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Air Quality in North America's Most Populous City
Atmos. Chem. Phys., 7, 2447–2473, 2007 www.atmos-chem-phys.net/7/2447/2007/ Atmospheric © Author(s) 2007. This work is licensed Chemistry under a Creative Commons License. and Physics Air quality in North America’s most populous city – overview of the MCMA-2003 campaign L. T. Molina1,2, C. E. Kolb3, B. de Foy1,2,4, B. K. Lamb5, W. H. Brune6, J. L. Jimenez7,8, R. Ramos-Villegas9, J. Sarmiento9, V. H. Paramo-Figueroa9, B. Cardenas10, V. Gutierrez-Avedoy10, and M. J. Molina1,11 1Department of Earth, Atmospheric and Planetary Science, Massachusetts Institute of Technology, Cambridge, MA, USA 2Molina Center for Energy and Environment, La Jolla, CA, USA 3Aerodyne Research, Inc., Billerica, MA, USA 4Saint Louis University, St. Louis, MO, USA 5Laboratory for Atmospheric Research, Department of Civil and Environmental Engineering, Washington State University, Pullman, WA, USA 6Department of Meteorology, Pennsylvania State University, University Park, PA, USA 7Department of Chemistry and Biochemistry, University of Colorado at Boulder, Boulder, CO, USA 8Cooperative Institute for Research in the Environmental Sciences (CIRES), Univ. of Colorado at Boulder, Boulder, CO, USA 9Secretary of Environment, Government of the Federal District, Mexico, DF, Mexico 10National Center for Environmental Research and Training, National Institute of Ecology, Mexico, DF, Mexico 11Department of Chemistry and Biochemistry, University of California at San Diego, San Diego, CA, USA Received: 22 February 2007 – Published in Atmos. Chem. Phys. Discuss.: 27 February 2007 Revised: 10 May 2007 – Accepted: 10 May 2007 – Published: 14 May 2007 Abstract. Exploratory field measurements in the Mexico 1 Introduction City Metropolitan Area (MCMA) in February 2002 set the stage for a major air quality field measurement campaign in 1.1 Air pollution in megacities the spring of 2003 (MCMA-2003). -
Top R &B /Hip -Hop Catalog Albums
OCTOBER. E Compiled by SoundScan from a national subset 2001 Billboard I Top R. H Ho Albu panel of core R &B /Hip -Hop stores. Y O C 2 W Q O z 3 G O 3 n o ARTIST TITLE á Ñ I- ARTIST TITLE ¿ (7 -' 3 M P R I N T & NUMBER /DISTRIBUTING LABEL á ° g S IMPRINT & NUMBER /DISTRIBUTING LABEL á rs° _-t NUMBER 1 % := 2 WAIMhadia1 50 37 23 JANET v:rum 10144.11298/18981 All For You 1 1 59 3 JAY -Z RorA- Fella /Del Joel 586396' /IGJMG112.98/1998: The Blueprint 1 47 42 12 LIL' ROMEO Saulja501981/F1mM,(1198/1798) LB. Romeo 5 #' HOT SHOT DEBUT # 45 35 8 GANGSTA BOO Hypnotize Minds/Loud 19z5/CRG112.93E0/17981 Both Worlds, *69 8 1 GERALD LEVERT Elektra62855/EEGnz9aId98, Gerald's World 2 © 52 41 65 NELLYA' Fo Reel 157743 /Universa1It2.9w1a98) Country Grammar 1 2 2 FABOLOUS Duo, Storm/110ton132b79' /LLG11298119981 Ghetto Fabolous 2 53 43 27 112 P,nr Boy 53039 /Arslau298/IB991 Part Ill 1 34 2 KILLARMY Wu- Tang /Loud19Z7/CRG(ts- SOE0/17.98) Fear Love & War 34 4 3 6 MAXWELL A Columbia 67136/CRG11298ED/18981 Now 1 - Roc- ell 3 1 4 MARY J. BLIGE MCA 112616.11298/1898) No More Drama 1 51 46 13 BEANIE SIGEL AF a /0et.1 ant 549538 /IDJMG11298/18NI The Reason 2 7 4 4 BRIAN MCKNIGHT Motowo014743+Universal(12.98 /18.981 Superhero 4 55 44 7 SOUUA SLIM No Linda South 2001p198/1798I The Streets Made Me 42 5 2 1C AALIYAH A En:c+.g,ound10082'11298/1899I Aaliyah 2 58 52 50 JA RULE A M, u der Inc /Dot Jam 542934./IDJMG1129w18.98) Rule 3:36 1 Anna751083/Arrem1,11298,19981 5 9 5 12 ALICIA KEYS A' J2000211198/1798) Songs In A Minor 1 60 50 10 KURUPT Space Boogie: Smoke Oddessey 3 1 0298EOi18981 t PACESETTER 4 g 0} Lit MACY GRAY Emc85200' The ID 9 cia 96 - 2 DENNIS DA MENACE 1ssAvenu woos 9scRI, The Wonderful World Of Dennis 60 12 10 7 USHER Arista 14715'112.98/18981 8701 3 40 56 38 6 VARIOUS ARTISTS Del Jam 586239/IDJMGlt98n891D The Source Hip -Hop Music Awards 2001 34 64 66 8 MR. -
