Thomas Hardy and His Rustic “Wessex,” Which Served As the Setting for Many of His Novels and Short Stories
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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
RF Annual Report
PRESIDENT'S TEN-YEAR REVIEW ANNUAL REPORT1971 THE ROCKEFELLER FOUNDATION THE ROCKEFELLER mr"nMnftTinN JAN 26 2001 LIBRARY 2003 The Rockefeller Foundation The pages of this report are printed on paper made from recycled fibers THE ROCKEFELLER FOUNDATION 111 WEST 50TH STREET, NEW YORK, NEW YORK 10020 PRINTED IN THE UNITED STATES OF AMERICA 2003 The Rockefeller Foundation CONTENTS President's Ten-year Review 1 1971 Grants and Programs 105 Study Awards 143 Organizational Information 151 Financial Statements 161 1971 Appropriations and Payments 173 2003 The Rockefeller Foundation TRUSTEES AND TRUSTEE COMMITTEES April 1971—April 1972 DOUGLAS DILLON* Chairman JOHN D. ROCKEFELLER 3RD1 Honorary Chairman BOARD OF TRUSTEES BARRY BINGHAMS VERNON E. JORDAN, JR. FREDERICK SEITZ W. MICHAEL BLUMENTHALS CLARK KERB FRANK STANTON JOHN S. DICKEY MATHILDE KRIM MAURICE F. STRONG* DOUGLAS DILLON ALBERTO LLERAS CAMARGO CYRUS R. VANCE ROBERT H. EBERT BILL MOYEHS THOMAS J. WATSON, JR.4 ROBERT F. GOHEEN JOHN D. ROCKEFELLER 3RD2 CLIFTON R. WHARTON, JR. J. GEORGE HARRAR JOHN D. ROCKEFELLER IV W. BARRY WOOD, JR.5 THEODORE M. HESBURGH ROBERT V. ROOSA WHITNEY M. YOUNG, JR.6 ARTHUR A. HOUGHTON, JR. NEVIN S. SCRIMSHAW* EXECVTIVE COMMITTEE THE PRESIDENT Chairman ROBERT V. ROOSA THEODORE M. HESBURGH* _ _ _ _ alternate member DOUGLAS DILLON FREDERICK SEITZ ,, „ , PC VERNON E. JORDAN, JR. MATHILDE KRIM* FRANK STANTON alternate member BILL MoYEHS8 CYRUS R. VANCE* NEVJN S- SCRIMSHAW* JOHN D. ROCKEFELLER 3nn2 ROBERT F. GOHEEN alternate member alternate member FINANCE COMMITTEE Through June 30 Beginning July 1 DOUGLAS DILLON Chairman ROBERT V. ROOSA Chairman ROBERT V. ROOSA DOUGLAS DILLON* THOMAS J. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
COUNTRY DANCE and SONG: a SUBJECT and AUTHOR INDEX from VOLUME 1, 1968, THROUGH VOLUME 26, 1996 Compiled by Allison Thompson
TWENTY-EIGHT YEARS OF COUNTRY DANCE AND SONG: A SUBJECT AND AUTHOR INDEX FROM VOLUME 1, 1968, THROUGH VOLUME 26, 1996 Compiled by Allison Thompson NOTE: This index originally appeared in Volume 23 of Country Dance and Song and was updated in 2016. Abbots Bromley Horn Dance “The Abbots Bromley Horn Dance,” vol. 17, 1986, pp. 2-15 photo of, vol. 3, 1970, p. 42 tradition at Pinewoods, vol. 19, 1989, p. 23 Abingdon morris dances collected by Mabel Tuke, vol. 11/12, 1981, p. 49 photos, vol. 2, 1969, pp. 10-11 see also Dances, Instructions for; Warren, Florence Aldrich, Elizabeth review of From the Ballroom to Hell, vol. 22, 1992, pp. 36-38 Allen, Rosa, “Family Songs (A Review of),” vol. 8, 1977, pp. 12-13 Amherst Dance Camp in 1916-17, vol. 6, 1974, p. 12; vol. 23, pp. 13-14 Sharp teaching at, vol. 19, 1989, p. 1 summer schools in 1927-32, vol. 19, 1989, p. 3 Gadd teaching at, vol. 19, 1989, p. 3 Appalachian dancing, vol. 23, 1993, pp. 19-26 see also Dances, etc. Apted Collection, vol. 3, 1970, p. 6 Arbeau, Thoinot Orchesography (trans. M.S. Evans), reviewed by John Dunn, vol. 1, 1968, pp. 36-37 Atwood Family collected by E. Sturgis, vol. 21, 1991, p. 27 vol. 11/12, 1981, pp. 5-7; vol. 11/12, 1981, pp. 20-39 Atwood, Fred collected by M. MacArthur, vol. 11/12, 1981, pp. 7-19 songs of, vol. 21, 1991, pp. 26-39 Avril, Elsie, fiddler for Sharp, vol. 7, 1975, pp. -
London Icons LONDON HISTORY SCHOOLS DAY - TEACHERS’ GUIDE 9
