London Icons LONDON HISTORY SCHOOLS DAY - TEACHERS’ GUIDE 9
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Who Is Jesy Nelson Dating 2020
On Jesy Nelson (nickname: Jesminda) was born in Romford, United Kingdom. She made her million dollar fortune with X Factor, Wings, and DNA. The celebrity is currently single, her starsign is Gemini and she is now 29 years of age. Jul 06, · Jesy Nelson has been spending quality time with Our Girl star Sean Sagar. Little Mix star Jesy Nelson, 29, has responded to reports she’s dating Sean . Mar 24, · Jesy Nelson denies dating Our Girl star Sean Sagar after he was spotted leaving her home Ekin Karasin Sunday 5 Jul am Share this Actors: Flossy Grounds, Lacey Turner, Mimi Keene. When did Jesy Nelson and ex boyfriend Chris Hughes start dating and why did they split up? 9 April , | Updated: 9 April , Jesy Nelson has reportedly split with her boyfriend. Apr 10, · Jesy Nelson Chris began dating Jesy in January last year, when they confirmed their romance over a steamy date at a kebab shop. Jesy Nelson is not dating Sean Sagar so we can all calm down now (Picture: Getty) Jesy Nelson has denied dating Our Girl star Sean Sagar, insisting they’re ‘just friends’. The actor – who plays Private Jaiden ‘Monk’ Montgomery in the BBC series opposite Michelle Keegan – was seen leaving Jesy’s Essex home earlier this week, in. Mar 17, · Little Mix Boyfriends: Who Are Jesy Nelson, Perrie Edwards, Leigh-Anne Pinnock & Jade Thirlwall Dating? From Chris Hughes To Alex Oxlade-Chamberlain. 17 March 1 hour ago · 24 Jul , ; LITTLE Mix star Jesy Nelson has been looking cosy with actor Sean Sagar - after saying they’re "just friends". -
Prorogation: How Can the Government Suspend Parliament?
Little Mix's Jesy Nelson: Online trolls made me want to die In a new BBC Three documentary, the singer reveals how online bullying affected her mental health In a new BBC Three documentary, Jesy Nelson: 'Odd One Out', the singer, 28, says that comments about her appearance made her so unhappy she “just wanted to die”. In a candid and tearful moment, Jesy recalls how she took an overdose after taunts about her looks became too much to bear. Jesy and her bandmates won the reality show in 2011, instantly taking them from complete unknowns to celebrities. In the documentary, the singer also explores how the trolling affected her mum, her sister, her bandmates and her relationships – and meets ordinary people who tell Jesy their stories of being bullied online. How much of an issue is trolling? The bullying began almost immediately after Jesy appeared on TV in the X Factor. She was put into the girl group alongside Perrie Edwards, Jade Thirlwall and Leigh-Anne Pinnock. When Little Mix were announced as that year’s winners, Jesy says they were all “on cloud nine”. But just hours after winning the show, her excitement was tainted by trolling. “I had about 101 Facebook messages in my inbox, and the first one that came up was from some random man, saying: ‘You are the ugliest thing I’ve seen in my life, you do not deserve to be in this girl band. You deserve to die’.” It was a devastating blow to Jesy who, up until the barrage of insults and hate started during her time on X Factor, hadn’t had any problems with her body image. -
RF Annual Report
