Use of Videotape in HOV Lane Surveillance and Enforcement
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Air Quality in North America's Most Populous City
Atmos. Chem. Phys., 7, 2447–2473, 2007 www.atmos-chem-phys.net/7/2447/2007/ Atmospheric © Author(s) 2007. This work is licensed Chemistry under a Creative Commons License. and Physics Air quality in North America’s most populous city – overview of the MCMA-2003 campaign L. T. Molina1,2, C. E. Kolb3, B. de Foy1,2,4, B. K. Lamb5, W. H. Brune6, J. L. Jimenez7,8, R. Ramos-Villegas9, J. Sarmiento9, V. H. Paramo-Figueroa9, B. Cardenas10, V. Gutierrez-Avedoy10, and M. J. Molina1,11 1Department of Earth, Atmospheric and Planetary Science, Massachusetts Institute of Technology, Cambridge, MA, USA 2Molina Center for Energy and Environment, La Jolla, CA, USA 3Aerodyne Research, Inc., Billerica, MA, USA 4Saint Louis University, St. Louis, MO, USA 5Laboratory for Atmospheric Research, Department of Civil and Environmental Engineering, Washington State University, Pullman, WA, USA 6Department of Meteorology, Pennsylvania State University, University Park, PA, USA 7Department of Chemistry and Biochemistry, University of Colorado at Boulder, Boulder, CO, USA 8Cooperative Institute for Research in the Environmental Sciences (CIRES), Univ. of Colorado at Boulder, Boulder, CO, USA 9Secretary of Environment, Government of the Federal District, Mexico, DF, Mexico 10National Center for Environmental Research and Training, National Institute of Ecology, Mexico, DF, Mexico 11Department of Chemistry and Biochemistry, University of California at San Diego, San Diego, CA, USA Received: 22 February 2007 – Published in Atmos. Chem. Phys. Discuss.: 27 February 2007 Revised: 10 May 2007 – Accepted: 10 May 2007 – Published: 14 May 2007 Abstract. Exploratory field measurements in the Mexico 1 Introduction City Metropolitan Area (MCMA) in February 2002 set the stage for a major air quality field measurement campaign in 1.1 Air pollution in megacities the spring of 2003 (MCMA-2003). -
Area Codes Free Mp3 Download
Area codes free mp3 download click here to download Area Codes. Artist: Ludacris. www.doorway.ru MB · Area Codes. Artist: Ludacris. www.doorway.ru MB · Area Codes. Artist: Ludacris. Ludacris Feat. Nate Dogg Area Codes free mp3 download and stream. Ludicrous Area Codes mp3 Download. Ludacris Area Codes Feat Nate Dogg mp3. Bitrate: Ludacris Feat Nate Dogg Area Code Dj Cripster Refix mp3. Nate Dogg – Area Codes [dirty_flo]. Artist: Ludacris feat. Nate Dogg, Song: Area Codes [dirty_flo], Type: mp3, Duration: , Size: MB. № Area Codes () - file type: mp3 - download - bitrate: kbps. Nate Dogg Area Code Download Free Mp3 Song. Ludacris Feat. Nate Dogg- -Area Code mp3. Duration: min | Quality: Good Download. Nate Dogg- Area. Area Code Luda Criss Nate Dog Free Mp3 Download. Free Ludacris Area Codes Feat Nate www.doorway.ru3. Play & Download Size MB ~ ~ kbps. Buy Area Codes [feat. Nate Dogg] Start your day free trial of Unlimited to listen to this song plus tens of millions more songs. This is a bogus download! Nate Dogg - Area Codes Feat. Ludacris (DJ Critical Hype & Escapemtl Present - The Art Of Nate Dogg B). Download. Ludacris / Nate Dogg - Area. ludacris area codes free mp3 download Download Link www.doorway.ru?keyword=ludacris-area- codes-free-mp3-download&charset=utf Ludachris Free Mp3 Download in high quality bit. Play & Download Size MB ~ ~ kbps. Free Ludacris Area Codes Feat Nate www.doorway.ru3. I've Uploaded & Remasterized, Just to Enjoy Better Quality Audio & Video. Follow Us 4 More Music. Album: Word A Mouf / Rush Hour 2 Soundtrack Year: Phish ticket codes are redeemable to unlock a free stream of the Free MP3 downloads are still available for any pre ticket codes. -
Subway Shuffle, 1 × 1 Rush Hour, and Cooperative Chess Puzzles: Computational Complexity of Puzzles
Subway Shuffle, 1 × 1 Rush Hour, and Cooperative Chess Puzzles: Computational Complexity of Puzzles by Josh Brunner S.B., Computer Science and Engineering MIT (2019) Submitted to the Department of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Engineering and Computer Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2021 © Massachusetts Institute of Technology 2021. All rights reserved. Author................................................................ Department of Electrical Engineering and Computer Science May 21, 2021 Certified by. Erik Demaine Professor Thesis Supervisor Accepted by . Katrina LaCurts Chair, Master of Engineering Thesis Committee 2 Subway Shuffle, 1 × 1 Rush Hour, and Cooperative Chess Puzzles: Computational Complexity of Puzzles by Josh Brunner Submitted to the Department of Electrical Engineering and Computer Science on May 21, 2021, in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Engineering and Computer Science Abstract Oriented Subway Shuffle is a game played on a directed graph with colored edgesand colored tokens present on some vertices. A move consists of moving a token across an edge of the matching color to an unoccupied vertex and reversing the orientation of that edge. The goal is to move a token across a target edge. We show that it is PSPACE-complete to determine whether a particular target edge can be moved across through a sequence of Oriented Subway Shuffle moves. We show how this can be interpreted in the context of the motion-planning-through-gadgets framework, thus showing PSPACE-completeness of certain motion planning problems. In contrast, we show that polynomial time suffices to determine whether a particular token canever move. -
