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Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
Encyclopaedia Iranica
KINGS, WHORES AND CHILDREN www.mehripublication.com www.mehripublication.com www.mehripublication.com www.mehripublication.com TOURAJ DARYAEE KINGS, WHORES AND CHILDREN Passing Notes On Ancient Iran And The World That We Live In www.mehripublication.com www.mehripublication.com MEHRI PUBLICATION Research * 1 Kings, Whores And Children Passing Notes On Ancient Iran And The World That We Live In By: Touraj Daryaee British Library Cataloguing Publication Data: A catalogue record for this book is available from the British Library | ISBN: 978-1-64255-267-6 | |Second Edition. 224.pages | |Printed in the United Kingdom, 2018 | | Book Design: Christian Rezaie | | Cover Design: Parsua Bashi | Copyright © Touraj Daryaee, 2018 © 2018 by Mehri Publication Ltd. \ London. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photograpying and recording, or in any information storage or retrieval system without the prior writen permission of Mehri Publication. www.mehripublication.com [email protected] www.mehripublication.com CONTENTS Introduction 9 1 On the Earliest Reference to Stoning in 13 Iran 2 Šābuhr I’s New Gold Coin Depicting the 17 Roman Emperor 3 Dura-Europos, Jews, Middle Persian 21 Graffiti and the Sasanians 4 How to Banquet in Late Ancient Iran 25 5 The Caspian World: Borj-e Lājīm and a 43 Post-Sasanian Tomb Tower with Pahlavi and Arabic Inscriptions 6 Cyrus & Mithra: On the Religion of 47 Teispids 7 Dancing in Sasanian -
Persian Literature
COLLEGE 111 ST. MICHAEL'S COLLEGE TORONTO, CANADA LIBRARY PRESENTED BY Rev. A. A. Yaechalde, C.S.B. c .. i(tj J tv (/VVr-uw^-t) ILLUSTRATED LITERARY CYCLOPEDIAS ITALIAN LITERATURE BY MARIE-LOUISE EGERTON CASTLE 3s. 6d. net. PRESS QUOTATIONS " English readers entering for the first time on a study of Italian literature might search long before finding ;i more attractive or a sounder introduction to this rich field of learning than this interesting hand-book. Brief, yet always well proportioned, well studied, and pointed in its criticisms, the work runs over the long succession of great writers, from Dante, Petrarch, and Boccaccio, down to Goldeni, Leopardi, Manzoni, and the writers of to-day, who have made the literature of Italy one of the glories of European culture. The book is sure to become a favourite among English people interested in Italian letters and in Italy." Scotsman. " For a short, general sketch of Italian literature we can very heartily commend this well-written and well- arranged manual. The attractiveness of the book is much increased by some excellently chosen portraits of some of the great names with which the book has to " deal . Bookseller. " A handy guide to a great subject. Altogether this book is a trustworthy and very pleasant guide." Yorkshire Post. I'KRSI \\ MIMA I IK I Ol 1M PERSIAN LITERATURE BY CLAUD FIELD LONDON HERBERT & DANIEL 95, NEW BOND STREET, W. ^L7 (UBRARY, SEP 1 8 1942 CONTENTS CHAPTER I. ANCIENT RELIGION AND LITERATURE OF PERSIA ...... IT. ISLAM AS MODIFIED BY PERSIAN THOUGHT PERSIAN HERETICAL SECTS I SHIAHS, ISMA- ILIANS, MU'TAZILITES (" THE BROTHERS OF PURITY ") 33 III. -
FEZANA Journal Do Not Necessarily Reflect the Feroza Fitch of Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA FEZANA JOURNAL ZEMESTAN 1379 AY 3748 ZRE VOL. 24, NO. 4 WINTER/DECEMBER 2010 G WINTER/DECEMBER 2010 JOURJO N AL Dae – Behman – Spendarmad 1379 AY (Fasli) G Amordad – Shehrever – Meher 1380 AY (Shenshai) G Shehrever – Meher – Avan 1380 AY (Kadimi) CELEBRATING 1000 YEARS Ferdowsi’s Shahnameh: The Soul of Iran HAPPY NEW YEAR 2011 Also Inside: Earliest surviving manuscripts Sorabji Pochkhanawala: India’s greatest banker Obama questioned by Zoroastrian students U.S. Presidential Executive Mission PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 24 No 4 Winter / December 2010 Zemestan 1379 AY 3748 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor: Dinyar Patel Consultant Editor: Lylah M. Alphonse, [email protected] 6 Financial Report Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 8 FEZANA UPDATE-World Youth Congress [email protected] Publications Chair: Behram Pastakia Columnists: Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] 12 SHAHNAMEH-the Soul of Iran Yezdi Godiwalla: [email protected] Behram Panthaki::[email protected] Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] 50 IN THE NEWS Copy editors: R Mehta, V Canteenwalla Subscription Managers: Arnavaz Sethna: [email protected]; -