PRESIDENT'S TEN-YEAR REVIEW ANNUAL REPORT1971 THE ROCKEFELLER FOUNDATION THE ROCKEFELLER mr"nMnftTinN JAN 26 2001 LIBRARY 2003 The Rockefeller Foundation The pages of this report are printed on paper made from recycled fibers THE ROCKEFELLER FOUNDATION 111 WEST 50TH STREET, NEW YORK, NEW YORK 10020 PRINTED IN THE UNITED STATES OF AMERICA 2003 The Rockefeller Foundation CONTENTS President's Ten-year Review 1 1971 Grants and Programs 105 Study Awards 143 Organizational Information 151 Financial Statements 161 1971 Appropriations and Payments 173 2003 The Rockefeller Foundation TRUSTEES AND TRUSTEE COMMITTEES April 1971—April 1972 DOUGLAS DILLON* Chairman JOHN D. ROCKEFELLER 3RD1 Honorary Chairman BOARD OF TRUSTEES BARRY BINGHAMS VERNON E. JORDAN, JR. FREDERICK SEITZ W. MICHAEL BLUMENTHALS CLARK KERB FRANK STANTON JOHN S. DICKEY MATHILDE KRIM MAURICE F. STRONG* DOUGLAS DILLON ALBERTO LLERAS CAMARGO CYRUS R. VANCE ROBERT H. EBERT BILL MOYEHS THOMAS J. WATSON, JR.4 ROBERT F. GOHEEN JOHN D. ROCKEFELLER 3RD2 CLIFTON R. WHARTON, JR. J. GEORGE HARRAR JOHN D. ROCKEFELLER IV W. BARRY WOOD, JR.5 THEODORE M. HESBURGH ROBERT V. ROOSA WHITNEY M. YOUNG, JR.6 ARTHUR A. HOUGHTON, JR. NEVIN S. SCRIMSHAW* EXECVTIVE COMMITTEE THE PRESIDENT Chairman ROBERT V. ROOSA THEODORE M. HESBURGH* _ _ _ _ alternate member DOUGLAS DILLON FREDERICK SEITZ ,, „ , PC VERNON E. JORDAN, JR. MATHILDE KRIM* FRANK STANTON alternate member BILL MoYEHS8 CYRUS R. VANCE* NEVJN S- SCRIMSHAW* JOHN D. ROCKEFELLER 3nn2 ROBERT F. GOHEEN alternate member alternate member FINANCE COMMITTEE Through June 30 Beginning July 1 DOUGLAS DILLON Chairman ROBERT V. ROOSA Chairman ROBERT V. ROOSA DOUGLAS DILLON* THOMAS J. -
Grime + Gentrification
GRIME + GENTRIFICATION In London the streets have a voice, multiple actually, afro beats, drill, Lily Allen, the sounds of the city are just as diverse but unapologetically London as the people who live here, but my sound runs at 140 bpm. When I close my eyes and imagine London I see tower blocks, the concrete isn’t harsh, it’s warm from the sun bouncing off it, almost comforting, council estates are a community, I hear grime, it’s not the prettiest of sounds but when you’ve been raised on it, it’s home. “Grime is not garage Grime is not jungle Grime is not hip-hop and Grime is not ragga. Grime is a mix between all of these with strong, hard hitting lyrics. It's the inner city music scene of London. And is also a lot to do with representing the place you live or have grown up in.” - Olly Thakes, Urban Dictionary Or at least that’s what Urban Dictionary user Olly Thake had to say on the matter back in 2006, and honestly, I couldn’t have put it better myself. Although I personally trust a geezer off of Urban Dictionary more than an out of touch journalist or Good Morning Britain to define what grime is, I understand that Urban Dictionary may not be the most reliable source due to its liberal attitude to users uploading their own definitions with very little screening and that Mr Thake’s definition may also leave you with more questions than answers about what grime actually is and how it came to be. -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
Connotative Meanings in Ed Sheeran's Song Lyrics
