ARSC Guide to Audio Preservation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Index to the Library Chronicle: Subject Index
10/21/2020 The Index to the Library Chronicle: Subject Index Libraries Home | Mobile | My Account | Renew Items | Sitemap | Help The Index to the Library Chronicle: Subject Index A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Introduction Author Index Italicized page numbers refer to photographs and illustrations. A ^-top-^ "A" (Zukofsky), N.S. nos.38/39 (1987):77-105 A.D. Peters Agency. See Peters (A.D.) Agency A Tutti I Fedeli D'Amore (Alighieri), v.23, nos.2/3 (1993):132 Abbeychurch (Yonge), v.23, no.1 (1993):17-19 Abbott, Claude Colleer, Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69 ABC of Reading (Pound), v.20, nos.1/2 (1990):14-16, 17 Abernethy, Milton A. Contempo editorship, N.S. no.27 (1984):20-44; v.25, no.3 (1995):111-31, 119-20 photograph of, v.20, no.4 (1991):83 Pound's Draft of XXX Cantos and, v.25, no.3 (1995):126, 127-31 Abril, Manuel, line-drawing, N.S. no.13 (1980):23 Across the River and Into the Trees (Hemingway), N.S. no.30 (1985):16-28 Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103, 115 Acton, Harold, N.S. no.1 (1970):25 Actors. See individual actors Actresses. See individual actresses L'Adamo, sacra rapresentazione (Andreini), v.23, nos.2/3 (1993):126 Adams, Ansel, N.S. no.19 (1982):118, N.S. no.19 (1982):121 Adams, Maude, N.S. -
JAMU 20160316-1 – DUKE ELLINGTON 2 (Výběr Z Nahrávek)
JAMU 20160316-1 – DUKE ELLINGTON 2 (výběr z nahrávek) C D 2 – 1 9 4 0 – 1 9 6 9 12. Take the ‘A’ Train (Billy Strayhorn) 2:55 Duke Ellington and his Orchestra: Wallace Jones-tp; Ray Nance-tp, vio; Rex Stewart-co; Joe Nanton, Lawrence Brown-tb; Juan Tizol-vtb; Barney Bigard-cl; Johnny Hodges-cl, ss, as; Otto Hardwick-as, bsx; Harry Carney-cl, as, bs; Ben Webster-ts; Billy Strayhorn-p; Fred Guy-g; Jimmy Blanton-b; Sonny Greer-dr. Hollywood, February 15, 1941. Victor 27380/055283-1. CD Giants of Jazz 53046. 11. Pitter Panther Patter (Duke Ellington) 3:01 Duke Ellington-p; Jimmy Blanton-b. Chicago, October 1, 1940. Victor 27221/053504-2. CD Giants of Jazz 53048. 13. I Got It Bad (And That Ain’t Good) (Duke Ellington-Paul Francis Webster) 3:21 Duke Ellington and his Orchestra (same personnel); Ivie Anderson-voc. Hollywood, June 26, 1941. Victor 17531 /061319-1. CD Giants of Jazz 53046. 14. The Star Spangled Banner (Francis Scott Key) 1:16 15. Black [from Black, Brown and Beige] (Duke Ellington) 3:57 Duke Ellington and his Orchestra: Rex Stewart, Harold Baker, Wallace Jones-tp; Ray Nance-tp, vio; Tricky Sam Nanton, Lawrence Brown-tb; Juan Tizol-vtb; Johnny Hodges, Ben Webster, Harry Carney, Otto Hardwicke, Chauncey Haughton-reeds; Duke Ellington-p; Fred Guy-g; Junior Raglin-b; Sonny Greer-dr. Carnegie Hall, NY, January 23, 1943. LP Prestige P 34004/CD Prestige 2PCD-34004-2. Black, Brown and Beige [four selections] (Duke Ellington) 16. Work Song 4:35 17. -
How to Find Free, Reusable Content Online Rhode Island Library
Open Everything: How to find free, reusable content online Rhode Island Library Association Conference 2016, “Color Outside the Lines” Andrée Rathemacher • Julia Lovett • Angel Ferria University of Rhode Island Open Culture General Resources: Sites, Portals & Guides Digital Public Library of America — http://dp.la/ Aims to be a national digital library for the USA. Harvests metadata and content in all formats from other digital libraries and databases (HathiTrust, Internet Archive, state/consortium repositories, govt repositories etc. full partner list here http://dp.la/partners) Does not yet allow searching/filtering by rights information. Europeana — http://www.europeana.eu/portal/ Europe’s portal to cultural collections: “Explore 52,219,831 artworks, artefacts, books, videos and sounds from across Europe.” Can filter search results by reuse rights. Internet Archive — http://archive.org Founded in 1996. A “nonprofit library of millions of free books, movies, software, music, and more.” Searchable by Creative Commons license or Public Domain: See https://archive.org/about/faqs.php#1069 Open Culture — http://www.openculture.com/ Founded in 2006. Brings together free/open resources from around the web. Geared for a popular audience, with frequent blog posts and active social media presence. OpenGLAM Open Collections — http://openglam.org/opencollections/ A searchable index of open cultural her itage collections with freely reusable content. Shared Shelf Commons — http://www.sscommons.org Freely available images and oth er digital content from libraries, archives, and museums participating in Shared Shelf by Artstor. Copyright restrictions vary. Creative Commons Search — https://search.creativecommons.org/ Search CClicensed content from multiple sites such as Flickr, Google, and YouTube. -
L--Ficjfs'------I National Criminal Justice Reference Service