Brett Ratner
SLATE Brett Ratner Brett Ratner is one of Hollywood’s most successful filmmakers. His diverse films resonate with audiences worldwide and, as director, his films have grossed over $2 billion at the global box office. Brett began his career directing music videos before making his feature directorial debut at 26 years old with the action comedy hit Money Talks. He followed with the blockbuster Rush Hour and its successful sequels. Brett also directed The Family Man, Red Dragon, After the Sunset, X- Men: The Last Stand, Tower Heist and Hercules. Ratner has also enjoyed critical acclaim and box office success as a producer. He has served as an executive producer on the Golden Globe and Oscar winning The Revenant, starring Leonardo DiCaprio, Black Mass, starring Johnny Depp, and War Dogs, starring Jonah Hills ; and as a producer on Truth, starring Robert Redford and Cate Blanchett; I Saw the Light, starring Tom Hiddleston and Elizabeth Olsen; and Rules Don’t Apply, written, directed and produced by Warren Beatty. His other produced films include the smash hit comedy Horrible Bosses and its sequel, and the re-imagined Snow White tale Mirror Mirror. His additional producing credits include the documentaries Author: The JT LeRoy Story, Catfish, the Emmy-nominated Woody Allen - A Documentary, Helmut by June, I Knew It Was You: Rediscovering John Cazale, Chuck Norn's vs. Communism, the 5-time Emmy nominated and Peabody Award winning Night Will Fall, HBO’s Bright Lights, and National Geographic’s Before the Flood, with Fisher Stevens and Leonardo DiCaprio. He also executive produced and directed the Golden Globe-nominated FOX series Prison Break, and executive produced the television series Rush Hour, based on his hit films. -
Color Handout
Caring for Audiovisual Material: Webinar 10/23/13 3 Videotape and Optical Media Identification and Preservation Webinar October 23, 2013 Linda Tadic Audiovisual Archive Network [email protected] 1 What Will be Covered Physical properties of media Preservation issues Formats and identification 2 Heritage Preservation: Caring for Yesterday's Treasures--Today 1 Caring for Audiovisual Material: Webinar 10/23/13 3 What Will Not be Covered Digitization (that’s the webinar on October 30) Cataloging and metadata 3 Additional Resources Bibliography of web-based readings Archival video preservation labs vendor list (USA) List of current video formats 4 Heritage Preservation: Caring for Yesterday's Treasures--Today 2 Caring for Audiovisual Material: Webinar 10/23/13 3 VIDEO 5 Videotape in Brief If it has sprockets, it’s film – not video. 6 Heritage Preservation: Caring for Yesterday's Treasures--Today 3 Caring for Audiovisual Material: Webinar 10/23/13 3 Videotape in Brief Like audiotape, videotape is magnetic media. Video can come in reel or cassette form – like audiotape. It can carry both analog and digital signals – like audiotape. 7 Primary Concerns Multitude of formats (identification can be difficult) Format obsolescence Short Life Expectancy (LE) Environmental, organic, and human factors contributing to signal degradation 8 Heritage Preservation: Caring for Yesterday's Treasures--Today 4 Caring for Audiovisual Material: Webinar 10/23/13 3 How Videotape Started Thank Bing Crosby. First funded development of audiotape. In 1950 gave $50,000 to a start-up called Ampex to develop magnetic videotape. 9 How Videotape Started Original market/users: broadcasting Like other time-based media, formats for the consumer market quickly followed. -
Sources and Transformations of Particle-Bound Polycyclic Aromatic Hydrocarbons in Mexico City