CONNOTATIVE MEANINGS IN ED SHEERAN’S SONG LYRICS THESIS Submitted as a Partial Requirements for the degree of Sarjana in English Letters Department Written By: WAHYU KUSUMANINGRUM SRN. 163 211 050 ENGLISH LETTERS DEPARTMENT CULTURES AND LANGUAGES FACULTY THE STATE ISLAMIC INSTITUTE OF SURAKARTA 2020 CONNOTATIVE MEANINGS IN ED SHEERAN’S SONG LYRICS THESIS Submitted as a Partial Requirements for the degree of Sarjana in English Letters Department Written By: WAHYU KUSUMANINGRUM SRN. 163 211 050 ENGLISH LETTERS DEPARTMENT CULTURES AND LANGUAGES FACULTY THE STATE ISLAMIC INSTITUTE OF SURAKARTA 2020 i ADVISOR SHEET Subject : Thesis of Wahyu Kusumaningrum SRN : 163211050 To: The Dean of Cultures and Languages Faculty IAIN Surakarta In Surakarta \ Assalamu’alaikum Wr. Wb. After reading thoroughly and giving necessary advices, herewith, as the advisors, we state that the thesis of Name : Wahyu Kusumaningrum SRN : 16.32.1.1.050 Title : Connotative Meanings in Ed Sheeran’s Song Lyrics has already fulfilled the requirements to be presented before the board of Examiners (munaqosyah) to gain Bachelor Degree in English Letters. Thank you for the attention Wassalamu’alaikum Wr. Wb. Surakarta, November 2, 2020 Advisor Robith Khoiril Umam S.S., M.Hum. NIP. 19871011 201503 1 006 ii iii DEDICATION This thesis is dedicated to: 1. Myself 2. My beloved parents 3. My beloved family 4. English Letters 2016 5. English Letters Department 6. My Almamater IAIN Surakarta iv MOTTO “Dan (ingatlah juga), tatkala Tuhanmu memaklumkan; "Sesungguhnya jika kamu bersyukur, pasti Kami akan menambah (nikmat) kepadamu, dan jika kamu mengingkari (nikmat-Ku), maka sesungguhnya azab-Ku sangat pedih.” (Q.S. -
An Audit of London Burial Provision
An Audit of London Burial Provision A report for the Greater London Authority by Julie Rugg and Nicholas Pleace, Cemetery Research Group, University of York 1 Contents List of tables 3 List of figures 3 1 Introduction 4 2 The demand for and supply of space for burial 6 Introduction 6 Demand for burial space 6 Supply of burial space 12 Conclusion 21 3 Reclamation and re‐use 22 Grave reclamation and re‐use 22 Re‐use under faculty jurisdiction 23 Conclusion 25 4. Recommendations 26 Borough summaries 27 Table conventions 27 Owner 27 Name 27 Date 27 Area 27 Status 95 27 Status 10 28 Total burials 95 28 Total burials 09 28 Capacity 28 Barking and Dagenham 29 Barnet 30 Bexley 31 Brent 32 Bromley 33 Camden 34 Croydon 35 Ealing 36 Enfield 37 Greenwich 38 Hackney 39 Hammersmith & Fulham 40 Haringey 41 Harrow 42 Havering 43 2 Hillingdon 44 Hounslow 45 Kensington and Chelsea 46 Kingston upon Thames 47 Lambeth 48 Lewisham 49 Merton 50 Newham 51 Redbridge 52 Richmond upon Thames 53 Southwark 54 Sutton 55 Waltham Forest 56 Wandsworth 57 List of tables Table 2.1: Projected total burials and required burial space for inner London boroughs for the period 2010/1‐2030/1 11 Table 2.2: Projected total burials and required burial space for outer London boroughs for the period 2010/1‐2030/1 12 Table 2.3: Operational capacity of private and borough cemeteries, 1995 and 2009 13 Table 2.4: Borough capacity status 17 Table 2.5: Additional burial grounds 20 Table 2.6: London Borough provision outside Greater London 21 Table 3.1: Reclamation and re‐use summary 24 Table 3.2: Grave types and re‐use applicability 25 List of figures Figure 2.1: Projected death rates in London, 2010/11‐2030/31 6 Figure 2.2: Cremation numbers in London 8 Figure 2.3: London boroughs by the projected proportion of all estimated burials that will be Muslim people, 2010/11‐2030/1. -
Thomas Hardy and His Rustic “Wessex,” Which Served As the Setting for Many of His Novels and Short Stories