* Feature Resume-Letrhd
Glenn Berkovitz, CAS <[email protected]> 310- 902-1148 Production Sound Mixer Films for theatrical release: MENTRYVILLE, Spores LLC / Studioline-Lionsgate - Dir.: Jason Dudek WHEN A STRANGER CALLS, Screen Gems / Sony Pictures - Dir.: Simon West SEXUAL LIFE, Showtime Pictures / Viacom - Dir.: Ken Kwapis ZERO EFFECT, Castle Rock Pictures / Columbia Pictures - Dir.: Jake Kasdan DAREDEVIL (extensive 2nd unit/additional photog.), 20th Century Fox - Dir.: Mark Steven Johnson LOST & FOUND (shared credit), Alcon Entertainment - Dir.: Jeff Pollack RUSH HOUR ; RUSH HOUR 2 (extensive additional photography), New Line Cinema - Dir.: Brett Ratner FREEJACK, Morgan Creek Films / Warner Bros. - Dir.: Geoff Murphy HARD PROMISES, Stone Group Films/Columbia Pictures - Dir.: Martin Davidson, Lee Grant SNIPER (U.S. unit), Tri-Star Films / Baltimore Pictures - Dir.: Luis Llhosa BUFFY THE VAMPIRE KILLER (extensive add’l photog.), 20th Century Fox Prod.-Dir.: Fran Kozui LOVE POTION #9 (shared credit), 20th Century Fox Productions - Dir.: Dale Launer YOUNG GUNS II, Morgan Creek Films/20th Century Fox Productions - Dir.: Geoff Murphy MANNEQUIN ON THE MOVE, Gladden Entertainment - Dir.: Stewart Raffill ROBOCOP 2, Orion Film Productions - Dir.: Irvin Kirshner REPOSSESSED, First Class Films/Carolco Productions - Dir.: Robert Logan MISS FIRECRACKER, Corsair Films/United Artists Films - Dir.: Thomas Schlamme THE HEART OF DIXIE, Steve Tisch Films/Orion Film Productions - Dir.: Martin Davidson LESS THAN ZERO, Avnet-Kerner Productions/20th Century Fox Prod. - Dir.: Marek -
Subway Shuffle, 1 × 1 Rush Hour, and Cooperative Chess Puzzles: Computational Complexity of Puzzles
Subway Shuffle, 1 × 1 Rush Hour, and Cooperative Chess Puzzles: Computational Complexity of Puzzles by Josh Brunner S.B., Computer Science and Engineering MIT (2019) Submitted to the Department of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Engineering and Computer Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2021 © Massachusetts Institute of Technology 2021. All rights reserved. Author................................................................ Department of Electrical Engineering and Computer Science May 21, 2021 Certified by. Erik Demaine Professor Thesis Supervisor Accepted by . Katrina LaCurts Chair, Master of Engineering Thesis Committee 2 Subway Shuffle, 1 × 1 Rush Hour, and Cooperative Chess Puzzles: Computational Complexity of Puzzles by Josh Brunner Submitted to the Department of Electrical Engineering and Computer Science on May 21, 2021, in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Engineering and Computer Science Abstract Oriented Subway Shuffle is a game played on a directed graph with colored edgesand colored tokens present on some vertices. A move consists of moving a token across an edge of the matching color to an unoccupied vertex and reversing the orientation of that edge. The goal is to move a token across a target edge. We show that it is PSPACE-complete to determine whether a particular target edge can be moved across through a sequence of Oriented Subway Shuffle moves. We show how this can be interpreted in the context of the motion-planning-through-gadgets framework, thus showing PSPACE-completeness of certain motion planning problems. In contrast, we show that polynomial time suffices to determine whether a particular token canever move. -
