2012-11-12.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Criminal's Belief System: Why Criminals Do the Things They Do, by Linda A
The Criminal’s Belief System Why Criminals Do the Things They Do By Linda A. Ratcliff, Th.D., Ed.D. Copyright 2016 Linda A. Ratcliff, Th.D., Ed.D. Printed in the United States of America All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means – for example, electronic, photocopy, recording - without the prior written permission of the author. The only exception is brief quotations in printed reviews. The Criminal's Belief System: Why Criminals Do the Things They Do, by Linda A. Ratcliff Table of Contents Introduction Guard Your Heart 3 Chapter 1: “It’s All About Me, Me, Me!” 6 Chapter 2: “What’s Mine is Mine. What’s Yours is Mine Too!” 9 Chapter 3: “It’s My Way or the Highway.” 13 Chapter 4: “It’s Not My Fault.” 17 Chapter 5: “That Wasn’t Fair.” 20 Chapter 6: “Whatever!” 24 Chapter 7: “I Can’t.” 27 Chapter 8: “I Didn’t Do Anything Wrong.” 30 Chapter 9: “Nothing Scares Me.” 33 Chapter 10: “I Can’t Help It.” 36 Chapter 11: “I’m Above the Law.” 39 Chapter 12: “He Only Got What He Deserved.” 42 Chapter 13: “No One Will Ever Know.” 45 Chapter 14: “I Won’t.” 48 Chapter 15: “I Don’t Get Mad. I Get Even.” 51 Chapter 16: “Man … This Is a drag.” 54 Chapter 17: “That's None of Your Business.” 57 Chapter 18: “I Want It NOW!” 61 Chapter 19: “I’ll Git’er Done Tomorrow.” 65 Chapter 20: “I Won’t Get Caught.” 68 Chapter 21: “I’m Basically a Good Person.” 71 Chapter 22: “He Did It.” 73 Chapter 23: “I Didn’t Mean To.” 76 Chapter 24: “I Was Desperate.” 80 2 Therapon University: Validating People – One Degree at a Time The Criminal's Belief System: Why Criminals Do the Things They Do, by Linda A. -
How Undocumented Latino Youth Perform Citizenship
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 The Transformation of Self in Everyday Life: How Undocumented Latino Youth Perform Citizenship Caley Emmaline Cross Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Inequality and Stratification Commons, Latin American Studies Commons, Politics and Social Change Commons, and the Race and Ethnicity Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Cross, Caley Emmaline, "The Transformation of Self in Everyday Life: How Undocumented Latino Youth Perform Citizenship" (2016). Senior Projects Spring 2016. 130. https://digitalcommons.bard.edu/senproj_s2016/130 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. The Transformation of Self in Everyday Life: How Undocumented Latino Youth Perform Citizenship Senior Project submitted to The Division of Social Studies of Bard College by Caley Cross Annandale-on-Hudson, New York May 2016 ACKNOWLEDGEMENTS To Red Hook ESL, for teaching me why this is important To my new friends and allies in Georgia, for inspiring me To my friends, professors, and advisors, for supporting me in everything I decided to do To my family, for bringing me to this country so that I too could have a better life Thank you. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm m aster. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted.Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI E-PALS: EXAMINING A CROSS-CULTURAL WRITING/LITERATURE PROJECT DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Lauren G. McCIanahan, B.A., M.A. ***** The Ohio State University 2001 Dissertation Committee: Approved by Maia Pank Mertz (Co-Advisor) Co-Advisor Anna O. -
To Download Translating the Word, Transforming the World As A
Translating the Word, Transforming the World “This vital textbook helps us to rethink Christian theology, Christian mission and Christian life. Mis- sion belongs to the very being of Christian identity; it is an ontological reality. As ‘temples of the Holy Spirit’ (1 Cor. 3:16-17; 7:19), Christians witness and share the experienced joy of their life in Christ since the Spirit which inhabits them is never silent but a witnessing Sprit (John 15:26; Matt.10:20). Authentic witness is done and points always toward unity as a condition that the world may believe. It cannot have hidden agendas and is not concerned with the growth of one’s confession. We witness, but people remain free to chose, to decide. Conversion is not our responsibility and concern, nor is it a ‘success’ of our witness. Conversion remains entirely the work of God (Acts 4,47). — Fr Prof. Dr Ioan Sauca, WCC Deputy General Secretary and Director of the Ecumenical Institute Bossey, World Council of Churches TRANSLATING THE WORD, TRANSFORMING THE WORLD An Ecumenical Reader Edited by Amélé Adamavi-Aho Ekué, Marion Grau, Atola Longkumer TRANSLATING THE WORD, TRANSFORMING THE WORLD An Ecumenical Reader Edited by Amélé Adamavi-Aho Ekué, Marion Grau, Atola Longkumer Copyright © 2018 WCC Publications. All rights reserved. Except for brief quotations in notices or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: [email protected]. WCC Publications is the book publishing programme of the World Council of Churches. Founded in 1948, the WCC promotes Christian unity in faith, witness and service for a just and peaceful world. -