Atmos. Chem. Phys., 6, 1733–1745, 2006 www.atmos-chem-phys.net/6/1733/2006/ Atmospheric © Author(s) 2006. This work is licensed Chemistry under a Creative Commons License. and Physics Sources and transformations of particle-bound polycyclic aromatic hydrocarbons in Mexico City L. C. Marr1,2, K. Dzepina3, J. L. Jimenez3, F. Reisen4, H. L. Bethel4, J. Arey4, J. S. Gaffney5, N. A. Marley5, L. T. Molina2, and M. J. Molina2,* 1Dept. of Civil and Environmental Engineering, Virginia Polytechnic Inst. and State Univ., Blacksburg, Virginia, USA 2Dept. of Earth, Atmospheric, and Planetary Sciences, Massachusetts Inst. of Technology, Cambridge, Massachusetts, USA 3Dept. of Chemistry and Biochemistry, and Cooperative Inst. for Research in Environmental Sciences (CIRES), Univ. of Colorado, Boulder, Colorado, USA 4Air Pollution Research Center and Department of Environmental Sciences, Univ. of California, Riverside, USA 5Argonne National Laboratory, Illinois, USA *now at: Dept. of Chemistry and Biochemistry, Univ. of California, San Diego, USA Received: 18 October 2005 – Published in Atmos. Chem. Phys. Discuss.: 13 December 2005 Revised: 9 March 2006 – Accepted: 21 March 2006 – Published: 23 May 2006 Abstract. Understanding sources, concentrations, and trans- tions during the late morning suggests that freshly emitted formations of polycyclic aromatic hydrocarbons (PAHs) in combustion-related particles are quickly coated by secondary the atmosphere is important because of their potent muta- aerosol material in Mexico City’s atmosphere and may also genicity and carcinogenicity. The measurement of particle- be transformed by heterogeneous reactions. bound PAHs by three different methods during the Mex- ico City Metropolitan Area field campaign in April 2003 presents a unique opportunity for characterization of these 1 Introduction compounds and intercomparison of the methods. -
RUSH HOUR Original Screenplay by Ross Lamanna
RUSH HOUR Original Screenplay by Ross LaManna FADE IN: EXT. LOS ANGELES - DAY The whole dysfunctional megalopolis, beige and blurry in the summer smog. If this is the American Dream, do me a favor and wake me up. EXT. LAX - DAY The traffic loop outside the terminals is gridlocked -- mostly with stretch limousines. INT. LAX - (INCLUDE NEWS REPORT MONTAGE) - DAY Inside, the airport is done up with festive posters, streamers and banners: Welcome - Pacific Partners Summit A planeload of cheerful CHINESE DELEGATES come into the crowded terminal. Some sport red T-shirts with a picture of Mao wearing Mickey Mouse ears. They get onto the people mover, passing by a TV REPORTER: REPORTER (to TV CAMERA) Eager to mend its tarnished image, Los Angeles has really put out the welcome mat for tomorrow's summit. The city promises quite a party as leaders from Japan, China, South Korea, Australia, the U.S. and others begin talks for the largest free-trade treaty in history. The SCENE changes to TAPE of DELEGATES from other countries arriving. Then, we see massive SECURITY PREPARATIONS all around the city. REPORTER (VO) (continuing) The one sour note is North Korea, the only Pacific Rim country not participating. There are rumors of secret meetings with North Korean representatives, but U.S. officials insist the North must first hold democratic elections, and halt its nuclear weapons program -- as they claimed to have done back in 1995. We CUT TO a heated debate in the UN SECURITY COUNCIL. Then ARTILLERY FIRE over the Korean DMZ. The SCENE returns to LAX. -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
DVCPRO PV Series Line-Up Catalog
DVCPRO PV Series Line-up Catalog (NTSC: 525) The DVCPRO PV Series Brings the Incredible Potential of Digital Video to Even More Professionals Panasonic’s DVCPRO equipment has earned wide acclaim, Why Professionals Prefer DVCPRO? durability is well-known. With DVCPRO, as evidenced by its Emmy Awards, and its superior picture The World-Standard Digital 1 the costs for equipment and maintenance Format and sound quality, reliability and cost-performance have are greatly reduced. made it the choice of broadcasters all around the world. DVCPRO’s superb picture and sound quality is recognized the world over. The 3 Reliable Compact Cassettes Now a new line of equipment, the DVCPRO PV series, DVCPRO family extends from a wide line with Extended Recording Time brings DVCPRO’s many advantages to video professionals of broadcasting equipment, to the new DVCPRO’s metal particle tapes are small in in a variety of fields. series that brings broadcast-level quality to size yet offer extended recording time and professionals in any field. Upward long storage life. Both tape costs and Originally developed to meet broadcasting needs, compatibility adds to the convenience of storage space requirements are reduced. DVCPRO combines superior digital performance with low this versatile, future-proof format. The metal particle tapes, which have proven themselves in broadcast use, Small Mechanism and Low maintenance costs. The extended recording time and 2 combine high rigidity and excellent Maintenance Costs compact, lightweight design of DVCPRO camera/recorders resistance to oxidation, to provide DVCPRO’s small mechanism has gained outstanding reliability even after repeated make them ideal not only for news gathering, but for events the recognition of the world’s broadcasters use or long-term storage. -
NBER WORKING PAPER SERIES USING BIG DATA to ESTIMATE CONSUMER SURPLUS: the CASE of UBER Peter Cohen Robert Hahn Jonathan Hall St