RUSH HOUR Missione Parigi
presenta una produzione Arthur Sarkissian e Roger Birnbaum Jackie Chan Chris Tucker in RUSH HOUR Missione Parigi un film di Brett Ratner uscita 5 ottobre 2007 Ufficio Stampa KEY FILMS Georgette Ranucci (+39 335 5943393 [email protected]) Alessandra Tieri (+39 335 8480787 [email protected]) CAST ARTISTICO Carter Chris Tucker Lee Jackie Chan Reynard Max Von Sydow Kenji Hiroyuki Sanada George Yvan Attal Jasmine Youki Kudoh Geneviève Noemie Lenoir Soo Yung Zhang Jingchu Albasciatore Han Tzi Ma Sorella Agnes Dana Ivey Maestro Yu Henry O. Masha Mia Tyler Delegato cinese Michael Chow Delegato britannico David Niven, JR Me Oanh Nguyen Ragazzo del kung fu Andrei Quang Gigante cinese Sun Ming Ming Infermiera Lisa Thornhill Killer francese M. Kentaro Poiliziotti francesi Ludovic Paris Richard Dieux Olivier Schneider Croupier Daniel Yabut Barman Frank Bruynbroek Moglie di George Julie Depardieu Ispettore Revi Roman Polanski credits not contractual CAST TECNICO Diretto da Brett Ratner Scritto da Jeff Nathanson Ispirato ai personaggi creati da Ross LaManna Direttore della fotografia J. Michael Muro Effetti speciali John Bruno Musiche Lalo Schifrin Costumi Betsy Heimann Montaggio Don Zimmerman, A.C.E. Dean Zimmerman Mark Helfrich, A.C.E. Scenografie Edward Verreaux Casting Ronna Kress, C.S.A. Co-Produttori James M. Freitag Leon Dudevoir Produttore esecutivo Toby Emmerich Prodotto da Arthur Sarkissian Roger Birnbaum Prodotto da Jay Stern Jonathan Glickman Andrew Z. Davis RUSH HOUR - Missione Parigi Nel cuore di Parigi si nasconde un segreto mortale che l’Ambasciatore Han si accinge a svelare. L’ambasciatore infatti, è entrato in possesso di nuove ed esplosive prove relative all’organizzazione interna delle Triadi – la più potente e tristemente nota organizzazione criminale del mondo - e ha scoperto la vera identità di Shy Shen, il perno attorno al quale ruota l’intera organizzazione. -
Brett Ratner
SLATE Brett Ratner Brett Ratner is one of Hollywood’s most successful filmmakers. His diverse films resonate with audiences worldwide and, as director, his films have grossed over $2 billion at the global box office. Brett began his career directing music videos before making his feature directorial debut at 26 years old with the action comedy hit Money Talks. He followed with the blockbuster Rush Hour and its successful sequels. Brett also directed The Family Man, Red Dragon, After the Sunset, X- Men: The Last Stand, Tower Heist and Hercules. Ratner has also enjoyed critical acclaim and box office success as a producer. He has served as an executive producer on the Golden Globe and Oscar winning The Revenant, starring Leonardo DiCaprio, Black Mass, starring Johnny Depp, and War Dogs, starring Jonah Hills ; and as a producer on Truth, starring Robert Redford and Cate Blanchett; I Saw the Light, starring Tom Hiddleston and Elizabeth Olsen; and Rules Don’t Apply, written, directed and produced by Warren Beatty. His other produced films include the smash hit comedy Horrible Bosses and its sequel, and the re-imagined Snow White tale Mirror Mirror. His additional