Darcy Padilla Department of Art 6241
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EDITORIAL Can there be too much coverage of a conflict? The question may seem disrespectful, but it still needs to be asked, and answered. Page The program at Visa pour l’Image this year 4 features three exhibitions on the battle EXHIBITIONS for Mosul: Laurent Van der Stockt for Le Admission free of charge, Monde, Alvaro Canovas for Paris Match, and Lorenzo Meloni for Magnum Photos, every day from 10 am with Meloni having a more general approach to 8 pm, Saturday, presenting the collapse of the caliphate. The September 2 brutality of the attacks and the geopolitical , issues involved are so critical that the battle to Sunday certainly deserves attention, and extended September 17 attention. So there are three exhibitions: of a total of 25, three are on the battle for Mosul. As André Gide said: “Everything has already Page been said, but as no one was listening, it has 30 to be said all over again.” At Visa pour l’Image, our ambition is to show EVENING SHOWS and see the whole world, and so we have Monday, September wondered why, of the thirty or so armed 4 to Saturday, conflicts around the world, only a small September 9, 9.45 pm number are covered by a large proportion at Campo Santo of photojournalists. Of the many stories submitted and reviewed by our teams, a few dozen, either directly or indirectly, have VISA D’OR been on Mosul. And for the first time ever in AWARDS the history of the festival, the four nominees & All the awards for the Paris Match Visa d’or News award are on the same subject: Mosul. -
TRANSMISSION Pour L'image
Transmission pour l’image 2013 3 DAYS MONDAY, TUESDAY Transmission pour l’Image is a forum for meeting and discussing, and most & importantly it is for “transmission” from one generation of photojournalists - those behind the adventure of Visa pour l’Image with us - to the next generation. WEDNESDAY Transmission is not a course on how to “take photos” – quite the opposite. It SEPTEMBER is the photographers and picture editors who will take the time to talk about 2, 3 & 4, 2013 their work and the choices they have made, who will explain how they have produced, chosen, published and sold their pictures. Transmission is here so that young photojournalists can take on and carry on the values that are the basic principles which Visa pour l’Image has always Direct contact believed in. The first ten applicants will have the privilege of being part of this full- time experience over three days, listening, speaking and learning with the Talking to people professional participants. Hearing their JÉRÔME DELAY STANLEY GREENE chief photographer/Africa for photographer, NOOR photo experiences Associated Press agency Jérôme Delay is based in Johannesburg, and Stanley Greene has worked as a has been covering international news for photojournalist throughout the world, thirty years. reporting on war and poverty in Africa, the former Soviet Union, Central America, Asia and the Middle East, but is best known for JON LEE ANDERSON his work on the war in Chechnya. Stanley is a staff journalist with The New Yorker founding member of NOOR photo agency. Jon Lee Anderson has covered war zones including Afghanistan, Iraq, Uganda, Israel, FOR INFORMATION El Salvador, Northern Ireland, Lebanon, and JON JONES & REGISTRATION Iran. -
Edgar Morin’S Path of Complexity
FOREWORD EDGAR MORIN’S PATH OF COMPLEXITY ALFONSO MONTUORI Ndlr: A Montuori et l’éditeur de ‘On Complexity’ nous autorisent à reprender ici le texte anglais de la préface de l’ouvrage d’Edgar Morin qu’ils publient « ON COMPLEXITY » The reform in thinking is a key anthropological and historical problem. This implies a mental revolution of considerably greater proportions than the Copernican revolution. Never before in the history of humanity have the responsibilities of thinking weighed so crushingly on us. Does knowing that knowledge cannot be guaranteed by a foundation not mean that we have already acquired a first fundamental knowledge? And should this not lead us to abandon the architectural metaphor, in which the term “foundation” assumes an indispensable meaning, in favor of a musical metaphor of construction in movement that transforms in its very movement the constitutive elements that form it? And might we not also consider the knowledge of knowledge as a construction in movement? We need a kind of thinking that