LONDON HISTORY SCHOOLS DAY - TEACHERS’ GUIDE 8 London Icons LONDON HISTORY SCHOOLS DAY - TEACHERS’ GUIDE 9 QUEEN VICTORIA FREDDIE MERCURY (1819-1901) (1946-1991) Who was she? Who was he? Queen of the United Kingdom from A singer, songwriter and record 1837-1901. Her 200th birthday is producer, one of the founder members celebrated on London History and lead singer of the rock band Queen. Schools Day this year. In 1990, Queen was awarded the Brit Award for Outstanding Contribution London links to British Music. Victoria was born and grew up at Kensington Palace, moving to London links Buckingham Palace when she became Born Farrokh Bulsara in Stone Town, Queen. Her Diamond Jubilee in 1897 Zanzibar, Freddie Mercury moved to was celebrated with a six-mile-long Feltham with his family in 1964. Today procession through London. In 1899 she there is an English Heritage blue plaque laid the foundation stone of the Victoria at the house where he lived. He studied and Albert Museum in South Kensington. at Isleworth Polytechnic and Ealing Art Today, it is the world’s leading museum College, later working for a time as a of art and design. London has ten baggage handler at Heathrow airport. statues of Victoria, including in One of his most famous performances Westminster, Lambeth and Croydon. with Queen was at the Live Aid concert at Wembley Stadium in 1985. Get the look Long black dress or blouse and skirt. Get the look Blue scarf or ribbon tied across body White vest. Light blue jeans and a as a sash. -
MUSICAL CONSTRUCTIONS of AFRO-BAHIAN IDENTITIES by Juan Diego Diaz Meneses a THESIS SUBMITTED in PARTIAL
ORKESTRA RUMPILEZZ: MUSICAL CONSTRUCTIONS OF AFRO-BAHIAN IDENTITIES by Juan Diego Diaz Meneses A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate and Postdoctoral Studies (Ethnomusicology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) March 2014 © Juan Diego Diaz Meneses, 2014 Abstract This dissertation examines the relationship between music and politics of black identities in Salvador, Bahia (Brazil), an epicenter of Afro-Brazilian culture. It focuses on discourses of blackness and on the role of grooves, instruments, symbolism, and perceptions of carnival music, candomblé, and jazz in the contruction of black identities in Bahia. I propose a model that integrates discourses of black primitivism and empowerment with seven notions commonly associated with black and African music: rhythmicity, percussiveness, spirituality, communalism, embodiment, traditionalism, and closeness to nature. My contribution uses a Foucauldian interpretation of these notions to explain how they work together to form discourses of blackness, not on the notions themselves for they are all widely known. The model accommodates a wide range of interpretations of these themes offering more flexible views of blackness. A Bahian big band called Rumpilezz that blends jazz with various forms of Afro- Bahian music (such as candomblé and samba-reggae), serves as my laboratory for applying this model. Aspects of public self-representation, performance practice, music structure, and musical reception -
"Ersatz As the Day Is Long": Japanese Popular
“ERSATZ AS THE DAY IS LONG”: JAPANESE POPULAR MUSIC, THE STRUGGLE FOR AUTHNETICITY, AND COLD WAR ORIENTALISM Robyn P. Perry A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Walter Grunden, Advisor Jeremy Wallach © 2021 Robyn P. Perry All Rights Reserve iii ABSTRACT Walter Grunden, Advisor During the Allied Occupation of Japan, Supreme Commander for the Allied Powers (SCAP) Douglas MacArthur set forth on a mission to Americanize Japan. One way SCAP decided this could be done was by utilizing forms of media that were already popular in Japan, particularly the radio. The Far East Network (FEN), a network