producing credits include the documentaries Author: The JT LeRoy Story, Catfish, the Emmy-nominated Woody Allen - A Documentary, Helmut by June, I Knew It Was You: Rediscovering John Cazale, Chuck Norn's vs. Communism, the 5-time Emmy nominated and Peabody Award winning Night Will Fall, HBO’s Bright Lights, and National Geographic’s Before the Flood, with Fisher Stevens and Leonardo DiCaprio. He also executive produced and directed the Golden Globe-nominated FOX series Prison Break, and executive produced the television series Rush Hour, based on his hit films. -
Sources and Transformations of Particle-Bound Polycyclic Aromatic Hydrocarbons in Mexico City
Atmos. Chem. Phys., 6, 1733–1745, 2006 www.atmos-chem-phys.net/6/1733/2006/ Atmospheric © Author(s) 2006. This work is licensed Chemistry under a Creative Commons License. and Physics Sources and transformations of particle-bound polycyclic aromatic hydrocarbons in Mexico City L. C. Marr1,2, K. Dzepina3, J. L. Jimenez3, F. Reisen4, H. L. Bethel4, J. Arey4, J. S. Gaffney5, N. A. Marley5, L. T. Molina2, and M. J. Molina2,* 1Dept. of Civil and Environmental Engineering, Virginia Polytechnic Inst. and State Univ., Blacksburg, Virginia, USA 2Dept. of Earth, Atmospheric, and Planetary Sciences, Massachusetts Inst. of Technology, Cambridge, Massachusetts, USA 3Dept. of Chemistry and Biochemistry, and Cooperative Inst. for Research in Environmental Sciences (CIRES), Univ. of Colorado, Boulder, Colorado, USA 4Air Pollution Research Center and Department of Environmental Sciences, Univ. of California, Riverside, USA 5Argonne National Laboratory, Illinois, USA *now at: Dept. of Chemistry and Biochemistry, Univ. of California, San Diego, USA Received: 18 October 2005 – Published in Atmos. Chem. Phys. Discuss.: 13 December 2005 Revised: 9 March 2006 – Accepted: 21 March 2006 – Published: 23 May 2006 Abstract. Understanding sources, concentrations, and trans- tions during the late morning suggests that freshly emitted formations of polycyclic aromatic hydrocarbons (PAHs) in combustion-related particles are quickly coated by secondary the atmosphere is important because of their potent muta- aerosol material in Mexico City’s atmosphere and may also genicity and carcinogenicity. The measurement of particle- be transformed by heterogeneous reactions. bound PAHs by three different methods during the Mex- ico City Metropolitan Area field campaign in April 2003 presents a unique opportunity for characterization of these 1 Introduction compounds and intercomparison of the methods. -
Ally Confusion, Back Page
ally Confusion, Back Page The ather Today: unny, Windy, 30°F (-1°C) 0 Tonight: lear, old OaF (_17 ) Tomorrow: loudy 20°F (-7°C) Details Page 2 02139 AS to dis ibu Part of Techs om or oa By Jennifer Krishnan Board had decided to revoke The EWSEDITOR Tech's space at today's Activities The Executive Board of the Midway. After a hearing yesterday, ssociation of tudent ctivities held at the reque t of The Tech, subtracted about one-fourth of The however the board amended the Tech's office pace as a sanction for anction. violating ASA ru h rule . The deci ion is not appealable to This is the first time the A A has the SA Executive Board, but The revoked office space for ru h rules Tech may choose to appeal to A sis- violation, said A Pre ident tant Dean for Student Activitie lvar aenz-Otero G. Tracy F. Purinton or Dean for tu- Tech Chairman Jordan Rubin 02 dent Life Larry G. Benedict