reconnects that which is disjointed and compartmentalized, that respects diversity as it recognizes unity, and that tries to discern interdependencies. We need a radical thinking (which gets to the root of problems), a multidimensional thinking, and an organizational or systemic thinking. History has not reached a stagnant end, nor is it triumphantly marching towards the radiant future. It is being catapulted into an unknown adventure. Edgar Morin: A Biblio-biography Perhaps the best way to provide a contextual introduction to Morin’s work is through an outline of his intellectual trajectory, in the form of a “biblio-biography.” A review of Morin’s journey helps us, I believe, to better understand the man and his mission in the essays that follow. -
Telling Stories to a Different Beat: Photojournalism As a “Way of Life”
Bond University DOCTORAL THESIS Telling stories to a different beat: Photojournalism as a “Way of Life” Busst, Naomi Award date: 2012 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. Telling stories to a different beat: Photojournalism as a “Way of Life” Naomi Verity Busst, BPhoto, MJ A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy School of Media and Communication Faculty of Humanities and Social Sciences Bond University February 2012 Abstract This thesis presents a grounded theory of how photojournalism is a way of life. Some photojournalists dedicate themselves to telling other people's stories, documenting history and finding alternative ways to disseminate their work to audiences. Many self-fund their projects, not just for the love of the tradition, but also because they feel a sense of responsibility to tell stories that are at times outside the mainstream media’s focus. Some do this through necessity. While most photojournalism research has focused on photographers who are employed by media organisations, little, if any, has been undertaken concerning photojournalists who are freelancers. -
Books Keeping for Auction
Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean -
2014-2015 Impact Report
IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide. -
Exposition Mémorial De Caen 2 Juin > 15 Septembre
photos EXPOSITION MÉMORIAL DE CAEN 2 JUIN > 15 SEPTEMBRE DOSSIER DE PRESSE © Photo : Charlie Cole, USA, Cole, : Charlie Newsweek © Photo Exposition en partenariat avec la Fondation Depuis plus de 60 ans, le concours annuel World Press Photo récompense les auteurs des meilleures photographies ayant contribué, pour l’année écoulée, au journalisme visuel. Des instants clés de l’histoire, revisités à travers 30 clichés emblématiques ayant obtenu le prix World Press Photo of the Year au cours des 30 dernières années, illustrent le meilleur du photojournalisme depuis la chute du mur de Berlin. Cette exposition unique sensibilise le public aux problé- matiques mondiales à travers des témoignages directs World Press Photo // 1996 des événements historiques et met le photojournalisme à Lucian Perkins, États-Unis, The Washington Post l’honneur via le travail de la Fondation World Press Photo. Tchétchénie. Bus sur la route qui mène à Grozny lors des affrontements entre les combattants pour l’indépendance Les clichés exposés sont accompagnés de vidéos de la Tchétchénie et les troupes russes. d’archives dans lesquelles les juges et les photographes du concours commentent les photos, mais également d’outils d’apprentissage numérique spécifiquement créés pour l’exposition. Revisiter les clichés emblématiques de ces trente dernières « 30 ans en années nous aide à apprécier les images d’aujourd’hui. Au sein d’une ère marquée par l’image, la consommation des médias et la nouvelle génération technophile, les 30 photos » expositions photographiques nous réunissent, brisent les mythes et offrent une expérience éducative inoubliable qui nous permet d’approfondir notre compréhension du Exposition présentée du monde au travers de récits historiques complexes. -
Nyc the Tribeca Show Organized by Carl Glassman and April Koral