Iran (Persia) and Aryans Part - 1
INDIA (BHARAT) - IRAN (PERSIA) AND ARYANS PART - 1 Dr. Gaurav A. Vyas This book contains the rich History of India (Bharat) and Iran (Persia) Empire. There was a time when India and Iran was one land. This book is written by collecting information from various sources available on the internet. ROOTSHUNT 15, Mangalyam Society, Near Ocean Park, Nehrunagar, Ahmedabad – 380 015, Gujarat, BHARAT. M : 0091 – 98792 58523 / Web : www.rootshunt.com / E-mail : [email protected] Contents at a glance : PART - 1 1. Who were Aryans ............................................................................................................................ 1 2. Prehistory of Aryans ..................................................................................................................... 2 3. Aryans - 1 ............................................................................................................................................ 10 4. Aryans - 2 …............................………………….......................................................................................... 23 5. History of the Ancient Aryans: Outlined in Zoroastrian scriptures …….............. 28 6. Pre-Zoroastrian Aryan Religions ........................................................................................... 33 7. Evolution of Aryan worship ....................................................................................................... 45 8. Aryan homeland and neighboring lands in Avesta …...................……………........…....... 53 9. Western -
The Study of Mythical Semiotics of Matriarchy in Shahnameh
International Journal of Education and Research Vol. 2 No. 8 August 2014 The study of mythical semiotics of matriarchy in Shahnameh Eshagh Toghyani, a lecturer & a faculty member of social sciences of University of Isfahan- Iran, Persian literature group. Email:[email protected] Tel: +989131097523 Khodayar Mokhtari, PhD student of lyrical literature, University of Isfahan-Iran. Office addresses: Esfahan University of Technology & Esfahan University of Farhangian. Emai:[email protected] Tel: +989132294900 Abstract-Ferdosi's Shahnameh is the history of Iranian people fiction .What we read from Shahnameh is undoubtedly a subtle hint of a secret, mystery, sign and allusion. Accordingly, one of the most important issues in this venerable work is signs that represent evolution of social institutions. Therefore, the history of changes in matriarchy, forming a family and some points about the prominent role of women in society can be deduced from its stories. In this study the authors have considered Barthe, Culler and Ekou's theories to analyze the signs like females' authority, their right of ownership, their position and their characters. Key words: Ferdosi’s Shahnameh, signs, myth, matriarchy, position, ownership. I. Introduction Language is a system of signs and is formed from the combination of a cause (outlook) and an effect (mind and meaning).The connection between them is made through a contraction, a rule or an agreement that are accepted in the society. The form of language is considered very important since it can lead us to understand its infinite hidden meanings. The constituents of the language along with their signs should be studied to grasp the meanings. -
The Poet & the Poem 1 EPITOME of the SHAHNAMA Prologue 10 IT