If you have issues viewing or accessing this file contact us at NCJRS.gov. -----------------------------------~---------------.---.~------.--~--------------- l--fiCjfS'--------i National Criminal Justice Reference Service This microfiche was produced from documents received for inclusion in the NCJRS data base. Since NCJRS cannot exercise control over the physical condition of the documents submitted, the individual frame quality will vary. The resolution chart on this frame may be used to evaluate the document quality. 1.0 1.1 U.S. ~t or Jultlcl 111111.8 NlilonallMtftut. or .Julltlee 7111,. oo."'Umt>nt hall bElon reproduC$d exactly all recolved flom tho per$Oo Of organizalloo originating It. Points of view oroplnions stated " 10 thls dccumont IIro those of tho authors and do not necessarily 111111.25 111111.4- 111111.6 1, , f!prrlSOOI Itlo Q't'Iiclal posltlon orpollcllHl of tht! Natlonallnstltulo of JulStiCO. Pormills/on to reproduce this Cepilifjhl.d malarial hall boon \)f8nled~ II, FBI Law Enforcement Bulletin MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF SlANDARDS·1963 A 10 the Nntional Criminal JuilUce Rtlfttrooco Servlco (NCJRS). r:urlhor loproducHon OYtslde of the NCJRS syst.m requlros permls· Glen 01 the ~ ~er. Microfilming procedures used to create this fiche comply with the standards set forth in 41CFR 101-11.504. Points of view or opinions stated in this document are those of the author(s) and do not represent the official position or policies of the U. S. Department of Justice. National Institute of Justice United States Department of Justice Washington, D. C. 20531 6/B/ B4 . l:1 f f',;( S-S3 ~ORCEMENT rr@~@~i© ~©~@m©@ rBI BULLETIN NOVEMBER 1983. -
A/V Material Resources Webinars, Videos Connecting to Collections
A/V Material Resources Webinars, Videos Connecting to Collections – Caring for Audiovisual material https://www.connectingtocollections.org/av/ CCAHA – A Race Against Time: Preserving AV Media https://ccaha.org/sites/default/files/attachments/2018- 07/A%20Race%20Against%20Time%20Summary.pdf ALCTS – Moving Image Preservation 101 https://www.youtube.com/watch?v=rb77uztb_IU Leaflets / Quick Reference Library of Congress https://www.loc.gov/preservation/care/record.html https://www.loc.gov/preservation/about/faqs/audio.html Video Format Id Guide Sarah Stauderman & Paul Messier https://cool.culturalheritage.org/videopreservation/vid_id/ Texas Commission on the Arts- Videotape Identification and Assessment Guide https://www.arts.texas.gov/wp-content/uploads/2012/04/video.pdf Film Care https://filmcare.org/ mini Disc http://www.minidisc.org/index.php In depth reference NEDCC - Fundamentals of AV Preservation Texbook https://www.nedcc.org/fundamentals-of-av-preservation-textbook/chapter1-care-and- handling-of-audiovisual-collections National Film and Sound Archive of Australia https://www.nfsa.gov.au/preservation/guide/handbook Washington State Film Preservation Manual https://www.lib.washington.edu/specialcollections/collections/film-preservation-manual/ National Film Preservation Foundation – guide to film preservation https://www.filmpreservation.org/preservation-basics/the-film-preservation-guide http://www.folkstreams.net/vafp/guide.php The State of Recorded Sound Preservation in the United States http://www.clir.org/wp-content/uploads/sites/6/pub148.pdf -
Underserved Communities
National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. -
Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
Hathitrust Preferred Internet Archive Book Package Overview
HathiTrust Preferred Internet Archive Book Package Overview & Background As a by-product of the Internet Archive scanning process, a variety of different files and formats are available to everyone, everywhere. This differs from the Google output, which offers no file-level variations or options. However, this also means that files chosen for ingest into the HathiTrust repository must be carefully selected, with an eye towards both near-term and long-term utility. The process of selecting files that is described below attempted to balance the following important criteria: a baseline, cross-partner standard; functional consistency with the Google work products; a desire to keep the highest quality master images; a disinclination to discard useful information; and an attempt to minimize overall package size to reduce storage costs. Ingest into the HathiTrust repository will require pre-processing of the original file set described below in order to normalize files to an expected format. This normalization will allow HathiTrust processes to accommodate content from all partners. This process is currently in development and a link to the documentation of the process will be included here, once it is finalized. File Selection Criteria In the following section, the files selected for ingest into the HathiTrust repository are identified, along with a justification for why they were selected. Also listed are files that are available from the Internet Archive, but have not been selected. A description of each file can be found in the All Available Files & Characteristics section below. All files below are named using the Internet Archive identifier, preceding the underscore (ex. -