Press Release apexart - nyc The Tribeca Show Organized by Carl Glassman and April Koral December 5 - December 21, 2019 291 Church Street, NYC Opening reception: Wednesday, December 4, 6-8pm Featuring work by: Carl Glassman, Staple Street, 1994 Max Blagg Donna Ferrato Carl Glassman Marc Kaczmarek Susan Rosenberg Jones Allan Tannenbaum More than two decades ago Tribeca-the-neighborhood became Tribeca-the-global-brand. Everything from racehorses to rap artists to bars, bracelets, and yachts have taken the name. “It has an ultra-cool, hip and happening feel to it,” said a Los Angeles designer about his new necklace, the Tribeca. Actually, no it doesn’t. Not to those who know the neighborhood. The Tribeca Show undertakes a de-branding of Tribeca through the perspectives of five Tribeca-based photographers and one local poet. Their work, each in a different way, counters the area’s over-hyped reputation for trendiness and glamour. The show is curated by April Koral and Carl Glassman, whose publication, The Tribeca Trib, has been chronicling Tribeca in news, features, and photography for 25 years. Photos by Glassman, a photojournalist and documentary photographer, along with images by photographers Donna Ferrato, Marc Kaczmarek, Susan Rosenberg Jones, and Allan Tannenbaum, along with a new poetry installation by Max Blagg, present a nuanced portrait of the neighborhood across decades that defies the media’s insistent focus on celebrity and wealth. Far more than its famous-but-rarely-seen residents such as Taylor Swift, Beyoncé and Justin Timberlake, or its annual film festival, the neighborhood—one of the city’s oldest—prizes its rich history and preserved 19th-century streetscape. -
Christopher Sims Chrissimsprojects.Com EDUCATION
Christopher Sims chrissimsprojects.com EDUCATION 2008 MFA, Studio Art. Maryland Institute College of Art. 2003 MA, Visual Communication. School of Journalism and Mass Communication. University of North Carolina at Chapel Hill. 1995 BA, History, cum laude. Duke University. 1993/4 German Studies and Documentary Film, University of Würzburg, Germany. AWARDS 2019 Global Seed Grant. Franklin Humanities Institute and the Office of Global Affairs/Mellon Global Enhancement Fund. Duke University. 2019 Faculty Research Grant. Trinity College of Arts & Sciences, Duke University. 2018 Short List, Kolga Tbilisi Photo Festival. 2018 International Studies Grant. Josiah Charles Trent Memorial Foundation Endowment Fund. 2018 Short List, FestFoto, Porto Alegre, Brazil. 2017 Archie Green Fellowship. American Folklife Center, U.S. Library of Congress. 2017 Publication Grant. Graham Foundation for Advanced Studies in the Fine Arts. 2016 Artists and Architects Study Grant. German Academic Exchange Service (DAAD). 2016 Faculty Research Grant. Trinity College of Arts & Sciences, Duke University. 2016 International Studies Grant. Josiah Charles Trent Memorial Foundation Endowment Fund. 2016 Short List, RADAR Prize. Spain. 2015 Arte Laguna Prize for Photographic Art. Organized by the Italian Cultural Association MoCA, with support from the Italian Head of State, and the patronage of, among others, the Ministry of Foreign Affairs, the Veneto Region, and the European Institute of Design (IED). 2015 Regional Artist Grant. ArtsGreensboro. 2015 Collaboration Development Grant. Council for the Arts, Duke University. 2015 Goethe-Institut Fellowship. German Academic Exchange Service (DAAD). 2015 Duke Initiative for Science & Society Photography Award. 2012 “100 Under 100: Superstar of Southern Art.” Oxford American. 2012 Short List, Athens Photo Festival. 2011 Short List, Forward Thinking Museum. -
Dossier De Presse
DOSSIER DE PRESSE Contacts presse 2e BUREAU Sylvie Grumbach [email protected] Marie-Laure Girardon [email protected] tel +33 1 42 33 93 18 www.2e-bureau.com PEUPLES & NATURE Expos p. 6 1992-2012 p. 12 Gilles Bassignac p. 13 Bayard Nature et Territoires / Emmanuel Boitier p. 7 Peter Bialobrzeski p. 6 Julio Bittencourt p. 11 Juan Manuel Castro Prieto p. 7 Cédric Delsaux p. 8 Raymond Depardon p. 9 Robert Doisneau p. 4 Marc Ferrez p. 8 Stuart Franklin p. 5 Anouk Garcia p. 10 Heidi & Hans-Jurgen Koch p. 11 Andreï Kamenev p. 13 Collectif Image Sans Frontière p. 4 José Medeiros p. 12 Agence Reuters p. 5 Agence Tyba p. 12 Jean-Michel Turpin p. 10 Pierre de Vallombreuse 1er juin au 30 septembre Edito Jacques Rocher maire de La Gacilly Un Festival Photo porteur pour l’image du Pays de la Gacilly, du Morbihan et de la Bretagne A coup sûr, La Gacilly peut se flatter d’être devenu un 3. Hommage à Robert Doisneau, maître de la haut lieu de la photographie : tous les spécialistes de photographie humaniste ce genre y exposent ou y ont exposé. On y trouve Robert Doisneau n’est pas un inconnu ; ses photos donc ce qui se fait de mieux en la matière. Pour la plus concernant la vie quotidienne à Paris lui ont procuré grande satisfaction des initiés, mais aussi d’un public qui la célébrité. Pourtant il restait quelques trésors cachés. trouve là, matière à évasion ainsi qu’à réflexion ; car le C’est le cas de la vingtaine de tirages jamais présentés photojournalisme aide à décrypter le monde qui se au public et qui le seront à La Gacilly. -