CONTENTS List of Illustrations xiii Preface xvii Introduction: The Poet & the Poem 1 EPITOME OF THE SHAHNAMA Prologue 10 I THE PISHDADIAN DYNASTY 11 REIGN OF GAY UM ARTH 11 REIGN OF HUSHANG 11 REIGN OF TAHMURATH 12 REIGN OF JAMSHID 13 The Splendour of jamshid 13 The Tyranny of Zahhak 13 The Coming of Faridun 15 REIGN OF FARIDUN 16 Faridun & his Three Sons 16 REIGN OF MINUCHIHR 18 Zal & Rudaba 18 Birth & Early Exploits of Rustam 20 REIGNS OF NAWDAR, ZAV & GARSHASP 21 War with Turan 21 Robinson, B.W. digitalisiert durch: The Persian Book of Kings IDS Basel Bern 2014 viii THE PERSIAN BOOK OF KINGS II THE KAYANIAN DYNASTY 23 REIGN OF KAY QUBAD 23 Rustam's Quest for Kay Qubad 23 REIGN OF KAY KA'US 24 Disaster in Mazandaran 24 Rustam's Setzen Stages 26 Wars of Kay Ka'us 30 The Flying Machine 31 Rustam's Raid 32 Rustam & Suhrab 32 The Tragedy of Siyawush 36 Birth of Kay Khusraw 40 Revenge for Siyawush 41 Finding of Kay Khusraw 41 Abdication of Kay Ka'us 43 REIGN OF KAY KHUSRAW 43 Tragedy of Farud 43 Persian Reverses 45 Second Expedition: Continuing Reverses 46 Rustam to the Rescue 47 Rustam's Overthrow of Kamus, the Khaqan, and Others 48 Successful Termination of the Campaign 50 Rustam & the Demon Akwan 51 Bizhan & Manizha 53 Battie of the Twelve Rukhs 57 Afrasiyab's Last Campaign 60 Capture & Execution of Afrasiyab 63 The Last Days of Kay Khusraw 65 REIGN OF LUHRASP 65 Gushtasp in Rum 65 REIGN OF GUSHTASP 68 The Prophet Zoroaster 68 Vicissitudes of Isfandiyar 69 Isfandiyar's Seven Stages 70 Rustam & Isfandiyar 74 Death of Rustam 76 REIGN OF -
IO Islamic 3682: Illustrations 29R: the Murder of Iraj by His Brothers Tur
IO Islamic 3682: Illustrations 29r: The murder of Iraj by his brothers Tur and Salm 33r: Manuchihr lifts Tur from the saddle before killing him 34v: Manuchihr kills Salm 38r: The Simurgh brings Zal to Sam 60r: Afrasiyab kills Shah Nozar 63v: The youth Rustam lifts Afrasiyab from the saddle, but Afrasiyab escapes. Signed by Muhammad Yusuf 68v: The first of Rustam’s seven labours: Rakhsh kills the lion 69v: The third of Rustam’s seven labours: Rustam slays the dragon. Signed by Muhammad Yusuf 72r: The seventh of Rustam’s labours: Rustam slays the white dev 80r: Kay Kavus, beguiled by Iblis, attempts air travel 92r: The battle of Suhrab and Rustam. Signed Muhammad Yusuf 117v: Guruy executes Siyavash 121r: Rustam kills Sudabah 164v: Rustam kills Kamus 172v: Rustam fights the Khaqan of Chin 182r: Rustam kills the div Akavan 185r: Bizhan meets Manizhah 194r: Rustam rescues Bizhan from the pit 205r: Bizhan kills Human 217r: Gudarz wounds Piran 229r: Kay Khusrau throws Shida to the ground 245v: Kay Khusraw kills Afrasiyab 259r: Gushtasp kills a wolf in Rum 261r: Gushtasp kills a dragon in Rum 276r: Arjasp’s horsemen kill Luhrasp 282r: Isfandiyar's second labour: Isfandiyar kills two lions 284r: Isfandiyar’s fifth labour: Isfandiyar kills the Simurgh with his deadly chariot 301v: The first fight between Rustam and Isfandiyar. Signed Muhammad Yusuf 305v: Rustam shoots Isfandiyar between the eyes and kills him. Signed Muhammad Yusuf 310v: The dying Rustam shoots his murderer Shaghad hiding behind a tree 323r: Iskandar listens to Dara’s last words -
An Introduction to the Maritime Construct of Khashabat in the Persian Gulf Mostafa Karimi University of Tehran Email: Karimi [email protected]
An Introduction to the Maritime Construct of Khashabat in the Persian Gulf Mostafa Karimi University of Tehran Email: [email protected] Abstract The history of maritime routes and communications in Iran dates back to a long time ago. In ancient times, to prevent dangers for their ships such as water thinness and thawing near coasts, the shallow depths and narrowness of rivers at the mouth of seas, Iranians installed a mechanical device called khashabat or Khushab (lighthouse). This maritime device has been made out of teak wood in the form of a catapult and imperfect pyramid. The height of a khashabat was about 40 meters above the sea level. Its materials were pottery and stones. The watches on a khashabat were deployed in four-arched chambers on its top. The significance of the khashabat was because of natural disasters, the invasion of pirates, and expiration of their fuel. Historical resources indicate that khashabats or lighthouses in the sea exited until the 13th century. The present study is aimed at investigating functions and significance of khashabats in traditional cruise and the reasons for their construction. In addition, places where this Iranian technology and engineering were used are introduced. Key words: Khashabat, the Persian Gulf, navigation, maritime hazards, lighthouse. Introduction The history of technology is just a small part of the profile of the human civilization in their temporal visions, but it is an important part of human culture and civilization as well. Therefore, investigating the history of Iranian technology is very significant. Iranian culture is very rich in terms of maritime technology and shipbuilding. -