aenz- called the ruling "inappropriate ... I Otero aid. don't think what they've accused us Rubin said The Tech plans to of doing is even a crime at all.' he make uch an appeal. said. KAlLAS NARE DRAN-TJlE TECH "The A A ruling is based on Hou d Jeffrey C. Barrett '02 tests the Bucking Bronco of Death during East Campus rush on Monday. several recruitment adverti ements Among the offenses The Tech i place both in the general section of being sanctioned for are several The Tech as well as in the Daily "house ad " - advertisements Confu ion," aenz-Otero said. -
RUSH HOUR Original Screenplay by Ross Lamanna
RUSH HOUR Original Screenplay by Ross LaManna FADE IN: EXT. LOS ANGELES - DAY The whole dysfunctional megalopolis, beige and blurry in the summer smog. If this is the American Dream, do me a favor and wake me up. EXT. LAX - DAY The traffic loop outside the terminals is gridlocked -- mostly with stretch limousines. INT. LAX - (INCLUDE NEWS REPORT MONTAGE) - DAY Inside, the airport is done up with festive posters, streamers and banners: Welcome - Pacific Partners Summit A planeload of cheerful CHINESE DELEGATES come into the crowded terminal. Some sport red T-shirts with a picture of Mao wearing Mickey Mouse ears. They get onto the people mover, passing by a TV REPORTER: REPORTER (to TV CAMERA) Eager to mend its tarnished image, Los Angeles has really put out the welcome mat for tomorrow's summit. The city promises quite a party as leaders from Japan, China, South Korea, Australia, the U.S. and others begin talks for the largest free-trade treaty in history. The SCENE changes to TAPE of DELEGATES from other countries arriving. Then, we see massive SECURITY PREPARATIONS all around the city. REPORTER (VO) (continuing) The one sour note is North Korea, the only Pacific Rim country not participating. There are rumors of secret meetings with North Korean representatives, but U.S. officials insist the North must first hold democratic elections, and halt its nuclear weapons program -- as they claimed to have done back in 1995. We CUT TO a heated debate in the UN SECURITY COUNCIL. Then ARTILLERY FIRE over the Korean DMZ. The SCENE returns to LAX. -
NBER WORKING PAPER SERIES USING BIG DATA to ESTIMATE CONSUMER SURPLUS: the CASE of UBER Peter Cohen Robert Hahn Jonathan Hall St
NBER WORKING PAPER SERIES USING BIG DATA TO ESTIMATE CONSUMER SURPLUS: THE CASE OF UBER Peter Cohen Robert Hahn Jonathan Hall Steven Levitt Robert Metcalfe Working Paper 22627 http://www.nber.org/papers/w22627 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 September 2016 We are grateful to Josh Angrist, Keith Chen, Joseph Doyle, Hank Farber, Alan Krueger, Greg Lewis, Jonathan Meer, and Glen Weyl for helpful comments and discussions. We are also grateful to Mattie Toma for excellent research assistance. The views expressed herein are those of the authors and do not necessarily reflect the views of the National Bureau of Economic Research. At least one co-author has disclosed a financial relationship of potential relevance for this research. Further information is available online at http://www.nber.org/papers/w22627.ack NBER working papers are circulated for discussion and comment purposes. They have not been peer-reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2016 by Peter Cohen, Robert Hahn, Jonathan Hall, Steven Levitt, and Robert Metcalfe. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Using Big Data to Estimate Consumer Surplus: The Case of Uber Peter Cohen, Robert Hahn, Jonathan Hall, Steven Levitt, and Robert Metcalfe NBER Working Paper No. 22627 September 2016 JEL No. H0,J0,L0 ABSTRACT Estimating consumer surplus is challenging because it requires identification of the entire demand curve. -