Photography in Dialogue
2530 Superior Ave., #403 Cleveland, OH 44114 www.spenational.org Collaborative Exchanges: HOST INSTITUTION Photography in Dialogue 51st SPE National Conference March 6-9, 2014 – Hilton Baltimore, MD Table of Contents GOLD LEVEL SPONSORS 2 Welcome from the Conference Chair 3 Welcome from the Host Institution 4 Sponsors Foldout Conference Schedule 5 Hotel Floor Plan PRESENTATION SCHEDULE & DETAILS Department of Photography 6 Thursday Sessions 9 Friday Sessions 15 Saturday Sessions 20 Presenter Bios & Index SPECIAL EVENTS 28 Daily Special Events Schedule 29 Silent Auction & Raffle 30 Film Festival 33 Book Signing Schedule EXHIBITS FAIR 34 Exhibits Fair Floor Plan & Exhibitor List 35 Sponsor & Exhibitor Contact Information SILVER LEVEL SPONSORS PORTFOLIO CRITIQUES & REVIEWS 38 Portfolio Critiques & Reviews Information 39 Portfolio Reviewers’ Index APPLAUSE 42 Awards & Recognitions 44 SPE Board of Directors, Staff, & Committees 45 Donors GENERAL INFORMATION 46 Map of Baltimore 48 Gallery & Museum Guide 50 Dining & Entertainment Guide 72 2015 Conference Description & Proposal Information Cover Image: Nicholas Kahn and Richard Selesnick, janus-symbiosis, 2010 Program Guide Design: Nina Barcellona Program Guide Co-Editors: Nina Barcellona and Ginenne Clark From The Conference Chair Welcome to Baltimore for the 51st SPE National Conference. Last year’s event celebrated a milestone of fifty years and I hope that this conference marks an auspicious beginning for the next fifty. We’ve worked hard to ensure that it will. The theme is Collaborative Exchanges: Photography in Dialogue. The key word in the title is “dialogue,” and we hope the programming will celebrate artistic practices that employ the photographic image while embracing relationships. This could be a social component, working directly with other artists or writers, creating dialogue with communities, forming collectives or shared resource banks, building public artworks, or otherwise working in expanded practice with others to make new art. -
National Geographic Adult Fall 2020
- A STORY IN PHOTOGRAPHS I SBN 978-1-4262-2165-1 NatGeoBooks @NatGeoBooks 90000 ADULT BOOKS CATALOG * IF YOU’RE WONDERING, THESE ARE THE COORDINATES OF HUBBARD HALL AT NATIONAL GEOGRAPHIC HEADQUARTERS 9 781426 221651 I FALL 2020 I NATIONAL GEOGRAPHIC PARTNERS LLC, a joint venture between The Walt Disney Company FOR ORDERS AFTER OCTOBER 1, 2020 and the National Geographic Society, is committed to bringing the world premium science, adventure Contact your Hachette Book Group Sales Representative or write: and exploration content across an unrivaled portfolio of media assets. NGP combines the global National Geographic television channels (National Geographic Channel, Nat Geo WILD, Nat Geo MUNDO, Nat Geo ALL U.S. AND CANADIAN PRICING TO SCHOOLS MISCELLANEOUS ORDERS AND LIBRARIES PEOPLE) with National Geographic’s media and consumer-oriented assets, including National Geographic All titles are free freight unless otherwise Hachette Book Group For complete information regarding noted. For details on the new free freight magazines; National Geographic studios; related digital and social media platforms; books; maps; children’s Order Department pricing terms, please contact: policy, please visit the Hachette Book 185 N. Mt. Zion Rd. Group Web site at: media; and ancillary activities that include travel, global experiences and events, archival sales, licensing and Hachette Book Group Lebanon, IN 46052 USA hachettebookgroup.com Customer Service e-commerce businesses. Furthering knowledge and understanding of our world has been the core purpose Call toll-free: 1-800-759-0190 185 N. Mt. Zion Road or call of National Geographic for 132 years, and now we are committed to going deeper, pushing boundaries, Fax toll-free: 1-800-286-9471 Lebanon, IN 46052 Hachette Book Group Call toll-free: 1-800-759-0190 Customer Service at: going further for our consumers … and reaching millions of people around the world in 172 countries and INTERNATIONAL ORDERS Fax toll-free: 1-800-286-9471 1-800-759-0190 43 languages every month as we do it.