NBER WORKING PAPER SERIES USING BIG DATA TO ESTIMATE CONSUMER SURPLUS: THE CASE OF UBER Peter Cohen Robert Hahn Jonathan Hall Steven Levitt Robert Metcalfe Working Paper 22627 http://www.nber.org/papers/w22627 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 September 2016 We are grateful to Josh Angrist, Keith Chen, Joseph Doyle, Hank Farber, Alan Krueger, Greg Lewis, Jonathan Meer, and Glen Weyl for helpful comments and discussions. We are also grateful to Mattie Toma for excellent research assistance. The views expressed herein are those of the authors and do not necessarily reflect the views of the National Bureau of Economic Research. At least one co-author has disclosed a financial relationship of potential relevance for this research. Further information is available online at http://www.nber.org/papers/w22627.ack NBER working papers are circulated for discussion and comment purposes. They have not been peer-reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2016 by Peter Cohen, Robert Hahn, Jonathan Hall, Steven Levitt, and Robert Metcalfe. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Using Big Data to Estimate Consumer Surplus: The Case of Uber Peter Cohen, Robert Hahn, Jonathan Hall, Steven Levitt, and Robert Metcalfe NBER Working Paper No. 22627 September 2016 JEL No. H0,J0,L0 ABSTRACT Estimating consumer surplus is challenging because it requires identification of the entire demand curve. -
Strategic Maneuvering and Mass-Market Dynamics: the Triumph of VHS Over Beta
Strategic Maneuvering and Mass-Market Dynamics: The Triumph of VHS Over Beta Michael A. Cusumano, Yiorgos Mylonadis, and Richard S. Rosenbloom Draft: March 25, 1991 WP# BPS-3266-91 ABSTRACT This article deals with the diffusion and standardization rivalry between two similar but incompatible formats for home VCRs (video- cassette recorders): the Betamax, introduced in 1975 by the Sony Corporation, and the VHS (Video Home System), introduced in 1976 by the Victor Company of Japan (Japan Victor or JVC) and then supported by JVC's parent company, Matsushita Electric, as well as the majority of other distributors in Japan, the United States, and Europe. Despite being first to the home market with a viable product, accounting for the majority of VCR production during 1975-1977, and enjoying steadily increasing sales until 1985, the Beta format fell behind theVHS in market share during 1978 and declined thereafter. By the end of the 1980s, Sony and its partners had ceased producing Beta models. This study analyzes the key events and actions that make up the history of this rivalry while examining the context -- a mass consumer market with a dynamic standardization process subject to "bandwagon" effects that took years to unfold and were largely shaped by the strategic maneuvering of the VHS producers. INTRODUCTION The emergence of a new large-scale industry (or segment of one) poses daunting strategic challenges to innovators and potential entrants alike. Long-term competitive positions may be shaped by the initial moves made by rivals, especially in the development of markets subject to standardization contests and dynamic "bandwagon" effects among users or within channels of distribution. -
A UNIVERSAL FORMAT for ARCHIVAL TAPE I, Proposal by Jim Wheeler December 1996
F A UNIVERSAL FORMAT FOR ARCHIVAL TAPE I, Proposal by Jim Wheeler December 1996 This year is the 40th anniversary of the Ampex Quadraples Videotape Recorder introduced in 1956. The quad format dominated for over 20 years, until it was finally replaced by the one inch type C format in 1978. Now, thousands of Quad tapes are sitting on archive shelves and many of them will probably die on the shelves. I. Introduction For most people in the TV Industry, the new videotape formats introduced at the National Association of Broadcasters Symposium in Las Vegas each year are exciting technological advances. But, for a person responsible for preserving the information recorded on videotapes, growth in the number of formats is a constant headache. Archives have collected vast numbers of videotapes in many different formats. While archivists wish to preserve this information, most institutions only have the resources to operate a few pieces of videotape equipment. Commonly, VHS and 314" U-Matic machines are found in smaller institutions, Betacam in a few others. Most do not have access to older broadcast equipment like Quad or I", and almost none have any of the newer digital equipment. The majority of these institutions are forced to reject acquisitions in formats they can not handle. If they do choose to keep these tapes, it is often without any realistic hope they will ever be able to see the images or preserve them. A national awareness of this problem is needed in the video industry. 11. Obsolete formats Figure 1 gives an idea of how many videotape formats exist in archives today.