1.The Open Window H.H
1.The Open Window H.H. Munro (Saki) Summary: The Open Window is a story about FramtonNuttel, a hypochondriac and how he is frightened out ofhis wits by a young girl, Vera. Framton has moved to the country on his doctor‟s advice to effect a cure for a nervous condition he suffers from. His sister had lived in the area he visits and had given him letters of introduction to his new neighbours. The story concerns his visit to the home of one of these neighbours, a Mrs. Sappleton. Mr. Nuttel is first met by Mrs. Sappleton‟s niece Vera, who entertains him until her aunt is available. Vera, apparently bored with her guest, has an overactive imagination and a sense of mischief. Once she determines that Mr. Nuttel knows nothing about the family and is a very literal-minded fellow, Vera spins a horror story involving her aunt, whom she characterizes as a mentally disturbed widow. Three years ago, Mr. Sappleton and his two younger brothers-in-law went hunting, leaving the house through a French window, which was left open until their return. However, all three of them were lost in a bog that day, Vera asserts, and their bodies were never recovered. The aunt, driven to distraction by her grief and loss, left the window open thereafter, anticipating that they, along with their dog would return the same way. When Mrs. Sappleton finally appears, she explains why the window is open, apparently confirming Vera‟s story. Mr. Nuttel then tells Mrs. Sappleton about his nervous disorder and his need to avoid any “mental excitement.” Mrs. -
Download File
Marion Leonard Lived: June 9, 1881 - January 9, 1956 Worked as: film actress, producer, screenwriter Worked In: United States by Sarah Delahousse It is well known that Florence Lawrence, the first “Biograph Girl,” was frustrated in her desire to exploit her fame by the company that did not, in those years, advertise their players’ names. Lawrence is thought to have been made the first motion picture star by an ingenious ploy on the part of IMP, the studio that hired her after she left the Biograph Company. But the emphasis on the “first star” eclipses the number of popular female players who vied for stardom and the publicity gambles they took to achieve it. Eileen Bowser has argued that Lawrence was “tied with” the “Vitagraph Girl,” Florence Turner, for the honorific, “first movie star” (1990, 112). In 1909, the year after Lawrence left Biograph, Marion Leonard replaced her as the “Biograph Girl.” At the end of 1911, Leonard would be part of the trend in which favorite players began to find ways to exploit their popularity, but she went further, establishing the first “star company,” according to Karen Mahar (62). Leonard had joined the Biograph Company in 1908 after leaving the Kalem Company, where she had briefly replaced Gene Gauntier as its leading lady. Her Kalem films no longer exist nor are they included in any published filmography, and few sources touch on her pre-Biograph career. Thus it is difficult to assess her total career. However, Marion Leonard was most likely a talented player as indicated by her rapid ascension to the larger and more prominent studio. -
November 1988 Editorial Gay Political Caucus Election Recommendations by Members of the Rochester Lesbian Bottom of the Minority Barrel