of American military radio and television stations in Japan, Okinawa, Guam, and the Philippines, began to broadcast American country & western music. By the early 1950s, Japanese country & western ensembles would begin to form, which initiated the evolution toward modern J-pop. During the first two decades of the Cold War, performers of various postwar subgenres of early Japanese rock (or J-rock), including country & western, rockabilly, kayōkyoku, eleki, and Group Sounds, would attempt to break into markets in the West. While some of these performers floundered, others were able to walk side-by-side with several Western greats or even become stars in their own right, such as when Kyu Sakamoto produced a number one hit in the United States with his “Sukiyaki” in 1963. The way that these Japanese popular music performers were perceived in the West, primarily in the United States, was rooted in centuries of Orientalist preconceptions about Japanese people, Japanese culture, and Japan that had recently been recalibrated to reflect the ethos of the Cold War. -
25 Years of the London Jazz Festival
MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com ACKNOWLEDGEMENTS This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators CONTENTS Rachel Daniel and Jess Knights, for organising events, picture 1 FOREWORD 50 CHAPTER 4. research, travel and liaison, and really just making it all happen JOHN CUMMING OBE, THE BBC YEARS: smoothly. Thanks to Rhythm Changes and CHIME European jazz DIRECTOR, EFG LONDON 2001-2012 research project teams for, once again, keeping it real. JAZZ FESTIVAL 50 2001: BBC RADIO 3 Some of the ideas were discussed at jazz and improvised music 3 INTRODUCTION 54 2002-2003: THE MUSIC OF TOMORROW festivals and conferences in London, Birmingham, Cheltenham, 6 CHAPTER 1. 59 2004-2007: THE Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and THE EARLY YEARS OF JAZZ FESTIVAL GROWS Ljubljana, and Amsterdam. Some of the ideas and interview AND FESTIVAL IN LONDON 63 2008-2011: PAST, material have been published in the proceedings of the first 7 ANTI-JAZZ PRESENT, FUTURE Continental Drifts conference, Edinburgh, July 2016, in a paper 8 EARLY JAZZ FESTIVALS 69 2012: FROM FEAST called ‘The role of the festival producer in the development of jazz (CULTURAL OLYMPIAD) in Europe’ by Emma Webster. -
Billboard 1971-09-11
COUNTRY MUSIC, SEE "SPOTLIGHT LOUNGE ACTS ON LAS VEGAS" FACE CHALLENGES IN THIS ISSUE 08120 SEPTEMBER 11, 1971 $1.25 A BILLBOARD PUBLICATION SEVENTY -SEVENTH YEAR The International Music- RecordTape Newsweeklÿ CARTRIDGE TV PAGE 19 HOT 100 PAGE 60 0 r TOP LP'S PAGES 62, 64 Softer Sounds, Retailers Ring Up Heavy B &H Plant to $$ on Campuses 3 -Month Sales Gains Aud Magnetics By BRUCE WEBER By BOB GLASSENBERG By JOHN SIPPEL gust as the peak month of the LOS ANGEI.ES Audio sounds, LOS ANGELES - The mass - NEW YORK -Softer vol- last three. All agree that they Dealer Survey Magnetics, magnetic and video leaning merchandisers and full line less expensive groups that their re- have had to work to maintain NEW YORK The nation's tape manufacturer, has acquired mainly to the acoustical side of ume outlets report - has shown a steady this climb. They also agree that record retailers are enjoying the the manufacturing facility of the music scale, and many new, tail business Tape upswing since April, with Au- the business upturn will con- fruits of the widely reported Bell & Howell Magnetic non -chart artists are making tinue. retailing, a Co., of Irvine, Calif. Terms were campus appearance inroads this general upswing in Jim Schwartz, Schwartz Bros., survey by Billboard's chart de- not disclosed. fall. Although there is a dis- Washington, D. C., reported sub- indicates. Dealers quer- The acquisition of the 100,- in what agents think World B'cast parment crepancy stantial gains on five stores in on their business 000- square -foot plant enables about the money situation on ied reported manufac- Recordings Sold his chain over sales levels of a today as compared to three Audio Magnetics to campuses, most agree that the ago. -