International Preservation Issues Number Seven International Preservation Issues Number Seven
PROCEEDINGS OF THE INTERNATIONAL SYMPOSIUM THE 3-D’SOFPRESERVATION DISATERS, DISPLAYS, DIGITIZATION ACTES DU SYMPOSIUM INTERNATIONAL LA CONSERVATION EN TROIS DIMENSIONS CATASTROPHES, EXPOSITIONS, NUMÉRISATION Organisé par la Bibliothèque nationale de France avec la collaboration de l’IFLA Paris, 8-10 mars 2006 Ed. revised and updated by / Ed. revue et corrigée par Corine Koch, IFLA-PAC International Preservation Issues Number Seven International Preservation Issues Number Seven International Preservation Issues (IPI) is an IFLA-PAC (Preservation and Conservation) series that intends to complement PAC’s newsletter, International Preservation News (IPN) with reports on major preservation issues. IFLA-PAC Bibliothèque nationale de France Quai François-Mauriac 75706 Paris cedex 13 France Tél : + 33 (0) 1 53 79 59 70 Fax : + 33 (0) 1 53 79 59 80 e-mail: [email protected] IFLA-PAC Director e-mail: [email protected] Programme Officer ISBN-10 2-912 743-05-2 ISBN-13 978-2-912 743-05-3 ISSN 1562-305X Published 2006 by the International Federation of Library Associations and Institutions (IFLA) Core Activity on Preservation and Conservation (PAC). ∞ This publication is printed on permanent paper which meets the requirements of ISO standard: ISO 9706:1994 – Information and Documentation – Paper for Documents – Requirements for Permanence. © Copyright 2006 by IFLA-PAC. No part of this publication may be reproduced or transcribed in any form without permission of the publishers. Request for reproduction for non-commercial purposes, including -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
The Dave Brubeck Quartet Featuring Paul Desmond – Brubeck Time
The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 HOME ∠ JAZZ CD REVIEWS ∠ SITE SEARCH " Search the site The Dave Brubeck Quartet Click on the category Featuring Paul Desmond – below to see that genre of Brubeck Time – Columbia reviews. Records/Speakers Corner SACD & Other Hi- Res Reviews by Audiophile Audition / August 18, 2018 / Jazz CD Reviews,, Audio News SACD & Other Hi-Res Reviews Classical CD Reviews The Dave Brubeck Quartet Classical Reissue Reviews Featuring Paul Desmond – DVD & Blu-ray Brubeck Time – Columbia Video Reviews JazzJazz CDCD ReviewsReviews Records CL622 Pop/Rock/World (1954)/Speakers Corner (2018) 180-gram CD Reviews Special Features mono vinyl, 40:00 ****1/2: Component Reviews (Dave Brubeck – piano; Paul Desmond – alto saxophone; Bob Bates – double bass; Joe Dodge (drums) Editorial Reader Feedback Dave Brubeck’s legacy as a pianist and composer is unique. Having Best of the Year studied classical and jazz composition at the University Of The Pacific https://www.audaud.com/brubeck-time-paul-desmond-columbia-records-speakers-corner/ Seite 1 von 6 The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 and Mills College, he approached his vision as a musician with complexity. In 1959, he integrated asymmetric meter into the album Take Five. With a unique time signature (5/4), the title song became a standard bearer for jazz crossover. Other compositions like “Blue Rondo A La Turk” (written in 9/8) are further examples of the unconventional use of time signatures. -
Digital Audio Basics
INTRODUCTION TO DIGITAL AUDIO This updated guide has been adapted from the full article at http://www.itrainonline.org to incorporate new hardware and software terms. Types of audio files There are two most important parameters you will be thinking about when working with digital audio: sound quality and audio file size. Sound quality will be your major concern if you want to broadcast your programme on FM. Incidentally, the size of an audio file influences your computer performance – big audio files take up a lot of hard disc space and use a lot of processor power when played back. These two parameters are interdependent – the better the sound quality, the bigger the file size, which was a big challenge for those who needed to produce small audio files, but didn’t want to compromise the sound quality. That is why people and companies tried to create digital formats that would maintain the quality of the original audio, while reducing its size. Which brings us to the most common audio formats you will come across: wav and MP3. wav files Wav files are proprietary Microsoft format and are probably the simplest of the common formats for storing audio samples. Unlike MP3 and other compressed formats, wavs store samples "in the raw" where no pre-processing is required other that formatting of the data. Therefore, because they store raw audio, their size can be many megabytes, and much bigger than MP3. The quality of a wav file maintains the quality of the original. Which means that if an interview is recorded in the high sound quality, the wav file will be also high quality.