Ihe Empty Qoset NEW YORK STATE'S OLDEST GAY NEWSPAPER A 'week in Washington ... Show^ing all the faces of AIDS By Michele Moore related iUness and the quilt size has increas studs, pearls, gUtter and even a 100-ycar old ed ftom 1,920 to 8,288 panels. For each per quilt and a Buddhist's safihon robe. Thursday, Ocrlober 6 son represented by a quilt panel, three others I'm glad to see in thc piess packet a note IO a^jn.: I attend a press conference on the have died. about the use of langiaagc in reporting about Names Project AIDS Memorial QuUt, which Friends and relatives of those who have AIDS, suggesting that media representatives wUl be displayed on the EUipse behind thc died have used every conceivable material use thc term **pcople with AIDS" rather than White House this weekend on the first an "victims'* or "patiente.** niversary of the National March on "Thc term 'victim' dehumaniBes people Washington for Lesbian and Gay Rights. with AIDS by emphasizing their deatl» Several people speak to the media, including rather than their strength in Uving with k-> Openly gay Rochestar City Council Clcvc Jones, thc San Francisco man who AIDS," thc sheet says. "Many people fed thsrt member Tim Mains was one of about 250 founded the project in the summer of 1987, the term 'victim* itwites a statisdcal afq>toach people who took part in a rally tor Michael and a mother whose young son, a to AIDS, and denies the individtiallty of each Dukakis and other Democratic can hemophiliac, died of AIDS-related iUness. -
Florida Historical Quarterly, Volume 78, Number 1
Florida Historical Quarterly Volume 78 Number 1 Florida Historical Quarterly, Volume Article 1 78, Number 1 1999 Florida Historical Quarterly, Volume 78, Number 1 Florida Historical Society [email protected] Find similar works at: https://stars.library.ucf.edu/fhq University of Central Florida Libraries http://library.ucf.edu This Full Issue is brought to you for free and open access by STARS. It has been accepted for inclusion in Florida Historical Quarterly by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Society, Florida Historical (1999) "Florida Historical Quarterly, Volume 78, Number 1," Florida Historical Quarterly: Vol. 78 : No. 1 , Article 1. Available at: https://stars.library.ucf.edu/fhq/vol78/iss1/1 Society: Florida Historical Quarterly, Volume 78, Number 1 Published by STARS, 1999 1 Florida Historical Quarterly, Vol. 78 [1999], No. 1, Art. 1 COVER Engineers and NASA officials crowd around the c nsole at Pad 26 A/ B, Cape Candv eral Air Station. Photograph courtesy oj the Air Force Spaff and Missile Museum. https://stars.library.ucf.edu/fhq/vol78/iss1/1 2 Society: Florida Historical Quarterly, Volume 78, Number 1 THE FLORIDA HISTORICAL SOCIE1Y T H E HI T O RICA L SO CIETY OF FLORIDA, 1856 T HE FLORID HI STORI CAL O CTETY, successor, ] 902 T H E FLORlDA II ISTORICAL SOCI ETY, in corporated , 1905 OFFI CERS W. S. "BILl." COKER, IJreside nl ADt\ C AT W ILU MS, presiden l-elecl N ILES SCl I U H , vire-presiden l PATRICLA B ARTLETT, secretary MARl IU, H . -
Laborlookswarren00oralrich.Pdf
University of California Berkeley 7/ University of California Bancroft Library/Berkeley Regional Oral History Office Earl Warren Oral History Project LABOR LOOKS AT EARL WARREN Germain Bulcke: A Longshoreman s Observations Joseph W. Ghaudet: A Printer s View Paul Heide: A Warehouseman s Reminiscences U. S. Simonds: A Carpenter s Comments Ernest H. Vernoni A Machinist s Recollection Interviews Conducted by Prank Jones 1970 by The University of California at Berkeley PREFACE The Earl Warren Oral History Project, a project of the Regional Oral History Office, was inaugurated to produce tape-recorded interviews with persons instrumental in the political and judicial scene during the Warren Era in California. Focusing on the years 1925 to 1953, the interviews are designed not only to document the life of Chief Justice Warren but to gain new information on the social and political changes of a state in the throes of a depression, then a war, then a postwar boom. Because of the age of many of the memoirists, efforts in the first phase of the project have been centered on capturing as many accounts on tape as possible. The interviews that were transcribed in this phase, including those in the present volume, have been checked, emended by the memoirist, final typed, indexed, and bound with pictures and other supporting information. The interviews have stimulated the deposit of Warreniana source material in the form of papers from friends and aides, old movie newsreels, video tapes, and photographs. This rapidly expanding Earl Warren Collec tion, added to the Bancroft Library s already extensive holdings on 20th Century California politics and history, provides a rich center for research. -
Motion Pictures 1894 to 1912