The British Invasion: Finding Traction in America by Piacentino Vona A
The British Invasion: Finding Traction in America by Piacentino Vona A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2018 © Piacentino Vona 2018 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract As a period of American History, the 1960s has provided historians and academics with a wealth of material for research and scholarship. Presidents John F. Kennedy, Lyndon B. Johnson and Richard Nixon, the Vietnam War, the hippie era, and the Civil Rights Movement, among other topics have received thorough historical discussion and debate. Music was another key aspect in understanding the social history of the 1960s. But unlike the people and events mentioned above, historians have devoted less attention to music in the historical landscape. The British Invasion was one such key event that impacted America in the 1960s. Bands such as the Beatles, the Rolling Stones, and the Who found their way into the United States and majorly impacted American society. Using secondary sources, newspaper articles, interviews and documentaries on these bands, this thesis explores the British Invasion and its influence in the context of 1960s America. This thesis explores multiple bands that came in the initial wave. It follows these bands from 1964-1969, and argues that the Beatles, the Rolling Stones, and the Who shared common multiple factors that allowed them to attain the traction to succeed and to maintain that success in the United States. -
ORKESTRA RUMPILEZZ: MUSICAL CONSTRUCTIONS of AFRO-BAHIAN IDENTITIES by Juan Diego Diaz Meneses a THESIS SUBMITTED in PARTIAL
ORKESTRA RUMPILEZZ: MUSICAL CONSTRUCTIONS OF AFRO-BAHIAN IDENTITIES by Juan Diego Diaz Meneses A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate and Postdoctoral Studies (Ethnomusicology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) March 2014 © Juan Diego Diaz Meneses, 2014 Abstract This dissertation examines the relationship between music and politics of black identities in Salvador, Bahia (Brazil), an epicenter of Afro-Brazilian culture. It focuses on discourses of blackness and on the role of grooves, instruments, symbolism, and perceptions of carnival music, candomblé, and jazz in the contruction of black identities in Bahia. I propose a model that integrates discourses of black primitivism and empowerment with seven notions commonly associated with black and African music: rhythmicity, percussiveness, spirituality, communalism, embodiment, traditionalism, and closeness to nature. My contribution uses a Foucauldian interpretation of these notions to explain how they work together to form discourses of blackness, not on the notions themselves for they are all widely known. The model accommodates a wide range of interpretations of these themes offering more flexible views of blackness. A Bahian big band called Rumpilezz that blends jazz with various forms of Afro- Bahian music (such as candomblé and samba-reggae), serves as my laboratory for applying this model. Aspects of public self-representation, performance practice, music structure, and musical reception -
Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S.