euro - for the 2nd and 3rd event if any. 5. JUDGES Each team may send a qualified judge. 6. EVENTS 6.1 TAOLU 6.1.1 AGE CATEGORIES “Children B”: full age 7-8; "Children A": full age 9 – 11; "Cadets": full age 12 – 14; "Juniors": full age 15 – 17; "Adults": full age 18 – 35; “Senior”: full age 36-60 (only for traditional events). The age calculation is based on the age on the 1st January 2017. 6.1.2 MODERN TAOLU Category "Children B" (age 7-8) Basic routines: Changquan, Daoshu, Jianshu, Qiangshu, Gunshu, Nanquan, Nandao, Nangun (16, 18, 20 forms). Category "Children A" (age 9-11) Compulsory routines: Changquan (No 3 Elementary Routine), Daoshu, Jianshu, Qiangshu, Gunshu, Nanquan, Nandao, Nangun (Elementary Taolu 32 form), Taijiquan (24 forms), Taijijian (32 forms).
    [Show full text]
  • Preliminary Pages
    UNIVERSITY OF CALIFORNIA RIVERSIDE Transnational Negotiations and the Interplay Between Chinese and Western Detective Fiction at the Turn of the Twentieth Century A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Ruijuan Hao September 2012 Dissertation Committee: Dr. Marguerite Waller, Chairperson Dr. Vivian-Lee Nyitray Dr. Michelle Bloom Copyright by Ruijuan Hao 2012 The Dissertation of Ruijuan Hao is approved: _______________________________________________ _______________________________________________ _______________________________________________ Committee Chairperson University of California, Riverside Acknowledgements First and foremost, I profoundly thank my advisor Professor Marguerite Waller for always reading my work with care and patience, and for offering invaluable advice, suggestions, and guidance. She has been a constant and foundational source of intellectual, moral, and emotional support throughout graduate school. In addition, I am heavily indebted to Professor Vivian-Lee Nyitray who is always welcoming and has taught me to think critically about Chinese philosophy and culture. My gratitude also extends to Professor Michelle Bloom, a steady and grounding influence during my dissertation stage. Her insight, knowledge, and feedback have allowed me to broaden my scope of research and present my arguments more persuasively. I wish also to thank the wonderful people at the Department of Comparative Literature who are always there to help me, rain or shine, with their generosity and kindness. I thank Professors Thomas Scanlon, Sabine Doran, Mariam Lam, John Kim, Marguerita Long, Heidi Waltz, Yenna Wu, Yang Ye, and Perry Link for their guidance, support, and confidence in me. I also salute all my colleagues in the program with whom I have shared laughter and tears over the years, from whom I have learned so much, and of whom I have many beautiful memories.
    [Show full text]
  • The Syntax of Chinese
    This page intentionally left blank The Syntax of Chinese The past quarter of a century has seen a surge in Chinese syntactic research that has produced a sizeable literature on the analysis of almost every construction in Mandarin Chinese. This guide to Chinese syntax analyzes the majority of constructions in Chinese that have featured in theoretical linguistics in the past twenty-five years, using the authors’ own analyses as well as existing or potential alternative treatments. A broad variety of topics are covered, including categories, argument structure, passives, and anaphora. The discussion of each topic sums up the key research results and provides new points of departure for further research. This book will be invaluable both to students wanting to know more about the grammar of Chinese, and to graduate students and theoretical linguists interested in the universal principles that underlie human languages. james huang is a Professor in the Department of Linguistics at Harvard University. audrey li is a Professor in the Department of Linguistics and Department of East Asian Languages and Cultures at the University of Southern California. yafei li is a Professor in the Department of Linguistics at the University of Wisconsin–Madison. cambridge syntax guides General editors: P. Austin, B. Comrie, J. Bresnan, D. Lightfoot, I. Roberts, N. V. Smith Responding to the increasing interest in comparative syntax, the goal of the Cambridge Syntax Guides is to make available to all linguists major findings, both descriptive and theoretical, which have emerged from the study of particular languages. The series is not committed to working in any particular framework, but rather seeks to make language-specific research available to theoreticians and practitioners of all persuasions.
    [Show full text]
  • Claymore Free Ebook
    FREECLAYMORE EBOOK Norihiro Yagi | 192 pages | 23 Jun 2011 | Viz Media, Subs. of Shogakukan Inc | 9781421539355 | English | San Francisco, United States Claymore - The history of Clare: Priscilla digs Claymore into her rage during the fight against Teresa. When the Claymore ends, the Claymore called Clare begins her march to battle. The battle against a rare male Awakened Being rages on a mountain from which no Claymore has Claymore returned. As flesh is torn, and despair sets in, Clare surprises her new comrades. If Clare can land one blow against Riful, the Awakened Being will reveal more information about Priscilla. Miles away, Claymore lumbering horde of towering madness is Claymore the march. Looking for a movie the entire family can enjoy? Check out our picks for family friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. In a world rife Claymore deadly creatures called "youma", a young silver eyed woman, Clare, works on behalf of an organization that trains female youma halfbreeds into warriors with the ability to destroy these creatures. Considered a rogue for picking up a stray child and almost losing herself to her youma side by "Awakening", she is constantly assigned rather dangerous missions. Written by Anonymous. I've always been a fan of anime series, Claymore favourite being Berserk. I tend to focus a lot on the pacing Claymore the built tension when I watch anime, and Berserk is The master of pacing. Another thing I tend to focus on Claymore character development and overall sentimentality of the show.
    [Show full text]