From the collection of the o Prefingep ^ - V Jjibrary t vv P San Francisco, California 2007 Digitized by tine Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation http://www.archive.org/details/motionpict18941912librrich Motion Pictures 1894-1912 Motion Pictures 1894-1912 Identified from the Records of the United States Copyright Office by Howard Lamarr Walls o 953 COPYRIGHT OFFICE i!V THE LIBRARY OF CONGRESS L. C. card, 53-60033 For sale by the Register of Copyrights, Library of Congress, Washington 25, D. C. Price J2 Copyright Office - The Labrary of Congress MOTION PICTURES. 1894-1912 Page 1 ERRATA AND ADDENDA 71 The following lists of corrections and additions to Motion Pictures . 1894-1912 have been compiled by the staff of the Copyright Office from information gathered and generously contributed by Miss Eliz- abeth Franklin of the Academy of Motion Picture Arts and Sciences during the course of twosununers' work on the paper print collec- tion of the Library of Congress. The corrections cover both typo- graphical errors and variances between information on the paper prints and in the record books of the office. Mr. Howard L. Walls was limited to the record books in making his original selection. Most of the additions consist of films not readily identifiable as such from the record book entries, since before 1912 motion pic- tures were registered simply as photographs. date January 9, 1894, ERRATA Belshazzar, copyright Page Page /enty-four motion pic- 16 DISCOVERIES OF BODIES. For DISCOV- 29Augl900: D18581. Registration number ERIES read DISCOVERY. should be D18582. ss J, photographs, be- 23 GIRLS SWIMMING. -
Download File
12/4/2020 Florence Lawrence – Women Film Pioneers Project Florence Lawrence Also Known As: Florence Annie Bridgwood, “Flo” Lawrence, “The Biograph Girl," Mrs. Harry Solter, Mrs. Charles Woodring, Mrs. Henry Bolton. Lived: January 2, 1886 - December 27, 1938 Worked as: film actress, producer, theatre actress Worked In: United States by Kelly Brown Florence Annie Bridgwood, usually known as “Flo” Lawrence, was born in Hamilton, Ontario, Canada, on January 2, 1886. Her mother, Charlotte Bridgwood, was a stage actress known professionally as Lotta Lawrence, and was the manager and leading lady of the Lawrence Dramatic Company (Holland 386). Flo’s childhood, consequently, was spent on the touring road and on the theatrical stage. She began her career in the motion picture industry with a role in an Edison Company short, Daniel Boone/Pioneer Days in America (1907), an account of which is given in her autobiography, Growing Up with the Movies, serialized by Photoplay in four parts. Both mother and daughter appeared in Daniel Boone as well as in Vitagraph’s adaptation of Irish playwright Dion Boucicault’s 1874 theatrical melodrama as The Shaughraun, an Irish Romance (1907), but Lotta soon returned to the stage. Flo’s motion picture career, in contrast, had just begun. Lawrence found her next job at the Vitagraph Company of America, where she worked with the company cofounder J. Stuart Blackton and with the stage actor-turned-director Charles Kent (Brown 14–16). At the American Mutoscope and Biograph Company, Lawrence appeared in most of the sixty short motion pictures that D.W. Griffith directed in 1908, his second year with the company (Holland 389). -
Biography of D.W. Griffith David Wark Griffith Was Born in La Grange
Biography of D.W. Griffith David Wark Griffith was born in La Grange, Kentucky on January 22, 1875. After stints as both writer and actor of poetry and plays, Griffith first entered the motion picture industry as an actor for Edison Studios in 1907. He moved over to Biograph in 1908 for the salary of $5 a day. Griffith's work at Biograph would forever change the way movies were made. Biograph was one of the first motion picture studios in America, when films were sold outright by the foot, and not rented as they are today. Films were silent and no more than one reel in length (a running time of about 12 minutes). At a price of 10-cents a foot, the cost of a reel of film was about $100. When Griffith first came to Biograph, the studio was only selling about 20 copies of each new film and was in poor financial condition. Biograph was in pressing need of a director. The job was offered to Griffith at an increase in salary, but he was reluctant to take it. He was working steadily and was afraid that if he failed he would lose his job as an actor. Henry Marvin, founder of Biograph, assured Griffith that if he did fail as a director, his acting chores would continue. Griffith reluctantly accepted. Griffith had only a rudimentary understanding of film making. He knew that film directors were no more than sheepherders, moving the actors from one place to another on the screen. The cameraman was king. Biograph had two: Arthur Marvin, brother of Griffith’s boss, and a German immigrant named G.W.