The Analysis of Colours Used in the Tahmasbi Shahnameh for the Second Period of Tabriz School
The Turkish Online Journal of Design, Art and Communication - TOJDAC November 2016 Special Edition THE ANALYSIS OF COLOURS USED IN THE TAHMASBI SHAHNAMEH FOR THE SECOND PERIOD OF TABRIZ SCHOOL Shaho Ahmadian Young researchers and Elite club, Sanandaj Branch, Islamic Azad University, Sanandaj, Iran. [email protected] Parisa Mehdipour Young Researchers and Elite Club. Qeshm Branch, Islamic Azad University, Qeshm, Iran Karo Ahmadi Dehrashid Expert of Graphic, Applied and Scientific University, Soroush Culture and Art center, Sanandaj, Iran ABSTRACT Color and light are the main the elements of Persian painting. These two elements are manifested as inner and outer entity of a single reality, which represents the grace of God in the universe. Considering the verses from the Quran that "Allah is the Light of the heavens and the earth", allegorical and mysterious aspects of light and color have always been considered by Islamic philosophers, sages and mystics. Effects of Islamic philosophy and mysticism on the views of Muslim artist to the art and artistic practice display specific effects of color and light in the Iranian painting for inner observation of color and light through the paintings. Color in Iranian paintings has the light in itself and the light is reflected through colors. In Iranian miniature color is interpreted as light and the artist tries to represent the luminous universe by colors. Colors are pure and glittery. Golden, blue and green which are used with the same purity and they aren't combined or become more paled or more bold and they were put together. Sometimes they find a state of holiness which its effects still can be seen today. -
“I Am a Prophet!” – the Image of Zoroaster in the Dāstān-E Goshtāsp (Tale of Goshtāsp)
He addressed the Kayānian king: “I am a prophet!” – The Image of Zoroaster in the Dāstān-e Goshtāsp (Tale of Goshtāsp) Ashk P. Dahlén University of Oslo Abstract The aim of this article is to examine the image of the ancient Iranian prophet Zoroaster in the Shāhnāma based on a closed reading of the story about the Kayānian king Goshtāsp written by Daqiqi (and con- tinued by Ferdousi). There has so far been no comprehensive treatment of Daqiqi’s rendering of Zoro- aster and the founding of the first Zoroastrian community. This lack of scholarly research is surprising given the importance of Daqiqi in the transmission of the ancient Iranian cultural and religious heritage (illustrated in his pioneering role in the creation of the Shāhnāma of Ferdousi) and the uniqueness of his work, which constitutes the only long poem that has been preserved from the Sāmānid and pre-Sāmānid period (even though extant verses of some early poets suggest the existence of several other epic works). As Daqiqi relates, it was in Goshtāsp’s reign that Zoroaster introduced his religion in the Iranian cultural sphere, with the support of the king’s son Esfandiār. Goshtāsp was forced to go to war to defend the faith against king Arjāsp of Turān and suffered the loss of his brother Zarēr in battle. These are cele- brated events in the early history of Zoroastrianism that have been expounded upon throughout the cen- turies in different versions. Keywords: Abu Manṣur Daqiqi, Shāhnāma, Abo’l-Qāsem Ferdousi, Zoroaster, Ahura Mazdā, Sāmānid, Avestā, Goshtāsp Introduction The Shāhnāma (Book of Kings) of Abo’l-Qāsem Ferdousi (940–1020) is general- ly considered the Persian national epic par excellence and enjoys an iconic status in Iranian literary culture.