%%%%%%%%%%%%%%%%% $% $ %%%%%%%%%%%%%%%%%%%%%%%%%% Washington Revels presents 2 English Country Music, Dance, and Drama In Celebration of the Winter Solstice Roberta Gasbarre, artistic/stage director Elizabeth Fulford Miller, music director Jim Alexander, production manager featuring The Mellstock Band with Puddletown Brass Portesham Singers Mellstock Quire Toneborough Teens Casterbridge Children and Cutting Edge Sword Dancers Foggy Bottom Morris Men Lisner Auditorium George Washington University Washington, DC December 4-12, 2010 %%%%%%%%%%%%%%%%%%%%%%%%%%% $%%%%%%%%%%%%%%%%% $ From the Director his year we celebrate an English country Christmas in the spirit of Thomas Hardy and his rustic “Wessex,” which served as the setting for many of his novels and short stories. This fictional region in southwest England is based on the real-world Dorset and its surroundings. One of Hardy’s earliest and most lighthearted works, Under the Greenwood Tree, recalls the characters and pastoral atmosphere of the village of Mellstock, the simple pleasures of country living, and the poignancy of a passing era. I want to share a few thoughts about the creative journey we took from old Mellstock to Lisner today. One of the unexpected pleasures of creating this year’s show was in exploring the rich and colorful world of Hardy’s life and times, as well as his books. We have borrowed or adapted place and character names, as well as poetic and funny lines and scenes, from Under the Greenwood Tree and other writings, especially the seasonal word paintings for which Hardy is beloved. In building an onstage community, Revels always creates multigenerational families. This year, our families have names from Hardy’s books and life—the Longpuddles, for instance. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Aline De Oliveira Gomes a Evolução Histórica Do
UNIVERSIDADE ESTADUAL PAULISTA “JÚLIO DE MESQUITA FILHO” INSTITUTO DE BIOCIÊNCIAS - RIO CLARO LICENCIATURA PLENA EM EDUCAÇÃO FÍSICA ALINE DE OLIVEIRA GOMES A EVOLUÇÃO HISTÓRICA DO LANÇAMENTO DO DARDO: BASE PARA O ENSINO DO ATLETISMO EM AULAS DE EDUCAÇÃO FÍSICA Rio Claro 2010 1 ALINE DE OLIVEIRA GOMES A EVOLUÇÃO HISTÓRICA DO LANÇAMENTO DO DARDO: BASE PARA O ENSINO DO ATLETISMO EM AULAS DE EDUCAÇÃO FÍSICA Orientadora: SARA QUENZER MATTHIESEN Trabalho de Conclusão de Curso apresentado ao Instituto de Biociências da Universidade Estadual Paulista “Júlio de Mesquita Filho” - Câmpus de Rio Claro, para obtenção do grau de Licenciatura Plena em Educação Física. UNESP – CAMPUS RIO CLARO 2010 796.4 Gomes, Aline de Oliveira G633e A Evolução Histórica do Lançamento do Dardo: Base para o Ensino do Atletismo em Aulas de Educação Física / Aline de Oliveira Gomes. - Rio Claro : [s.n.], 2010 104 f. : il., figs., tabs. Trabalho de conclusão (licenciatura - Educação Física) - Universidade Estadual Paulista, Instituto de Biociências de Rio Claro Orientador: Sara Quenzer Matthiesen 1. Atletismo 2. História do esporte. 3. Campo escolar. 4. Material didático. I. Título. Ficha Catalográfica elaborada pela STATI - Biblioteca da UNESP Campus de Rio Claro/SP 1 Dedico este trabalho a meus pais José Valter e Maria Helena, meus anjos. 2 AGRADECIMENTOS Agradecer por tudo ue devo agradecer, certamente impossível, ainda mais com poucas palavras... Porm não eistiria uantidade de páginas ue pudessem contar todo o agradecimento e carinho ue tenho por todos ue foram tão importantes nesses uatro anos... Gostaria de agradecer primeiramente a Deus, por tudo. Sou muito grata por minha vida e pelas pessoas ue fazem parte dela.