06 SM 7/20 (TV Guide)
Page 6 THE NORTON TELEGRAM Tuesday, July 20, 2004 Monday Evening July 26, 2004 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Wife & Kid GLopez According Hope Fait Primetime Local Local Jimmy K KBSH/CBS Still Stand Yes Dear Raymond Two Men CSI Miami Local Late Show Late Late KSNK/NBC Fear Factor For Love Or Money Political Programming Local Tonight Show Conan FOX North Shore The Casino Local Local Local Local Local Local Cable Channels A&E Cold Case Fam Plots Fam Plots Airline Airline UK Crossing Jordan Cold Case AMC Once Upon A Time In the West Arrowhead ANIM Growing Up Elephant Animal Lifeline Animal Cops - Detroit Growing Up Elephant Animal Lifeline CNN Paula Zahn Now Larry King Live Newsnight Lou Dobbs Larry King Norton TV DISC Monster House Monster Garage American Chopper Monster House Monster Garage DISN Stuck in the Suburbs Raven Sis Bug Juice Lizzie Boy Meets Even E! Young Divas Dr. 90210 Howard Stern The "What The" Awar ESPN Monday Night Baseball Sportscenter Outside Sportscen ESPN2 ATP Masters Playmakers Carquest FAM Crimes of Fashion Whose Lin Whose Lin The 700 Club Funniest Funniest FX Courage Under Fire Rescue Me Courage Under Fire HGTV Smrt Dsgn Decor Ce Organize Dsgn Chal Dsgn Dim Dsgn Dme To Go Hunters Smrt Dsgn Decor Ce HIST UFO Files Deep Sea Detectives Investigating History The Shroud of Turin UFO Files LIFE Providence Locked Up: A Mothers Rage Golden Gr Golden Gr Nanny Nanny MTV Making Vi Special Road Rule Road Rule Road Rule Assistant MTV Special TRL Listings: NICK SpongeBo Drake Full Hous Full Hous -
4. Selva & Fénix ENG VF
David Selva -Ruiz Soundtrack Music Videos: https://orcid.org/0000-0002-9251-0045 [email protected] The Use of Music Videos Universidad de Cádiz as a Tool for Promoting Films Desirée Fénix-Pina https://orcid.org/0000-0001-8525-615X Abstract [email protected] Universidad de Cádiz The soundtrack music video is an audiovisual format used by the cultural industries of film and music as a commercial communication tool, since it is based on a song from the Submitted soundtrack of a film, so that both the artist that performs the song August 20th, 2020 Approved and the film itself obtain promotional benefits. This paper January 18th, 2021 conceptualizes this poorly studied phenomenon of cross- promotion connecting the music and film industries and uses a © 2021 content analysis of 119 music videos produced over a period of 33 Communication & Society years in order to study the importance of the artist and the movie ISSN 0214-0039 E ISSN 2386-7876 in the video, the various strategies developed in order to doi: 10.15581/003.34.3.47-60 accomplish its double promotional mission, and the specific www.communication-society.com formal and strategic features of this audiovisual format. Analysis reveals that the soundtrack music video has the distinctive feature 2021 – Vol. 34(3) of including promotional elements both for the musical artist and pp. 47-60 for the movie. Although the artist tends to be more prominent, the vast majority of music videos include images from the film or use How to cite this article: various ways of integrating the artist’s identity with the film’s Selva-Ruiz, D.